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Øystein Rø: “Colonial model” is the preferred modus operandi of the mineral industry in the High North

In an interview with Archi.ru, Norwegian architect Øystein Rø discusses future development of Barents Region, new medias for architecture dissemination and comfort as a driving force in creating architecture.
Øystein Rø, architect from architecture office Transborder Studio and co-founder of the architecture and art gallery 0047 in Oslo, visited Moscow to take part in the open discussion “Pezaniki: Russian-Norwegian neighbourhood” that took place June 7th at the Strelka Institute.

20 June 2013
Interview
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Archi.ru:
Your 0047 gallery curated the Year of architecture 2011 – nationwide celebration of National Association of Norwegian Architects’ centenary. There were conferences, open house days and other “interactive” events, but no grand exhibitions. How did you develop this strategy?

Øystein Rø:
We were chosen as curators following a call for ideas. We saw the Year of architecture as celebration of National Association of Norwegian Architects (NAL) and its members. So we wanted to mobilize the members, we wanted them to participate, to have them create the event and not just have some centrally organized exhibition of 100 years of NAL. We came up with models for how NAL and architects could work in a dialogue with society. As a result, there were over 100 events all over Norway in 2011, and it is my opinion that during the Year of Architecture architects renewed the Association and renewed their view why it is important to come together outside their offices and have this common platform for architectural discussion and debate. During the Year of Architecture we challenged the usual mode of architecture dissemination that is very architect-centric, like traditional exhibition showing models etc. Architects too often like to talk only to other architects. We pushed organizers and contributors of programs to explore other ways of promoting architecture. I think that the result was quite impressive: there were TV- and radio programs, debates, built projects, activism programs – different ways of discussing architecture. I think there is a lot of potential in exploring new medias for architecture dissemination, one successful example being the Strelka Institute that is very well integrated in city life with its summer public lecture program. The main event of 2011, the Festival of Architecture was a cross-section of all these activities in one space that lasted 10 days. There was also an international conference: we invited foreign architects to Norway to discuss how architects can engage in the development of society.
Archi.ru:
And now you are organizing another conference – for Oslo Triennale of Architecture in autumn 2013. What will it be?

Ø.R.:
It will be part of the project by Rotor from Belgium that curates the main exhibition, they have also laid out a curatorial platform for the Triennale and we are responding to that. The theme of the Triennale is “Behind the Green Door”, it is dedicated to the concept of sustainability – its historical and contemporary meaning and its place in the architectural production. In the conference “The Future of Comfort” we’ll discuss sustainability from the point of view of comfort as a driving force in creating architecture and also the environmental consequences of that eternal search for better comfort, for more luxury. And we want to discuss how architecture can create a more sustainable lifestyle, how we as architects can open up, push, enable people to pursue a lifestyle that doesn’t harm the environment as much as it does today. So we will explore architecture as an enabler for how people live their lives – as frameworks for new ways of living.

Archi.ru:
In 2009 you published a book on Barents region, Northern Experiments that is based on Barents Urban Survey 2009. What has changed there since then?

Ø.R.:
I see three important things that have happened in the region after we published our book. The most important thing being the delimitation that ended the border dispute between Russia and Norway (2010). Now the map is laid out and the game can begin, so to speak. Another important event is the establishment of a border pass for local citizens so they may now travel across the border as often as they want. It can really change how people use the border areas. And then you have the Shtokman gas field development, a huge Norwegian-Russian-French collaboration that was predicted to be very important for the future of the Barents sea. It is now terminated, and that is a big change, probably for the better. I think this is a reminder that the world is changing and that the role of this region can too.
Archi.ru:
On June 7th you took part in the discussion “Pezaniki: Russian-Norwegian neighbourhood” at the Strelka Institute. What was its most interesting topic for you?

Ø.R.:
For me the most interesting thing was what former consulate in Kirkenes Anatoly Smirnov said about plans for development of a new port in the Pechenga fjord: this means new activities in the borderland, a new reading of the possibilities there. It would be an important step in bringing out the potential of this area. It also represents a demilitarization because now this fjord is controlled by the military. The second interesting topic was the rumor that Russian Prime Minister Dmitry Medvedev would present a clean up plan for PechengaNickel chemical plant area (this plant belongs to “Norilsk Nickel“ company and is situated in Nikel settlement). It will be great news if it turns out to be true because this ecological disaster area needs change.

Archi.ru:
But even if we don’t talk about the ecological disaster and military zone that dampen the development of this region, there are also universal problems of life in the High North. For example, in Polar regions of Canada, in Greenland there are problems with unemployment, high alcoholic consumption and so on. What is the social-economic situation in the Norwegian High North?

Ø.R.:
For a long time there were problems here too: people, especially young citizens, moved away, but now the situation is changing. The Finnmark county is experiencing a growth of population and SØr-Varanger municipality now has a lot of positions they need new people to take – and people do come there, but even more are still needed. Finnmark still is an area for state support: subsidies, special civic tax system. If you live there, parts of your student loan are paid back to you, there are other financial models that encourage people to reside and do business there. The moment where this won’t be necessary anymore will come sooner rather than later, I think.
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Archi.ru:
There are mines and other ‘unsustainable’ industries there. What steps has the Norwegian state taken to neutralize their negative influence on the environment?

