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A String of Impressions

A “string” park designed for the first alluvial waterfront of the Vasilyevsky Island is full of modern functions, at the same time demonstrating a regular structure and a reference to the classic gardens of Saint Petersburg. The project won in the competition and is due to be implemented.

18 March 2019
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The idea of a “Marine Façade” of Saint Petersburg built on the city’s alluvial waterfronts, is as ambitious as the project of the Lakhta Center tower: although the building did not become “Europe’s highest skyscraper”, as was originally intended, it is still reputed to be “the largest integrated land development project”, “the visiting card”, and “the city’s face” that meets everyone who comes to Saint Petersburg by sea. The new lands are increasing the area of the Vasilyevsky Island by about a fourth: the city is planning to make a total of about 450 hectares of them, out of which amount about 170 hectares have already been washed up along the Morskaya Waterfront.

In 2006, Gensler developed an aggradation master plan, according to which the northern part of the manmade island was to become the business one – similar to Manhattan or Shanghai – with super-dense construction and peaks up to 200-300 meters, whilst the southern part was to become a residential one. In 2014, the city approved of the project of planning the alluvial lands, developed by the company “Soyuz-55” headed by Alexander Viktorov. He made substantial changes to the original Gensler concept: the manmade island merged with the mainland, the construction significantly decreased in height and became exclusively residential. The Site Plan Committee, which has the power of law, also defined the composition of the city block construction in the southern part of the aggradation – with buildings standing along the perimeter, and schools and kindergartens situated in the middle of the city blocks. In the Gensler master plan, the residential houses stood with their side ends facing the water, which made the city blocks literally windswept through by the chilling winds blowing from the Gulf of Finland.

The development of the alluvial land began from building the transport infrastructure. The first to appear was the sea passenger port capable of receiving cruise ships of any size. Then the mainland and the alluvial land got separated by the Western High-Speed Diameter, to the west of which appeared the first stage of “Me, Romantic” housing complex, which was also traversed by the Western High-Speed Diameter.

In 2015, a large international competition was organized for the best concept of developing the territories surrounding the port bay, which was won by the Dutch company KCAP Holding B.V. & Orange and Saint Petersburg’s “A.Len” with their Golden City project. Coming after it, the development of the rest of the waterfront will be continued by a large-scale housing complex designed by “Studio 44”.

At the Urban Council meeting, Nikita Yavein shared that the master plan project left virtually no room for architectural maneuver. Considering other restrictions, from the required output of square meters to the strong sea winds and the stipulated construction concept, “Studio-44” dialed in a special configuration of the buildings. The city block will consist of four layers, and its structure will look like sand hills under water or the actual alluvium – as if each line appeared after a series of waves lapping the shore. Closer to the city, the architects placed the “boulevard front”, followed by a yard belt with schools and kindergartens. The third line is a punctured line of towers and slabs designed in the form of “birds” and “lenses”, freely hovering around the park, which becomes the fourth and the last line.

The concept of landscaping the pedestrian areas and public territories on the alluvial lands of the Neva Bay. Copyright: © Studio 44
The concept of developing the alluvial lands in the west part of the Vasilyevsky Island. Copyright: © Studio 44


It must be said that the park might not have happened because in the planning project of the territory there was a highway running along the shoreline. When the land site was bought out by LSR Group, it proposed “a new line of the Vasilyevsky Island” (a park one), and “Studio-44” was able to include it in the project by rearranging the traffic streams. There was a special competition for the landscaping project of the shoreline, the first place in which was also won by “Studio-44”.

The concept of developing the alluvial lands in the west part of the Vasilyevsky Island. Copyright: © Studio 44


The park is about two kilometers long, its width varying from 40 to 150 meters, its total area being a little over 11 hectares. In the interpretation of “Studio-44”, the park ended up being not of the “landscape” type, as was proposed by most contestants, who associated this place with the dunes and pine trees of the Kurortny (“Seaside”) district, but, rather, of the urban type. Since back in the day, the granite embankments turned this chunk of swampy land into something opposed to nature, here we are seeing pretty much the same thing – and the fact that it is a piece of manmade land makes it even more appropriate to speak in the language of straight lines and motivated functions. Nature in this case IS the landscape design; it only adds to the beauty of this public area.

