По-русски

Three Parts of a Whole

"Sergey Skuratov Architects" took part in the contest for the best multifunctional design concept of the territory of Moscow's "Artificial Leather Factory".

11 April 2014
Object
mainImg
Architect:
Sergey Skuratov
Object:
Integrated multifunctional complex in the place of “Artificial Leather Factory” in Moscow
Russia, Moscow, Vitebskaya Street, 9

Project Team:
Sergey Skuratov, A. Panev, I. Ilin, with the participation of S.Subbotin, I.Golubev, V.Obvintsev, and A.Alendeev

2013
Integrated multifunctional complex in the place of "Artificial Leather Factory" © «Sergey Skuratov Architects»

The factory whose territory is about to be reconstructed is located in the Western Administrative District of Moscow and is a part of a large industrial "blueprint" thresholded by the Moscow Ring Road, the Mozhaiskoe Highway, and the Ryabinovaya Street. The semi-derelict local industrial park borders on a residential block of fairly old houses, the Kuntsevskoe Cemetery and the quaintly winding Setun River whose banks are all but the only green area of this huge territory. In the June 2013 project of a multifunctional development that would be built in the place of the former factory, Sergey Skuratov expands the territory of the nature reserve by adding the new green spaces, and making a landscaped park in between the residential buildings. 

Integrated multifunctional complex in the place of "Artificial Leather Factory" © «Sergey Skuratov Architects»

If we turn our blind eye to its industrial past and to its proximity to the graveyard, the land site located between the urban territory and the woodland looks more attractive than otherwise. Its relief smoothly lowers from the road towards the river, along which the architects propose go mane a park, while the factory buildings have a little creek on between them. The task that the architects were to do was considerably simplified by the fact that absolutely all the old factory buildings were to be demolished. Generally, the "givens" were all but perfect had not it been for but one "but": the land site almost immediately borders on the so-called "public garage" - a monstrously sized and proportioned multilevel car park. This is why the first thing the architects had to do was think of a way how to visually separate the complex designed from this monster. 

Integrated multifunctional complex in the place of "Artificial Leather Factory" © «Sergey Skuratov Architects»

Sergey Skuratov reminisces that initially he was going to base his project on the principle of several housing belts, the closer to the water the thinner their density - the very proximity to the natural reserve suggested that idea - but the necessity to fence the complex away from the car park made the architect treat the first line if houses as a protective screen of sorts. Along the outside border of the land site, the architects concentrate all the commercial functions: these are two rather elongated volume 5 and 6 stories high, one of which being occupied by an office center and the other - by entertainment and shopping functions. Had it not been for the garage, both would have probably easily find their place all along the Vitebskaya Street but, because the garage stands at an angle to it, the building of the shopping center took the shape of a "bird mark" open to the territory of the residential complex. Peculiar is the fact that it almost "embraced" the land site's reservoir, and, in order to create, between it and the building, a fully-fledged promenade, the architects change the geometry of the creek, turning it on the plan into yet another bird mark and thus making it an indispensable part of the next housing belt - the landscaped park between the residential houses. 

Integrated multifunctional complex in the place of "Artificial Leather Factory" © «Sergey Skuratov Architects»

Thus the street housing front turned out rather monolith-looking. Avoiding the feeling of a too-rigid structure is achieved with the help of a small pedestrian square that looks as if it were integrated into the building of the office center, as well as into the city-oriented lower floors of the buildings and the broad boulevard that they are flanking from both sides. This green axis is meant to tie in all the designed units of the complex into a single whole and provide the access to the river, and then, via a light trestle, to the opposite bank as well, to the Sudarium Temple on the Setun. Between the public and the residential sectors, there is yet another boulevard: running parallel to the Vitebskaya Street, it forms, together with the main pedestrian axis, a simple and comprehensible coordinate system of the new neighborhood. 

