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​An Outgoing Introvert

Designing and building in Moscow area’s Lyublino a fitness club called La Salute (which translates as “health” from the Italian), ASADOV architects did make the life of this area healthier by bringing designer architecture and new useful functions into the standard environment. The dramatic tectonics of the building empathize its sporty intentions.

30 September 2019
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The Mission

“The fitness club La Salute is not our first joint project with Andrew and Alexander Asadovs – shares the commissioner of La Salute, Larisa Khanokhova – We already built together a bilingual kindergarten in the Maly Poluyaroslavsky Alley, the best kindergarten in Moscow, in my opinion. It was designed as a magic theater, and it’s also unique from the point of view of children’s education. We have been doing educational projects for quite a while now. Also, together with ASADOV architects, we are expanding the “School of Cooperation” on Taganka. As far as this fitness center is concerned, Lublino consists basically of bleak architecture consisting of rank-and-file prefabricated houses. Therefore, in addition to the business task, I had this idea of lifting up the status of this area with a new infrastructure project – a world-class fitness center. At the same time, it is quite accessible to the local residents price-wise”.

Extrovert / Introvert

The volume of the fitness center is rather simple: the U-shaped plan is turned with its “back” to the residential houses, facing the park, the right wing two stories high, left three stories high. On the lintel, appears a ledge of transition from two stories to three, the taller left part ending in a large cantilevered structure that takes on the role of a marquee because the main entrance is situated underneath it.

Fitness center La Salute on the Belorechenskaya Street
Copyright: © ASADOV architects
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    Fitness center La Salute on the Belorechenskaya Street
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    Fitness center La Salute on the Belorechenskaya Street. THe master plan
    Copyright: © ASADOV architects
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    Fitness center La Salute on the Belorechenskaya Street
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    Fitness center La Salute on the Belorechenskaya Street. Plan of the 1st floor
    Copyright: © ASADOV architects
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    Fitness center La Salute on the Belorechenskaya Street
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    Fitness center La Salute on the Belorechenskaya Street
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    Fitness center La Salute on the Belorechenskaya Street. Section view
    Copyright: © ASADOV architects


Basically, what we are seeing here is a clearly readable composition, motivated by the function and the specifics of the land site. However, the architects, strengthening some of the features, enhanced the building’s imagery – they made it look like a lizard that curled into a ball and is basking in the sun, straining its neck to peek into the garden. The role of the tail is played by the fence on the side of the park: its triangular silhouette starts from the ground opposite the entrance, and then grows up to the roof of the right wing, the tilted pylons growing denser as they approach the building, sparser in the beginning. The tail, this way, is not exactly a volume, which is right too – because a lizard can shed its tail. The further likeness is determined by the design solution of the façade – the diagonal pattern, set by the fence, continues on the whole building’s body: the metallic panels of a glittering brownish hue alternate with white ones; the windows, long and slanted, are also inserted into the dynamic pattern of tiled strokes, this all sheds a glitter, like a lizard’s skin, while the diagonal creates a feeling of a latent motion within this creature of a building. This same effect is also supported by the rounded corners: all the three outer ones and the curvilinear glass of the entrance underneath the cantilever. And the fact that the building is “curled into a ball” around the yard is enhanced by the large meander in the paving pattern.

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    Fitness center La Salute on the Belorechenskaya Street
    Copyright: © ASADOV architects
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    Fitness center La Salute on the Belorechenskaya Street
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    Fitness center La Salute on the Belorechenskaya Street
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    Fitness center La Salute on the Belorechenskaya Street
    Copyright: © ASADOV architects


Meanwhile, our lizard is also a little bit of a chameleon: “the façade material is going through various transformations and is used with different frequencies” – Andrey Asadov stresses. Indeed, the eastern wall, the one that faces the Belorechenskaya Street, is not brown but terra cotta orange, and the panels become ceramic – which, first of all, makes the building more noticeable, because the fitness center must not be “lost” against the backdrop of the existing construction, at least in order to attract the clients. On the other hand, this “reddish” warmth also works towards creating a “creature” image, and one can even wonder at this point what kind of animal curled up into a ball – a lizard or maybe a fox. But then again, it’s not really important which animal that is. What is important is the fact that the glass “head” of the cantilever with a ground-bound chamfer is facing the park and the Church of Tatyana of Rome, reflecting it. The two unconventional-looking nonresidential buildings, standing against the background of rather dull prefabricated houses, get involved in a dialogue, which makes perfect sense for two public buildings, however different, in this sleeping belt neighborhood.

