По-русски

A Block on Three Shores

In the vicinity of Moscow area's Kransnogorsk, "Architecturium" studio is building a townhouse community named "Rizhsky Kvartal" (Riga Block). The classy low-rise houses are positioned around a large forest lake, and for Moscow area this is an example of the rare case when the name actually answers its content.

24 December 2012
Object
mainImg

This settlement is sure some stereotype breaker. It starts surprising you once you take the first look at its master plan. For one, in the spot where usually the neat central square is designed (pseudo "European" style), or some equally neat little creek is there, "Rizhsky Kvartal" sports a huge body of water. Its area is quite comparable to the area occupied by the houses, and, because the architects tried to evenly "spread" the townhouses along the shorelines, the lake's unconditional leadership in the space hierarchy of the settlement is all but obvious. It is the lake that sets the general layout structure, as well as the style of the housing created by the architects.

 

It should be noted here that the "Rizhsky Kvartal" land site itself looks quite matching on the land map, and has a fish-like shape: its triangular nose is turned south, its wide tail is turned north, and its fin is turned eastwards. The lake of an almost perfectly circular shape is inscribed precisely in the middle of this figure, and, because the developers caught a big and rather slender "fish" this time, only two shores out of four turned to be wide and spacious enough for building houses upon. And while on the east side, the issue is solved by the elongated rectangle of the "fin" that the architects fill up with houses sparingly, the narrow strip of land next to the water on the west side remains virtually vacant. "There has always been a beach here, and we decided to keep its function - all the more so because, according to the planning permission, the developer was to create here the conditions for public water-based recreation - explains the leader of "Architecturium" Vladimir Binderman - Besides, the land here is rather swampy, and you cannot build anything close to the water - not only houses, even a decent quay is impossible here. So what we did was make a choice in favor of light structures - duck-boards, and almost weightless footbridges. So, ultimately what we did was something Scandinavian or Baltic - and this is how we made up our minds about the overall style; it had to be described with the following three words: natural, sturdy, simple".

 

And, while around the lake there appears the developed pedestrian area, along the border of the land site, the architects run a road that circles the lake in a wide loop and connects the separate housing segments. These are clearly visible on the master plan: one group of houses is situated at the settlement's driving entrance, between the highway and the lake, the second group consists of rows of townhouses that fill in the already-mentioned "fin", and the third one is the residential area on the other side of the lake. Incidentally, this "forced" disunity of the blocks played only into the hands of the developers - it was now really simple to determine the construction priorities: presently, the "North Bank" is already put into operation, the "East Bank" is under construction, and the "South Bank" is expected to be put into operation by the end of 2013.

This settlement has no traditional Main Street as such, the one that is usually pierced with the capillary of the inner driveways and private property - perhaps the already-mentioned promenade around the lake can count as such - no matter what block you exit, you find yourself in the developed shoreline area. At the same time, the layout of each particular segment directly depends on where exactly in the settlement it is situated in relation to the lake. At the "South Bank", for example, the houses are made as open to the water as possible, in fact, they face the water in a single frontline, while at the "North Bank" the houses stand with their side walls turned to the water, and with a little shift in respect to one another. The architects, however, did not want to "cut" the trivial "view corridors" from the entrance area to the lake, and this is why the central promenade near the water is flanked with two houses consisting of six sections each; in the future its perspective will be completed by an elegant fully-wooden volume of the marina. "This solution helps us to let the settlement keep the lake all to itself - it's virtually invisible from the highway - and at the same time the housing that's on the side of the highway takes on a certain depth and multidimensionality" - Vladimir Binderman explains.

 

The square footage of the houses gradually increases as one gets closer to the water's edge: while the "North Bank" is mainly overbuilt with 200-210 square meter sections, the square footage of the houses on the "East Bank" approaches 240 "squares", and on the "South Bank" it climbs up to 270. At the same time, the architectural solution stays pretty much the same from block to block - on the contrary, the authors strived to achieve the unity of space, and this is exactly why they employed one and the same set of techniques. It is based on the laconic combination of three materials: dark bricks, white stucco, and wood. This theme is set by the entrance group: the massive rectangular arch coated with strips of wood, rests on two square volumes - the light and the dark one. The "mouth" of the Main Street is designed the same way: on one of its sides, there are the sections dominated by white plains, on the other - by dark-brown. In reality, each of the two sections has in it both colors, though - it's just that one of them dominates on the street facade, and the other on the back facade that is turned to the backyard. It is also important to note here that the streets here are positioned in such a way that lets them bypass and thus leave as intact as possible the part of Opalikhsky municipal forest that "breaks into" the construction site. In fact, the pine trees find themselves on the backyards of the townhouses - the architects even enhanced the proximity of the woodland with the fully-wooden partitions. The houses with street facades dominated by sturdy bricks are tuned to the forest with their defenseless wooden sides.

