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Islands over the sea

Studio of A.Asadov have recently designed for Sochi one of their most daring and even most fantastic projects – hotels-islands raised upon supports above the water surface. These complexes are able to compete with the project of “Federation Islands”, plus solve a number of issues of the resort and future Olympic Games city. But the question is – will they dare to build them?

04 May 2009
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Humanity have always severely struggled with the sea for centimeters of a dry land. The gained lands used to be cultivated, today they service to prosperous tourist resorts. The brightest historical example of the fight is draining of Holland shores, greatness of which is expressed in the saying: “God made the sea, but the Dutch have made the shore”. In our times the other “sea power”, Arab Emirates, have an alternative to drainage – man-made islands, much talked-of project ”the world". The trend have come to Russia – for the Olympic Games in Sochi Erick van Egeraat, the Dutch architect, has suggested making an artificial island (or rather, an archipelago) ”Federation”, with the shape of our country’s outline. They say, it will not be build, because developers have not considered one critical feature of the Black sea - its depth – solution of the problem would most probably take the entire project’s budget.
Today, drainage and artificial islands are the main ways to regain more territory from the sea. There is another one, worth following the line and become the third – constructions on pile structure. This is not an innovation: such houses had ancient tribes living in the central part of the country, those living on marshy lands. Besides, houses on supports are the only possible way to stay ashore without fearing for high water or storms.
We have already highlighted one of such “houses on supports” – the project “Aerohotel” by A.A.Asadov studio, a station for traveling hotel-dirigibles. The key idea of the project - buildings on supports, became the start point for new works of the architects, projects with a more specific aim – compete with “Federation” island which probably will not ever be built.
A.Asadov’s studio designed the four projects for Sochi, with different architectural approaches but the common idea. Each includes buildings (apartments, hotels, hanging gardens, yacht berth in the lower level) raised above the water on supports and connected with the shore by a pier. As to Andrey Asadov, one of the authors of the project, construction of supports is eleborated and reliable.
The first project shapes a thin semi-sphere pier, on the axis of which houses-butterflies are “thread". They have two slightly curved bodies like wings, growing in height in cascade manner towards the sea. Buildings - “wings” are joined by the large glass atriums with hanging gardens inside and outside. Bright green grained texture of the constructions with park among make a scenery of an oasis in the sea desert, at a time beginning dialogue with green coast mountings. Some kind of green anti-island – first, an island must rise from the water, this one is hanging over it. Second, and island has a hill in the centre, this one has a hole, but rises towards the exterior perimeter. Light, even “flying” idea challenges the sea nature.
Another form of the idea realization became the five round “islands” with towers in the middle of each one - from the view high over them (from an airplane) they make Olympic emblem. Circles symbolize the five rings-continents differently colored. The dark blue tower is Europe – cold of Scandinavian winter, tower in the centre reminds ice sculptures. Like an African sculpture is the tower of the black ring symbolizing Africa. Shape of the red tower uniting South and North America, resembles Brazilian carnivals, Aztec sacrifice, Indian Conquest. Tower of the yellow ring – symbol of the Asia - is like Chinese pagoda, its speckled pattern refers to modern art of the region. The last continent on the emblem, noted by green color, is Australia. Cultural history of the place is not so significant. But the nature indeed makes a great impression. Probably, that was the main thing the architect considered in design of the tower of the green ring – its façade resembles relief of the Australian Alps, where at the height of 2000 meters grow rare spots of green.
All the multicolored rings-plates of the five continents have common structure. The round foundation raised above the water on piles creates an atrium with public transport, hotel buildings are sited in different directions from there, and a tower crowns the construction – symbol of the continent. The peculiar thing is that symbolic takes us to the Olympic Games, and that is more logical than the loyal "Federation".
Such architectural complex would not only become a decoration and feature of Olympics in Sochi, but also one of the city’s symbols telling to the guests about the event of global significance.
Another project of all shapes a long low-raised building rashly passing from the shore into the open sea. It is hardly an island on supports, but a pier, only very large and compound. Closer, its solid volume appears composite and multilayered, a curve in the end and massive yacht berth make an artificial bay, isolated territory with a large beach which could mark privately owned territories.
The forth project is centrally symmetric. Its draft name is “Zvezda“ [Star]. Complex includes a foundation in the shape of a five-point star and five buildings place among its rays. Buildings function as hotels and have planted facades, which make them more similar to a water lily than to a star; or even to Passiflora. And the long pier-footstalk connecting the complex with the shore intensifies this similarit.
