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A City Block Isoline

Another competition project for a residential complex on the banks of the Volga in Nizhny Novgorod has been prepared by Studio 44. A team of architects led by Ivan Kozhin concluded that using a regular block layout in such a location would be inappropriate and developed a “custom design” approach: a chain of parceled multi-section buildings stretching along the entire embankment. Let’s explore the features and advantages of this unconventional method.

17 December 2024
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When starting the project, the Studio 44 team focused on the silhouette and perception of the shoreline as a key element defining the context of both the land site and the “city on the Volga” as a whole. Ivan Turgenev noted a small but important detail in his “Sketches from a Hunter’s Album”: “Many Russian rivers, like the Volga, have one mountainous bank and one meadowy...” Cities, for obvious reasons, are located on the “mountainous” side, where buildings follow the terrain and develop it. The dominant structures do not compete with each other and, when viewed from the river or the opposite bank, appear as a picturesque mass that gradually dissolves into foliage and sky. Such are the panoramas of many Volga cities, particularly those where the river has not yet widened significantly.

The architectural concept for the integrated development of the embankment of the Rowing Canal in Nizhny Novgorod.
Copyright: © Studio 44


The architectural concept for the integrated development of the embankment of the Rowing Canal in Nizhny Novgorod. The skyline
Copyright: © Studio 44


When we began designing, we asked ourselves: what should a residential district on the Volga look like? We can probably imagine how to build along the Neva, but does that approach suit an extended stretch of riverbank in the central part of the country? In our view, applying a block structure and designing in rigid grids everywhere is a mistake. It’s essential to find a solution that reflects the character of the place.

A brief analysis led us to conclude that there is always a silhouette that follows nature, the shape of the riverbed, and the landscape. There is always a multi-layered composition created by buildings situated at different levels. So, we tried to draw a long, silhouette-like line “assembled” from individual buildings. Its curves follow the picturesque shoreline, forming public squares open towards the embankment and enclosed courtyard spaces.


The architectural concept for the integrated development of the embankment of the Rowing Canal in Nizhny Novgorod
Copyright: © Studio 44


The bank on the side of the Rowing Channel gains height gradually, starting from a relatively flat step where the residential complex will be located. Thus, its buildings, rising up to 13 stories, will not block the view of the low-rise houses located further up the slope but will instead create the base of the “mountain”. The architects set out to make this base a natural and picturesque continuation of the landscape.

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    The architectural concept for the integrated development of the embankment of the Rowing Canal in Nizhny Novgorod
    Copyright: © Studio 44
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    The architectural concept for the integrated development of the embankment of the Rowing Canal in Nizhny Novgorod. Characteristic section
    Copyright: © Studio 44


The master plan solution differs significantly not only from the blocks designed by GORA and ASADOV Architects, but also appears to have no direct analogs at all.

The architects arranged the buildings to resemble a isoline following the terrain – resulting in a “pixelated” wave-like ribbon that stretches along the embankment. The second key aspect is that the residential development is brought as close to the water as possible. As a result, nearly all buildings, except for four freestanding towers, are situated on the “first line”. This doesn’t guarantee that 100% of the apartments will have direct views of the Volga, but the percentage approaches the maximum possible.

Another feature follows from these specifics: the line of buildings serves as a kind of boundary, with the embankment and its vibrant public life on one side, and quiet courtyards with park-like features and a more relaxed rhythm on the other. Permeability is achieved through streets, arches, and commercial spaces with dual orientations.

The school, kindergartens, and sports center are clustered near the main traffic artery. A service road improves their accessibility and reduces traffic within the residential area, while a wide promenade shields the area from noise and air pollution.

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    The architectural concept for the integrated development of the embankment of the Rowing Canal in Nizhny Novgorod. The master plan
    Copyright: © Studio 44
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    The architectural concept for the integrated development of the embankment of the Rowing Canal in Nizhny Novgorod. The master plan
    Copyright: © Studio 44
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    The architectural concept for the integrated development of the embankment of the Rowing Canal in Nizhny Novgorod. The transport diagram
    Copyright: © Studio 44
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    The architectural concept for the integrated development of the embankment of the Rowing Canal in Nizhny Novgorod. The master plan of the embankment from the courtyard side
    Copyright: © Studio 44
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    The architectural concept for the integrated development of the embankment of the Rowing Canal in Nizhny Novgorod. The viewing characteristics
    Copyright: © Studio 44
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    The architectural concept for the integrated development of the embankment of the Rowing Canal in Nizhny Novgorod. Planning solutions
    Copyright: © Studio 44
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    The architectural concept for the integrated development of the embankment of the Rowing Canal in Nizhny Novgorod. Ensuring the standard duration of sunlight exposure
    Copyright: © Studio 44


