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Invited to the Ice Are…

Seven ice arenas with a capacity from 500 to 14,000 spectators and with a geography spreading from Yuzhno-Sakhalinsk to Tashkent – all designed by ARENA Project Institute. In this article, we show how a complex function is combined with an expressive architectural image.

09 June 2023
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In Russia, sports are a “normal way of life”, and hockey and figure skating are hardly any less popular than soccer is. ARENA’s portfolio includes more than ten ice arenas and indoor skating rinks; we selected seven most flashy ones, in which designing an already sophisticated project was made even more difficult by having to solve some location-specific task. In Sochi, for example, the architects had to calculate the “post-Olympics” use of the complex; in Yuzhno-Sakhalinsk, they had to inscribe the project into the already existing downtown scenery, and in Nizhny Novgorod they had to augment the architectural ensemble of the Spit of Nizhny Novgorod, at the same time preserving the dominant role of the cathedral.

An ice arena is a complex object that has to meet a multitude of requirements that are posed by federations of various sports, television that broadcasts live, as well by the regular fire safety agencies and other institutions. On top of it all, there is a specific task of ensuring high-quality ice in any season, which adds to the project a cooling plate with refrigerators, a whole complex of ventilation measures, units for water treatment and premises for ice filling machines. 

Since ice arenas are designed for practice sessions and competitions in hockey, sledge hockey, short track, figure skating, and curling, you need to include team locker rooms, rooms for drying tracksuits and sharpening skates, doping control facilities, rooms for the judging panels, as well as press and support teams. You also need to provide the spectators with sound and lighting systems that will ensure excellent performance regardless of the sector the ticket was bought for.

(No, we’re not finished yet!) Further on, such a grand-scale building cannot be single-functional – it must become a public center that includes sports clubs for children, fitness centers, cafes, exhibition spaces, and even offices. This makes the logistics component even more complicated because you need to separate not just the fan sectors, but also the athletes, spectators, press, service personnel, and, ultimately, boys and girls. Not the least issue is the profitability of a sports facility, which is often ensured by its ability to quickly transform into a concert venue.

We suggest checking out how the architects managed to link all these points in one object, while giving it a memorable look.

Designing large sports facilities is a traditional specialization of the Arena Design Institute, which dates back to Mosproject-4, from which we are descendants. The selection presented today reflects an individual approach to the design of such facilities, because, as a rule, they become the “visiting card” of the region. Also, arranged in chronological order, the constructions and current projects clearly show the trend of the last decades of transformation of ice arenas from exclusively professional mono-objects to publicly accessible multifunctional complexes.

Megasport Ice Palace

Architect
Studio
Mosproekt-4
Author collective
architects: Bokov A., Bush D., Chuklov S., Valuiskih V., Romanova L., Gak O., Burchuladze Z., Zolotova A., Timohov A.; architect-technologist: Shabaidash A.; engineers: Livshin M., Kelman M., Eremeev P., Bekmuhamedov E., Starikov O., Naumocheva A., Subbotina E., Starikova N.
Where
Russia, Moscow
Date
2004 — / — 2006
Function
Sport / Sports complex
The arena has a capacity for 14,000 spectators; it was built for the World Hockey Championship 2006, when the territory around the Khodynskoe Field started taking the mottled and pretty sci-fi look the way we know it today. Even today, “Megasport” successfully holds its own against a whole galaxy of high-profile projects: towers, shopping malls, grand-scale housing complexes, and cathedrals. The arena is shaped somewhat like a spinning propeller – as Grigory Revzin notes, this is homage to the former airfield, upon which this ice arena has been built. In the center of the composition, there is a white cylindrical volume with a diameter of 120 meters and a height of almost 50 meters, with a purposefully sagging membrane of the roof. The cylinder belts the spirals of the ramps with awnings: the red ramp leads to the spectator seats of the red sector; the blue one predictably to the blue. As you go higher up, the width of the ramp shrinks from 30 meters to five, making the flow of spectators thinner. Thanks to the heating system, ice does not form on the ramps in the wintertime. The arena hosts more than 100 events a year: both sports ones, including boxing matches and gymnastics competitions, and concerts. Also, a few movie scenes were shot inside the arena.
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“Iceberg” Palace of Winter Sports

