По-русски

Living in the Architecture of One’s Own Making

Do architects design houses for themselves? You bet! In this article, we are examining a new book by TATLIN publishing house. This book – unprecedented for Russia – features 52 private homes designed and built by contemporary architects for themselves. It includes houses that are famous, even iconic, as well as lesser-known ones; large and small, stylish and eccentric. To some extent, the book reflects the history of Russian architecture over the past 30 years.

17 December 2024
Review
mainImg
“We wanted to collect a variety of houses, including very famous ones, like Sergey Skuratov’s house, and to uncover lesser-known examples that few people know about” – says Eduard Kubensky, head of TATLIN.

The book "The Architect’s House". Yekaterinburg, Tatlin, 2024
Copyright: Photograph © Julia Tarabarina, Archi.ru


The result is undoubtedly worth it. Not only does it cover the entire country, from Moscow to Krasnoyarsk, and a period of at least 30 years starting from the 1990s, but many of the homes are genuinely astonishing. I’m sure I’m not the only one who found two of them particularly striking. The first is Hayk Guliyants’ house in Rostov-on-Don: a gigantic “oddity”, a tower-fortress, a “cross-domed observatory”, where “a twenty-meter tunnel channels air infused with the scent of pine into the house, thanks to geothermal effects”. Sounds strange? Wait, there’s more! The house also boasts a swimming pool atop a long, floating “arrow”.

The book "The Architect’s House". Yekaterinburg, Tatlin, 2024
Copyright: Photograph © Julia Tarabarina, Archi.ru


The second is Sergey Tkachenko’s house in the Odintsovo district – a villa-palace in the Roman Baroque tradition, complete with an abundance of massive columns.

The book "The Architect’s House". Yekaterinburg, Tatlin, 2024
Copyright: Photograph © Julia Tarabarina, Archi.ru


But in truth, exploring the book demonstrates that an architect’s personal home can be absolutely anything – even entirely ordinary. However, the nature of the genre is such that the limits of “eccentricity” for these homes are far wider. On their own plot of land, architects have the freedom to “show off” as they please. But then there’s their family, which may have its own opinions about the house. Comfort and coziness are not always sacrificed for the sake of experimentation, and the challenge becomes proving to oneself that their vision is the best – or facing disappointment. It’s intriguing to wonder how many architects, after building and living in their homes, concluded that their design was wrong? And how many would admit it? This is a rich theme for future research. On the other hand, humans are known to adapt to almost anything – so the scenario of “put an architect in a home they designed” can never be a pure experiment.

Finally, the architect controls the budget for their own home! In short, the dichotomy where the client of the house is simultaneously its author offers many different perspectives.

The study of architects’ personal homes is, of course, not a new topic – it’s been around for ages. There are articles in magazines, reviews, and even compilations, such as “20 Homes by Famous Architects” by Artem Dezhurko. Since at least the 1970s, English-language books featuring collections of architects’ own homes have been published, starting with classics from “Architectural Review” and extending to works like “100 Houses for 100 Architects” by Taschen, a longstanding leader in producing comprehensive collections. Such books are often reprinted multiple times.

While this theme is well explored internationally, it remains largely untapped in Russia. According to TATLIN, this is the first such book here. I tried to verify this claim and, indeed, it appears to be true.

  • zooming
    1 / 5
    The book "The Architect’s House". Yekaterinburg, Tatlin, 2024
    Copyright: Photograph © Julia Tarabarina, Archi.ru
  • zooming
    2 / 5
    The book "The Architect’s House". Yekaterinburg, Tatlin, 2024
    Copyright: Photograph © Julia Tarabarina, Archi.ru
  • zooming
    3 / 5
    The book "The Architect’s House". Yekaterinburg, Tatlin, 2024
    Copyright: Photograph © Julia Tarabarina, Archi.ru
  • zooming
    4 / 5
    The book "The Architect’s House". Yekaterinburg, Tatlin, 2024
    Copyright: Photograph © Julia Tarabarina, Archi.ru
  • zooming
    5 / 5
    The book "The Architect’s House". Yekaterinburg, Tatlin, 2024
    Copyright: Photograph © Julia Tarabarina, Archi.ru


That said, the preface, written by Asya Zolnikova, delves into the modernist classics of architect-designed homes. It’s both appropriate and engaging, short yet lively and even sparkling, with personal insights into the life of Le Corbusier.

