По-русски

Golden Expo Sail

This year, the Saint Petersburg project of "Expoforum" developed by Eugene Gerasimov and Sergey Choban has entered the phase of active implementation. According to the renovated version of the project, the Shushary congress and exhibition complex will get golden facades and impressive parabolic marquees.

24 April 2013
Object
mainImg
Architect:
Evgeny Gerasimov
Sergey Kouznetsov
Sergei Tchoban
Firm:
Evgeniy Gerasimov & partners
SPEECH
Tchoban Voss Architekten
Object:
ExpoForum
Russia, St. Petersburg, Pushkinsky district, Shushary location

Project Team:
Gerasimov E.L., Tchoban S.E., Hivrich V.F., Lassen M. (Matthias Lassen), Golovko O.V., Oskolkova T.B., Markov I.G., Soluyanov I. F. nps tchoban voss: Valeria Kashirina, Igor Markov, Kenan Ozan, Dorothee Dietz, Hannes Topper, Silvia Grischkat, Rene Hoch Werner Sobek Ingenieure

2007 — 2009 / 2009 — 2016

ZAO “ExpoForum”

The story of construction of a grand-scale expo complex in the city of Saint Petersburg was covered by Archi.ru back in 2009. Back then, a joined team of Eugene Gerasimov architects and nps tchoban voss offered to the city an elegant composition of several parallelepipeds that would house the expo halls, and the "arch" building that was fully covered in glass of bright shades and colors and looked like a cross between a snake and a bullet train. This version was approved as the main concept; however, in the course of the development of the land site and narrowing the specifications, the architectural and planning solution of "Expoforum" underwent such drastic changes that it now made sense to speak about the development of a new project.

 

The changes affected not only the architectural image of the future exhibition center but also the provisions of the master plan. At this point we will remind you that the complex will be built in the Pushkinsky district of Saint Petersburg, on the ground of the former "Shushary" state-owned farm: located a ten minutes' drive away from the "Pulkovo" airport, this site borders on the Peterburgskoe Highway, the Pulkovo Lake, and the residential area that belongs to the farm. It is pretty obvious that from the standpoint of successful development of the expo business the key factor is the proximity to the international airport, this is why the front part of the complex still faces the highway. The way the main territory is used, however, was dramatically rethought and rearranged by the architects.

 

First of all, the transport infrastructure of the future "Expoforum" was more carefully thought out. While originally the architects placed the pavilions and the congress center on the land site of a square shape one of the edges of which in fact "barged into" the shore area of the lake causing legitimate questions, now the site took on a shape of a smoothed-out trapeze with its edges fringed by automobile roads. The territory of the exhibition center is accessible by two fully-fledged driveways - from the southeast and the northern sides of the land site, the northern crossing with the Peterburgskoe Highway being more developed and presenting a grand-scale flyover, because on this side the exit from the main two-level parking garage is situated. The architects also provided for a traffic circle on the rear side of the complex - it will help to separate more efficiently the traffic flows that are headed to different halls of "Expoforum".

 

Location plan

The composition of the complex itself also changed beyond recognition. In the original version of the project, the public and recreation space occupied as much as a third of the entire site - in fact, the whole roof of the underground parking garage was treated as an open-air venue for public events or even for exhibiting airplanes and heavy machinery. Upon a closer look at this idea, however, the architects admitted that the climate of Saint Petersburg is not exactly conductive for organizing frequent auto or aviation trade fairs, and this is why the land site is now filled with buildings almost completely: instead of a giant windswept "marching ground" there appears a system of wind-protected squares, courtyards, and little streets. The function of the centerpiece of the composition is still performed by the covered pedestrian passage; now, however, the buildings of the exhibition center are evenly spaced on its either sides, so on the layout "Expoforum" looks like a tree pictogram with branches shooting off its trunk.

