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Engineering Oasis

The engineering system of the renovated swimming complex of "Luzhniki" designed by Engex as part of Asadov Consortium: the optimum balance between comfort and cost/energy efficiency.

13 March 2015
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Contest Project
The contest for the best concept of reconstructing the swimming complex of "Luzhniki" was organized in the spring of 2014 at the commission of Codest Company and we gave it a fairly detailed coverage. The architects were to revise the complex that was built in 1956 turning the open-air swimming pool into a covered aqua park, at the same time keeping facades as much intact as possible - they were a fine example of Stalin "empire" style. The contest consisted of two rounds, and the finalists who were fine-tuning their projects in the second round were required to come up with detailed proposals, including the engineering and economic ones: not the way that it is usually required in the case of architectural concepts that are usually more of a general construct nature. 

Thus, the engineering part of the concept of "Lost World" project - proposed by the consortium headed by Asadov Architectural Bureau and developed by the experts of Engex Company - deserves special attention. We will remind you at this point that the project was about turning the "antiquated" Stalin peripteral building into a "romantic ruin" hiding inside of it the luxurious natural world of a cascade oasis. In terms of organizing its space, the climax of this multilevel garden is the block of premises that covers the existing complex, shifted in the direction of the Major Sport Arena and overhanging above the summer terrace. 

Concept of reconstructing the swimming complex of "Luzhniki" © Asadov Architectural Bureau
Concept of reconstructing the swimming complex of "Luzhniki" © Asadov Architectural Bureau


Concept of reconstructing the swimming complex of "Luzhniki" © Asadov Architectural Bureau


Hiding a new volume inside the old walls, whimsically shifting it off at least one axis, is a technique that is not entirely new for the reconstruction projects but still capable of yielding some interesting results. And when the presence of the original building is marked not with walls but with a colonnade, the possibilities for the architects and the engineers are virtually unlimited - which, luckily, was the case here. 

The Comfort Concept
As far as the engineering solution is concerned, it is all about forming an inside environment that must be as comfortable and energy-efficient as possible. In order to achieve that, the Engex experts had to divide the building's engineering systems into three levels based on the differences between the functions of the swimming pools: Water Park on the first floor, the sport pool on the fourth floor, and expo spa zone on the roof. In accordance to its mode of operation and the specifics of the technical requirements, each swimming pool must be served by its own independent system situated on the same level with it. This was the paramount condition.

Concept of reconstructing the swimming complex of "Luzhniki" © Asadov Architectural Bureau


Arrangement of the building's premises in accordance with their functional purpose and the engineering approaches © Engex Engineering Bureau


Arrangement of the building's premises in accordance with their functional purpose and the engineering approaches © Engex Engineering Bureau


Arrangement of the building's premises in accordance with their functional purpose and the engineering approaches © Engex Engineering Bureau


Assessing these environment-forming independent elements and seeing the situation in general was made possible by the building energy modeling - first it was used for finding the heating parameters of the entire volume of the building and then it was used for developing the algorithm of defining the operational parameters of its engineering systems and equipment. 

3D model of the swimming complex and its interaction with Moscow's climatic conditions © Engex Engineering Bureau


3D model of the swimming complex and its interaction with Moscow's climatic conditions © Engex Engineering Bureau


Building energy modeling is not just about analyzing the parameters of independent systems - it also implies accurately defining their operation in various temperature and climatic modes, and under different functional loads. At the stage of developing the architectural concept, this process was, of course, treated in a rather general way: the calculation was only done for the basic extreme months (in Moscow these being February and July), and for the workloads during the opening and closing hours. The experts took into consideration the level of solar radiation during different seasons, as well as the possibility and the necessity of adjusting the temperature inside of the complex during the day. Meanwhile, in spite of a fair share of generalization, the designers' goal was to achieve a high level of accuracy of calculation, for which they used two internationally recognized indexes of evaluation of thermal comfort. The first one, PMV (Predicted Mean Vote), allows for forecasting the average evaluation of the comfort of the environment done by the visitors; the index consists of seven points, from minus three to plus three, and, in this case, according to the calculations, it must oscillate within the limits of one point in the neighborhood of the "perfect" zero, between -0.5 and +0.5. The second index, PPD (Predicted Percentage Dissatisfied), evaluates the percentage of possible dissatisfaction of the guests of the water park and their negative comments; according to the authors, it must not exceed 10%. Thus, the calculations are aimed at creating a predictable and controllable environment whose comfort is not a subjective but objective criterion.