The book itself, in contrast, is methodical: Eduard Kubensky states that it features “about 50” homes – half the number in Taschen’s collection – organized strictly alphabetically. Each house is allocated several pages, with the first spread containing essential details and the rest dedicated to large-scale illustrations. The authors refrain from classifying the material into categories, sticking instead to a straightforward compilation approach, which seems fitting for a first-of-its-kind book.

Classification, then, is left to the reader. And maybe that’s more fun.

The longer you examine it, the more you become convinced that the initial impression – that architects’ homes are more diverse than most – is indeed accurate. Yet certain trends emerge: in the 1990s and 2000s, large, sometimes very large, houses were popular. By the 2010s and 2020s, smaller, more intimate homes deeply integrated into their surroundings became more common. There’s also a noticeable tendency for quirky designs to belong to earlier periods, coinciding with the heyday of such experimental architecture.

And, by the way, it’s a shame, dear architects, that you’ve abandoned your quirks – who else will surprise us but you? Someone might counter that Totan Kuzembaev built his tilted house in Lidy, or Evgeny Spirin his micro-tower, both relatively recently. And yet, there’s an undeniable sense of strictness prevailing in today’s architecture. Everyone wants to be stylish. Many succeed, but with that comes a level of solution unification, where – yes, everything looks good, everything is “just right,” but! You’re an architect, aren’t you? Where’s the rebellion? However, sometimes, to spot that “rebellion”, you just need to look a little harder. For instance, Sergey Nikeshkin’s house is deeply immersed in the landscape, almost like Brodsky’s park in Veretyevo... One can’t help but want to see it with their own eyes, to make sure it’s truly as it appears, not just a lyrical photo effect.

The book "The Architect’s House". Yekaterinburg, Tatlin, 2024
Copyright: Photograph © Julia Tarabarina, Archi.ru


But let’s allow readers to explore this marvelous encyclopedia of architects’ own homes on their own. To discover who lives in a house designed by their great-grandfather, or – who designed the house for whom, as some cases go; though mostly the authorship remains with the owners. By the way! There’s a feeling that TATLIN timed the release of this book with the completion of the Kubensky family’s own home: both Eduard and Tatiana, the founders of the publishing house, are architects.

  • zooming
    The book "The Architect’s House". Yekaterinburg, Tatlin, 2024
    Copyright: Photograph © Julia Tarabarina, Archi.ru
  • zooming
    The book "The Architect’s House". Yekaterinburg, Tatlin, 2024
    Copyright: Photograph © Julia Tarabarina, Archi.ru


And if the actual information about the homes is distributed calmly and predictably, the design, created by Tatiana Kubenskaya, disturbs the reader’s peace without any unnecessary commentary or categorization. It’s a characteristic example of the creative design of our time. With exposed stitching of the strips, meaning it has no spine – this book, I must say, resembles a somewhat related publication, “The Modern Russian Wooden House” by Nikolai Malinin from 2020.

However, our book is also black, just like some of the houses inside it; strangely, not all of them... Why the black color? Is it something they love? Or is it just that black is known to be a good heat retainer?

But the main design feature is that the book has to be constantly rotated, and it’s quite heavy. For a tired person, that’s an extra effort. One won’t be able to chill and leisurely absorb the information about architects’ homes. It’s hard to say if that’s right. Maybe the need to turn the book is like a low door frame in a peasant’s house: please, bow to the host!

Or maybe there is a simpler explanation: architects love to look at pictures and don’t plan on making the texts easy to read. Too bad!

