По-русски

Meeting the City Halfway

In Saint Petersburg, the "Nevskaya Ratusha" ("Neva City Hall" - translator's note) is being built - a business center with a large public square presided by the "New Smolny".

27 November 2013
mainImg
Object:
Administrative, public and business complex “Nevskaya ratusha”
Russia, St. Petersburg, city-block 1034 B, bordering with Novgorodskaya and Moiseenko streets, and Degtyarny side street

Project Team:
Gerasimov E.L., Tchoban S.E., Petrova Z.V., Reznikova E.A., Kuznetsova T.V., Manov O.V., Orlova-Sheiner M.E., Gvozdik A.G., Kashirina V., Frederik S. Scholz, Ramona Schwarzweller, Ingo Schwarzweller

2006 — 2010 / 2010 — 2016

ZAO “M”
Nevskaya Ratusha. Atrium

The concept of the administrative and public/business complex "Nevskaya Ratusha" has been jointly developed by the companies "Eugene Gerasimov and Partners" and nps tchoban voss that won it in the closed international tender back in 2007. The completion of the construction of a 9-building complex that was meant to combine the functions of the "New Smolny" and a large business center was already scheduled for the year of 2010. The lengthy process of getting all the necessary approvals, however (the construction permit was only issued two years later), coupled with the crisis of 2008, significantly pushed the completion dates. Some adjustments had to be made upon a more detailed examination of the land site that was allotted for the construction. Presently, the implementation of the first construction phase is in full swing - this, apart from the administrative building, includes two buildings of the business center. The latter are due to be launched into operation this fall. As far as the completion of the other six buildings is concerned, their future is still uncertain. 

Previously, this territory, located in the very heart of Saint Petersburg, in the immediate vicinity of the Smolny Palace and the Uprising Square, hosted Tram Park #4 and the plant named "Severny Uksus" ("Northern Vinegar" - translator's note). Due to the new construction project, all the existing buildings were supposed to be taken down. However, as early as in July 2008, Committee on State Control, Use and Protection of Historical and Cultural Landmarks discovered in the Degtyarny Alley three heritage buildings, two of which - the former administrative building and the front building of the Rozhdestvensky park, built back in 1912 - were recognized to be monuments of architecture. It was decided that the front building would be partially kept and included into the complex under construction. Thus, the nine already-planned buildings got a tenth one - three stories high and meant predominantly to serve administrative purposes. According to the project, it will be restored and modified to fit the needs of the complex. 

The city hall and the business center as viewed from the public square.


Some changes were also made to the positions of the other buildings on the land site, even though the radial planning was still there. The trapeze-shaped volume of the city hall was also preserved - it is situated in the eastern part of the venue and is covered with an imposing dome executed in the shape of a translucent oval cup. The main glazed facade of the building faces the Novgorodskaya Street. The stone pilasters and columns that support the glass awning, and the horizontal "stitch" of the cornice belts look like but a temporary intrusion into the seamless glass of the facade. The theme of the abundant glazing is picked up and developed by the outdoor blinds and the double light-reflecting glazing that serve to protect the inner premises from the excessive sunlight. 

Administration building as viewed from the Novgorodskaya Street.

The main entrance to the building is provided from the Novgorodskaya Street - it leads into a multi-height atrium, whose "visiting card" will be the crystal ball of the TV studio hovering in the air at a four-story height. In reality, this volume is supported by four bridges and a "mast" of the panoramic elevator of a cylinder shape with textural glass coating - but, when viewed from below, the whole structure looks totally weightless. The elevator connects the atrium to the sightseeing platform situated under the top of the dome. It commands a breathtaking view of Saint Petersburg. From the TV studio, the bridges lead to the administrative offices. It must be mentioned that the atrium will be the public space, open to people who can come in at any time, admire the city hall, watch the work of the city officials or go through to the fountain square. Besides the atrium, the building has in it four landscaped courtyards, starting from the third floor. 