 

New master plan

As far as the functions are concerned, no significant changes were made to the project. As earlier, "Expoforum" includes the expo, congress, and business centers, 3 and 4-star hotels, as well as a freight forwarding unit and the engineering infrastructure facilities without which launching such a massive organism into operation would have been impossible. The congress center, the hotels, and the two business centers are joined together and placed in the front housing line - one can say that these are the magnificent upper branches of that "tree" and the main facade of the entire "Expoforum", its "face" that will welcome the visitors coming down the Peterburgskoe Highway. Perpendicularly behind these buildings, there are the expo halls. "Ultimately, these halls are nothing more than plain hangars - simply because nothing more effective has been invented so far to serve the expo functions - Eugene Gerasimov explains - The only novelty that we introduced was breaking them up into separate segments. They used to be simply huge but now their area has shrunk while their numbers have grown". Analogously, the "snake" building from the previous project was fractured: each object of the first line can function independently - this helps to make the construction priorities as convenient to the investors as possible, as well as to provide for more effective and efficient operation later on. By the way, about the construction priorities: first, there will be built the buildings of the first line and three expo halls out of six, while the above-ground parking garage will be placed on the territory that will later on be used to build another three expo halls (the parking stalls being moved underground).

 

And, while originally this facade was facing the highway with rainbow colors, now the complex is designed in an entirely different way. While the golden casing is still there, the architects change it from a uniform coating into a net with cells of different sizes. Interesting is the fact that this is not rigid orthogonal grid - each cell sports rounded, as if melted, corners (at one of the facades they even turn into windows of a completely round shape), which serves to soften the rigid geometry of the buildings and makes them look very much like the good old punch cards. The theme found by the architects is both winsome and unobtrusive; it is more than appropriate in the buildings meant to showcase the achievements in the field of high-tech solutions.

 

The arch also survived into the new project, although, while it was a pass-through one and served the function of the entrance gate to the territory of "Expoforum", now the characteristic parabolic shape was given to the marquee of the north entrance. It is perceived as a golden sail whose edges are drawn down to the ground, and the main canvas is spread out by the gusts of Saint Petersburg wind.

 

For the other facade, the architects also chose the golden amber color. According to Eugene Gerasimov, there were several reasons for the monochrome solution. First of all, the architects needed a more reserved tone, one that would "pull" together the composition of various volumes, and at the same time one that would not leave a "mottled" or "overcrowded" impression. Second of all, this very tone was the perfect choice for adding some "flavor" of Saint Petersburg's classical architecture into the image of the new complex - the photos of its most famous buildings will be photo-printed on the ceramic panels of the expo halls' facades. In fact, the whole facade will turn into a giant canvas that is broken by slightly-less-transparent verticals of the galleries and overpasses into separate segments, each of which displays a theme of its own. One can see the Bronze Horseman, the Palace Bridge, and the Arch of the Joint Staff in here - when viewed from the road, the pictures will change like the frames of a movie, or rather, and this comparison will be even more appropriate for Saint Petersburg, canvases in an art museum. The museum association is enhanced by the color of the coating that the architects chose - it really looks like a golden frame of some work of art, but then again, the pictures that are there on the ceramic panels get the hew of an opaque sepia that we often see on the old photographs and in the old movies.


EXPOFORUM. The first version of the project © SPEECH, Evgeny Gerasimov and Partners
EXPOFORUM. Project, 2009 © SPEECH, Evgeny Gerasimov and Partners
zooming
zooming
zooming
zooming


Architect:
Evgeny Gerasimov
Sergey Kouznetsov
Sergei Tchoban
Firm:
Evgeniy Gerasimov & partners
SPEECH
Tchoban Voss Architekten
Object:
ExpoForum
Russia, St. Petersburg, Pushkinsky district, Shushary location

Project Team:
Gerasimov E.L., Tchoban S.E., Hivrich V.F., Lassen M. (Matthias Lassen), Golovko O.V., Oskolkova T.B., Markov I.G., Soluyanov I. F. nps tchoban voss: Valeria Kashirina, Igor Markov, Kenan Ozan, Dorothee Dietz, Hannes Topper, Silvia Grischkat, Rene Hoch Werner Sobek Ingenieure

2007 — 2009 / 2009 — 2016

ZAO “ExpoForum”