The “isoline” design is not radically different from conventional blocks. Essentially, it’s their “unfolding” or “development drawing”: each segment of the “ribbon”, composed of sections with varying heights and façades, could theoretically be “folded” into a traditional urban block. The height variations, sectional offsets, and a combination of colors, plasticity, and contrasting materials help avoid the feeling of a monotonous wall. This is one of the company’s signature techniques – parceling large-scale residential development into dimensions comfortable for perception. It was even expected that at later stages of project development the parcels could be divided into lots and assigned to different architectural firms.

The architectural concept for the integrated development of the embankment of the Rowing Canal in Nizhny Novgorod
Copyright: © Studio 44


The architectural concept for the integrated development of the embankment of the Rowing Canal in Nizhny Novgorod. The facade materials
Copyright: © Studio 44


The architectural concept for the integrated development of the embankment of the Rowing Canal in Nizhny Novgorod
Copyright: © Studio 44


Additional information not mentioned in previous texts about competition entries: part of the future neighborhood falls under the “Intensive Development Zone”, while another part is designated for “Integrated Territorial Development”. On Studio 44’s master plan, their boundary coincides with a wide boulevard between the “radial” school and kindergarten.

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    The architectural concept for the integrated development of the embankment of the Rowing Canal in Nizhny Novgorod. The balance of the Territory of Intensive Development
    Copyright: © Studio 44
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    The architectural concept for the integrated development of the embankment of the Rowing Canal in Nizhny Novgorod. The balance of the Integrated Development Territory
    Copyright: © Studio 44


As previously mentioned, the “isoline” creates two “oppositions” – river-facing and courtyard-facing. Thanks to the wave-like layout, the embankment area expands with courtyards forming plazas and piazzettas. Commercial spaces on the ground floors – shops, cafes, and restaurants with outdoor seating – lend the area a slightly resort-like atmosphere and promote an active lifestyle, transforming the upper level of the embankment into the main public space of the district. A bike path is also laid along the upper level.

The middle and lower parts of the embankment are less crowded with structures, serving primarily as promenades with viewing platforms and descents to the water. This design seems to create space for slower, more tranquil contemplation. The natural curves of the shoreline and variations in the terrain provide numerous perspectives from which the development reveals itself anew.

The anchor feature of the project is a yacht center with docks and a wakeboarding station – a sport that adds variety to the winter use of the riverside boulevard. In winter, the natural terrain is also proposed as sledding hills, and the frozen Volga expands the area for walking or classic skiing.



The island near the shore is more densely developed relative to the embankment: it features a beach, an outdoor pool with a sauna, cafes, amphitheaters arranged around a pond, gazebos, and cafes. Since the island is flooded in spring, the paths and pavilions are raised on stilts.

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    The architectural concept for the integrated development of the embankment of the Rowing Canal in Nizhny Novgorod. The island park
    Copyright: © Studio 44
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    The architectural concept for the integrated development of the embankment of the Rowing Canal in Nizhny Novgorod. The island park, the walking route
    Copyright: © Studio 44
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    The architectural concept for the integrated development of the embankment of the Rowing Canal in Nizhny Novgorod. The island park. Summer cinema
    Copyright: © Studio 44
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    The architectural concept for the integrated development of the embankment of the Rowing Canal in Nizhny Novgorod. The island park, the beach
    Copyright: © Studio 44
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    The architectural concept for the integrated development of the embankment of the Rowing Canal in Nizhny Novgorod. The summer swimming pool with a sauna in the Volga
    Copyright: © Studio 44


The spaces on the other side of the “isoline” are more oriented toward the green hill rising beyond the road rather than the river, which can be glimpsed here and there through arches and street vistas. Different scenarios unfold here, as people don’t always seek wind and open space. The closer to the highway, the more “urban” the landscape becomes. The transitional link is provided by four standalone towers clad in glass.