 

Vladimir Binderman reminisces that over the several years of working on this project his studio has come up with dozens of planning solutions for the townhouses. The architects drew fully-wooden houses, houses that were coated with natural stone, and even lofts - but ultimately the "reserved" Scandinavian style prevailed. The rhythmic shifts of the houses in respect to one another, the alternating of the advanced and recessed planes, balconies, and terraces, the lean-to roofs that look like flat rectangular portals and the flatly cut awnings - all this immediately strikes you as something "Finnish" or "Baltic". But it is not the architecture alone that makes this settlement look like a piece of Northern Europe - the strictly measured combination of materials and stylistic devices that the authors of the project never break away from seems to work to its fullest particularly in conjunction with the pine trees, the waters of the lake, and the generous amount of the public spaces.




24 December 2012

Headlines now
Resort on the Kama River
Wowhaus has developed a project for the reconstruction of Korabelnaya Roshcha (“Mast Grove”), a wellness resort located on the banks of the Kama River.
Nests in Primorye
The eco-park project “Nests”, designed by Aleksey Polishchuk and the company Power Technologies, received first prize at the Eco-Coast 2025 festival, organized by the Union of Architects of Russia. For a glamping site in Filinskaya Bay, the authors proposed bird-shaped houses, treehouses, and a nest-shaped observation platform, topping it all with an entrance pavilion executed in the shape of an owl.
The Angle of String Tension
The House of Music, designed by Vladimir Plotkin and the architects of TPO Reserve, resembles a harp, and when seen from above, even a bass clef. But if only it were that simple! The architecture of the complex fuses two distinct expressive languages: the lattice-like, transparent, permeable vocabulary of “classical” modernism and the sculptural, ribbon-like volumes so beloved by today’s neo-modernism. How it all works – where the catharsis lies, which compositional axes underpin the design, where the project resembles Zaryadye Concert Hall and where it does not – read in the article below.
How Historic Tobolsk Becomes a Portal to the Future
Over the past decade, the architectural company Wowhaus has developed urban strategies for several Russian cities – Vyksa, Tula, and Nizhnekamsk, to name but a few. Against this backdrop, the Tobolsk master plan stands out both for its scale – the territory under transformation covers more than 220 square kilometers – and for its complexity.
St. Petersburg vs Rome
The center of St. Petersburg is, as we know, sacred – but few people can say with certainty where this “sacred place” actually begins and ends. It’s not about the formal boundaries, “from the Obvodny Canal to the Bolshaya Nevka”, but about the vibe that feels true to the city center. With the Nevskaya Ratusha complex – built to a design that won an international competition – Evgeny Gerasimov and Sergei Tchoban created an “image of the center” within its territory. And not so much the image of St. Petersburg itself, as that of a global metropolis. This is something new, something that hasn’t appeared in the city for a long time. In this article, we study the atmosphere, recall precedents, and even reflect on who and when first called St. Petersburg the “new Rome”. Clearly, the idea is alive for a reason.
On the Wave
The project of transforming the river port and embankment in the city of Cheboksary, developed by the ATRIUM Architects, involves one of the city’s key areas. The Volga embankment is to be turned into a riverside boulevard – a multifunctional, comfortable, and expressive space for work and leisure activities. The authors propose creating a new link with the city’s main Krasnaya (“Red”) Square, as well as erecting several residential towers inspired by the shape of the traditional national women’s headdress – these towers are likely to become striking accents on the Volga panorama.
Valery Kanyashin: “We Were Given a Free Hand”
The Headliner residential complex, the main part of which was recently completed just across from Moscow City, is a kind of neighbor to the MIBC that doesn’t “play along” with it. On the contrary, the new complex is entirely built on contrast: like a city of differently scaled buildings that seems to have emerged naturally over the past 20 years – which is a hugely popular trend nowadays! And yet here – perhaps only here – such a project has been realized to its full potential. Yes, high-rises dominate, but all these slender, delicate profiles, all these exciting perspectives! And most importantly – how everything is mixed and composed together... We spoke with the project’s leader Valery Kanyashin.
​The Keystone
Until quite recently, premium residential and office complexes in Moscow were seen as the exclusive privilege of the city center. Today the situation is changing: high-quality architecture is moving beyond the confines of the Third Ring Road and appearing on the outskirts. The STONE Kaluzhskaya business center is one such example. Projects like this help decentralize the megalopolis, making life and work prestigious in any part of the city.
Perpetuum Mobile
The interior of the headquarters of Natsproektstroy, created by the IND studio team, vividly and effectively reflects the client’s field of activity – it is one of Russia’s largest infrastructure companies, responsible for logistics and transport communications of every kind you can possibly think of.
