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​Embattled Terraces

The concept of reconstructing the former dye-house of the Tsindel factory into laboratories of “Mosavtosteklo” plant preserves and at the same time refreshes the building of the early XX century with a very interesting solution for the silhouette of its top floor.

29 May 2019
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The plant is located on the Derbenevskaya Street next to the “Business District Novoapassky”, a former cotton-printing factory that was turned into a Class-B business center in the mid-2000’s. The handsome-looking architectural ensemble of red-brick industrial architecture was built in the early XX century upon the project by Traugot Bardt for Emil Tsindel cotton mill. In 1924, the territory of the Tsindel factory was not just handed over to the Soviet cotton-printing mill but it was in fact divided in two: specifically, the large building of the dye shop on the Derbenevskaya Street was assigned to the newly-created plant “Mosavtosteklo”. Today, the plant is doing very well – it makes glass of all possible kinds, including architectural, tempered, glass with electric heating, glass with silk printing, and glass with inbuilt diodes. Pavel Andreev has long since been familiar with this material; among other things, Mosavtosteklo manufactured the colorful stained glass windows designed by Elena Markovskaya for the ceiling of the famous “Children’s Paradise” toy supermarket. Currently, the production facilities have been moved to the town of Dolgoprudny near Moscow, while the building on Derbenevskaya will host the R&D laboratories – which brought about the need for reconstruction.

The long five-story brick building with large windows stretches along the quiet two-lane Derbenevskaya Street. Its business-like laconic architecture shows interesting details that connect the building to the beginning of the XX century, the time when “neo” came to replace “pseudo”. Particularly good are the squatting semi-columns sunken halfway into the wall and the cylinder-shaped contours of the windows that unite the third and fourth tiers (which goes to show that the technique of changing the façade proportions by joining two floors into with window apertures has been around for at least a century). Inside, one can spot the characteristic cast iron column caps. Still, however, the façade looks rather sloppy, the yard being overbuilt with barn-like makeshift affairs, including ones made from silicate bricks.

Reconstruction of the complex of buildings of “Mosavtosteklo” plant
Copyright © Architectural office GRAN
Reconstruction of the complex of buildings of “Mosavtosteklo” plant
Copyright © Architectural office GRAN


Reconstruction of the complex of buildings of “Mosavtosteklo” plant
Copyright © Architectural office GRAN


The project is subjected to the city development plan for land that stipulates keeping the parameters of the building, its height, construction blueprint, and the useful floor space. Therefore, the architect’s art in this specific case consisted in keeping “everything the building needed and nothing it didn’t” (even though the dye-house as such did not have a protected status) and finding a few ways to make up for the useful floor space of the yard structures subject to dismantling. This meant working in very reduced circumstances and making high-precision maneuvers.

The architects proposed to clear out the shallow basement of the building, organizing there a one-tier parking garage with symmetric ramps from the side of the yard, adding a small eco parking with grass paver in the yard, between two small buildings that avoided the fate of being dismantled. The architects were also able to find some space for landscaping work: pavement, trees, and circular benches around them.

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    Reconstruction of the complex of buildings of “Mosavtosteklo” plant
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    Reconstruction of the complex of buildings of “Mosavtosteklo” plant
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Half of the first floor is occupied by public functions – there will be a café here, some of the space adjoining the street-side façade being double-height, that is, partially encroaching on the second floor. Also, here, before the street, the architects have designed an areaway with staircases on both sides: inside of it, taking some of the area away from the parking, shops can be hosted. On either side of the café on the first floor, there can be the R&D laboratories and showrooms of the newly manufactured product – among other things, the plant manufacturers and sells insulated glass units. If necessary, these premises will be accessed directly from the street.

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    Reconstruction of the complex of buildings of “Mosavtosteklo” plant
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    Reconstruction of the complex of buildings of “Mosavtosteklo” plant. Section 1-1
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Higher up, there will be the plant’s research and development facilities, and, luckily, the structure of the factory building with two rows of cast iron columns allows for both open-space and partitioned configurations.