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    The architectural concept for the integrated development of the embankment of the Rowing Canal in Nizhny Novgorod. The yard space
    Copyright: © Studio 44
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    The architectural concept for the integrated development of the embankment of the Rowing Canal in Nizhny Novgorod. The riverside boulevard and the courtyard
    Copyright: © Studio 44


The original master plan not only highlights the identity of the location but also realizes the potential inherent in the site’s size, preserving extensive areas for greenery and recreation. It’s worth noting that this solution is quite bold and risky – at this density, one must work virtuously with massing to avoid feelings of crowding and clutter, and instead evoke interest and invite the eye to linger, following the complex building line.
The architectural concept for the integrated development of the embankment of the Rowing Canal in Nizhny Novgorod
Copyright: © Studio 44
The architectural concept for the integrated development of the embankment of the Rowing Canal in Nizhny Novgorod. The riverside boulevard
Copyright: © Studio 44


17 December 2024

Headlines now
“Strangers” in the City
We asked Alexander Skokan for a comment on the results of 2025 – and he sent us a whole article, moreover one devoted to the discussion we recently began on the “appropriateness of high-rises” – or, more broadly speaking, “contrasting insertions into the urban fabric”. The result is a text that is essentially a question: why here? Why like this?
Dmitry Ostroumov: “To use the language of alchemy, we are involved in the process of “transmutation...
What we ended up having was an extremely unusual conversation with Dmitry Ostroumov. Why? At the very least, because he is not just an architect specializing in the construction of Orthodox churches. And not just – which is an extreme rarity – a proponent of developing contemporary stylistics within this still highly conservative field. Dmitry Ostroumov is a Master of Theology. So in addition to the history and specifics of the company, we speak about the very concept of the temple, about canon and tradition, about the living and the eternal, and even about the Russian Logos.
A Glazed Figurine
In searching for an image for a residential building near the Novodevichy Convent, GAFA architects turned to their own perception of the place: it evoked associations with antiquity, plein-air painting, and vintage artifacts. The two towers will be entirely clad in volumetric glazed ceramic – at present, there are no other buildings like this in Russia. The complex will also stand out thanks to its metabolic bay-window cells, streamlined surfaces, a ceremonial “hotel-style” driveway, and a lobby overlooking a lush garden.
A Knight’s Move via the Cour d’Honneur
Intercolumnium Architects presented to the City Planning Council a residential complex project that is set to replace the Aquatoria business center on Vyborgskaya Embankment. Experts praised the overall quality of the work, but expressed reservations about the three cour d’honneurs and suggested softening the contrast between the facades facing the embankment and the Kantemirovsky Bridge.
A Small Country
Mezonproekt is developing a long-term master plan for the MEPhI campus in Obninsk. Over the next ten years, an enclave territory of about 100 hectares, located in a forest on the northern edge of the city, is set to transform into a modern center for the development of the nuclear energy sector. The plan envisions attracting international students and specialists, as well as comprehensive territorial development: both through the contemporary realization of “frozen” plans from the 1980s and through the introduction of new trends – public spaces, an aquapark, a food court, a school, and even a nuclear medicine center. Public and sports facilities are intended to be accessible to city residents as well, and the campus is to be physically and functionally connected to Obninsk.
Pearl Divers
GAFA has designed an apartment complex for Derbent intended to switch people from a work mode to a resort mindset – and to give the surrounding area a much-needed jolt. The building offers two distinct faces: restrained and laconic on the city side, and a lushly ornate façade facing the sea. At the heart of the complex, a hidden pearl lies – an open-air pool with an arch, offering views of a starry sky, and providing direct access to the beach.
A Satellite Island
The Genplan Institute of Moscow has prepared a master plan for the development of the Sarpinsky and Golodny island system, located within the administrative boundaries of Volgograd and considered among the largest river islands in Russia. By 2045, the plan envisions the implementation of 15 large-scale investment projects, including sports and educational clusters, a congress center with a “Volgonarium”, a film production cluster, and twenty-one theme parks. We explain which engineering, environmental, and transportation challenges must be addressed to turn this vision into reality. The master plan solutions have already been approved and incorporated into the city’s general development plan.
The Amber Gate