The concept of landscaping the pedestrian areas and public territories on the alluvial lands of the Neva Bay. Copyright: © Studio 44


The concept of landscaping the pedestrian areas and public territories on the alluvial lands of the Neva Bay. Copyright: © Studio 44


If we are to describe the park in a nutshell, it is essentially an enfilade of ten smaller parks strung upon pedestrian and bicycle trails. Each of these “sub-parks” belongs to a certain house – to a certain extent, each park is a continuation of a building’s yard; the parks are even outlined from the opposite side with a contour that reflects the building’s shape: arc-shaped or triangular, which indicates the fact that this park belongs to this building. In many cases these outlines form small “balconies” hanging above the water like a sign of expansion of architectural form beyond the confines of the shoreline. On the other side, however, all of the “park” yards are open to the water and are strung on a single axis. Each of them has its own special design, function, mood, and scenario. Passing through the entire string, one can collect the impressions or choose for themselves a space that best fits their mood today. “Moving through this string of gardens of different types aligned along the shoreline, you feel as if you pass from one world to another” – Nikita Yavein says.

The idea of a linear park is not exactly new – on the contrary, it is very popular nowadays because it is equally applicable to a boulevard and to a waterfront. The change of impressions and diversity of green “rooms” to be found within one and the same landscape is also virtually a classic, necessary to liven up one’s perception, even though it sometimes comes about not intentionally but historically, for example, when a French and an English park are joined together. The idea of alternating different nature fragments serves as the basis for designing botanical gardens around the world. Still, it is a rather rare case when landscape structures, however linear, end up being organized in such a saturated and long sequence. The solution proposed by “Studio-44” is arguably unique not only for Saint Petersburg but also for the entire global practice. Most likely, it is the result of the hybrid territory that formed here from a series of yards and the linear waterfront park.

The concept of landscaping the pedestrian areas and public territories on the alluvial lands of the Neva Bay. Copyright: © Studio 44


The four major blocks are separated by three squares. In the very center, along the axis of the Nakhimova Street, lies the large market square with a pond in the middle of it. This is a meeting point and a place for celebrations, festivals and market days. The architects dream that in the future small boats will moor here, from which the guests of the park will be buying fresh-caught fish. Closer to the Golden City will lie the Sports Square, and from the opposite southern side the architects are proposing to make a Temple Square: currently, the nearest church of the Pardoning Icon of the Holy Mother, is about four kilometers away from the aggradation.

The concept of landscaping the pedestrian areas and public territories on the alluvial lands of the Neva Bay. Copyright: © Studio 44


The concept of landscaping the pedestrian areas and public territories on the alluvial lands of the Neva Bay. Copyright: © Studio 44


The concept of landscaping the pedestrian areas and public territories on the alluvial lands of the Neva Bay. Copyright: © Studio 44


Since the park grows wider in the middle, this is the place where the noisiest and the most active zones are concentrated: various sports fields, a playground, and a special area for playing with pets. Behind the Sports Square, one will be able to do “quiet” sports such as yoga, gymnastics or pétanque, as well as tend a vegetable garden. Behind the Church Square, there will be a chess yard and a sports field for people of limited mobility. It is also worth noting that the whole territory of the park is barrier-free, and one can easily pass through it on a bike or with a go-cart.

The concept of landscaping the pedestrian areas and public territories on the alluvial lands of the Neva Bay. The scheme of functional zoning. Copyright: © Studio 44


All of the venues are pierced by a few pedestrian and bicycle trails: one can choose the shortest possible way or walk along the water’s edge or the winding park trails. One’s walk is made still more eventful by “three-leaf-mirrors” between the level spaces of the theme parks. They mirror the points of the towers, being essentially platforms with colonnades, into which one can install various modules – cafes, rental points, toilets, and more. Also, local businesses will occupy the bottom floors of the residential buildings, along which runs yet another “yard-side” route. Between the “three-leaf-mirrors” and the towers, there will be a strip of trees planted closely to one another, whose function will be to stop the chilly gulf winds. In these points, one will also be able to get down to the water.