Fitness center La Salute on the Belorechenskaya Street
Copyright: © ASADOV architects


The fact that this beast of ours – be that a fox, a lizard, or even a snail with a striped shell – is turning away from the residential houses, lying almost precisely with its back to them, also makes absolutely perfect sense. People come to train here in order to divert themselves from the stress of the hard day’s work, and the monotonous windows of the prefabricated houses are not exactly the kind of landscape that is highly conducive to emotional rest. However, the trees of the park and the church, a building that’s unique to at least some extent, are a different matter. Thus, the fitness center is open to greenery, especially its glass cantilever above the entrance; the main gym that it contains is well lit and opened to daylight and a positive natural view. Thus, it comes as no surprise that Andrey Asadov describes the building of the fitness center on the Belorechenskaya Street as both introvert and extrovert: wherever it’s needed, it coils into a ball, opening up when such an opportunity arises.

Fitness center La Salute on the Belorechenskaya Street
Copyright: © ASADOV architects


Decorating the rounded corners became a challenge for the manufacturers of terra cotta and metallic cassettes: it was required of them to produce totally nonstandard elements, and slanting ones, too. All the ceramic tiles have been chiseled by complex guages: the overall curve was one and the same, but it was the tilted stroke pattern that added to the complexity of the task. The metallic composite cassettes have double curvilinearity. The joints between them are also very neat. Their size is more than 5 meters high, and this makes the building look more compact than it really is.

The Flight and the Balance

The dynamics of the volumes of this building is truly sporty because the fitness center (forgive me the sports and dancing terminology!) is there in the foreground. The building is focused on the park. The main terra cotta façade emphasizes that particularly vividly because it’s not solid, unlike the metallic one, but a long segment of its two bottom floors is made of glass, and it is just one terra cotta “leg” that remains, the whole building “leaping” forward with its park-bound cantilever. At the same time, the complex grows more transparent as it gets closer to the park. Meaning – its gravity center remains within the thick terra cotta part, i.e. in the “leg”. Also interesting is the fact that in the first floor the architects added a narrow window – the massiveness of the wall comes in increments, and thus gets lighter. The cantilever gazing at the park rests on a V-shaped support.

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Andrey Asadov:

“Together with the chief architect of the project, Tatiana Konovalova, we spent quite a long time working with designers in order to zero in on the crisp and simple solution. Ultimately, we came up with this elegant V-shaped support. Behind the glass, there is only a continuation of the slanted pillars, the rest being the overhanging cantilevered structures. We were able to achieve that because the floor and the ceiling of the cantilevered part are made from pretension concrete”.

Fitness center La Salute on the Belorechenskaya Street
Copyright: © ASADOV architects


V-shaped columns make a very dramatic image in all senses. Construction-wise, they support the pretension concrete, while visually they look like muscles and tendons of an athlete. These tensed up “muscles” and stretched “strings” artistically express real forces that are in play within this construction. The tilting angles of the columns and “ribbon” windows on the façade do not match. In the enhanced tilt of the columns one can see something like athlete’s plunge at the start, something like extra acceleration. The V-shaped support is viewable on several floors in the interior, and from the outside through the glass. In addition, however trivial this may sound, V may stand for “victory”, which is appropriate in any sports center.

Show in Wonderland

From the yard, which is due to be later on organized for open air sports, one can gaze either at the park or at the glass walls of the atrium. They form some kind of curious offline screens, upon which beautiful people in beautiful clothes move freely. The glass wall of the swimming pool also overlooks the yard.

The athletes behind the glass also enjoy the transparency: they can watch the would go by, and expose themselves to the world as well. This transparency is like the main luxury here. This sporty “theater” also has a commercial meaning: one can see at once what is situated where, and one see which new sports he wants to try.

Cylinders Inspired by Le Corbusier

The interior design is based on a combination of white, orange, and wine red. The theme of tilted V-shaped supports is continued in the interior by bronze columns, also tilted. Passing through the main entrance, the visitor gets into a spacious double-height reception area that also includes a bar, sofas, and tables for the visitors. This area opens access to the locker rooms and gyms with panoramic views. From the public area, once can also see through the glass walls what is going on inside the gyms and the other way around. The principle of total transparency, important for the architects, applies at all levels. In addition to the gyms, La Salute also has saunas and steam baths in it, a swimming pool with sea water, and even a Cardio Theater. The latter was proposed by the commissioner, Larisa Khanukhova: she took an active part in doing the interior design.