Ø.R.:
From my point of view, the state is doing too little, it could be more interested in this problem. There is now a new topic on the agenda – the emergence of new mineral industries in Norway, in Northern Norway in particular. “Colonial model”, the term that Tatiana Bazanova used during our discussion while describing the financial model of Norilsk Nickel’s operations in Pechenga district, seems to be the preferred modus operandi of the mineral industry. I think this is going to be a key topic of the future discussion of the development of the High North. It is very relevant there, in mining industry in particular because these companies do the same thing. They don’t pay a local tax to the municipality, so only people who work in mines pay a tax. But in Kirkenes large shares of the miners don’t actually live there, they work there for a week and then fly back home and pay taxes there. So Kirkenes is basically left with nothing except destroyed nature. It is a type of modern colonialism. It is not sustainable and it should not be a model for the future of mining, at least it should not be in Norway - or in Russia for that matter. In Norway these mining companies invest in the local economy as little as possible. It is a dramatic change in comparison to the situation when Kirkenes was founded around 100 years ago. Then the mining company was responsible for everything: homes, infrastructure, welfare. The town was created by the mining company because it wanted people to live there and have a good life. Now companies reduce their responsibility as much as possible. We led a studio at the Oslo School of Architecture and Design on the emerging mineral industry, not only Norway, but on a global scale, on an industry now venturing into new and unexplored areas on land and even under water: we are witnessing a dramatic and unprecedented quest for minerals that is reshaping the surface of the earth.

Archi.ru:
If we are talking of the High North as a global region of growth, what could architects do for these areas?

Ø.R.:
Architects can create models for the urban development, how towns and cities there can be designed. These could be new, better types of cities that bring nature and built environment together harmoniously. It is absolutely necessary given the increasing activity in the High North and the fragility of the nature here. I believe architects can and should be agents for a sustainable development of the High North.