The concept of landscaping the pedestrian areas and public territories on the alluvial lands of the Neva Bay. Transport diagram. Copyright: © Studio 44


The concept of landscaping the pedestrian areas and public territories on the alluvial lands of the Neva Bay. Planting diagram. Copyright: © Studio 44


The concept of landscaping the pedestrian areas and public territories on the alluvial lands of the Neva Bay. Copyright: © Studio 44


The relationship between the future park and the water can best be described as reserved. For example, Peterhof, which can be seen from the new alluvial land directly across the gulf, is world famous for its fountains and water tourist attractions. There is also a new city space called “Port Sevkabel” that interprets the navy theme with various beacons, ship’s decks and bull’s eyes. The 300 Anniversary Park meets the water with a wide strip of beach sand. The park designed by “Studio-44”, on the other hand, treats the water element with politeness and respect: the embankments are safely reinforced with granite, the circular bridges, albeit hovering above the water, still do not let pedestrians and cyclists to wander too far away from the land, the number of descents to the water is limited, and the beach could only be made on a short fragment of the shoreline for purely technical reasons. But then again, the slightly “introverted” character of the park in reference to the water can be explained first of all by utilitarian reasons: on the one hand, this part of the alluvial land comes under the impact of both sea waves and spring ice floats. On the other hand, the competition specifications only provided for working with the land, whilst beyond the breaker line federal property begins. At the same time, the square of the moors that protrudes into the water area – a long promenade swept by the sea breeze and commanding fine views of the gulf and the sea sunsets – slightly improves the situation.

The concept of landscaping the pedestrian areas and public territories on the alluvial lands of the Neva Bay. Copyright: © Studio 44


If we are to try and classify the park that ended up being here, this is not quite a pleasure garden, not quite a “study” garden, like the Summer Garden, and not a natural installation in the spirit of Moscow’s Zaryadye Park. At the same time, it took a little bit of something from all of its predecessors: you can see here a few bits of “Paradise” park, and regular structure, and a bit of a vegetable garden. The original ideas from other projects of “Studio-44” are also developed here. For example, a linear park running along a railroad line is now being built in the housing complex “Galactica”, while the project of the European Embankment Multi-Purpose Complex also involved squares and rectangular ponds.

The Park line of the aggradation can best be described as a “public territory” because everything here is designed in such a way as to make it possible for all kinds of people to come down from their top floors, go outside, do something that they enjoy doing and even – what an unusual scenario nowadays! – meet one another. This is a place where seemingly forgotten scenarios come alive, where high school students roam in flocks, people go for a stroll after supper, a grandpa teaches his grandson how to fish, and a grandma teaches her granddaughter how to dig the weeds. Or still more ancient – two housewives are arguing over a fat bream or an appetizing smelt on the market square. In this sense, the park does make the alluvial land new because no similar space – a large-scale high-quality piece of environment situated next to a residential area – is to be found anywhere else in this city yet.

The park will become a part or the future green framework of the Vasilyevsky Island; according to forecasts, it will be visited by ten thousand people daily. The entire complex is due to be finished by 2028.