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    Fitness center La Salute on the Belorechenskaya Street
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    Fitness center La Salute on the Belorechenskaya Street
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    Fitness center La Salute on the Belorechenskaya Street
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    Fitness center La Salute on the Belorechenskaya Street
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    Fitness center La Salute on the Belorechenskaya Street
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    Fitness center La Salute on the Belorechenskaya Street
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    Fitness center La Salute on the Belorechenskaya Street
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    Fitness center La Salute on the Belorechenskaya Street
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    Fitness center La Salute on the Belorechenskaya Street
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“The building of the club is outwardly dynamic, and we tried to keep this character on the inside as well, trying to make it look chic by finding some bright dramatic detail – Larisa Khanukhova is saying – This is how we came up with the idea of colorful lights: this cylindrical shape with a chamfered opening can be seen in Le Corbusier’s church in Firmini. From the functional standpoint, our club offers not just fitness, but an opportunity to relax as well. The Italian name La Salute translates as “health”. We tried to create a matching visual image by means of art and design: we placed art objects there, and decorated the Cardio Theater in the vein of the amphitheater in the city of Lucci”.

The theme of a sportive theater, as we can see, pops up here more than once. The same purpose is served by the green roofs of the building, which are not operated – yet – but the architects already designed an exit to them and provided for the low-maintenance “sportive” coating material. Doing sports on the roof will be quite a sight to see for the locals, and a great promotion for the club, too. This club, offering fitness and yoga, will be quite a big deal for this sleeping-belt neighborhood.