A separate mention should be given to the translucent dome of the City Hall that can arguably be called the most important architectural element of the project. The dome has a sophisticated lens-like shape that rests on a conical basis, its maximum diameter being 48.4 meters. The framework of the dome consists of 12 main ribs of a diamond section, 24 intermediate ribs of a triangular section, and parallel bent crossbeams. The ribs rest upon the reinforced concrete structures of the building, and in the center they are wrapped by the locking ring. Sophisticated and beautiful, the whole structure is covered with translucent double-pane units alternating with inserts of curvilinear glass. 

Multi-height atrium

On the other side of the fountain that is located at the inside square of the complex, there is yet another centerpiece - the ten-story business center. In the contest project it had a sheer elliptical shape. Now its outline softened even more - the plan of the building started to look like a frozen drop of water that is about to fall off in the direction of the Degtyarny Alley. This accentuated softness of outlines is in sharp contrast with the pristine geometry of the neighboring office buildings that serve as the framework for the dramatic volume that fixes the new city square. The top often is building is also crowned by the translucent sightseeing platform, while the multicolored glass lamellae form a festive, even a bit too frivolous, architectural image that creates an interesting duo with the building of city administration. 

Top view

The positions of the other buildings that run away from the city hall in long beams, had to be slightly altered with regard to the newly discovered architectural monuments. Along the Degtyarny Alley, instead of the initially planned three buildings, only two are there - more elongated rectangular volumes. The rounded building that flanks the corner had to go because this territory now belongs to the existing houses. The changes were also made to the second beam that used to include four large buildings with deep courtyards. Now instead of four buildings there are five, also on the classicist side in their austere "dresses" of natural stone. The corner building has a sophisticated polygon form and is meant to house a hotel. Its neighbors were able to keep the square plans but they are different from the original version with their smaller dimensions and the absence of courtyards. While in the contest proposal the landscaped green territories would be there inside of each building, now only two larger business centers facing the Degtyarny Alley kept their "precinct" courtyards. And this was done not only in token of paying tribute to the architectural traditions of Saint Petersburg: the courtyards successfully solve the problem of insolation in the rather broad buildings. 

Location plan

It is also worth mentioning that, even with the disappearance of most of the courtyards, this project knows no shortage of public territories: the architects did everything for this complex to be integrated as much as possible into the city fabric and to create new attraction points for the people of Saint Petersburg. Apart from the rather large pedestrian-only central square, and the already-mentioned atrium of the city hall, the public functions are served by a fair bit of first-floor premises - it is planned they they will include cafes, shops, gyms, and so on. And as for the pass-through two-story gallery that runs along the perimeter of the square, in the event of implementation of the second and third phases of construction it will connect these territories into a single pedestrian route. The architects paid almost as much attention to the decoration of the square as they did to the building solutions - because it is this particular space will allow them to make the city hall an integral part of Saint Petersburg and will go a long way to demonstrate the new administration's readiness to enter into a dialogue with the city people. 

Administration building courtyard








Object:
Administrative, public and business complex “Nevskaya ratusha”
Russia, St. Petersburg, city-block 1034 B, bordering with Novgorodskaya and Moiseenko streets, and Degtyarny side street

Project Team:
Gerasimov E.L., Tchoban S.E., Petrova Z.V., Reznikova E.A., Kuznetsova T.V., Manov O.V., Orlova-Sheiner M.E., Gvozdik A.G., Kashirina V., Frederik S. Scholz, Ramona Schwarzweller, Ingo Schwarzweller

2006 — 2010 / 2010 — 2016

ZAO “M”