18 March 2019

Headlines now
Domus Aurea
In this issue, we examine the “Tessinsky-1” house, designed by Sergey Skuratov and completed in 2023. Located in the middle of the Serebryanicheskaya Embankment district, at the intersection of its main streets, this house assumes a sort of “nodal” role: it not only responds to everything around it and preserves many memories of the former EMA factory within itself, but it weaves all this into a newly directed pattern, reconciling bright “gold” and dark-colored brick, largely with the help of the new, modern-yet-archaic Columba brick, which, come to think about it, is the most precious element here.
​Periscope by the Bay
The jury awarded the second place in the competition for a public and cultural center in Petropavlovsk-Kamchatsky to the companies GORA (“Mountain”) and M4. In the consortium’s proposal, the building resembles a sperm whale with a calf swimming next to it or a periscope, whose lenses capture the most spectacular views from the surrounding landscape.
From Arcs to Dolmens
While working on the competition project for Petropavlovsk-Kamchatsky, ASADOV Architects prioritized the value of the natural and urban environment, aiming to preserve the balance of the location while minimizing the resemblance of the volume that they designed to a “traditional building”. The task was challenging, and the architects created three versions, one of which having been developed after the competition, where their main proposal took third place. However, the point of interest here is not the competition result but the continuity of creative thinking.
Hide and Seek
The ID Moskovskiy house, designed by Stepan Liphart in St. Petersburg, in the courtyards near Moskovskiy Avenue beyond the Obvodny Canal and recently completed, is notable for several reasons. Firstly, it has been realized with considerable accuracy, which is particularly significant as this is the first building where the architect was responsible not only for the facades but also for the layouts, allowing for better integration between the two. On the other hand, this building is interesting as an example of the “germination” of new architecture in the city: it draws on the best examples from the neighborhood and becomes an improved and developed sum of ideas found by the architect in the surrounding context.
The Big Twelve
Yesterday, the winners of the Moscow Mayor’s Architecture Award were announced and honored. Let’s take a look at what was awarded and, in some cases, even critique this esteemed award. After all, there is always room for improvement, right?
Above the Golden Horn
The residential complex “Philosophy” designed by T+T architects in Vladivostok, is one of the new projects in the “Golubinaya Pad” area, changing its development philosophy (pun intended) from single houses to a comprehensive approach. The buildings are organized along public streets, varying in height and format, with one house even executed in gallery typology, featuring a cantilever leaning on an art object.
Nuanced Alternative
How can you rhyme a square and space? Easily! But to do so, you need to rhyme everything you can possibly think of: weave everything together, like in a tensegrity structure, and find your own optics too. The new exhibition at GES-2 does just that, offering its visitor a new perspective on the history of art spanning 150 years, infused with the hope for endless multiplicity of worlds and art histories. Read on to see how this is achieved and how the exhibition design by Evgeny Ace contributes to it.
Blinds for Ice
An ice arena has been constructed in Domodedovo based on a project by Yuri Vissarionov Architects. To prevent the long façade, a technical requirement for winter sports facilities, from appearing monotonous, the architects proposed the use of suspended structures with multidirectional slats. This design protects the ice from direct sunlight while giving the wall texture and detail.
Frozen Magma
A competition for the creation of a public and cultural center was held in Petropavlovsk-Kamchatsky. Three architectural companies made it to the final, and we consider it important to share about the work of each. Let’s start with the winner – the consortium led by Wowhaus.
Campus within a Day
In this article, we talk about what the participants of Genplan Institute of Moscow’s hackathon were doing at the MosComArchitecture booth at the “ArchMoscow” exhibition. We also discuss who won the prize and why, and what can be done with the territory of a small university on the outskirts of Moscow.
Vertical Civilization
Genpro considered the development of the vertical city concept and made it the theme of their pavilion at the “ArchMoscow” exhibition.
Marina Yegorova: “We think in terms of hectares, not square meters”
The career path of architect Marina Yegorova is quite impressive: MARHI, SPEECH, MosComArchitectura, the Genplan Institute of Moscow, and then her own architectural company. Its name Empate, which refers to the words “to draw” in Portuguese and “to empathize” in English, should not be misleading with its softness, as the firm freely works on different scales, including Integrated Territorial Development projects. We talked with Marina about various topics: urban planning experience, female leadership style, and even the love of architects for yachting.
Andrey Chuikov: “Optimum balance is achieved through economics”
The Yekaterinburg-based architectural company CNTR is in its mature stage: crystallization of principles, systematization, and standardization helped it make a qualitative leap, enhance competencies, and secure large contracts without sacrificing the aesthetic component. The head of the company, Andrey Chuikov, told us about building a business model and the bonuses that additional education in financial management provides for an architect.
The Fulcrum