30 September 2019

Headlines now
The Secret Briton
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The Wrap-Up
The competition project proposed by Treivas for the first 2021 competition for the Russian pavilion at EXPO 2025 concludes our series of publications on pavilion projects that will not be implemented. This particular proposal stands out for its detailed explanations and the idea of ecological responsibility: both the facades and the exhibition inside were intended to utilize recycled materials.
Birds and Streams
For the competition to design the Omsk airport, DNK ag formed a consortium, inviting VOX architects and Sila Sveta. Their project focuses on intersections, journeys, and flights – both of people and birds – as Omsk is known as a “transfer point” for bird migrations. The educational component is also carefully considered, and the building itself is filled with light, which seems to deconstruct the copper circle of the central entrance portal, spreading it into fantastic hyper-spatial “slices”.
Faraday Grid
The project of the Omsk airport by ASADOV Architects is another concept among the 14 finalists of a recent competition. It is called “The Bridge” and is inspired by both the West Siberian Exhibition of 1911 and the Trans-Siberian Railway bridge over the Irtysh River, built in 1896. On one hand, it carries a steampunk vibe, while on the other, there’s almost a sense of nostalgia for the heyday of 1913. However, the concept offers two variants, the second one devoid of nostalgia but featuring a parabola.
Midway upon the Journey of Our Life
Recently, Tatlin Publishing House released a book entitled “Architect Sergey Oreshkin. Selected Projects”. This book is not just a traditional book of the architectural company’s achievements, but rather a monograph of a more personal nature. The book includes 43 buildings as well as a section with architectural drawings. In this article, we reflect on the book as a way to take stock of an architect’s accomplishments.
Inverted Fortress
This year, there has been no shortage of intriguing architectural ideas around the Omsk airport. The project developed by the architectural company KPLN appeals to Omsk’s history as a wooden fortress that it was back in the day, but transforms the concept of a fortress beyond recognition: it “shaves off” the conical ends of “wooden logs”, then enlarges them, and then flips them over. The result is a hypostyle – a forest of conical columns on point supports, with skylights on top.
Transformation of Annenkirche
For Annenkirche (St. Anna Lutheran Church in St. Petersburg), Sergey Kuznetsov and the Kamen bureau have prepared a project that relies on the principles of the Venice Charter: the building is not restored to a specific date, historical layers are preserved, and modern elements do not mimic the authentic ones. Let’s delve into the details of these solutions.
The Paradox of the Temporary
The concept of the Russian pavilion for EXPO 2025 in Osaka, proposed by the Wowhaus architects, is the last of the six projects we gathered from the 2022 competition. It is again worth noting that the results of this competition were not finalized due to the cancellation of Russia’s participation in World Expo 2025. It should be mentioned that Wowhaus created three versions for this competition, but only one is being presented, and it can’t be said that this version is thoroughly developed – rather, it is done in the spirit of a “student assignment”. Nevertheless, the project is interesting in its paradoxical nature: the architects emphasized the temporary character of the pavilion, and in its bubble-like forms sought to reflect the paradoxes of space and time.
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
Mirrors Everywhere
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The Steppe Is Full of Beauty and Freedom
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The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
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​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.
Arch, Pearl, Wing, Wind
In the social media of the governor of the Omsk region, voting was conducted for the best project for the city’s new airport. We asked the finalists to send over their projects and are now showcasing them. The projects are quite interesting: the client requested that the building be visually permeable throughout, and the images that the architects are working with include arches, wings, gusts of wind, and even the “Pearl” painting by Vrubel, who was actually born in Omsk.
Architecture and Leisure Park
For the suburban hotel complex, which envisages various formats of leisure, the architectural company T+T Architects proposed several types of accommodation, ranging from the classic “standard” in a common building to a “cave in the hill” and a “house in a tree”. An additional challenge consisted in integrating a few classic-style residences already existing on this territory into the “architectural forest park”.
The U-House
The Jois complex combines height with terraces, bringing the most expensive apartments from penthouses down to the bottom floors. The powerful iconic image of the U-shaped building is the result of the creative search for a new standard of living in high-rise buildings by the architects of “Genpro”.
Black and White
In this article, we specifically discuss the interiors of the ATOM Pavilion at VDNKh. Interior design is a crucial component of the overall concept in this case, and precision and meticulous execution were highly important for the architects. Julia Tryaskina, head of UNK interiors, shares some of the developments.
The “Snake” Mountain
The competition project for the seaside resort complex “Serpentine” combines several typologies: apartments of different classes, villas, and hotel rooms. For each of these typologies, the KPLN architects employ one of the images that are drawn from the natural environment – a serpentine road, a mountain stream, and rolling waves.
Opal from Anna Mons’ Ring
The project of a small business center located near Tupolev Plaza and Radio Street proclaims the necessity of modern architecture in a specific area of Moscow commonly known as “Nemetskaya Sloboda” or “German settlement”. It substantiates its thesis with the thoroughness of details, a multitude of proposed and rejected form variants, and even a detailed description of the surrounding area. The project is interesting indeed, and it is even more interesting to see what will come of it.
Feed ’Em All
A “House of Russian Cuisine” was designed and built by KROST Group at VDNKh for the “Rossiya” exhibition in record-breaking time. The pavilion is masterfully constructed in terms of the standards of modern public catering industry multiplied by the bustling cultural program of the exhibition, and it interprets the stylistically diverse character of VDNKh just as successfully. At the same time, much of its interior design can be traced back to the prototypes of the 1960s – so much so that even scenes from iconic Soviet movies of those years persistently come to mind.
The Ensemble at the Mosque
OSA prepared a master plan for a district in the southern part of Derbent. The main task of the master plan is to initiate the formation of a modern comfortable environment in this city. The organization of residential areas is subordinated to the city’s spiritual center: depending on the location relative to the cathedral mosque, the houses are distinguished by façade and plastique solutions. The program also includes a “hospitality center”, administrative buildings, an educational cluster, and even an air bridge.
Pargolovo Protestantism
A Protestant church is being built in St. Petersburg by the project of SLOI architects. One of the main features of the building is a wooden roof with 25-meter spans, which, among other things, forms the interior of the prayer hall. Also, there are other interesting details – we are telling you more about them.
The Shape of the Inconceivable
The ATOM Pavilion at VDNKh brings to mind a famous maxim of all architects and critics: “You’ve come up with it? Now build it!” You rarely see such a selfless immersion in implementation of the project, and the formidable structural and engineering tasks set by UNK architects to themselves are presented here as an integral and important part of the architectural idea. The challenge matches the obliging status of the place – after all, it is an “exhibition of achievements”, and the pavilion is dedicated to the nuclear energy industry. Let’s take a closer look: from the outside, from the inside, and from the underside too.