27 November 2013

Headlines now
Daring Brilliance
In this article, we are exploring “New Vision”, the first school built in the past 25 years in Moscow’s Khamovniki. The building has three main features: it is designed in accordance with the universal principles of modern education, fostering learning through interaction and more; second, the façades combine structural molded glass and metallic glazed ceramics – expensive and technologically advanced materials. Third, this is the school of Garden Quarters, the latest addition to Moscow’s iconic Khamovniki district. Both a costly and, in its way, audacious acquisition, it carries a youthful boldness in its statement. Let’s explore how the school is designed and where the contrasts lie.
A Twist of the Core
A clever and concise sculptural solution – rotating each floor by N degrees – has created an ensemble of “dancing” towers: similar yet different, simple yet complex. The designers meticulously refined a single structural node and spent considerable effort on the column construction – after that, “everything else was easy”. The architects also rotated the core walls on each floor to maximize the efficiency of the office spaces.
The Sculpting of Spring Forest Matter
We’ve been observing this building for a couple of years now: seemingly simple, perhaps even unassuming, it fits in remarkably well with the micro-district context shaped by the Moscow MCD road junctions. This building sticks in the memory of everyone who drives along the highway, even occasionally. In our opinion, Sergey Nikeshkin, by blending popular architectural techniques and approaches of the 2010s, managed to turn a seemingly simple structure into a statement “on the theme of a house as such”. Let’s figure out how this happened.
Water and Wind Whet the Stone
The Arisha Terraces residential complex, designed by Asadov Architects, will be built in a district of Dubai dedicated to film and television production. To create shaded spaces and an intriguing silhouette, the architects opted for a funnel-shaped composition and nature-inspired forms of erosion and weathering. The roofs, podium, and underground spaces extend leisure opportunities within the boundaries of a man-made “oasis”.
Elevation 5642
The Genplan Institute of Moscow has developed a comprehensive development project for three ski resorts in the Caucasus, which have been designated as special economic zones of the tourism and recreation type. The first of these zones is Elbrus. The project includes the construction of new ski runs, cable cars, and hotels, as well as the modernization of stations and improvements to the Azau tourist meadow. To expand the audience and enhance year-round appeal, a network of eco-trails is also being developed. In this article, we provide a detailed breakdown of each stage.
The IT Town
Taking the example of the first completed phase of the “U” district, we examine how the new neighborhood in Innopolis will be organized. T+T Architects and HADAA formed a well-balanced and ingenious master plan with different types of housing, a green artery, a system of squares, and a park in the town’s central part.
The Heart Lies Within
The second-phase building of the Evgeny Primakov School already won multiple awards while still in the design stage. Now that it’s completed, some unfinished nuances remain – most notably, the exposed ceiling structures, which ideally should have been concealed. However, given the priority placed on the building’s volumetric composition, this does not seem critical. What matters more is the “Wow!” effect created by the space itself.
Magnetic Forces
“Krylatskaya 33” is the first large-scale residential complex to appear amidst the 1980s “micro-districts” that harmoniously coexist with the forests, the river, the slopes, and the sports infrastructure. Despite its imposing scale, the architects of Ostozhenka managed to turn the complex into something that can be best described as a “graceful dominant”. First, they designed the complex with consideration for the style and height of the surrounding micro-districts. Second, by introducing a pause in its tallest section, they created compositional tension – right along the urban planning axis of the area.
Orion’s Belt
The Stone Khodynka 2 office complex, designed by Kleinewelt Architekten for the company Stone, is built with an ergonomic layout following “healthy building” principles: natural light, ventilation, and all the necessary features for an efficient office environment. On the outside, it resembles – like many contemporary buildings – an iPhone: sleek, glowing, glass-and-metal, edges elegantly rounded. Yet, it responds sensitively to the Khodynka context, where the main theme is the contrast between vertical and horizontal lines. The key intrigue lies in the design of the “stylobate” as a suspended passage, leaving the space beneath it open for free pedestrian movement.
Grigory Revzin: “It Was a Bold Statement Made on the Sly. Something Won”
In this article, we discuss the debates surrounding the circus competition and the demolition of the CMEA building with the most renowned architectural critic of our time. A paradox emerges in the process: while nostalgia for the Brezhnev era seems to be in vogue in Russia, a landmark building – the “axis” of the Warsaw Pact – has been sentenced to demolition. Isn’t that strange? We also find out that wow-architecture has made a comeback as a post-COVID trend. However, to make a truly powerful statement, professionals still remain indispensable.