The Amber City residential complex is one of the redevelopment projects in the former industrial area located beyond Moscow’s Third Ring Road near Begovaya metro station. Alexey Ilyin’s studio proposed an original master plan that transformed two clusters of towers into ceremonial propylaea, gave the complex a recognizable silhouette, and established visual connections with new high-rise developments on both right and left – thus integrating it into the scale of the growing metropolis. It is also marked by its own futuristic stylistic language, based on a reinterpreted streamline aesthetic.
A Theater Triangle
The architectural company “Chetvertoe Izmerenie” (“Fourth Dimension”) has developed the design for a new stage of the Magnitogorsk Musical Theater, rethinking not only theater architecture but also the role of the theater in the contemporary city.
Aleksei Ilyin: “I approach every task with genuine interest”
Aleksei Ilyin has been working on major urban projects for more than 30 years. He has all the necessary skills for high-rise construction in Moscow – yet he believes it’s essential to maintain variety in the typologies and scales represented in his portfolio. He is passionate about drawing – but only from life, and also in the process of working on a project. We talk about the structure and optimal size of an office, about his past and current projects, large and small tasks, and about creative priorities.
​A Golden Sunbeam
A compact brick-and-metal building in the growing Shukhov Park in Vyksa seems to absorb sunlight, transform it into yellow accents inside, and in the evening “give it back” as a warm golden glow streaming from its windows. It is, frankly, a very attractive building: both material and lightweight at the same time, with lightness inside and materiality outside. Its form is shaped by function – laconic, yet far from simple. Let’s take a closer look.
Architecton Awards
In 2025, the jury of the Architecton festival reviewed the finalist projects through live, open presentations held right in the exhibition hall – a rather engaging performance, and something rarely seen among Russian awards. It would be great if “Zodchestvo” adopted this format. Below, we present all the winning projects, including four special nominations.
Garden of Knowledge
UNK architects and UNK design created the interiors of the Letovo Junior campus, working together with NF Studio, which was responsible for developing the educational technology that takes into account the needs and perception of younger and middle school children.
The Silver Skates
The STONE Kaluzhskaya office quarter is accompanied by two residential towers, making the complex – for it is indeed a single ensemble – well balanced in functional terms. The architects at Kleinewelt gave the residential buildings a silvery finish to match the office blocks. How they are similar, how they differ, and what “Silver Skates” has to do with it – we explore in this article.
On the Dynastic Trail
The houses and townhouses of the “Tsarskaya Tropа” (“Czar’s Trail”) complex are being built in the village of Gaspra in Crimea – to the west and east of the palaces of the former grand-ducal residence “Ai-Todor”. One of the main challenges for the architects at KPLN, who developed the project, was to respond appropriately to this significant neighboring heritage. How this influenced the massing, the façades, and the way the authors work with the terrain is explored in our article.
A New Path
The main feature of the Yar Park project, designed by Sergey Skuratov for Kazan, is that it is organized along the “spine” of a multifunctional mall with an impressive multi-height atrium space in its middle. The entire site, both on the city side and the Kazanka River embankment, is open to the public. The complex is intended not to become “yet another fenced enclave” but, as urban planners say, a “polycenter” – a new point of attraction for the whole of Kazan, especially its northern part, made up of residential districts that until now have lacked such a vibrant public space. It represents a new urban planning approach to a high-density mixed-use development situated in the city center – in a sense, an “anti-quarter”. Even Moscow, one might say, doesn’t yet have anything quite like it. Well, lucky Kazan!
Beneath the Azure Sky
A depository designed by Studio 44 will soon be built in Kenozersky National Park to preserve and display the so-called “heavens” – ceiling structures characteristic of wooden churches in the Russian North, painted with biblical scenes. For each of these “heavens”, the architects created a volume corresponding in scale and dimensions to the original church interior. The result is a honeycomb-like composition, with modules derived directly from the historic monuments themselves, allowing visitors to view the icons from the historically accurate angle – from below, looking upward. How exactly this works is the subject of our story.
​The Power of Lines
The building at the very beginning of New Arbat is the result of long deliberations over how to replace the former House of Communication. Contemporary, dynamic, and even somewhat zoomorphic in character, it is structured around a large diagonal grid. The building has become a striking accent both in the perspective of the former Kalinin Avenue and in the panorama of Arbat Square. Yet, unfortunately, the original concept was not fully realized. In 2020, the Moscow ArchCouncil approved a design featuring an exoskeleton – an external load-bearing structure, which eventually turned into a purely decorative element. Still, the power of the supergraphic “holds” the building, giving it the qualities of a new urban landmark with iconic potential. How this concept took shape, what unexpected associations might underlie the grid’s form, and why the exoskeleton was never built – all this is explored in our article.