17 December 2024

Headlines now
“Strangers” in the City
We asked Alexander Skokan for a comment on the results of 2025 – and he sent us a whole article, moreover one devoted to the discussion we recently began on the “appropriateness of high-rises” – or, more broadly speaking, “contrasting insertions into the urban fabric”. The result is a text that is essentially a question: why here? Why like this?
Dmitry Ostroumov: “To use the language of alchemy, we are involved in the process of “transmutation...
What we ended up having was an extremely unusual conversation with Dmitry Ostroumov. Why? At the very least, because he is not just an architect specializing in the construction of Orthodox churches. And not just – which is an extreme rarity – a proponent of developing contemporary stylistics within this still highly conservative field. Dmitry Ostroumov is a Master of Theology. So in addition to the history and specifics of the company, we speak about the very concept of the temple, about canon and tradition, about the living and the eternal, and even about the Russian Logos.
A Glazed Figurine
In searching for an image for a residential building near the Novodevichy Convent, GAFA architects turned to their own perception of the place: it evoked associations with antiquity, plein-air painting, and vintage artifacts. The two towers will be entirely clad in volumetric glazed ceramic – at present, there are no other buildings like this in Russia. The complex will also stand out thanks to its metabolic bay-window cells, streamlined surfaces, a ceremonial “hotel-style” driveway, and a lobby overlooking a lush garden.
A Knight’s Move via the Cour d’Honneur
Intercolumnium Architects presented to the City Planning Council a residential complex project that is set to replace the Aquatoria business center on Vyborgskaya Embankment. Experts praised the overall quality of the work, but expressed reservations about the three cour d’honneurs and suggested softening the contrast between the facades facing the embankment and the Kantemirovsky Bridge.
A Small Country
Mezonproekt is developing a long-term master plan for the MEPhI campus in Obninsk. Over the next ten years, an enclave territory of about 100 hectares, located in a forest on the northern edge of the city, is set to transform into a modern center for the development of the nuclear energy sector. The plan envisions attracting international students and specialists, as well as comprehensive territorial development: both through the contemporary realization of “frozen” plans from the 1980s and through the introduction of new trends – public spaces, an aquapark, a food court, a school, and even a nuclear medicine center. Public and sports facilities are intended to be accessible to city residents as well, and the campus is to be physically and functionally connected to Obninsk.
Pearl Divers
GAFA has designed an apartment complex for Derbent intended to switch people from a work mode to a resort mindset – and to give the surrounding area a much-needed jolt. The building offers two distinct faces: restrained and laconic on the city side, and a lushly ornate façade facing the sea. At the heart of the complex, a hidden pearl lies – an open-air pool with an arch, offering views of a starry sky, and providing direct access to the beach.
A Satellite Island
The Genplan Institute of Moscow has prepared a master plan for the development of the Sarpinsky and Golodny island system, located within the administrative boundaries of Volgograd and considered among the largest river islands in Russia. By 2045, the plan envisions the implementation of 15 large-scale investment projects, including sports and educational clusters, a congress center with a “Volgonarium”, a film production cluster, and twenty-one theme parks. We explain which engineering, environmental, and transportation challenges must be addressed to turn this vision into reality. The master plan solutions have already been approved and incorporated into the city’s general development plan.
The Amber Gate
The Amber City residential complex is one of the redevelopment projects in the former industrial area located beyond Moscow’s Third Ring Road near Begovaya metro station. Alexey Ilyin’s studio proposed an original master plan that transformed two clusters of towers into ceremonial propylaea, gave the complex a recognizable silhouette, and established visual connections with new high-rise developments on both right and left – thus integrating it into the scale of the growing metropolis. It is also marked by its own futuristic stylistic language, based on a reinterpreted streamline aesthetic.
A Theater Triangle
The architectural company “Chetvertoe Izmerenie” (“Fourth Dimension”) has developed the design for a new stage of the Magnitogorsk Musical Theater, rethinking not only theater architecture but also the role of the theater in the contemporary city.
Aleksei Ilyin: “I approach every task with genuine interest”