Exposed Concrete
One of the stages of improving a small square in the town of Lermontov was the construction of a skatepark. Entrusting this part of the project to the XSA team, the city gained a 250-meter trick track whose features resemble those of land art objects – unparalleled in Russia in both scale and design. Here’s a look at how the experimental snake run in the foothills of the Caucasus was built.
One Step Closer To the Dream
The challenges of getting all the mandatory approvals, an insufficient budget, and construction site difficulties did not prevent ASADOV Bureau from achieving its main goal in the realization of the school project in the town of Troitsk – taking another step away from outdated notions of educational spaces toward creating a fundamentally new academic environment.
Chalet on the Rock
An Accor hotel in Arkhyz, designed by A.Len, will be situated at the gateway to the resort’s main tourist hubs. The architects reinterpreted the widely popular chalet style while adding an unexpected twist – an unfinished structure preserved on the site. The design team transformed this remnant into an exciting space featuring an open-air pool and a restaurant with panoramic views of the region’s highest mountain ridges.
Sergey Skuratov: “By and large, the project has been realized in line with the original ideas”
In this issue, we talk to the chief architect of Garden Quarters, looking back at the history and key moments of a project that took 18 years to develop and has now finally been completed. What interests us most are the transformations that the project underwent during construction, and the way the “necessary void” of public space was formed, which turned this remarkable complex into a fragment of a whole new type of urban fabric – not just at the horizontal “street” level but in its vertical structure as well.
A Unique Representative
The recently concluded year 2024 can be considered the year of completion for the “Garden Quarters” residential complex in Moscow’s Khamovniki. This project is well-known and, in many ways, iconic. Rarely does one manage to preserve such a number of original ideas, achieving in the end a kind of urban planning Gesamtkunstwerk. Here is a subjective view from an architecture journalist, with an interview with Sergey Skuratov soon to follow.
Field of Life
The new project by the architectural company PNKB (an acronym for “Design, Research, and Advisory Bureau”), led by Sergey Gnedovsky and Anton Lyubimkin, for the Kulikovo Field Museum is dedicated to the field as a concept in its own right. The field has long been a focus of the museum’s thorough and successful research. Accordingly, the exterior of the new museum building is gentler than that of its predecessor, which was also designed by PNKB and dedicated specifically to the historic battle. Inside, however, the building confidently guides the visitor from a luminous atrium along a spiral path to the field – interpreted here as a field of life.
A Paper Clip above the River
In this article, we talk with Vitaly Lutz from the Genplan Institute of Moscow about the design and unique features of the pedestrian bridge that now links the two banks of the Yauza River in the new cluster of Bauman Moscow State Technical University (MSTU). The bridge’s form and functionality – particularly the inclusion of an amphitheater suspended over the river – were conceived during the planning phase of the territory’s development. Typically, this approach is not standard practice, but the architects advocate for it, referring to this intermediate project phase as the “pre-AGR” stage (AGR stands for Architectural and Urban Planning Approval). Such a practice, they argue, helps define key parameters of future projects and bridge the gap between urban planning and architectural design.
Living in the Architecture of One’s Own Making
Do architects design houses for themselves? You bet! In this article, we are examining a new book by TATLIN publishing house. This book – unprecedented for Russia – features 52 private homes designed and built by contemporary architects for themselves. It includes houses that are famous, even iconic, as well as lesser-known ones; large and small, stylish and eccentric. To some extent, the book reflects the history of Russian architecture over the past 30 years.
A City Block Isoline
Another competition project for a residential complex on the banks of the Volga in Nizhny Novgorod has been prepared by Studio 44. A team of architects led by Ivan Kozhin concluded that using a regular block layout in such a location would be inappropriate and developed a “custom design” approach: a chain of parceled multi-section buildings stretching along the entire embankment. Let’s explore the features and advantages of this unconventional method.
Competition: The Price of Creativity?