Studio
Mosproekt-4
Andrey Bokov Studio
Where
Russia, Adler
Date
2009 — / — 2013
Function
Sport / Sports complex
The arena’s capacity is 12,000 spectators; it was built for the Olympics 2014. This is Sochi’s only indoor skating rink that allows you to conduct practice sessions, mass skating events, and figure skating / short track competitions all year round. Ice is another aggregate state of water, so in a southern city it seemed appropriate to interpret a wave on the facade, referring to the proximity of the Black Sea and echoing the silhouettes of the mountains. In the lower part of the building, the volumetric facade is raised, revealing the stained glass windows of the foyer and main entrances. The cladding uses transparent and colored glass of several shades of blue, which overlap each other like tiles, creating visions of ripples, sun glares on the water, or foam on the waves. In total, more than 600 tons of double-glazed windows are used on the facades of the Iceberg. Inside, the color helps spectators navigate between tiers and sectors. The problem of post-Olympic use was solved in a revolutionary way: the prefabricated type of construction allows the building to be dismantled and then moved to another city. This, however, was never required.
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Ссылки

The multifunctional ice complex “Humo Arena”

Studio
Heerim Architects & Planners
Arena Projwect Institute
Where
Uzbekistan, Tashkent
Date
2017 — / — 2019
Function
Sport / Ice Arena
The arena’s capacity is 12,500 people. It is situated in the central part of Tashkent, and is the biggest ice palace in Central Asia, and a home of four hockey clubs. The concept was developed by the Korean company Heerim Architects. The arena is named in honor of the mythical bird Humo, the harbinger of happiness. The main volume of the building resembles the folded wing of the bird, while the fan of the buildings, ramps and paths of the adjacent park resembles the flapping and spreading feathers of the bird. The halls lined with dark marble are decorated with round panels created by artists Bobur Ismailov based on the poem “The Language of Birds” by Turkic poet Alisher Navoi. The central piece is a golden composition with a stone that was laid when the complex was built. The arena can host more than a dozen sports, but its “specialty” is still hockey. The cooled slab allows to place a hockey court of three different sizes depending on the requirements of different hockey federations, and the main arena is supplemented by a training arena. 
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The multifunctional ice arena in Novosibirsk

Studio
Arena Projwect Institute
Where
Russia, Novosibirsk
Date
2018 — 2019 / 2021 —
Function
Sport / Ice Arena
The arena’s capacity is 12,500 people. It is situated in the central part of Tashkent, and is the biggest ice palace in Central Asia, and a home of four hockey clubs. The concept was developed by the Korean company Heerim Architects. The arena is named in honor of the mythical bird Humo, the harbinger of happiness. The main volume of the building resembles the folded wing of the bird, while the fan of the buildings, ramps and paths of the adjacent park resembles the flapping and spreading feathers of the bird. The halls lined with dark marble are decorated with round panels created by artists Bobur Ismailov based on the poem “The Language of Birds” by Turkic poet Alisher Navoi. The central piece is a golden composition with a stone that was laid when the complex was built. The arena can host more than a dozen sports, but its “specialty” is still hockey. The cooled slab allows to place a hockey court of three different sizes depending on the requirements of different hockey federations, and the main arena is supplemented by a training arena. 
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The ice palace on the territory of the Spit of Nizhny Novgorod

Studio
Where
Russia, Nizhny Novgorod
Date
2018 — /
Function
Sport / Ice Arena
The arena’s capacity is 12,500 spectators. It will complement the architectural ensemble of the Spit of Nizhny Novgorod, which already includes a soccer stadium, restored warehouses, and the Alexander Nevsky Cathedral. In order to minimize its contrastive influence on the latter, the arena was moved as much as possible towards the Samarkandskaya Street, its height from the city towards the water lowering from 38 to 14.5 meters. The streamlined “pebble” shape and the very position of the building allowed the architects to avoid obscuring the views of the cathedral from the water. The arena faces the city with a media façade and an entrance gallery with an amphitheater on the upper level. The arena is separated from the cathedral by a multi-level landscape composition, in which a cascade of stairs to the second tier is hidden. The area on the shore side will be landscaped and filled with outdoor sports fields. With the help of the stairs, landscaping, gallery and other elements, the “sprawl” of a rather large-scale building is overcome and its integration into the context is achieved. The arena will be the home arena for the Torpedo club, while the lower part of the arena will house a training arena, a four-lane curling hall and two more multipurpose halls. The construction is planned to be completed in 2025.
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The Crystal Ice Palace

