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​Where the Swans Live

In the Gorky Park, the Maly Golitsynsky Pond has been landscaped upon the project developed by “People’s Architect”. The place got deck-type embankments and a centerpiece of local importance – a floating pavilion for the swans to live in.

12 July 2018
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The Golitsynsky ponds, Maly (minor) and Bolshoi (major) – the Gorky Park’s main reservoirs – are situated amidst the backroads of the park, in the part lying opposite its main entrance. The project of landscaping the Bolshoi Pond was done still in 2011 by Wowhaus; at that time, the place got a boardwalk embankment, a quay, and a café named “Olivkoviy Plyazh” (“Olive Beach”), not far away from the waterfront of the Moskva River.

Hitherto, the minor pond has been left devoid of attention: its bank was not reinforced, the shabby birdhouse was falling further into decay, the embankments were not landscaped in any way, and, consequently, even coming near the water was a tricky thing to do. Although the place is far from dead – there is a couple of cafés commanding fine creek views, a rose garden, and swans living here – it still has been falling short of being as “fashionable” as all of the other landscaped zones of the park, and generally, remained “unattached”.

Landscaping the Maly Golitsinsky Pond in the Gorky Park © “People’s Architect”. Photograph by Arseniy Rossikhin
Landscaping the Maly Golitsinsky Pond in the Gorky Park © “People’s Architect”. Photograph by Arseniy Rossikhin


The team of “People’s Architect” tried to explore the potential of this remote corner of the park, highlighting the beauty of the water and the trees, making a comfortable access to the water and comfortable pedestrian trails, and laying special stress on the swan house that could potentially become the main point of attraction in this part of park. At the same time, the architects wanted to avoid using any heavy structures. At the concept stage, the experience of working with the Izmailovo Park came in very handy, even though that specific project was never implemented. In the Izmailovo Park project, the architects also focused on searching for the “genius loci” and yet-unexplored landscape zones. In addition, they also designed a nursery for domestic animals and birds.

Landscaping the Maly Golitsinsky Pond in the Gorky Park © “People’s Architect”. Photograph by Arseniy Rossikhin


The Maly Golitsynsky Pond gets circled by a pedestrian trail that separates it from the trees. The space next to the water gets wooden deck terraces, upon which the guests of the park can take a rest enjoying the surrounding scenery. Originally, these terraces were devised as cantilevered structures overhanging above the water but the technical restrictions of working in a park area stopped the architects from implementing this idea.

Landscaping the Maly Golitsinsky Pond in the Gorky Park © “People’s Architect”


As a result, one embankment stretches almost the entire length of the free side of the pond across from the restaurant and the swan house. Two other embankments of a smaller size are situated on the capes at the transition to the Major Pond – their shape resembles tree leaves. Almost everywhere, there are cascading stairs, sitting on which, one can hang down his legs almost down to the water. Some of the embankments are protected by weightless fences of impact-proof duplex glass. A similar combination – namely, that of wooden boardwalks and translucent fences – was used in the “Zaryadye” hovering bridge. The terraces are already equipped with benches and backlights; soon, there will be flowerbeds as well.

Landscaping the Maly Golitsinsky Pond in the Gorky Park © “People’s Architect”


Landscaping the Maly Golitsinsky Pond in the Gorky Park © “People’s Architect”. Photograph by Arseniy Rossikhin


Landscaping the Maly Golitsinsky Pond in the Gorky Park © “People’s Architect”


The centerpiece of the pond is the swan house. It came to replace the shabby barn built back in the 1960’s, which was situated in approximately the same spot – on the corner from the side of the Titovsky Drive. The architects decided that the swan house will also perform the role of an art object just as nicely: it is clearly viewable from all sides, yet at the same time no one can really interact with him because only the authorized personnel has access to it.

Landscaping the Maly Golitsinsky Pond in the Gorky Park © “People’s Architect”


The house is built on a floating base, without either piles or foundation – it can be moved around. Its silhouette is as unusual as functionally justified. The higher part is meant for the staff that will be taking care after the birds; this “loft” will also be the place where hay will be stored. As for the lower part, the swans have it all to themselves. The house stands on a wooden platform that forms a terrace with ladders along its entire perimeter for the birds to easily get down to the water and back again. It is connected to the bank by a small bridge.

Landscaping the Maly Golitsinsky Pond in the Gorky Park © “People’s Architect”


It was planned that the window would be a pullout one but the operation service said that this entrance would not be used because swans only live in houses in the wintertime, staying outside in summer. In the warm season, the swans are let in through the main entrance. Inside the house, there are small aviaries filled with water for the birds to swim in the wintertime as well; these are also accessed by special ladders.