Integrated multifunctional complex in the place of "Artificial Leather Factory" © «Sergey Skuratov Architects»

In the central part of the construction site, on both sides of the main boulevard, there are two "stages" of the housing blocks - groups of five and six 21-story towers. Rather compact on the plan, the high-rises stand at different angles in respect to the main axis, while their own corners are noticeably rounded. "Shooting up" from the stylobate of the landscaped park and interconnected with a sophisticated system of paths and trails, on the plan, they look more like grapevine rather than a residential neighborhood. We were considering all possible options of positioning our blocks and came to a conclusion that in this particular case towers were the most appropriate solution if all: they gave us a dramatic and at the same time penetrable silhouette, the amount of useful space our customer required, and the offset to the first line of the houses - Sergey Skuratov comments. 

Integrated multifunctional complex in the place of "Artificial Leather Factory" © «Sergey Skuratov Architects»

Integrated multifunctional complex in the place of "Artificial Leather Factory" © «Sergey Skuratov Architects»

The architect confesses that half a year later he used a similar solution in the project of a residential complex at the Rublevskoye Highway: in that case, the architect also inserts between the towers a fully-fledged park underneath which the guest car park is organized. Here, however, the landscaping area is considerably larger, and, hence, the space scenarios are more diverse: the sophisticated system of trails and ramps, the playgrounds, the recreation spots, and even kindergartens have more than enough room for them here. 

Integrated multifunctional complex in the place of "Artificial Leather Factory" © «Sergey Skuratov Architects»

Integrated multifunctional complex in the place of "Artificial Leather Factory" © «Sergey Skuratov Architects»

As for the school building, it got placed closer to the river. The double-part volume (the junior and the senior high are divided into separate buildings), united by a graceful pergola, is treated by Sergey Skuratov as the last urbanist "injection" into the tissue of the natural reserve. Surrounded by sports and playgrounds, it looks as if it were dissolving in the recreational area of the Setun River. 

Integrated multifunctional complex in the place of "Artificial Leather Factory" © «Sergey Skuratov Architects»

The contest for the best architectural concept is not about detailed elaboration of the architectural proposal, and Sergey Skuratov's project has in it but general outlines of how the future residential complex might look like, built in the stead of the former leather factory. For one, its vertical centerpieces - the high-rises - all got different but still similarly styled facades whose color gradually mutates from dark green to white. Looking as if they were an upward continuation of the landscaped park, they would bring the life-affirming bright colors into what is now a predominantly gray territory. 

Integrated multifunctional complex in the place of "Artificial Leather Factory" © «Sergey Skuratov Architects»

We will stress at this point that it it had not by chance that the subjunctive mood is used here: as of now, the results of this contest are still left unannounced, and Sergey Skuratov does not even know who of his colleagues he had to rival. As the architect himself confesses, last year his company took part in five contests, but their organization as well as the outcome of this particular competition turned out to be plain discouraging. Instead of naming the winner or somehow organizing the submitted works, the customer re-sold this land site, never making use of the proposed concepts, and this means, regretfully, that the project by "Sergey Skuratov Architects" is almost sure to remain forever on paper. 


Architect:
Sergey Skuratov
Object:
Integrated multifunctional complex in the place of “Artificial Leather Factory” in Moscow
Russia, Moscow, Vitebskaya Street, 9

Project Team:
Sergey Skuratov, A. Panev, I. Ilin, with the participation of S.Subbotin, I.Golubev, V.Obvintsev, and A.Alendeev