Any day now, we’re expecting the results of a competition held by the “Samolet” development group for a plot in Kommunarka. In the meantime, we share the impressions of Editor-in-Chief Julia Tarabarina, who managed to conduct a public talk. Though technically focused on the interaction between developers and architects, the public talk turned into a discussion about the pros and cons of architectural competitions.
Terraced Design
The “River Park” residential complex has confidently and securely shaped the Nagatinsky Backwater shoreline. Featuring a public embankment, elevated courtyards connected by pedestrian bridges, and brick façades, the development invites exploration of its nuanced response to the surrounding context, as well as hints of the architects’ megalithic design thinking.
A Kremlin’s Core and Meteorite Fragments
We continue our coverage of the competition projects for the residential district that the development company GloraX plans to build along the embankment of the Rowing Channel in Nizhny Novgorod. ASADOV Architects approached the concept through a deep dive into local identity, using storytelling to pinpoint a central idea for the design: the master plan and composition are imagined as if a meteorite had struck a “proto-Kremlin”. Sounds weird? Find more details below!
The Volga Regatta
GloraX plans to develop a residential complex spanning 14 hectares along the Volga River in Nizhny Novgorod. The winning design in a closed-door competition, created by GORA Architects, features housing typologies ranging from townhouses to terraced high-rise slabs, a balance of functions, diverse ways of engaging with the water, and even a dedicated island (no less!) for the city residents.
Life Plans
The master plan for the residential district “Prityazheniye” (“Gravity”) in Naberezhnye Chelny was developed by the architectural company A.Len, taking into account the specific urban planning context and partially implemented solutions of the first phase. However, the master plan prioritized its own values: a green framework, a system of focal points, a hierarchy of spaces, and pedestrian priority. After this, the question of what residents will do in their neighborhood simply doesn’t arise.
A New Track
We took a thorough look at D_Station, a railcar repair depot dating back to 1906, recently reconstructed while preserving its century-old industrial structure, upon the project by Sergey Trukhanov and T+T Architects. Though work on the interiors – set to house restaurants and public spaces – is still underway, the building’s exterior already offers plenty to see. Visitors can explore the blend of old and new brickwork, appreciate the architect’s unique interpretation of ruin aesthetics, and enjoy the newly built pedestrian route that connects the Citydel Business Center’s arches to Kazakova Street.
Four Different Surveys
The “Explore the City” competition, organized this year by the Genplan Institute of Moscow, stands out as a pretty unconventional one for the architectural field but aligns perfectly well with the character of urban planning work. The winning project analyzed contemporary residential complexes, combining urban planning insights with a realtor’s perspective to propose a hybrid approach. Other entries explored public centers, motivations for car ownership, and housing vacancy rates. A fifth participant withdrew. Here’s a closer look at the four completed works.
Scheduled Evolution
ASADOV Architects unveiled the EvyCenter pavilion, a microcultural hub for fostering personal growth, organizing workshops, and doing gymnastics. Additionally, this pavilion serves as a prototype for a scalable country house, drawing inspiration from the “Loskutok” project, and constructed from CLT panels in a factory. This marks the beginning of a developer project initiated by the architectural firm (sic!), which is seeking partners to expand both small Evy settlements and even larger Evy cities, which are, according to Andrey Asadov, aimed at fostering the “evolutionary” development of the people who will inhabit them.
The Golden Crown
The concept for a dental clinic in Yekaterinburg, developed by CNTR Studio, revolves around the idea of a “mouth full of gold”: pristine white porcelain stoneware walls are complemented by matte brass details. To avoid an overly literal interpretation, the architects focused on the building’s proportions, skillfully navigating between sunlight requirements and fire safety regulations.
Flexibility and Integration
Not long ago, we covered the project for the fourth phase of the ÁLIA residential complex, designed by APEX. Now, we’ve been shown different fence concepts they developed to enclose the complex’s private courtyards, incorporating a variety of public functions. We believe that the sheer fact that the complex’s architects were involved in such a detail as fencing speaks volumes.
A Step Forward
The HIDE residential complex represents a major milestone for ADM architects and their leaders Andrey Romanov and Ekaterina Kuznetsova in their quest for a fresh high-rise aesthetic – one that is flexible and layered, capable of bringing vibrancy to mass and silhouette while shaping form. Over recent years, this approach has become ADM’s “signature style”, with the golden HIDE tower playing a pivotal role in its evolution. Here, we delve into the project’s story, explore the details of the complex’s design, and uncover its core essence.