Landscaping the Maly Golitsinsky Pond in the Gorky Park © “People’s Architect”


The architects were able to come up with a space that is equally comfortable for birds and people. The birds have water aviaries and so-called “quiet corners” formed by the dead wall and the roof, where they feel safe and secure. The staff will be able to easily come in and clean the aviary, while the visitors of the park will get a chance to watch the birds even when they hide inside the house: thanks to the backlights, the silhouettes of the swans will be seen like in a theater of shadows.

Landscaping the Maly Golitsinsky Pond in the Gorky Park © “People’s Architect”


The main peculiar feature of the house is its handmade “plumage” of larch singles. The pieces of different sizes create an unusual-looking mottled textured surface – the architects ultimately got a true art object evoking lots of associations: with the old Russian ploughshare, the furnace from the Magic Swan Geese fairy tale, fallen leaves and a forest cabin.

As a result of the landscaping work done by the architects, the pond got a “frame” that suggests one to continue his walk down to the furthest corner of the park and stay there a little bit longer. This concept quite falls in with the new “Europeanized” Gorky Park, at the same time sporting new strokes, putting one on the mind of Nikola-Lenivets project.

Landscaping the Maly Golitsinsky Pond in the Gorky Park © “People’s Architect”


The new projects that they did for the Gorky Park augmented still further the impressive landscaping portfolio of “People’s Architect”: from navigation and small yards to integrated solutions for parks and urban blocks. This specific instance clearly demonstrates the general change of vector in our architecture. While earlier the emerging architectural firms would usually begin with designing small private residences, today, more and more of young companies take up parks and landscaping projects, which is surely a good sign: it is great when one’s way to success starts from caring about many people at once.