24 April 2013

Headlines now
​The Power of Lines
The building at the very beginning of New Arbat is the result of long deliberations over how to replace the former House of Communication. Contemporary, dynamic, and even somewhat zoomorphic in character, it is structured around a large diagonal grid. The building has become a striking accent both in the perspective of the former Kalinin Avenue and in the panorama of Arbat Square. Yet, unfortunately, the original concept was not fully realized. In 2020, the Moscow ArchCouncil approved a design featuring an exoskeleton – an external load-bearing structure, which eventually turned into a purely decorative element. Still, the power of the supergraphic “holds” the building, giving it the qualities of a new urban landmark with iconic potential. How this concept took shape, what unexpected associations might underlie the grid’s form, and why the exoskeleton was never built – all this is explored in our article.
Resort on the Kama River
Wowhaus has developed a project for the reconstruction of Korabelnaya Roshcha (“Mast Grove”), a wellness resort located on the banks of the Kama River.
Nests in Primorye
The eco-park project “Nests”, designed by Aleksey Polishchuk and the company Power Technologies, received first prize at the Eco-Coast 2025 festival, organized by the Union of Architects of Russia. For a glamping site in Filinskaya Bay, the authors proposed bird-shaped houses, treehouses, and a nest-shaped observation platform, topping it all with an entrance pavilion executed in the shape of an owl.
The Angle of String Tension
The House of Music, designed by Vladimir Plotkin and the architects of TPO Reserve, resembles a harp, and when seen from above, even a bass clef. But if only it were that simple! The architecture of the complex fuses two distinct expressive languages: the lattice-like, transparent, permeable vocabulary of “classical” modernism and the sculptural, ribbon-like volumes so beloved by today’s neo-modernism. How it all works – where the catharsis lies, which compositional axes underpin the design, where the project resembles Zaryadye Concert Hall and where it does not – read in the article below.
How Historic Tobolsk Becomes a Portal to the Future
Over the past decade, the architectural company Wowhaus has developed urban strategies for several Russian cities – Vyksa, Tula, and Nizhnekamsk, to name but a few. Against this backdrop, the Tobolsk master plan stands out both for its scale – the territory under transformation covers more than 220 square kilometers – and for its complexity.
St. Petersburg vs Rome
The center of St. Petersburg is, as we know, sacred – but few people can say with certainty where this “sacred place” actually begins and ends. It’s not about the formal boundaries, “from the Obvodny Canal to the Bolshaya Nevka”, but about the vibe that feels true to the city center. With the Nevskaya Ratusha complex – built to a design that won an international competition – Evgeny Gerasimov and Sergei Tchoban created an “image of the center” within its territory. And not so much the image of St. Petersburg itself, as that of a global metropolis. This is something new, something that hasn’t appeared in the city for a long time. In this article, we study the atmosphere, recall precedents, and even reflect on who and when first called St. Petersburg the “new Rome”. Clearly, the idea is alive for a reason.
On the Wave
The project of transforming the river port and embankment in the city of Cheboksary, developed by the ATRIUM Architects, involves one of the city’s key areas. The Volga embankment is to be turned into a riverside boulevard – a multifunctional, comfortable, and expressive space for work and leisure activities. The authors propose creating a new link with the city’s main Krasnaya (“Red”) Square, as well as erecting several residential towers inspired by the shape of the traditional national women’s headdress – these towers are likely to become striking accents on the Volga panorama.
Valery Kanyashin: “We Were Given a Free Hand”
The Headliner residential complex, the main part of which was recently completed just across from Moscow City, is a kind of neighbor to the MIBC that doesn’t “play along” with it. On the contrary, the new complex is entirely built on contrast: like a city of differently scaled buildings that seems to have emerged naturally over the past 20 years – which is a hugely popular trend nowadays! And yet here – perhaps only here – such a project has been realized to its full potential. Yes, high-rises dominate, but all these slender, delicate profiles, all these exciting perspectives! And most importantly – how everything is mixed and composed together... We spoke with the project’s leader Valery Kanyashin.
​The Keystone
Until quite recently, premium residential and office complexes in Moscow were seen as the exclusive privilege of the city center. Today the situation is changing: high-quality architecture is moving beyond the confines of the Third Ring Road and appearing on the outskirts. The STONE Kaluzhskaya business center is one such example. Projects like this help decentralize the megalopolis, making life and work prestigious in any part of the city.
Perpetuum Mobile