2013

11 April 2014

Headlines now
Home Base
Working on the new building for Letovo Junior School – opened to students in autumn 2025 in the MSU Valley – the architects of UNK, following the client’s vision, subordinated both façades and interiors to the theme of “home”. Multiple variations of pitched roofs, a city skyline traced across glass balustrades, wooden textures, and a whole series of micro-spaces for retreat within public areas are all at the disposal of primary and middle school students. We take a closer look at the new school building – and at how it interprets current trends in educational environments.
Doubles Match
The architecture of the Tennis Palace built in Luzhniki Olympic Complex, designed by Arena Design Institute, was shaped by three factors: the proximity of the brutalist Druzhba Arena, the closeness of the Moskva River and the metro bridge overpass, as well as the specifics of the function – tennis courts require large spans, abundant light, yet at the same time protection from direct sunlight. The architects divided the building into several blocks, playing on contrast, which is further emphasized by the façades developed in collaboration with TPO Reserve and Vladimir Plotkin.
Microdynamics of Macroprocesses
Given the proximity of the multifunctional complex SOLOS to Sokolniki Park and to a major transport hub, Kleinewelt Architekten embedded in the design of the two high-rise towers a sense of dynamism more characteristic of natural phenomena than of man-made objects. Without the authors’ diagrams, this logic is not easy to decipher, although the eye immediately detects a pattern and tries to grasp it. It seems to us that one tower contains the impulse of a bud about to open, while the other evokes the movement of a lithospheric plate. Let us try to unravel it together.
The Space of Post-Cubism
Sergei Tchoban and Alexandra Sheiner, of Studio CHART, created for the exhibition of “post-cubist” sculpture by Beatrice Sandomirskaya – a talented and even “mainstream” artist, yet almost unknown even to art historians – a space akin to her sculptural language: solidly built, confidently stereometric, and subtly expressive. It curves, emphasizing the mass of the sculpture, envelops the viewer, and guides them from one perspective to another, from a generic “shrine” to a “Madonna”.
The Value of Open Space
For the site near the Barrikadnaya Metro Station, Sergey Skuratov developed five projects between 2020 and 2025. Two of them were ones that won the client’s invitation-only competitions. The fifth was recently selected by the Mayor of Moscow for implementation. The project is vivid and sculptural, expressive, eye-catching, and engaging – very much in line with the spirit of our time. And yet, this project is mid-rise rather than tall. In its northwestern part, near the metro and Druzhinnikovskaya Street, it shapes a comfortable urban environment. On the opposite side, it opens up, allowing sunlight into the courtyard and creating a spatial pause within the dense city fabric. How it is organized, what geometric principles underlie it, and why it takes this form – all this is explored in our article.
Coming From the Cold
The ArchBukhta Festival remains one of the few events in Russia where participants go through the entire process of creating an architectural object – from concept to construction. And they do so on the shores of Lake Baikal, in dedication to it. This year, GAFA took part and shared its experience: a local legend, a team-specific design code, friendship, as well as ice skating and endurance in freezing temperatures all contributed to gaining something more than just an award.
Symphony of Water and Brick
The Alter residential complex, designed by Stepan Liphart and built on a bend of the Okhta River, is an example of a “drawn house”: the number of original architectural details is virtually immeasurable. As a result, ribs, projections, and recesses create a picturesque silhouette even without a significant variation in height. Both composition and material respond to the proximity of the river and to the red-brick factory building dating back to the early 20th century. The project was also significantly shaped by recommendations from the city’s chief architect. More details in our article.
Wave and Vertical
The premium residential complex designed by GAFA for a site in the Khoroshevsky District responds to multiple constraints – the arc of a planned roadway, the water protection zone of the Khodynka River, and insolation requirements – through inventive massing. The composition is built on the interplay of two spatial layers: an elongated perimeter block and three towers concealed behind it generate the silhouette and key viewpoints, while also adding semantic depth reinforced by the façade solutions. Another defining feature is a large private courtyard, complemented by a citywide linear park.
Office on Trubnaya
We continue publishing projects by Valery Kanyashin. A building once described, a quarter century ago, as an example of “quiet modernism” has remained just that in some people’s memory. According to Anatoly Belov, its main quality is its unobtrusiveness. The architects from Ostozhenka say the leading role here is played by context and landscape – the change in elevation. Yet is it really so inconspicuous?
The First International