Aleksei Ilyin has been working on major urban projects for more than 30 years. He has all the necessary skills for high-rise construction in Moscow – yet he believes it’s essential to maintain variety in the typologies and scales represented in his portfolio. He is passionate about drawing – but only from life, and also in the process of working on a project. We talk about the structure and optimal size of an office, about his past and current projects, large and small tasks, and about creative priorities.
​A Golden Sunbeam
A compact brick-and-metal building in the growing Shukhov Park in Vyksa seems to absorb sunlight, transform it into yellow accents inside, and in the evening “give it back” as a warm golden glow streaming from its windows. It is, frankly, a very attractive building: both material and lightweight at the same time, with lightness inside and materiality outside. Its form is shaped by function – laconic, yet far from simple. Let’s take a closer look.
Architecton Awards
In 2025, the jury of the Architecton festival reviewed the finalist projects through live, open presentations held right in the exhibition hall – a rather engaging performance, and something rarely seen among Russian awards. It would be great if “Zodchestvo” adopted this format. Below, we present all the winning projects, including four special nominations.
Garden of Knowledge
UNK architects and UNK design created the interiors of the Letovo Junior campus, working together with NF Studio, which was responsible for developing the educational technology that takes into account the needs and perception of younger and middle school children.
The Silver Skates
The STONE Kaluzhskaya office quarter is accompanied by two residential towers, making the complex – for it is indeed a single ensemble – well balanced in functional terms. The architects at Kleinewelt gave the residential buildings a silvery finish to match the office blocks. How they are similar, how they differ, and what “Silver Skates” has to do with it – we explore in this article.
On the Dynastic Trail
The houses and townhouses of the “Tsarskaya Tropа” (“Czar’s Trail”) complex are being built in the village of Gaspra in Crimea – to the west and east of the palaces of the former grand-ducal residence “Ai-Todor”. One of the main challenges for the architects at KPLN, who developed the project, was to respond appropriately to this significant neighboring heritage. How this influenced the massing, the façades, and the way the authors work with the terrain is explored in our article.
A New Path
The main feature of the Yar Park project, designed by Sergey Skuratov for Kazan, is that it is organized along the “spine” of a multifunctional mall with an impressive multi-height atrium space in its middle. The entire site, both on the city side and the Kazanka River embankment, is open to the public. The complex is intended not to become “yet another fenced enclave” but, as urban planners say, a “polycenter” – a new point of attraction for the whole of Kazan, especially its northern part, made up of residential districts that until now have lacked such a vibrant public space. It represents a new urban planning approach to a high-density mixed-use development situated in the city center – in a sense, an “anti-quarter”. Even Moscow, one might say, doesn’t yet have anything quite like it. Well, lucky Kazan!
Beneath the Azure Sky
A depository designed by Studio 44 will soon be built in Kenozersky National Park to preserve and display the so-called “heavens” – ceiling structures characteristic of wooden churches in the Russian North, painted with biblical scenes. For each of these “heavens”, the architects created a volume corresponding in scale and dimensions to the original church interior. The result is a honeycomb-like composition, with modules derived directly from the historic monuments themselves, allowing visitors to view the icons from the historically accurate angle – from below, looking upward. How exactly this works is the subject of our story.
​The Power of Lines
The building at the very beginning of New Arbat is the result of long deliberations over how to replace the former House of Communication. Contemporary, dynamic, and even somewhat zoomorphic in character, it is structured around a large diagonal grid. The building has become a striking accent both in the perspective of the former Kalinin Avenue and in the panorama of Arbat Square. Yet, unfortunately, the original concept was not fully realized. In 2020, the Moscow ArchCouncil approved a design featuring an exoskeleton – an external load-bearing structure, which eventually turned into a purely decorative element. Still, the power of the supergraphic “holds” the building, giving it the qualities of a new urban landmark with iconic potential. How this concept took shape, what unexpected associations might underlie the grid’s form, and why the exoskeleton was never built – all this is explored in our article.
Resort on the Kama River
Wowhaus has developed a project for the reconstruction of Korabelnaya Roshcha (“Mast Grove”), a wellness resort located on the banks of the Kama River.
Nests in Primorye