Water and Light
Church art is full of symbolism, and part of it is truly canonical, while another part is shaped by tradition and is perceived by some as obligatory. Because of this kind of “false conservatism”, contemporary church architecture develops slowly compared to other genres, and rarely looks contemporary. Nevertheless, there are enthusiasts in this field out there: the cemetery church of Archangel Michael in Apatity, designed by Dmitry Ostroumov and Prokhram bureau, combines tradition and experiment. This is not an experiment for its own sake, however – rather, the considered work of a contemporary architect with the symbolism of space, volume, and, above all, light.
Champions’ Cup
At first glance, the Bell skyscraper on 1st Yamskogo Polya Street, 12, appears strict and laconic – though by no means modest. Its economical stereometry is built on a form close to an oval, one of UNK architects’ favorite themes. The streamlined surface of the main volume, clad in metal louvers, is sliced twice with glass incisions that graphically reveal the essence of the original shape: both its simplicity and its complexity. At the same time, dozens of highly complex engineering puzzles have been solved here.
Semi-Digital Environment
In the town of Innopolis, a satellite of Kazan, the first 4-star hotel designed by MAD Architects has opened. The interiors of the hotel combine elegance with irony, and technology with comfort, evoking the atmosphere of a computer game or maybe a sci-fi movie about the near future.
History never ends
The old railway station in Kapan, a city in southern Armenia, has been given new life by the Paris-based design firm Normal Studio. Today, it serves as a TUMO center.
A Deep, Crystal Shine
A new luxury residential development by ADM architects is set to rise in the Patriarch’s Ponds district, not far from Novopushkinsky Square. It will replace three buildings erected in the early 1990s. The project authors, Andrey Romanov and Ekaterina Kuznetsova, have placed their bets on the variety among the three volumes, modern design solutions, and attention to detail: one of the buildings will feature smoothly curved balconies with a ceramic sheen on their undersides, while another will be accented by glass “sculpture” columns.
Grigory Revzin: “What we should do with the architecture of the seventies”
Soviet modernism came in two flavors: the good, author-driven kind, and the bad, standardized kind. The good kind was “on the periphery”, while the bad kind was in the center – geographically, in terms of attention, scale, and everything else. Can we demolish it? “That would be destroying public consensus out of thin air”. So what should we do? Preserve it, but creatively: “Bring architecture into places where it hasn’t yet appeared”. Treat these buildings not as monuments, but as urban landscape. Read our interview with Grigory Revzin on the pressing topic of saving modernism – where he proposes a controversial, yet really intriguing, way of preserving 1970s buildings.
A Roadside Picnic of Urban Planning Theorists
Marina Egorova, head of Empate Architectural Bureau, brought together urban planning theorists – the successors of Alexey Gutnov and Vyacheslav Glazychev – to revive the substance and depth of professional discourse. At the first meeting, much ground was covered: the participants revisited the theoretical foundations, aligned their values, examined a cutting-edge case of the Kazan agglomeration, and concluded with the unfathomable intricacies of Russian land demarcation. Below, we present key takeaways from all the presentations.
Perspective View
CNTR Architects has designed a business center for a new district in Yekaterinburg, aiming to reduce the need for commuting and make the residential environment more diverse. The architectural solutions are equally focused on creating spatial flexibility, comfortable working conditions, and a memorable image that could allow the building to become a spatial landmark of the district.
Malevich and Bathhouses, Nature and High-Tech
The Malevich Bathhouse complex is scheduled to open in the fall of 2025 on the Rublyovo-Uspenskoye Highway. The project, designed by DBA-GROUP under the leadership of Vladislav Andreev, is an example of an unconventional approach to the image of a spa in general and of a bathhouse in particular. Deliberately avoiding any kind of allusion, the architects opted for streamlined forms with characteristic rounded corners, a combination of wood with bent glass, and restrained contemporary shapes – both inside and out. Let’s take a closer look at the project.
Rather, a Tablecloth and a Glass!
After many years, the long-abandoned Horse Guards Department building in St. Petersburg has finally received the attention it deserves: according to a design by Studio 44, the first restoration and adaptation works are scheduled to begin this year. Both the intended function and the general scope of works imply minimal alteration to the complex, which has preserved traces of its three-century history. All solutions are reversible and aimed, above all, at opening the monument to the city and immersing it in a lively social scene – hence the choice of a cultural center scenario with a strong gastronomic component.
​Materialization of Airflows
The Nikolai Kamov International Airport in Tomsk opened at the end of August last year. We have already written about the project – now we are taking a look at the completed building. Its functionality is reinforced by symbolic undertones: the architects at ASADOV sought to reflect local identity in the architecture as fully as possible.