Studio
Where
Russia, Moscow
Date
2015 / 2020 —
Function
Sport / Ice Arena
Capacity: 500 people. The arena will be situated on the territory of Luzhniki complex, instead of the skating rink, built back in the 1960s and now recognized to be in an emergency state. The building maintains not just the “posture” of its predecessor, but also the style characteristic for sports facilities of the mid-20th century. It is rather unusual for its typology: it has a rectangular plan, and the glass facades fill the halls with natural light. The ice is protected from direct sunlight by vertical metal lamellae, which like blinds can completely cover the stained glass windows. The main entrance is accented with a stained glass crystal structure. Inside there are two ice arenas with separate entrances for 250 seats each; a 25-meter swimming pool with a view of the park; office premises with windows overlooking the Moskva River; gyms and cafes. A parking lot for 130 cars is located in the underground level.
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Gasprom Arena

Studio
Where
Russia, Yuzhno-Sakhalinsk
Date
— 2022 /
Function
Sport / Ice Arena
The arena in fact includes two ice arenas: one is designed for competitions and has a capacity of 5,500 people, while the second is a training arena with a game and gymnasium and a shooting range. This will allow training and competitions of international level in hockey and other sports, including sport shooting. But the main purpose of the arena is to provide the city’s children with affordable sports clubs. The unified surface of the folded metal roof, passing into the facade, “envelops” the internal structure of the sports facility, manifesting its multifunctionality in the silhouette and opening up with a colonnade at the main entrance. The arena is planned to be built in the center of Yuzhno-Sakhalinsk, on the site of the bus park, which will be relocated to another place. The adjacent territory will be landscaped: landscaping, pedestrian and bicycle paths will be laid and parking for 183 cars will be organized. The construction is planned to be completed by 2025.
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09 June 2023