20 June 2013

Headlines now
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.
Architecture and Leisure Park
For the suburban hotel complex, which envisages various formats of leisure, the architectural company T+T Architects proposed several types of accommodation, ranging from the classic “standard” in a common building to a “cave in the hill” and a “house in a tree”. An additional challenge consisted in integrating a few classic-style residences already existing on this territory into the “architectural forest park”.
The U-House
The Jois complex combines height with terraces, bringing the most expensive apartments from penthouses down to the bottom floors. The powerful iconic image of the U-shaped building is the result of the creative search for a new standard of living in high-rise buildings by the architects of “Genpro”.
Black and White
In this article, we specifically discuss the interiors of the ATOM Pavilion at VDNKh. Interior design is a crucial component of the overall concept in this case, and precision and meticulous execution were highly important for the architects. Julia Tryaskina, head of UNK interiors, shares some of the developments.
The “Snake” Mountain
The competition project for the seaside resort complex “Serpentine” combines several typologies: apartments of different classes, villas, and hotel rooms. For each of these typologies, the KPLN architects employ one of the images that are drawn from the natural environment – a serpentine road, a mountain stream, and rolling waves.
Opal from Anna Mons’ Ring
The project of a small business center located near Tupolev Plaza and Radio Street proclaims the necessity of modern architecture in a specific area of Moscow commonly known as “Nemetskaya Sloboda” or “German settlement”. It substantiates its thesis with the thoroughness of details, a multitude of proposed and rejected form variants, and even a detailed description of the surrounding area. The project is interesting indeed, and it is even more interesting to see what will come of it.
Feed ’Em All
A “House of Russian Cuisine” was designed and built by KROST Group at VDNKh for the “Rossiya” exhibition in record-breaking time. The pavilion is masterfully constructed in terms of the standards of modern public catering industry multiplied by the bustling cultural program of the exhibition, and it interprets the stylistically diverse character of VDNKh just as successfully. At the same time, much of its interior design can be traced back to the prototypes of the 1960s – so much so that even scenes from iconic Soviet movies of those years persistently come to mind.
The Ensemble at the Mosque
OSA prepared a master plan for a district in the southern part of Derbent. The main task of the master plan is to initiate the formation of a modern comfortable environment in this city. The organization of residential areas is subordinated to the city’s spiritual center: depending on the location relative to the cathedral mosque, the houses are distinguished by façade and plastique solutions. The program also includes a “hospitality center”, administrative buildings, an educational cluster, and even an air bridge.
Pargolovo Protestantism
A Protestant church is being built in St. Petersburg by the project of SLOI architects. One of the main features of the building is a wooden roof with 25-meter spans, which, among other things, forms the interior of the prayer hall. Also, there are other interesting details – we are telling you more about them.
The Shape of the Inconceivable
The ATOM Pavilion at VDNKh brings to mind a famous maxim of all architects and critics: “You’ve come up with it? Now build it!” You rarely see such a selfless immersion in implementation of the project, and the formidable structural and engineering tasks set by UNK architects to themselves are presented here as an integral and important part of the architectural idea. The challenge matches the obliging status of the place – after all, it is an “exhibition of achievements”, and the pavilion is dedicated to the nuclear energy industry. Let’s take a closer look: from the outside, from the inside, and from the underside too.
​Rays of the Desert
A school for 1750 students is going to be built in Dubai, designed by IND Architects. The architects took into account the local specifics, and proposed a radial layout and spaces, in which the children will be comfortable throughout the day.
The Dairy Theme
The concept of an office of a cheese-making company, designed for the enclosed area of a dairy factory, at least partially refers to industrial architecture. Perhaps that is why this concept is very simple, which seems the appropriate thing to do here. The building is enlivened by literally a couple of “master strokes”: the turning of the corner accentuates the entrance, and the shade of glass responds to the theme of “milk rivers” from Russian fairy tales.
The Road to the Temple
Under a grant from the Small Towns Competition, the main street and temple area of the village of Nikolo-Berezovka near Neftekamsk has been improved. A consortium of APRELarchitects and Novaya Zemlya is turning the village into an open-air museum and integrating ruined buildings into public life.
​Towers Leaning Towards the Sun
The three towers of the residential complex “Novodanilovskaya 8” are new and the tallest neighbors of the Danilovsky Manufactory, “Fort”, and “Plaza”, complementing a whole cluster of modern buildings designed by renowned masters. At the same time, the towers are unique for this setting – they are residential, they are the tallest ones here, and they are located on a challenging site. In this article, we explore how architects Andrey Romanov and Ekaterina Kuznetsova tackled this far-from-trivial task.
In the spirit of ROSTA posters
The new Rostselmash tractor factory, conceptualized by ASADOV Architects, is currently being completed in Rostov-on-Don. References to the Soviet architecture of the 1920’s and 1960’s resonate with the mission and strategic importance of the enterprise, and are also in line with the client’s wish: to pay homage to Rostov’s constructivism.
The Northern Thebaid
The central part of Ferapontovo village, adjacent to the famous monastery with frescoes by Dionisy, has been improved according to the project by APRELarchitects. Now the place offers basic services for tourists, as well as a place for the villagers’ leisure.
Brilliant Production
The architects from London-based MOST Architecture have designed the space for the high-tech production of Charge Cars, a high-performance production facility for high-speed electric cars that are assembled in the shell of legendary Ford Mustangs. The founders of both the company and the car assembly startup are Russians who were educated in their home country.
Three-Part Task: St. Petersburg’s Mytny Dvor
The so-called “Mytny Dvor” area lying just behind Moscow Railway Station – the market rows with a complex history – will be transformed into a premium residential complex by Studio 44. The project consists of three parts: the restoration of historical buildings, the reconstruction of the lost part of the historical contour, and new houses. All of them are harmonized with each other and with the city; axes and “beams of light” were found, cozy corners and scenic viewpoints were carefully thought out. We had a chat with the authors of the historical buildings’ restoration project, and we are telling you about all the different tasks that have been solved here.
The Color of the City, or Reflections on the Slope of an Urban Settlement
In 2022, Ostozhenka Architects won a competition, and in 2023, they developed and received all the necessary approvals for a master plan for the development of Chernigovskaya Street for the developer GloraX. The project takes into account a 10-year history of previous developments; it was done in collaboration with architects from Nizhny Novgorod, and it continues to evolve now. We carefully examined it, talked to everyone, and learned a lot of interesting things.
A Single-Industry Town
Kola MMC and Nornickel are building a residential neighborhood in Monchegorsk for their future employees. It is based on a project by an international team that won the 2021 competition. The project offers a number of solutions meant to combat the main “demons” of any northern city: wind, grayness and boredom.
A New Age Portico
At the beginning of the year, Novosibirsk Tolmachevo Airport opened Terminal C. The large-scale and transparent entrance hall with luminous columns inside successfully combines laconism with a bright and photogenic WOW-effect. The terminal is both the new façade of the whole complex and the starting point of the planned reconstruction, upon completion of which Tolmachevo will become the largest regional airport in Russia. In this article, we are examining the building in the context of modernist prototypes of both Novosibirsk and Leningrad: like puzzle pieces, they come together to form their individual history, not devoid of curious nuances and details.
A New Starting Point
We’ve been wanting to examine the RuArts Foundation space, designed by ATRIUM for quite a long time, and we finally got round to it. This building looks appropriate and impressive; it amazingly combines tradition – represented in our case by galleries – and innovation. In this article, we delve into details and study the building’s historical background as well.
Molding Perspectives
Stepan Liphart introduces “schematic Art Deco” on the outskirts of Kazan – his houses are executed in green color, with a glassy “iced” finish on the facades. The main merits of the project lie in his meticulous arrangement of viewing angles – the architect is striving to create in a challenging environment the embryo of a city not only in terms of pedestrian accessibility but also in a sculptural sense. He works with silhouettes, proposing intriguing triangular terraces. The entire project is structured like a crystal, following two grids, orthogonal and diagonal. In this article, we are examining what worked, and what eventually didn’t.