The most interesting solution was applied to the upper tier, which is quite common for reconstruction projects of industrial facilities. After the attic was cleared it yielded enough floor space for one and a half floors – as a matter of fact, it was this specific part of the building that compensated for the floor space of the dismantled yard structures. However, since the architects could not get more square meters than was stipulated in the city development plan for land, the top floor got a curious-looking embattled structure: the ribbed ledges of the mansards alternate with terraces that the office workers will be able to step on, enjoying the scenery. This ostentatiously modern buildup is, on the one hand, obviously modern, and, on the other hand, it continues the building in a rather logic and tactful way. Two colors are there to choose from: brown of oxidized corten steel or dark-gray titanium zinc, and, according to Pavel Andreev, he is more inclined to choose the second contrastive option: “the necessity to “subtract” from the useful floor space dictated a very interesting solution” – the architect says.

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    Reconstruction of the complex of buildings of “Mosavtosteklo” plant
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The striped vertical rhythm of the buildups is continued in the façades of the fully renewed minor buildings and forms the second theme of this small (by Moscow standards) architectural complex. The first fiddle here is, of course, played by the renovated building: the brick will be cleared and coated with water repellent, and the now-white lintels will be painted black. Basically, the reconstruction concept fits in perfectly with the trend of the recent ten or more years, even though it has two “personal” features: first of all, the plant is not moving anywhere, vacating room for offices or housing stock, but stays in the same place, even if represented not by its production facilities but by its R&D laboratories – keeping this way the functional diversity of the city. Second, the proposed buildups demonstrate all the features of architecture of recent years: they do not sharpen the contrast and strengthen the classic “verticality”, yet at the same time look fresh and new, making no secret of their origin. The ensemble turned out to be easily read, clear, yet it still like a single whole. It’s even curious that this ingenious solution is essentially a result of the architects responding to the numerous limitations that they were to address in their project.
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29 May 2019