Resort on the Kama River
Wowhaus has developed a project for the reconstruction of Korabelnaya Roshcha (“Mast Grove”), a wellness resort located on the banks of the Kama River.
Nests in Primorye
The eco-park project “Nests”, designed by Aleksey Polishchuk and the company Power Technologies, received first prize at the Eco-Coast 2025 festival, organized by the Union of Architects of Russia. For a glamping site in Filinskaya Bay, the authors proposed bird-shaped houses, treehouses, and a nest-shaped observation platform, topping it all with an entrance pavilion executed in the shape of an owl.
The Angle of String Tension
The House of Music, designed by Vladimir Plotkin and the architects of TPO Reserve, resembles a harp, and when seen from above, even a bass clef. But if only it were that simple! The architecture of the complex fuses two distinct expressive languages: the lattice-like, transparent, permeable vocabulary of “classical” modernism and the sculptural, ribbon-like volumes so beloved by today’s neo-modernism. How it all works – where the catharsis lies, which compositional axes underpin the design, where the project resembles Zaryadye Concert Hall and where it does not – read in the article below.
How Historic Tobolsk Becomes a Portal to the Future
Over the past decade, the architectural company Wowhaus has developed urban strategies for several Russian cities – Vyksa, Tula, and Nizhnekamsk, to name but a few. Against this backdrop, the Tobolsk master plan stands out both for its scale – the territory under transformation covers more than 220 square kilometers – and for its complexity.
St. Petersburg vs Rome
The center of St. Petersburg is, as we know, sacred – but few people can say with certainty where this “sacred place” actually begins and ends. It’s not about the formal boundaries, “from the Obvodny Canal to the Bolshaya Nevka”, but about the vibe that feels true to the city center. With the Nevskaya Ratusha complex – built to a design that won an international competition – Evgeny Gerasimov and Sergei Tchoban created an “image of the center” within its territory. And not so much the image of St. Petersburg itself, as that of a global metropolis. This is something new, something that hasn’t appeared in the city for a long time. In this article, we study the atmosphere, recall precedents, and even reflect on who and when first called St. Petersburg the “new Rome”. Clearly, the idea is alive for a reason.
On the Wave
The project of transforming the river port and embankment in the city of Cheboksary, developed by the ATRIUM Architects, involves one of the city’s key areas. The Volga embankment is to be turned into a riverside boulevard – a multifunctional, comfortable, and expressive space for work and leisure activities. The authors propose creating a new link with the city’s main Krasnaya (“Red”) Square, as well as erecting several residential towers inspired by the shape of the traditional national women’s headdress – these towers are likely to become striking accents on the Volga panorama.
Valery Kanyashin: “We Were Given a Free Hand”
The Headliner residential complex, the main part of which was recently completed just across from Moscow City, is a kind of neighbor to the MIBC that doesn’t “play along” with it. On the contrary, the new complex is entirely built on contrast: like a city of differently scaled buildings that seems to have emerged naturally over the past 20 years – which is a hugely popular trend nowadays! And yet here – perhaps only here – such a project has been realized to its full potential. Yes, high-rises dominate, but all these slender, delicate profiles, all these exciting perspectives! And most importantly – how everything is mixed and composed together... We spoke with the project’s leader Valery Kanyashin.
​The Keystone
Until quite recently, premium residential and office complexes in Moscow were seen as the exclusive privilege of the city center. Today the situation is changing: high-quality architecture is moving beyond the confines of the Third Ring Road and appearing on the outskirts. The STONE Kaluzhskaya business center is one such example. Projects like this help decentralize the megalopolis, making life and work prestigious in any part of the city.
Perpetuum Mobile
The interior of the headquarters of Natsproektstroy, created by the IND studio team, vividly and effectively reflects the client’s field of activity – it is one of Russia’s largest infrastructure companies, responsible for logistics and transport communications of every kind you can possibly think of.
Water and Light
Church art is full of symbolism, and part of it is truly canonical, while another part is shaped by tradition and is perceived by some as obligatory. Because of this kind of “false conservatism”, contemporary church architecture develops slowly compared to other genres, and rarely looks contemporary. Nevertheless, there are enthusiasts in this field out there: the cemetery church of Archangel Michael in Apatity, designed by Dmitry Ostroumov and Prokhram bureau, combines tradition and experiment. This is not an experiment for its own sake, however – rather, the considered work of a contemporary architect with the symbolism of space, volume, and, above all, light.