Ostozhenka Architects have designed two astonishing towers practically on the edge of a slope above the Oka River in Nizhny Novgorod. These towers stand on 10-meter-tall weathered steel “legs”, with each floor offering panoramic views of the river and the city; all public spaces, including corridors, receive plenty of natural light. Here, we see a multitude of solutions that are unconventional for the residential routine of our day and age. Meanwhile, although these towers hark back to the typological explorations of the seventies, they are completely reinvented in a contemporary key. We admire Veren Group as the client – this is exactly how a “unique product” should be made – and we tell you exactly how our towers are arranged.
Crystal is Watching You
Right now, Museum Night has kicked off at the Museum of Architecture, featuring a fresh new addition – the “Crystal of Perception”, an installation by Sergey Kuznetsov, Ivan Grekov, and the KROST company, set up in the courtyard. It shimmers with light, it sings, it reacts to the approach of people, and who knows what else it can do.
The Secret Briton
The house is called “Little France”. Its composition follows the classical St. Petersburg style, with a palace-like courtyard. The decor is on the brink of Egyptian lotuses, neo-Greek acroteria, and classic 1930s “gears”; the recessed piers are Gothic, while the silhouette of the central part of the house is British. It’s quite interesting to examine all these details, attempting to understand which architectural direction they belong to. At the same time, however, the house fits like a glove in the context of the 20th line of St. Petersburg’s Vasilievsky Island; its elongated wings hold up the façade quite well.
The Wrap-Up
The competition project proposed by Treivas for the first 2021 competition for the Russian pavilion at EXPO 2025 concludes our series of publications on pavilion projects that will not be implemented. This particular proposal stands out for its detailed explanations and the idea of ecological responsibility: both the facades and the exhibition inside were intended to utilize recycled materials.
Birds and Streams
For the competition to design the Omsk airport, DNK ag formed a consortium, inviting VOX architects and Sila Sveta. Their project focuses on intersections, journeys, and flights – both of people and birds – as Omsk is known as a “transfer point” for bird migrations. The educational component is also carefully considered, and the building itself is filled with light, which seems to deconstruct the copper circle of the central entrance portal, spreading it into fantastic hyper-spatial “slices”.
Faraday Grid
The project of the Omsk airport by ASADOV Architects is another concept among the 14 finalists of a recent competition. It is called “The Bridge” and is inspired by both the West Siberian Exhibition of 1911 and the Trans-Siberian Railway bridge over the Irtysh River, built in 1896. On one hand, it carries a steampunk vibe, while on the other, there’s almost a sense of nostalgia for the heyday of 1913. However, the concept offers two variants, the second one devoid of nostalgia but featuring a parabola.
Midway upon the Journey of Our Life
Recently, Tatlin Publishing House released a book entitled “Architect Sergey Oreshkin. Selected Projects”. This book is not just a traditional book of the architectural company’s achievements, but rather a monograph of a more personal nature. The book includes 43 buildings as well as a section with architectural drawings. In this article, we reflect on the book as a way to take stock of an architect’s accomplishments.
Inverted Fortress
This year, there has been no shortage of intriguing architectural ideas around the Omsk airport. The project developed by the architectural company KPLN appeals to Omsk’s history as a wooden fortress that it was back in the day, but transforms the concept of a fortress beyond recognition: it “shaves off” the conical ends of “wooden logs”, then enlarges them, and then flips them over. The result is a hypostyle – a forest of conical columns on point supports, with skylights on top.
Transformation of Annenkirche
For Annenkirche (St. Anna Lutheran Church in St. Petersburg), Sergey Kuznetsov and the Kamen bureau have prepared a project that relies on the principles of the Venice Charter: the building is not restored to a specific date, historical layers are preserved, and modern elements do not mimic the authentic ones. Let’s delve into the details of these solutions.
The Paradox of the Temporary
The concept of the Russian pavilion for EXPO 2025 in Osaka, proposed by the Wowhaus architects, is the last of the six projects we gathered from the 2022 competition. It is again worth noting that the results of this competition were not finalized due to the cancellation of Russia’s participation in World Expo 2025. It should be mentioned that Wowhaus created three versions for this competition, but only one is being presented, and it can’t be said that this version is thoroughly developed – rather, it is done in the spirit of a “student assignment”. Nevertheless, the project is interesting in its paradoxical nature: the architects emphasized the temporary character of the pavilion, and in its bubble-like forms sought to reflect the paradoxes of space and time.
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
Mirrors Everywhere
The project by Sergey Nebotov, Anastasia Gritskova, and the architectural company “Novoe” was created for the Russian pavilion at EXPO 2025, but within the framework of another competition, which, as we learned, took place even earlier, in 2021. At that time, the competition theme was “digital twins”, and there was minimal time for work, so the project, according to the architect himself, was more of a “student assignment”. Nevertheless, this project is interesting for its plan bordering on similarity with Baroque projects and the emblem of the exhibition, as well as its diverse and comprehensive reflectiveness.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.