The interior of the headquarters of Natsproektstroy, created by the IND studio team, vividly and effectively reflects the client’s field of activity – it is one of Russia’s largest infrastructure companies, responsible for logistics and transport communications of every kind you can possibly think of.
Water and Light
Church art is full of symbolism, and part of it is truly canonical, while another part is shaped by tradition and is perceived by some as obligatory. Because of this kind of “false conservatism”, contemporary church architecture develops slowly compared to other genres, and rarely looks contemporary. Nevertheless, there are enthusiasts in this field out there: the cemetery church of Archangel Michael in Apatity, designed by Dmitry Ostroumov and Prokhram bureau, combines tradition and experiment. This is not an experiment for its own sake, however – rather, the considered work of a contemporary architect with the symbolism of space, volume, and, above all, light.
Champions’ Cup
At first glance, the Bell skyscraper on 1st Yamskogo Polya Street, 12, appears strict and laconic – though by no means modest. Its economical stereometry is built on a form close to an oval, one of UNK architects’ favorite themes. The streamlined surface of the main volume, clad in metal louvers, is sliced twice with glass incisions that graphically reveal the essence of the original shape: both its simplicity and its complexity. At the same time, dozens of highly complex engineering puzzles have been solved here.
Semi-Digital Environment
In the town of Innopolis, a satellite of Kazan, the first 4-star hotel designed by MAD Architects has opened. The interiors of the hotel combine elegance with irony, and technology with comfort, evoking the atmosphere of a computer game or maybe a sci-fi movie about the near future.
History never ends
The old railway station in Kapan, a city in southern Armenia, has been given new life by the Paris-based design firm Normal Studio. Today, it serves as a TUMO center.
A Deep, Crystal Shine
A new luxury residential development by ADM architects is set to rise in the Patriarch’s Ponds district, not far from Novopushkinsky Square. It will replace three buildings erected in the early 1990s. The project authors, Andrey Romanov and Ekaterina Kuznetsova, have placed their bets on the variety among the three volumes, modern design solutions, and attention to detail: one of the buildings will feature smoothly curved balconies with a ceramic sheen on their undersides, while another will be accented by glass “sculpture” columns.
Grigory Revzin: “What we should do with the architecture of the seventies”
Soviet modernism came in two flavors: the good, author-driven kind, and the bad, standardized kind. The good kind was “on the periphery”, while the bad kind was in the center – geographically, in terms of attention, scale, and everything else. Can we demolish it? “That would be destroying public consensus out of thin air”. So what should we do? Preserve it, but creatively: “Bring architecture into places where it hasn’t yet appeared”. Treat these buildings not as monuments, but as urban landscape. Read our interview with Grigory Revzin on the pressing topic of saving modernism – where he proposes a controversial, yet really intriguing, way of preserving 1970s buildings.
A Roadside Picnic of Urban Planning Theorists
Marina Egorova, head of Empate Architectural Bureau, brought together urban planning theorists – the successors of Alexey Gutnov and Vyacheslav Glazychev – to revive the substance and depth of professional discourse. At the first meeting, much ground was covered: the participants revisited the theoretical foundations, aligned their values, examined a cutting-edge case of the Kazan agglomeration, and concluded with the unfathomable intricacies of Russian land demarcation. Below, we present key takeaways from all the presentations.
Perspective View
CNTR Architects has designed a business center for a new district in Yekaterinburg, aiming to reduce the need for commuting and make the residential environment more diverse. The architectural solutions are equally focused on creating spatial flexibility, comfortable working conditions, and a memorable image that could allow the building to become a spatial landmark of the district.
Malevich and Bathhouses, Nature and High-Tech
The Malevich Bathhouse complex is scheduled to open in the fall of 2025 on the Rublyovo-Uspenskoye Highway. The project, designed by DBA-GROUP under the leadership of Vladislav Andreev, is an example of an unconventional approach to the image of a spa in general and of a bathhouse in particular. Deliberately avoiding any kind of allusion, the architects opted for streamlined forms with characteristic rounded corners, a combination of wood with bent glass, and restrained contemporary shapes – both inside and out. Let’s take a closer look at the project.
Rather, a Tablecloth and a Glass!
After many years, the long-abandoned Horse Guards Department building in St. Petersburg has finally received the attention it deserves: according to a design by Studio 44, the first restoration and adaptation works are scheduled to begin this year. Both the intended function and the general scope of works imply minimal alteration to the complex, which has preserved traces of its three-century history. All solutions are reversible and aimed, above all, at opening the monument to the city and immersing it in a lively social scene – hence the choice of a cultural center scenario with a strong gastronomic component.