Another variant of the coastal building on supports - “South Forpost” project. Wide pier becomes a large park which might carry on the tradition of Sochi arboretum and covering the public gallery and parking areas. On the end of the pier-park there is a glass netted skyscraper with partly planted facades and the two helicopter landing decks above. Like the rest sea buildings the skyscraper must function as a hotel. Considering the record height very likely there can be placed view spots on different levels showing wonderful sights of the city. Skyscraper is symbolic: from the land side its facades are planted, from the sea side it is covered with cold glass ripples. This marks the two elements: land and sea. Besides, the tower, very high for Sochi, rises in the sea like a lighthouse, and again it might become a symbol of the city.
As the authors thought, all these conceptual projects would be able to become a complex solution for preparing Sochi to the Olympics-2014. Sea becomes the site for development, but not costly areas on the ground. They include many hotels and apartments, which have minimum two positive features: fine views from the rooms to the sea and city, plus the clear sea water since the complexes are quite far from the shore line. There is one more important feature – innovation in the projects. If they would be constructed, than Sochi would probably become a legendary city where fantastic projects of future become reality, just like Dubai.


04 May 2009

Headlines now
Living in the Architecture of One’s Own Making
Do architects design houses for themselves? You bet! In this article, we are examining a new book by TATLIN publishing house. This book – unprecedented for Russia – features 52 private homes designed and built by contemporary architects for themselves. It includes houses that are famous, even iconic, as well as lesser-known ones; large and small, stylish and eccentric. To some extent, the book reflects the history of Russian architecture over the past 30 years.
A City Block Isoline
Another competition project for a residential complex on the banks of the Volga in Nizhny Novgorod has been prepared by Studio 44. A team of architects led by Ivan Kozhin concluded that using a regular block layout in such a location would be inappropriate and developed a “custom design” approach: a chain of parceled multi-section buildings stretching along the entire embankment. Let’s explore the features and advantages of this unconventional method.
Competition: The Price of Creativity?
Any day now, we’re expecting the results of a competition held by the “Samolet” development group for a plot in Kommunarka. In the meantime, we share the impressions of Editor-in-Chief Julia Tarabarina, who managed to conduct a public talk. Though technically focused on the interaction between developers and architects, the public talk turned into a discussion about the pros and cons of architectural competitions.
Terraced Design
The “River Park” residential complex has confidently and securely shaped the Nagatinsky Backwater shoreline. Featuring a public embankment, elevated courtyards connected by pedestrian bridges, and brick façades, the development invites exploration of its nuanced response to the surrounding context, as well as hints of the architects’ megalithic design thinking.
A Kremlin’s Core and Meteorite Fragments
We continue our coverage of the competition projects for the residential district that the development company GloraX plans to build along the embankment of the Rowing Channel in Nizhny Novgorod. ASADOV Architects approached the concept through a deep dive into local identity, using storytelling to pinpoint a central idea for the design: the master plan and composition are imagined as if a meteorite had struck a “proto-Kremlin”. Sounds weird? Find more details below!
The Volga Regatta
GloraX plans to develop a residential complex spanning 14 hectares along the Volga River in Nizhny Novgorod. The winning design in a closed-door competition, created by GORA Architects, features housing typologies ranging from townhouses to terraced high-rise slabs, a balance of functions, diverse ways of engaging with the water, and even a dedicated island (no less!) for the city residents.
A New Track
We took a thorough look at D_Station, a railcar repair depot dating back to 1906, recently reconstructed while preserving its century-old industrial structure, upon the project by Sergey Trukhanov and T+T Architects. Though work on the interiors – set to house restaurants and public spaces – is still underway, the building’s exterior already offers plenty to see. Visitors can explore the blend of old and new brickwork, appreciate the architect’s unique interpretation of ruin aesthetics, and enjoy the newly built pedestrian route that connects the Citydel Business Center’s arches to Kazakova Street.
Four Different Surveys
The “Explore the City” competition, organized this year by the Genplan Institute of Moscow, stands out as a pretty unconventional one for the architectural field but aligns perfectly well with the character of urban planning work. The winning project analyzed contemporary residential complexes, combining urban planning insights with a realtor’s perspective to propose a hybrid approach. Other entries explored public centers, motivations for car ownership, and housing vacancy rates. A fifth participant withdrew. Here’s a closer look at the four completed works.
Scheduled Evolution
ASADOV Architects unveiled the EvyCenter pavilion, a microcultural hub for fostering personal growth, organizing workshops, and doing gymnastics. Additionally, this pavilion serves as a prototype for a scalable country house, drawing inspiration from the “Loskutok” project, and constructed from CLT panels in a factory. This marks the beginning of a developer project initiated by the architectural firm (sic!), which is seeking partners to expand both small Evy settlements and even larger Evy cities, which are, according to Andrey Asadov, aimed at fostering the “evolutionary” development of the people who will inhabit them.