Headlines now
Inverted Fortress
This year, there has been no shortage of intriguing architectural ideas around the Omsk airport. The project developed by the architectural company KPLN appeals to Omsk’s history as a wooden fortress that it was back in the day, but transforms the concept of a fortress beyond recognition: it “shaves off” the conical ends of “wooden logs”, then enlarges them, and then flips them over. The result is a hypostyle – a forest of conical columns on point supports, with skylights on top.
Transformation of Annenkirche
For Annenkirche (St. Anna Lutheran Church in St. Petersburg), Sergey Kuznetsov and the Kamen bureau have prepared a project that relies on the principles of the Venice Charter: the building is not restored to a specific date, historical layers are preserved, and modern elements do not mimic the authentic ones. Let’s delve into the details of these solutions.
The Paradox of the Temporary
The concept of the Russian pavilion for EXPO 2025 in Osaka, proposed by the Wowhaus architects, is the last of the six projects we gathered from the 2022 competition. It is again worth noting that the results of this competition were not finalized due to the cancellation of Russia’s participation in World Expo 2025. It should be mentioned that Wowhaus created three versions for this competition, but only one is being presented, and it can’t be said that this version is thoroughly developed – rather, it is done in the spirit of a “student assignment”. Nevertheless, the project is interesting in its paradoxical nature: the architects emphasized the temporary character of the pavilion, and in its bubble-like forms sought to reflect the paradoxes of space and time.
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
Mirrors Everywhere
The project by Sergey Nebotov, Anastasia Gritskova, and the architectural company “Novoe” was created for the Russian pavilion at EXPO 2025, but within the framework of another competition, which, as we learned, took place even earlier, in 2021. At that time, the competition theme was “digital twins”, and there was minimal time for work, so the project, according to the architect himself, was more of a “student assignment”. Nevertheless, this project is interesting for its plan bordering on similarity with Baroque projects and the emblem of the exhibition, as well as its diverse and comprehensive reflectiveness.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.
Architecture and Leisure Park
For the suburban hotel complex, which envisages various formats of leisure, the architectural company T+T Architects proposed several types of accommodation, ranging from the classic “standard” in a common building to a “cave in the hill” and a “house in a tree”. An additional challenge consisted in integrating a few classic-style residences already existing on this territory into the “architectural forest park”.
The U-House
The Jois complex combines height with terraces, bringing the most expensive apartments from penthouses down to the bottom floors. The powerful iconic image of the U-shaped building is the result of the creative search for a new standard of living in high-rise buildings by the architects of “Genpro”.
Black and White
In this article, we specifically discuss the interiors of the ATOM Pavilion at VDNKh. Interior design is a crucial component of the overall concept in this case, and precision and meticulous execution were highly important for the architects. Julia Tryaskina, head of UNK interiors, shares some of the developments.
The “Snake” Mountain
The competition project for the seaside resort complex “Serpentine” combines several typologies: apartments of different classes, villas, and hotel rooms. For each of these typologies, the KPLN architects employ one of the images that are drawn from the natural environment – a serpentine road, a mountain stream, and rolling waves.
Opal from Anna Mons’ Ring
The project of a small business center located near Tupolev Plaza and Radio Street proclaims the necessity of modern architecture in a specific area of Moscow commonly known as “Nemetskaya Sloboda” or “German settlement”. It substantiates its thesis with the thoroughness of details, a multitude of proposed and rejected form variants, and even a detailed description of the surrounding area. The project is interesting indeed, and it is even more interesting to see what will come of it.
Feed ’Em All
A “House of Russian Cuisine” was designed and built by KROST Group at VDNKh for the “Rossiya” exhibition in record-breaking time. The pavilion is masterfully constructed in terms of the standards of modern public catering industry multiplied by the bustling cultural program of the exhibition, and it interprets the stylistically diverse character of VDNKh just as successfully. At the same time, much of its interior design can be traced back to the prototypes of the 1960s – so much so that even scenes from iconic Soviet movies of those years persistently come to mind.
The Ensemble at the Mosque
OSA prepared a master plan for a district in the southern part of Derbent. The main task of the master plan is to initiate the formation of a modern comfortable environment in this city. The organization of residential areas is subordinated to the city’s spiritual center: depending on the location relative to the cathedral mosque, the houses are distinguished by façade and plastique solutions. The program also includes a “hospitality center”, administrative buildings, an educational cluster, and even an air bridge.
Pargolovo Protestantism
A Protestant church is being built in St. Petersburg by the project of SLOI architects. One of the main features of the building is a wooden roof with 25-meter spans, which, among other things, forms the interior of the prayer hall. Also, there are other interesting details – we are telling you more about them.
The Shape of the Inconceivable
The ATOM Pavilion at VDNKh brings to mind a famous maxim of all architects and critics: “You’ve come up with it? Now build it!” You rarely see such a selfless immersion in implementation of the project, and the formidable structural and engineering tasks set by UNK architects to themselves are presented here as an integral and important part of the architectural idea. The challenge matches the obliging status of the place – after all, it is an “exhibition of achievements”, and the pavilion is dedicated to the nuclear energy industry. Let’s take a closer look: from the outside, from the inside, and from the underside too.
​Rays of the Desert
A school for 1750 students is going to be built in Dubai, designed by IND Architects. The architects took into account the local specifics, and proposed a radial layout and spaces, in which the children will be comfortable throughout the day.
The Dairy Theme
The concept of an office of a cheese-making company, designed for the enclosed area of a dairy factory, at least partially refers to industrial architecture. Perhaps that is why this concept is very simple, which seems the appropriate thing to do here. The building is enlivened by literally a couple of “master strokes”: the turning of the corner accentuates the entrance, and the shade of glass responds to the theme of “milk rivers” from Russian fairy tales.
The Road to the Temple
Under a grant from the Small Towns Competition, the main street and temple area of the village of Nikolo-Berezovka near Neftekamsk has been improved. A consortium of APRELarchitects and Novaya Zemlya is turning the village into an open-air museum and integrating ruined buildings into public life.
​Towers Leaning Towards the Sun
The three towers of the residential complex “Novodanilovskaya 8” are new and the tallest neighbors of the Danilovsky Manufactory, “Fort”, and “Plaza”, complementing a whole cluster of modern buildings designed by renowned masters. At the same time, the towers are unique for this setting – they are residential, they are the tallest ones here, and they are located on a challenging site. In this article, we explore how architects Andrey Romanov and Ekaterina Kuznetsova tackled this far-from-trivial task.
In the spirit of ROSTA posters
The new Rostselmash tractor factory, conceptualized by ASADOV Architects, is currently being completed in Rostov-on-Don. References to the Soviet architecture of the 1920’s and 1960’s resonate with the mission and strategic importance of the enterprise, and are also in line with the client’s wish: to pay homage to Rostov’s constructivism.
The Northern Thebaid
The central part of Ferapontovo village, adjacent to the famous monastery with frescoes by Dionisy, has been improved according to the project by APRELarchitects. Now the place offers basic services for tourists, as well as a place for the villagers’ leisure.