The eco-park project “Nests”, designed by Aleksey Polishchuk and the company Power Technologies, received first prize at the Eco-Coast 2025 festival, organized by the Union of Architects of Russia. For a glamping site in Filinskaya Bay, the authors proposed bird-shaped houses, treehouses, and a nest-shaped observation platform, topping it all with an entrance pavilion executed in the shape of an owl.
The Angle of String Tension
The House of Music, designed by Vladimir Plotkin and the architects of TPO Reserve, resembles a harp, and when seen from above, even a bass clef. But if only it were that simple! The architecture of the complex fuses two distinct expressive languages: the lattice-like, transparent, permeable vocabulary of “classical” modernism and the sculptural, ribbon-like volumes so beloved by today’s neo-modernism. How it all works – where the catharsis lies, which compositional axes underpin the design, where the project resembles Zaryadye Concert Hall and where it does not – read in the article below.
How Historic Tobolsk Becomes a Portal to the Future
Over the past decade, the architectural company Wowhaus has developed urban strategies for several Russian cities – Vyksa, Tula, and Nizhnekamsk, to name but a few. Against this backdrop, the Tobolsk master plan stands out both for its scale – the territory under transformation covers more than 220 square kilometers – and for its complexity.
St. Petersburg vs Rome
The center of St. Petersburg is, as we know, sacred – but few people can say with certainty where this “sacred place” actually begins and ends. It’s not about the formal boundaries, “from the Obvodny Canal to the Bolshaya Nevka”, but about the vibe that feels true to the city center. With the Nevskaya Ratusha complex – built to a design that won an international competition – Evgeny Gerasimov and Sergei Tchoban created an “image of the center” within its territory. And not so much the image of St. Petersburg itself, as that of a global metropolis. This is something new, something that hasn’t appeared in the city for a long time. In this article, we study the atmosphere, recall precedents, and even reflect on who and when first called St. Petersburg the “new Rome”. Clearly, the idea is alive for a reason.
On the Wave
The project of transforming the river port and embankment in the city of Cheboksary, developed by the ATRIUM Architects, involves one of the city’s key areas. The Volga embankment is to be turned into a riverside boulevard – a multifunctional, comfortable, and expressive space for work and leisure activities. The authors propose creating a new link with the city’s main Krasnaya (“Red”) Square, as well as erecting several residential towers inspired by the shape of the traditional national women’s headdress – these towers are likely to become striking accents on the Volga panorama.
Valery Kanyashin: “We Were Given a Free Hand”
The Headliner residential complex, the main part of which was recently completed just across from Moscow City, is a kind of neighbor to the MIBC that doesn’t “play along” with it. On the contrary, the new complex is entirely built on contrast: like a city of differently scaled buildings that seems to have emerged naturally over the past 20 years – which is a hugely popular trend nowadays! And yet here – perhaps only here – such a project has been realized to its full potential. Yes, high-rises dominate, but all these slender, delicate profiles, all these exciting perspectives! And most importantly – how everything is mixed and composed together... We spoke with the project’s leader Valery Kanyashin.
​The Keystone
Until quite recently, premium residential and office complexes in Moscow were seen as the exclusive privilege of the city center. Today the situation is changing: high-quality architecture is moving beyond the confines of the Third Ring Road and appearing on the outskirts. The STONE Kaluzhskaya business center is one such example. Projects like this help decentralize the megalopolis, making life and work prestigious in any part of the city.
Perpetuum Mobile
The interior of the headquarters of Natsproektstroy, created by the IND studio team, vividly and effectively reflects the client’s field of activity – it is one of Russia’s largest infrastructure companies, responsible for logistics and transport communications of every kind you can possibly think of.
Water and Light
Church art is full of symbolism, and part of it is truly canonical, while another part is shaped by tradition and is perceived by some as obligatory. Because of this kind of “false conservatism”, contemporary church architecture develops slowly compared to other genres, and rarely looks contemporary. Nevertheless, there are enthusiasts in this field out there: the cemetery church of Archangel Michael in Apatity, designed by Dmitry Ostroumov and Prokhram bureau, combines tradition and experiment. This is not an experiment for its own sake, however – rather, the considered work of a contemporary architect with the symbolism of space, volume, and, above all, light.