With this publication, we begin a series of texts dedicated to works by the late Valery Kanyashin, one of the founders of Ostozhenka Architects. As it happens, the projects he was involved in largely illustrate our understanding of the firm and its history. The first project in this series is the International Moscow Bank on Prechistenskaya Embankment.
In Memory of Valery Kanyashin
On Friday, February 27, architect Valery Kanyashin passed away – co-founder of Ostozhenka Architects and the author of many significant buildings in Moscow. We publish a text by Anatoly Belov in memory of Valery Kanyashin.
Hypertext in Space
As part of the exhibition “What We Have We (Do Not) Keep”, Sergey Tchoban, the Museum of Architecture, and the CHART studio experiment with an eco-conscious approach to exhibition design, with thematic cross-references and even with publicistic reflections on the necessity of preserving modernism, the roots of contemporary architecture, and the birth of ideas. All of this makes the exhibition, with its light and transparent design, look quite innovative. The elements – both “material” and conceptual – are familiar, yet their combination is far from conventional.
The Outline of “Foundation”
In their competition proposal for the Fili transport hub, the consortium led by Alexey Ilyin proposed an “inhabited arch” – a form that is simple yet complex. The architects emphasize that even at the competition stage, the project’s feasibility was fully calculated, taking into account the minimal nighttime closures of Bagration Avenue. How was this achieved? With what functions? Let us take a closer look. In our view, the building would have suited the heroes of Isaac Asimov’s Foundation novels perfectly.
The Flying Horizontal
“A house in the spirit of Wright”, as architect Roman Leonidov describes it, pointing to his source of inspiration, was built on a challenging wedge-shaped site. To achieve a sense of intimacy and secure good views from the windows, the entire volume had to be shifted toward the far boundary, turning the house “back” to the neighboring mansions. The main façade demonstrates time-tested techniques often employed by the company: articulated horizontals, a weightless roofline, and a triad of materials – light plaster, dark slate, and warm wood.
Needles of Horizon Contemplation
The “House of Horizons”, designed by Kleinewelt Architekten in Krylatskoye, is carefully thought out at the stereometric level – from the logic of how the volumes interlock (and, conversely, how gaps are articulated between them) to the triangular balconies that give the building its striking, slightly bristling silhouette.
The Red Thread
A linear park project prepared by Alexey Ilyin studio for the improvement of a riverbank in one of the residential districts seeks to reconnect people with nature. Two levels of the embankment invite visitors to contemplate the landscape while at the same time protecting the riverbank from excessive human impact. The “aerial street” links functional zones and the opposite banks, creating new points of attraction along the way: balconies, bridges, and even a “grotto”.
Spindle and Thread
The concept of the Waver residential complex in Yekaterinburg draws inspiration from the past of the Parkovy district. In order to preserve the memory of the late-19th-century flax spinning mill once located here, the architectural company KPLN turns to the theme of textiles and weaving. The project’s main expressive device is a system of ribbons made of perforated weathering steel – a material that, in such volumes, has arguably not yet been used in Russian residential projects.
From Ski Resorts to Year-Round Recreation Clusters
In mid-December, several architectural firms gathered to discuss a “seasonal” topic: the prospects for the development of domestic ski tourism. Where is modern infrastructure already in place, where do only remnants of the Soviet legacy remain, and where is there still nothing – but projects are underway and soon to be completed? This article explores these questions.
Woven Into Sokolniki
Over the past few years, high-rise residential construction in former industrial zones has become the main theme of Moscow architecture. Towers are springing up here and there – but the question is what kind of towers they are. The residential complex CODE Sokolniki, designed by Ostozhenka Architects, is a project where every detail has been taken care of. The authors are attentive to the history of the site, the continuity of the urban fabric, the skyline, and visual corridors. They also proposed a motif with the lyrical name “scarf”. We take a closer look at the volumetric composition and the large-scale décor “woven”, in this case, out of terraces and balconies.
Stepan Liphart and Yuri Gerth: “Our Program Is Aesthetic”
The studio of Stepan Liphart, an architect known for his distinctive signature style and one-off projects, now has a partner. Yuri Khitrov, a specialist with a broad range of competencies, will take on the part of the work that distracts one from creativity but drives the business forward. One of the aims of this partnership is to improve the urban environment through dialogue with clients and officials. We spoke with both sides about their ambitions, the firm’s development strategy, shared values, and the need for pragmatism. And why the studio is called “Liphart & Gerth” only became clear at the very end of the interview.