The Golden Crown
The concept for a dental clinic in Yekaterinburg, developed by CNTR Studio, revolves around the idea of a “mouth full of gold”: pristine white porcelain stoneware walls are complemented by matte brass details. To avoid an overly literal interpretation, the architects focused on the building’s proportions, skillfully navigating between sunlight requirements and fire safety regulations.
Flexibility and Integration
Not long ago, we covered the project for the fourth phase of the ÁLIA residential complex, designed by APEX. Now, we’ve been shown different fence concepts they developed to enclose the complex’s private courtyards, incorporating a variety of public functions. We believe that the sheer fact that the complex’s architects were involved in such a detail as fencing speaks volumes.
A Step Forward
The HIDE residential complex represents a major milestone for ADM architects and their leaders Andrey Romanov and Ekaterina Kuznetsova in their quest for a fresh high-rise aesthetic – one that is flexible and layered, capable of bringing vibrancy to mass and silhouette while shaping form. Over recent years, this approach has become ADM’s “signature style”, with the golden HIDE tower playing a pivotal role in its evolution. Here, we delve into the project’s story, explore the details of the complex’s design, and uncover its core essence.
Gold in the Sands
A new office for a transcontinental company specializing in resource extraction and processing has opened in Dubai. Designed by T+T Architects, masters of creating spaces that are contemporary, diverse, flexible, and original, this project exemplifies their expertise. On the executive floor, a massive brass-clad partition dominates, while layered textures of compressed earth create a contextually resonant backdrop.
Layers and Levels of Flight
This project goes way back – Reserve Union won this architectural competition at the end of 2011, and the building was completed in 2018, so it’s practically “archival”. However, despite being relatively unknown, the building can hardly be considered “dated” and remains a prime example of architectural expression, particularly in the headquarters genre. And it’s especially fitting for an aviation company office. In some ways, it resembles the Aeroflot headquarters at Sheremetyevo but with its own unique identity, following the signature style of Vladimir Plotkin. In this article, we take an in-depth look at the United Aircraft Corporation (UAC) headquarters in the Moscow agglomeration town of Zhukovsky, supplemented by recent photographs from Alexey Naroditsky – a shoot that became only recently possible due to the fact that improvements were finally made in the surrounding area.
Light and Shadow
In this article, we delve into the architectural design of the “Chaika” house by DNK ag architects, which was recently completed in 2023 as part of the collection of signature designs at ZILArt. As is well-known, all the buildings in this complex follow a design code, yet each one is distinct. This particular building stands out not only for its whiteness and minimalism but also for the refined use of a limited number of techniques that, together, create what can confidently be called synergy.
Casus Novae
A master plan was developed for a large residential area with a name of “DNS City”, but now that its implementation began, the plan has been arbitrarily reformatted and replaced with something that, while similar on the surface, is actually quite different. This is not the first time such a thing happens, but it’s always frustrating. With permission from the author, we are sharing Maria Elkina’s post.
Treasure Hunting
The GAFA bureau, in collaboration with Tegola and Arkhitail, organized an expedition to the island of Kilpola in Karelia as part of Moskomarkhitektura’s “Open City” festival. There, amidst moss and rocks, the students sought answers to questions like: what is the sacred, where does it dwell, and what sustains it? Assisting the participants in this quest were landscape engineer Evgeny Levin, artist Nicholas Roerich, a moose, and the lack of cellular connection. Here’s how the story unfolded.
Depths of the Earth, Streams of Water
In the Malaya Okhta district, the Akzent building, designed by Stepan Liphart, was constructed. It follows a classic tripartite structure, yet it’s what you might call “hand-drawn”: each façade is unique in its form and details, some of which aren’t immediately noticeable. In this article, we explore the context and, together with the architect, delve into how the form was developed.
Fir Tree Dynamics
The “Airports of Region” holding is planning to build an airport in Karachay-Cherkessia, aiming to make the Arkhyz and Dombay resorts more accessible to travelers. The project that won in an invitation-only competition, submitted by Sergey Nikeshkin’s KPLN, blends natural imagery inspired by the shape of a conifer seed, open-air waiting spaces, majestic large trees, and a green roof elevated on needle-like columns. The result is both nature-inspired and WOW.
​A Brick Shell
In the process of designing a clubhouse situated among pine trees in a prestigious suburban area near Moscow, the architectural firm “A.Len” did the façade design part. The combination of different types of brick and masonry correlates with the volumetric and plastique solutions, further enhanced by the inclusion of wood-painted fragments and metal “glazing”.