​Materialization of Airflows
The Nikolai Kamov International Airport in Tomsk opened at the end of August last year. We have already written about the project – now we are taking a look at the completed building. Its functionality is reinforced by symbolic undertones: the architects at ASADOV sought to reflect local identity in the architecture as fully as possible.
The City as a Narrative
Sergey Skuratov’s approach to large urban plots could best be described as a “total design code”. The architect pays equal attention to the overall composition and the smallest of details, striving to ensure that every aspect is thoroughly thought out and subordinated to the original vision. It’s a Renaissance-like approach, really – a titanic effort demanding remarkable willpower and perseverance. The results are likewise grand – architecture that makes a statement. This article looks at the revived concept for the central section of the Seventh Heaven residential district in Kazan, a composition so thoroughly considered that even the “gradient of visual emphasis” (sic!) across the facades has been carefully worked out. It also touches on the narrative idea behind the project – and even the architect’s own doubts about it.
A Garden of Hope for Freedom
In October, at the Spaso-Evfimiev Monastery in Suzdal, the Prison Yard Garden opened on the site that had served as a prison from the 18th century until the Khrushchev Thaw. The architectural concept was developed by NOῨD Short Film, and the landscape design by the MOX landscape bureau. In fact, there are two gardens here – very different ones. We try to understand whether they evoke the right emotions in visitors, while also showing the beauty of June’s ruderal plants in bloom.
A Laconic Image of Time
The Time Square residential complex, built on the northern edge of St. Petersburg, appears more concise and efficient than its neighbor and predecessor, the New Time complex. Nevertheless, the architect’s hand is clearly felt: themes of “black and white”, “inside and outside”, and most notably, the “lamellar” quality of the facades that seems to visibly “eat away” at the buildings’ mass – everything is played out like a well-written score. One is reminded of both classical modernism and the so-called “post-constructivism”.
The Flower of the Lake
The prototype for the building of the Kamal Theater in Kazan is an ice flower: a rare and fragile natural phenomenon of Lake Kaban “froze” in the large, soaring outlines of the glass screens enclosing the main volume, shaping its silhouette and shielding the stained-glass windows from the sun. The project, led by the Wowhaus consortium and including global architecture “star” Kengo Kuma, won the 2021/2022 competition and was realized close to the original concept in a short – very short – period of time. The theater opened in early 2025. It was Kengo Kuma who proposed the image of an ice flower and the contraposition of cold on the outside and warmth on the inside. Between 2022 and 2024, Wowhaus did everything possible to bring this vision to life, practically living on-site. Now we are taking a closer look at this landmark building and its captivating story.
Peaceful Integration on Mira Avenue
The MIRA residential complex (the word mir means “peace” in Russian), perched above the steep banks of the Yauza River and Mira Avenue, lives up to its name not only technically, but also visually and conceptually. Sleek, high-rise, and glass-clad, it responds both to Zholtovsky’s classicism and to the modernism of the nearby “House on Stilts”. Drawing on features from its neighbors, it reconciles them within a shared architectural language rooted in contemporary façade design. Let’s take a closer look at how this is done.
An Interior for a New Format of Education
The design of the new building for Tyumen State University (TyumSU) was initially developed before the pandemic but later revised to meet new educational requirements. The university has adopted a “2+2+2” system, which eliminates traditional divisions into groups and academic streams in favor of individualized study programs. These changes were implemented swiftly – right at the start of construction. Now that the building is complete, we are taking a closer look.
Penthouses and Kokoshniks
A new residential complex designed by ASADOV Architects for the Krasnaya Roza business district responds to its proximity to 17th-century landmarks – the chambers of the Hamovny Dvor and St. Nicholas Church – as well as to the need to preserve valuable façades of a historic rental house built in the Russian Revival style. The architects proposed a set of buildings of varying heights, whose façades reference ecclesiastical architecture. But we were also able to detect other associations.
Centipede Town
The new school campus designed by ATRIUM Architects, located on the shores of a protected lake in the Imeretian Lowland Ornithological Reserve, represents an important and ambitious undertaking for the team: this is not just a school, but a Presidential Lyceum for the comprehensive development of gifted children – 2,500 students from age 3 through high school. At the same time, it is also envisioned as a new civic hub for the entire Sirius territory. In this article, we unpack the structure and architecture of this “lyceum town”.