По-русски

Ship of the Boundless Steppe

Near Rostov-on-Don, Alexander and Andrew Asadov have designed a villa community “Starocherkasskaya Riviera” (“Riviera of Old Cherkassy”) that has now entered the stage of implementation.

13 December 2011
Object
mainImg
Object:
“Starocherkasskaya Riviera” Villa Community
Russia, Rostov-on-Don

Project Team:
Architects: A.Assad, AA.Assad, A.Vinogradova, I.Korenev, K.Zharikov; project managers: G. Karklo, T. Petrova

2010 — 2010 / 2011 — 2011

Azov-Don Real Estate Development Company
To Asadov architects, the majestic river became the key factor in developing the masterplan for the future settlement. Among other things, the fact that the site has a fairly narrow and elongated shape and is stretched along the Don river, has dictated the creation of several “lines” of development, situated at different intervals from the river bank. The land plots on the resulting first building line overlook the landscaped embankment, while between the second and the third lines, the architects have placed the central boulevard of the settlement. The masterplan becomes “actively plastic” not only because of the curved riverbed however, but also because of the man-made seascape – the architects have made a water channel whose shape resembles a loop or, rather, a large inverted comma, biting deep into the territory of the settlement. Accordingly, all the lengthwise streets in the community, including the already-mentioned central boulevard, are not straight, as would have been otherwise expected, but follow the curved lines of the man-made body of water. This solution has given the architects an opportunity to make their layout less monotonous which would have been the case if it had just followed the configuration of the plot of land. “From the general layout to the types of dwelling, we did everything to develop the ideas of total diversity in our architecture – Andrew Asadov shares - and because the layouts of all the sites were originally meant to use the advantage of being located next to the river, we positioned the cottages with a one-cottage shift. Thanks to this simple solution, each of the houses gets its own sector of vision commanding the river”. “We developed several types of houses, each of which is supposed to have multiple options of finishing and cladding, and this resulted in the fact that no two villas in the community are exactly alike” - Andrew Asadov explains. Our architectural solution is based on the image of “shell” that protects the house from the eyes of the neighbors and the passers-by and at the same time opens up the house in the direction of the river. On the layout, each of the houses has a “funnel-like” shape, while the wide hood of its roof makes room for a wide terrace overlooking the Don. And, in spite of the fact that the community has only four types of dwelling officially registered, the diversity of the colors and the facing materials used has given the architect an opportunity to achieve the effect of the houses looking really unlike one another. The “visiting card” of the entire development is the entry group building. The architects have designed it both as a “beacon” of sorts, positioned at the settlement entrance, and a sightseeing platform overlooking the future land tenure and vast expanses of the steppes of the Cossacks. The latter is located at the top level of the tower and can be accessed from the inside of the building itself, as well as from off the street. Accordingly, the development itself presents an asymmetrical composition, one wing of which “soars up” as if the snout of a ship. The building is lined with glass contoured dynamic windows and faced with beige-and-sand-colored “Baku” stone, whose color rhymes perfectly with both southern architecture in general, and with restrained color of the steppe that surrounds the settlement.


Object:
“Starocherkasskaya Riviera” Villa Community
Russia, Rostov-on-Don

Project Team:
Architects: A.Assad, AA.Assad, A.Vinogradova, I.Korenev, K.Zharikov; project managers: G. Karklo, T. Petrova

2010 — 2010 / 2011 — 2011

Azov-Don Real Estate Development Company

13 December 2011

Headlines now
Grace and Unity
Villa “Grace”, designed by Roman Leonidov’s studio and built in the Moscow suburbs, strikes a balance between elegant minimalism and the expansive gestures of the Russian soul. The main house is conceived as a sequence of four self-contained volumes – each could exist independently, yet it chooses to be part of a whole. Unity is achieved through color and a system of shared spaces, while the rich plasticity of the forms – refined throughout the construction process – compensates for the near-total absence of decorative elements.
Daring Brilliance
In this article, we are exploring “New Vision”, the first school built in the past 25 years in Moscow’s Khamovniki. The building has three main features: it is designed in accordance with the universal principles of modern education, fostering learning through interaction and more; second, the façades combine structural molded glass and metallic glazed ceramics – expensive and technologically advanced materials. Third, this is the school of Garden Quarters, the latest addition to Moscow’s iconic Khamovniki district. Both a costly and, in its way, audacious acquisition, it carries a youthful boldness in its statement. Let’s explore how the school is designed and where the contrasts lie.
A Twist of the Core
A clever and concise sculptural solution – rotating each floor by N degrees – has created an ensemble of “dancing” towers: similar yet different, simple yet complex. The designers meticulously refined a single structural node and spent considerable effort on the column construction – after that, “everything else was easy”. The architects also rotated the core walls on each floor to maximize the efficiency of the office spaces.
The Sculpting of Spring Forest Matter
We’ve been observing this building for a couple of years now: seemingly simple, perhaps even unassuming, it fits in remarkably well with the micro-district context shaped by the Moscow MCD road junctions. This building sticks in the memory of everyone who drives along the highway, even occasionally. In our opinion, Sergey Nikeshkin, by blending popular architectural techniques and approaches of the 2010s, managed to turn a seemingly simple structure into a statement “on the theme of a house as such”. Let’s figure out how this happened.