Word Forms
ATRIUM architects love ambitious challenges, and for the firm’s thirtieth anniversary, they boldly play a game of words with an exhibition that dives deep into a self-created vocabulary. They immerse their projects – especially art installations – into this glossary, as if plunging into a current of their own. You feel as if you’re flowing through the veins of pure art, immersed in a universe of vertical cities, educational spaces – of which the architects are true masters – and the cultural codes of various locations. But what truly captivates is the bold statement that Vera Butko and Anton Nadtochy make, both through their work and this exhibition: architecture, above all, is art – the art of working with form and space.
Flexibility and Acuteness of Modernity
Luxurious, fluid, large “kokoshniks” and spiral barrel columns, as if made from colorful chewing gum: there seem to be no other mansion like this in Moscow, designed in the “Neo-Russian-Modern” style. And the “Teremok” on Malaya Kaluzhskaya, previously somewhat obscure, has “come alive with new colors” and gained visibility after its restoration for the office of the “architectural ecosystem” as the architects love to call themselves. It’s evident that Julius Borisov and the architects at UNK put their hearts into finding this new office and bringing it up to date. Let’s delve into the paradoxes of this mansion’s history and its plasticity. Spoiler: two versions of modernity meet here, both balancing on the razor’s edge of “what’s current”.
Yuri Vissarionov: “A modular house does not belong to the land”
It belongs to space, or to the air... It turns out that 3D printing is more effective when combined with a modular approach: the house is built in a workshop and then adapted to the site, including on uneven terrain. Yuri Vissarionov shares his latest experience in designing tourist complexes, both in central Russia and in the south. These include houseboats, homes printed from lightweight concrete using a 3D printer, and, of course, frame houses.
​Moscow’s First
“The quality of education largely depends on the quality of the educational environment”. This principle of the last decade has been realized by Sergey Skuratov in the project for the First Moscow Gymnasium on Rostovskaya Embankment in the Khamovniki district. The building seamlessly integrates into the complex urban landscape, responding both to the pedestrian flow of the city and the quiet alleyways. It skillfully takes advantage of the height differences and aligns with modern trends in educational space design. Let’s take a closer look.
Looking at the Water
The site of Villa Sonata stretches from the road to the water’s edge, offering its own shoreline, pier, and a picturesque river panorama. To reveal these sweeping views, Roman Leonidov “cut” the façade diagonally parallel to the river, thus getting two main axes for the house and, consequently, “two heads”. The internal core – two double-height spaces, a living room and a conservatory, with a “bridge” above them – makes the house both “transparent” and filled with light.
The White Wing
Well, it’s not exactly white. It’s more of a beige, white-stone structure that plays with the color of limestone – smoother surfaces are lighter, while rougher ones are darker. This wing unites various elements: it absorbs and interprets the surrounding themes. It responds to everything, yet maintains a cohesive expression – a challenging task! – while also incorporating recognizable features of its own, such as the dynamic cuts at the bottom, top, and middle.
Urban Dunes
The XSA Ramps team designed and built a three-part sports hub for a park in Rostov-on-Don, welcoming people of all ages and fitness levels. The skate plaza, pump track, and playground are all meticulously crafted with details that attract a diverse range of visitors. The technical execution of the shapes and slopes transforms this space into a kind of sculptural composition.
Proportional Growth
The project for the fourth phase of the ÁLIA residential area has been announced. The buildings are situated on an elongated plot – almost a “ray” that shoots out from the center of the area towards the river. Their layout reflects both a response to Moscow’s architectural preferences over the past 15 years, shifting “from blocks to towers”, and an interpretation of the neighboring business park designed by SOM. Additionally, the best apartments here are not located at the very top but closer to the middle, forming a glowing “waistline”.
The “Staircase” Building
In designing the “Details” residential complex in New Moscow, Rais Baishev spiced up the now-popular Moscow theme of a “courtyard” building with an idea drawn from the surrealist drawings by Maurits Escher. He envisioned the stepped silhouettes and descending slopes as a metaphysical mega-staircase, creating a key void within the courtyard that gave the project an internal “spine”. This concept is felt both in the building’s silhouette and on its façades.
Projection of the Quarter
No one doubted that the building that Vladimir Plotkin designed as part of the “Garden Quarters” would be the most modernist of all. And it turned out just that way: while adhering to the common design code, the building successfully combines brick and white stone, rhythmically responding to the neighboring building designed by Ostozhenka, yet tactfully and persistently making a few statements of its own. This includes the projection of the ideal urban development composition “14–9–6”, which can be found right next door, mathematical calculations, including those for various types of terraces (and perhaps the only reminder of the Soviet past of the Kauchuk rubber factory!), and the white “cross-stitch” pattern of the façade grid.