The City as a Narrative
Sergey Skuratov’s approach to large urban plots could best be described as a “total design code”. The architect pays equal attention to the overall composition and the smallest of details, striving to ensure that every aspect is thoroughly thought out and subordinated to the original vision. It’s a Renaissance-like approach, really – a titanic effort demanding remarkable willpower and perseverance. The results are likewise grand – architecture that makes a statement. This article looks at the revived concept for the central section of the Seventh Heaven residential district in Kazan, a composition so thoroughly considered that even the “gradient of visual emphasis” (sic!) across the facades has been carefully worked out. It also touches on the narrative idea behind the project – and even the architect’s own doubts about it.
A Garden of Hope for Freedom
In October, at the Spaso-Evfimiev Monastery in Suzdal, the Prison Yard Garden opened on the site that had served as a prison from the 18th century until the Khrushchev Thaw. The architectural concept was developed by NOῨD Short Film, and the landscape design by the MOX landscape bureau. In fact, there are two gardens here – very different ones. We try to understand whether they evoke the right emotions in visitors, while also showing the beauty of June’s ruderal plants in bloom.
A Laconic Image of Time
The Time Square residential complex, built on the northern edge of St. Petersburg, appears more concise and efficient than its neighbor and predecessor, the New Time complex. Nevertheless, the architect’s hand is clearly felt: themes of “black and white”, “inside and outside”, and most notably, the “lamellar” quality of the facades that seems to visibly “eat away” at the buildings’ mass – everything is played out like a well-written score. One is reminded of both classical modernism and the so-called “post-constructivism”.
The Flower of the Lake
The prototype for the building of the Kamal Theater in Kazan is an ice flower: a rare and fragile natural phenomenon of Lake Kaban “froze” in the large, soaring outlines of the glass screens enclosing the main volume, shaping its silhouette and shielding the stained-glass windows from the sun. The project, led by the Wowhaus consortium and including global architecture “star” Kengo Kuma, won the 2021/2022 competition and was realized close to the original concept in a short – very short – period of time. The theater opened in early 2025. It was Kengo Kuma who proposed the image of an ice flower and the contraposition of cold on the outside and warmth on the inside. Between 2022 and 2024, Wowhaus did everything possible to bring this vision to life, practically living on-site. Now we are taking a closer look at this landmark building and its captivating story.
Peaceful Integration on Mira Avenue
The MIRA residential complex (the word mir means “peace” in Russian), perched above the steep banks of the Yauza River and Mira Avenue, lives up to its name not only technically, but also visually and conceptually. Sleek, high-rise, and glass-clad, it responds both to Zholtovsky’s classicism and to the modernism of the nearby “House on Stilts”. Drawing on features from its neighbors, it reconciles them within a shared architectural language rooted in contemporary façade design. Let’s take a closer look at how this is done.
An Interior for a New Format of Education
The design of the new building for Tyumen State University (TyumSU) was initially developed before the pandemic but later revised to meet new educational requirements. The university has adopted a “2+2+2” system, which eliminates traditional divisions into groups and academic streams in favor of individualized study programs. These changes were implemented swiftly – right at the start of construction. Now that the building is complete, we are taking a closer look.
Penthouses and Kokoshniks
A new residential complex designed by ASADOV Architects for the Krasnaya Roza business district responds to its proximity to 17th-century landmarks – the chambers of the Hamovny Dvor and St. Nicholas Church – as well as to the need to preserve valuable façades of a historic rental house built in the Russian Revival style. The architects proposed a set of buildings of varying heights, whose façades reference ecclesiastical architecture. But we were also able to detect other associations.
Centipede Town
The new school campus designed by ATRIUM Architects, located on the shores of a protected lake in the Imeretian Lowland Ornithological Reserve, represents an important and ambitious undertaking for the team: this is not just a school, but a Presidential Lyceum for the comprehensive development of gifted children – 2,500 students from age 3 through high school. At the same time, it is also envisioned as a new civic hub for the entire Sirius territory. In this article, we unpack the structure and architecture of this “lyceum town”.
Warm Black and White
The second phase of “Quarter 31”, designed by KPLN and built in the Moscow suburb town of Pushkino, reveals a multifaceted character. At first glance, the complex appears to be defined by geometry and a monochrome palette. But a closer look reveals a number of “irregular” details: a gradient of glazing and flared window frames, a hierarchy of façades, volumetric brickwork, and even architectural references to natural phenomena. We explore all the rules – and exceptions – that we were able to discover here.