Headlines now
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
Mirrors Everywhere
The project by Sergey Nebotov, Anastasia Gritskova, and the architectural company “Novoe” was created for the Russian pavilion at EXPO 2025, but within the framework of another competition, which, as we learned, took place even earlier, in 2021. At that time, the competition theme was “digital twins”, and there was minimal time for work, so the project, according to the architect himself, was more of a “student assignment”. Nevertheless, this project is interesting for its plan bordering on similarity with Baroque projects and the emblem of the exhibition, as well as its diverse and comprehensive reflectiveness.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.
Architecture and Leisure Park
For the suburban hotel complex, which envisages various formats of leisure, the architectural company T+T Architects proposed several types of accommodation, ranging from the classic “standard” in a common building to a “cave in the hill” and a “house in a tree”. An additional challenge consisted in integrating a few classic-style residences already existing on this territory into the “architectural forest park”.
The U-House
The Jois complex combines height with terraces, bringing the most expensive apartments from penthouses down to the bottom floors. The powerful iconic image of the U-shaped building is the result of the creative search for a new standard of living in high-rise buildings by the architects of “Genpro”.
Black and White
In this article, we specifically discuss the interiors of the ATOM Pavilion at VDNKh. Interior design is a crucial component of the overall concept in this case, and precision and meticulous execution were highly important for the architects. Julia Tryaskina, head of UNK interiors, shares some of the developments.
The “Snake” Mountain
The competition project for the seaside resort complex “Serpentine” combines several typologies: apartments of different classes, villas, and hotel rooms. For each of these typologies, the KPLN architects employ one of the images that are drawn from the natural environment – a serpentine road, a mountain stream, and rolling waves.
Opal from Anna Mons’ Ring
The project of a small business center located near Tupolev Plaza and Radio Street proclaims the necessity of modern architecture in a specific area of Moscow commonly known as “Nemetskaya Sloboda” or “German settlement”. It substantiates its thesis with the thoroughness of details, a multitude of proposed and rejected form variants, and even a detailed description of the surrounding area. The project is interesting indeed, and it is even more interesting to see what will come of it.
Feed ’Em All
A “House of Russian Cuisine” was designed and built by KROST Group at VDNKh for the “Rossiya” exhibition in record-breaking time. The pavilion is masterfully constructed in terms of the standards of modern public catering industry multiplied by the bustling cultural program of the exhibition, and it interprets the stylistically diverse character of VDNKh just as successfully. At the same time, much of its interior design can be traced back to the prototypes of the 1960s – so much so that even scenes from iconic Soviet movies of those years persistently come to mind.
The Ensemble at the Mosque
OSA prepared a master plan for a district in the southern part of Derbent. The main task of the master plan is to initiate the formation of a modern comfortable environment in this city. The organization of residential areas is subordinated to the city’s spiritual center: depending on the location relative to the cathedral mosque, the houses are distinguished by façade and plastique solutions. The program also includes a “hospitality center”, administrative buildings, an educational cluster, and even an air bridge.
Pargolovo Protestantism
A Protestant church is being built in St. Petersburg by the project of SLOI architects. One of the main features of the building is a wooden roof with 25-meter spans, which, among other things, forms the interior of the prayer hall. Also, there are other interesting details – we are telling you more about them.
The Shape of the Inconceivable
The ATOM Pavilion at VDNKh brings to mind a famous maxim of all architects and critics: “You’ve come up with it? Now build it!” You rarely see such a selfless immersion in implementation of the project, and the formidable structural and engineering tasks set by UNK architects to themselves are presented here as an integral and important part of the architectural idea. The challenge matches the obliging status of the place – after all, it is an “exhibition of achievements”, and the pavilion is dedicated to the nuclear energy industry. Let’s take a closer look: from the outside, from the inside, and from the underside too.
​Rays of the Desert
A school for 1750 students is going to be built in Dubai, designed by IND Architects. The architects took into account the local specifics, and proposed a radial layout and spaces, in which the children will be comfortable throughout the day.
The Dairy Theme
The concept of an office of a cheese-making company, designed for the enclosed area of a dairy factory, at least partially refers to industrial architecture. Perhaps that is why this concept is very simple, which seems the appropriate thing to do here. The building is enlivened by literally a couple of “master strokes”: the turning of the corner accentuates the entrance, and the shade of glass responds to the theme of “milk rivers” from Russian fairy tales.
The Road to the Temple
Under a grant from the Small Towns Competition, the main street and temple area of the village of Nikolo-Berezovka near Neftekamsk has been improved. A consortium of APRELarchitects and Novaya Zemlya is turning the village into an open-air museum and integrating ruined buildings into public life.
​Towers Leaning Towards the Sun
The three towers of the residential complex “Novodanilovskaya 8” are new and the tallest neighbors of the Danilovsky Manufactory, “Fort”, and “Plaza”, complementing a whole cluster of modern buildings designed by renowned masters. At the same time, the towers are unique for this setting – they are residential, they are the tallest ones here, and they are located on a challenging site. In this article, we explore how architects Andrey Romanov and Ekaterina Kuznetsova tackled this far-from-trivial task.
In the spirit of ROSTA posters
The new Rostselmash tractor factory, conceptualized by ASADOV Architects, is currently being completed in Rostov-on-Don. References to the Soviet architecture of the 1920’s and 1960’s resonate with the mission and strategic importance of the enterprise, and are also in line with the client’s wish: to pay homage to Rostov’s constructivism.
The Northern Thebaid
The central part of Ferapontovo village, adjacent to the famous monastery with frescoes by Dionisy, has been improved according to the project by APRELarchitects. Now the place offers basic services for tourists, as well as a place for the villagers’ leisure.
Brilliant Production
The architects from London-based MOST Architecture have designed the space for the high-tech production of Charge Cars, a high-performance production facility for high-speed electric cars that are assembled in the shell of legendary Ford Mustangs. The founders of both the company and the car assembly startup are Russians who were educated in their home country.
Three-Part Task: St. Petersburg’s Mytny Dvor
The so-called “Mytny Dvor” area lying just behind Moscow Railway Station – the market rows with a complex history – will be transformed into a premium residential complex by Studio 44. The project consists of three parts: the restoration of historical buildings, the reconstruction of the lost part of the historical contour, and new houses. All of them are harmonized with each other and with the city; axes and “beams of light” were found, cozy corners and scenic viewpoints were carefully thought out. We had a chat with the authors of the historical buildings’ restoration project, and we are telling you about all the different tasks that have been solved here.
The Color of the City, or Reflections on the Slope of an Urban Settlement
In 2022, Ostozhenka Architects won a competition, and in 2023, they developed and received all the necessary approvals for a master plan for the development of Chernigovskaya Street for the developer GloraX. The project takes into account a 10-year history of previous developments; it was done in collaboration with architects from Nizhny Novgorod, and it continues to evolve now. We carefully examined it, talked to everyone, and learned a lot of interesting things.