12 July 2018

Headlines now
Inverted Fortress
This year, there has been no shortage of intriguing architectural ideas around the Omsk airport. The project developed by the architectural company KPLN appeals to Omsk’s history as a wooden fortress that it was back in the day, but transforms the concept of a fortress beyond recognition: it “shaves off” the conical ends of “wooden logs”, then enlarges them, and then flips them over. The result is a hypostyle – a forest of conical columns on point supports, with skylights on top.
The Paradox of the Temporary
The concept of the Russian pavilion for EXPO 2025 in Osaka, proposed by the Wowhaus architects, is the last of the six projects we gathered from the 2022 competition. It is again worth noting that the results of this competition were not finalized due to the cancellation of Russia’s participation in World Expo 2025. It should be mentioned that Wowhaus created three versions for this competition, but only one is being presented, and it can’t be said that this version is thoroughly developed – rather, it is done in the spirit of a “student assignment”. Nevertheless, the project is interesting in its paradoxical nature: the architects emphasized the temporary character of the pavilion, and in its bubble-like forms sought to reflect the paradoxes of space and time.
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
Mirrors Everywhere
The project by Sergey Nebotov, Anastasia Gritskova, and the architectural company “Novoe” was created for the Russian pavilion at EXPO 2025, but within the framework of another competition, which, as we learned, took place even earlier, in 2021. At that time, the competition theme was “digital twins”, and there was minimal time for work, so the project, according to the architect himself, was more of a “student assignment”. Nevertheless, this project is interesting for its plan bordering on similarity with Baroque projects and the emblem of the exhibition, as well as its diverse and comprehensive reflectiveness.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.
Architecture and Leisure Park
For the suburban hotel complex, which envisages various formats of leisure, the architectural company T+T Architects proposed several types of accommodation, ranging from the classic “standard” in a common building to a “cave in the hill” and a “house in a tree”. An additional challenge consisted in integrating a few classic-style residences already existing on this territory into the “architectural forest park”.
The U-House
The Jois complex combines height with terraces, bringing the most expensive apartments from penthouses down to the bottom floors. The powerful iconic image of the U-shaped building is the result of the creative search for a new standard of living in high-rise buildings by the architects of “Genpro”.
Black and White
In this article, we specifically discuss the interiors of the ATOM Pavilion at VDNKh. Interior design is a crucial component of the overall concept in this case, and precision and meticulous execution were highly important for the architects. Julia Tryaskina, head of UNK interiors, shares some of the developments.
The “Snake” Mountain
The competition project for the seaside resort complex “Serpentine” combines several typologies: apartments of different classes, villas, and hotel rooms. For each of these typologies, the KPLN architects employ one of the images that are drawn from the natural environment – a serpentine road, a mountain stream, and rolling waves.
Opal from Anna Mons’ Ring
The project of a small business center located near Tupolev Plaza and Radio Street proclaims the necessity of modern architecture in a specific area of Moscow commonly known as “Nemetskaya Sloboda” or “German settlement”. It substantiates its thesis with the thoroughness of details, a multitude of proposed and rejected form variants, and even a detailed description of the surrounding area. The project is interesting indeed, and it is even more interesting to see what will come of it.
Feed ’Em All
A “House of Russian Cuisine” was designed and built by KROST Group at VDNKh for the “Rossiya” exhibition in record-breaking time. The pavilion is masterfully constructed in terms of the standards of modern public catering industry multiplied by the bustling cultural program of the exhibition, and it interprets the stylistically diverse character of VDNKh just as successfully. At the same time, much of its interior design can be traced back to the prototypes of the 1960s – so much so that even scenes from iconic Soviet movies of those years persistently come to mind.
The Ensemble at the Mosque
OSA prepared a master plan for a district in the southern part of Derbent. The main task of the master plan is to initiate the formation of a modern comfortable environment in this city. The organization of residential areas is subordinated to the city’s spiritual center: depending on the location relative to the cathedral mosque, the houses are distinguished by façade and plastique solutions. The program also includes a “hospitality center”, administrative buildings, an educational cluster, and even an air bridge.
Pargolovo Protestantism
A Protestant church is being built in St. Petersburg by the project of SLOI architects. One of the main features of the building is a wooden roof with 25-meter spans, which, among other things, forms the interior of the prayer hall. Also, there are other interesting details – we are telling you more about them.
The Shape of the Inconceivable
The ATOM Pavilion at VDNKh brings to mind a famous maxim of all architects and critics: “You’ve come up with it? Now build it!” You rarely see such a selfless immersion in implementation of the project, and the formidable structural and engineering tasks set by UNK architects to themselves are presented here as an integral and important part of the architectural idea. The challenge matches the obliging status of the place – after all, it is an “exhibition of achievements”, and the pavilion is dedicated to the nuclear energy industry. Let’s take a closer look: from the outside, from the inside, and from the underside too.
​Rays of the Desert
A school for 1750 students is going to be built in Dubai, designed by IND Architects. The architects took into account the local specifics, and proposed a radial layout and spaces, in which the children will be comfortable throughout the day.
The Dairy Theme
The concept of an office of a cheese-making company, designed for the enclosed area of a dairy factory, at least partially refers to industrial architecture. Perhaps that is why this concept is very simple, which seems the appropriate thing to do here. The building is enlivened by literally a couple of “master strokes”: the turning of the corner accentuates the entrance, and the shade of glass responds to the theme of “milk rivers” from Russian fairy tales.
The Road to the Temple
Under a grant from the Small Towns Competition, the main street and temple area of the village of Nikolo-Berezovka near Neftekamsk has been improved. A consortium of APRELarchitects and Novaya Zemlya is turning the village into an open-air museum and integrating ruined buildings into public life.
​Towers Leaning Towards the Sun
The three towers of the residential complex “Novodanilovskaya 8” are new and the tallest neighbors of the Danilovsky Manufactory, “Fort”, and “Plaza”, complementing a whole cluster of modern buildings designed by renowned masters. At the same time, the towers are unique for this setting – they are residential, they are the tallest ones here, and they are located on a challenging site. In this article, we explore how architects Andrey Romanov and Ekaterina Kuznetsova tackled this far-from-trivial task.
In the spirit of ROSTA posters
The new Rostselmash tractor factory, conceptualized by ASADOV Architects, is currently being completed in Rostov-on-Don. References to the Soviet architecture of the 1920’s and 1960’s resonate with the mission and strategic importance of the enterprise, and are also in line with the client’s wish: to pay homage to Rostov’s constructivism.
The Northern Thebaid
The central part of Ferapontovo village, adjacent to the famous monastery with frescoes by Dionisy, has been improved according to the project by APRELarchitects. Now the place offers basic services for tourists, as well as a place for the villagers’ leisure.
Brilliant Production
The architects from London-based MOST Architecture have designed the space for the high-tech production of Charge Cars, a high-performance production facility for high-speed electric cars that are assembled in the shell of legendary Ford Mustangs. The founders of both the company and the car assembly startup are Russians who were educated in their home country.