The Copper Mirror
The varied-toned sheen of “unsealed” copper, painterly streaks and fingerprints, exposed concrete, and the unusual proportions – when you study the ZILART Museum building by Sergei Tchoban and SPEECH architects, there is plenty to talk about. However, it seems to us that the most interesting thing is how the museum’s composition responds to the realities of the district itself. The residential district has been realized as an open-air exhibition of façade statements by contemporary architects – but without public access to the inner courtyards of the blocks. This building – that is, the museum – is exactly the opposite: on the outside, it is deliberately restrained, while inside it shines spectacularly, creating its own sunbeams in any weather.
“Strangers” in the City
We asked Alexander Skokan for a comment on the results of 2025 – and he sent us a whole article, moreover one devoted to the discussion we recently began on the “appropriateness of high-rises” – or, more broadly speaking, “contrasting insertions into the urban fabric”. The result is a text that is essentially a question: why here? Why like this?
Dmitry Ostroumov: “To use the language of alchemy, we are involved in the process of “transmutation...
What we ended up having was an extremely unusual conversation with Dmitry Ostroumov. Why? At the very least, because he is not just an architect specializing in the construction of Orthodox churches. And not just – which is an extreme rarity – a proponent of developing contemporary stylistics within this still highly conservative field. Dmitry Ostroumov is a Master of Theology. So in addition to the history and specifics of the company, we speak about the very concept of the temple, about canon and tradition, about the living and the eternal, and even about the Russian Logos.
A Glazed Figurine
In searching for an image for a residential building near the Novodevichy Convent, GAFA architects turned to their own perception of the place: it evoked associations with antiquity, plein-air painting, and vintage artifacts. The two towers will be entirely clad in volumetric glazed ceramic – at present, there are no other buildings like this in Russia. The complex will also stand out thanks to its metabolic bay-window cells, streamlined surfaces, a ceremonial “hotel-style” driveway, and a lobby overlooking a lush garden.
A Knight’s Move via the Cour d’Honneur
Intercolumnium Architects presented to the City Planning Council a residential complex project that is set to replace the Aquatoria business center on Vyborgskaya Embankment. Experts praised the overall quality of the work, but expressed reservations about the three cour d’honneurs and suggested softening the contrast between the facades facing the embankment and the Kantemirovsky Bridge.
Mountains, Groves, and Ancestral Towers
The year-round mountain resort Armkhi situated in Russia’s Republic of Ingushetia is positioned as a destination for calm family recreation and has well-established traditions shaped by its hundred-year history and the culture of the region. The development program prepared by the Genplan Institute of Moscow preserves the resort’s identity while expanding its offerings and introducing new types of tourist leisure. In the near future, the resort will feature a balneological center, a thermal complex, an interactive museum, an extreme park, and, of course, new ski slopes.
A Small Country
Mezonproekt is developing a long-term master plan for the MEPhI campus in Obninsk. Over the next ten years, an enclave territory of about 100 hectares, located in a forest on the northern edge of the city, is set to transform into a modern center for the development of the nuclear energy sector. The plan envisions attracting international students and specialists, as well as comprehensive territorial development: both through the contemporary realization of “frozen” plans from the 1980s and through the introduction of new trends – public spaces, an aquapark, a food court, a school, and even a nuclear medicine center. Public and sports facilities are intended to be accessible to city residents as well, and the campus is to be physically and functionally connected to Obninsk.
Pearl Divers
GAFA has designed an apartment complex for Derbent intended to switch people from a work mode to a resort mindset – and to give the surrounding area a much-needed jolt. The building offers two distinct faces: restrained and laconic on the city side, and a lushly ornate façade facing the sea. At the heart of the complex, a hidden pearl lies – an open-air pool with an arch, offering views of a starry sky, and providing direct access to the beach.
A Satellite Island
The Genplan Institute of Moscow has prepared a master plan for the development of the Sarpinsky and Golodny island system, located within the administrative boundaries of Volgograd and considered among the largest river islands in Russia. By 2045, the plan envisions the implementation of 15 large-scale investment projects, including sports and educational clusters, a congress center with a “Volgonarium”, a film production cluster, and twenty-one theme parks. We explain which engineering, environmental, and transportation challenges must be addressed to turn this vision into reality. The master plan solutions have already been approved and incorporated into the city’s general development plan.