Parameters of comfort evaluation: PMV (Predicted Mean Vote) and PPD. Optimum conditions: -0,5 < PMV<+0,5 © Engex Engineering Bureau


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Parameters of comfort evaluation: PMV and PPD (Predicted Percentage Dissatisfied). Optimum conditions: PPD < 10% © Engex Engineering Bureau
Individual microclimate parameters © Engex Engineering Bureau
Individual microclimate parameters © Engex Engineering Bureau


Efficient Approach
It is perfectly obvious that the approaches to creating an environment that is comfortable to be in must be totally obvious in the office part of the building and in the swimming pool zone. For the business part of the complex, the main indicator of the inner microclimate is the air temperature, and the designers, accordingly, proceed from the strength of the flow of people whose presence in a room inevitably increases the air temperature inside of it. The critical characteristic for the "wet" premises, as well as for the swimming pools, is the air humidity: this determines the volume of the vapor rising from the water surface. Paradoxical though it may sound, it is the combination of these seemingly irreconcilable functions within one closed energy circuit that allows for using the heat of the hot office air in the swimming pools. At the same time, the architects also had to consider the fact that the building's main heat consumer is the very system of swimming pools and the system that heats the water for them. In the existing since 1956 structure of the building with an open-air water surface one could safely speak about the heat going into the environment - meaning, to waste. The locker rooms were only separated from the air outside by the heat curtains in the aisles, and the relatively comfortable environment in the pool area was created at the expense of the high water temperature: 27-29 degrees Celsius, while the expected water temperature for the new complex is 26 degrees.

Individual microclimate parameters © Engex Engineering Bureau


Temperature field in the swimming pool hall. The perimeter of the pool is heated by the convectors © Engex Engineering Bureau


Humidity © Engex Engineering Bureau


Humidity © Engex Engineering Bureau


In order to save on the power and water consumption, even the purified condensed water that forms with the cooling of the air will be fed back into the pool, while the warmth of the "gray drains" - the disposed water from the swimming pool - will be used for heating the inflow of air and the water inside of it. 
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Because of the high air humidity, the main problem of any swimming pool is the formation of condensate on the cold surfaces of its stained-glass windows and the outside glass surfaces. In order to avoid that, the surface of the glass is blown over by a stream of warm air from the air dispensers installed in the floor - on the same principle of the "air curtain". As for the ventilation airflow, it is controlled by the humidity sensors - this allows for adjusting the expenditure of the air and the operation of the electrical drives in accordance with the main parameter - meaning, the level of humidity because of which people basically come to this blessed oasis. 

Field of the air speed in the pool hall. Feeding of the slow-speed air into the recreation area. Blow-over of the stained-glass window © Engex Engineering Bureau


Field of the air speed in the pool hall. Feeding of the slow-speed air into the recreation area. Blow-over of the stained-glass window © Engex Engineering Bureau


In order to increase the level of comfort and avoid the risk of creating draughts in the main premises of the complex, as well as for organizing the inflow of air in the public swimming area, the architects use the system of displacement ventilation - the vertical air dispensers through which the inflow of air passes at a low speed. All these things are done with but one goal in mind - not to exceed the "predicted percentage dissatisfied" - the "good old" PPD. This is no place for dissatisfaction by any means. 

Estimation of the influence of the solar radiation and the wind on the temperature mode of operation of the building © Engex Engineering Bureau


Estimation of the influence of the solar radiation and the wind on the temperature mode of operation of the building © Engex Engineering Bureau


Architecture of the Light
The architectural proposal by Asadov Studio provided for a lot of ambient light: both at the expense of the light coming from above and from the sides (the stained-glass windows). In order to make the most of it, some groups of spotlights - most of which are installed along the perimeter of the building - are smoothly regulated by the light sensors to only be an addition to the ambient light during the day. At the same time, the lights on top of the existing building are equipped with solar collectors that accumulate extra energy - at the expense of the solar radiation. This is done by using the moisture-resistant and transparent ETFE film with photo galvanic elements upon it that transform the direct light into the ambient kind. At night, however, the building does not need the daytime temperature, and the authors proposed to gradually lower the temperature during the closing hours. In the case of nighttime events, this energy-saving mode can be disabled manually. And in the morning - on a regular day - the temperature in the premises is again raised to the operational value because the heating of the complex starts two hours ahead of the first visitors coming in. 

Concept of reconstructing the swimming complex of "Luzhniki" © Asadov Architectural Bureau


Concept of reconstructing the swimming complex of "Luzhniki" © Asadov Architectural Bureau


Balance of the Interests
Despite the high-profile status of the project and the doubtless ingenuity of the concept, the architects had to forego a whole number of the engineering solutions they came up with - because some of them turned out to be prohibitively expensive. This category even includes the seemingly indispensable for any swimming pool "gray drain" processing technology for the recycling of the used water. Thus, the whole engineering system became the result of the architects searching for the reasonable balance between the comfort of the environment, energy conservation, and the financial efficiency of the project.
Concept of reconstructing the swimming complex of "Luzhniki" © Asadov Architectural Bureau
Concept of reconstructing the swimming complex of "Luzhniki" © Asadov Architectural Bureau


13 March 2015

Headlines now
The Big Twelve
Yesterday, the winners of the Moscow Mayor’s Architecture Award were announced and honored. Let’s take a look at what was awarded and, in some cases, even critique this esteemed award. After all, there is always room for improvement, right?
Above the Golden Horn
The residential complex “Philosophy” designed by T+T architects in Vladivostok, is one of the new projects in the “Golubinaya Pad” area, changing its development philosophy (pun intended) from single houses to a comprehensive approach. The buildings are organized along public streets, varying in height and format, with one house even executed in gallery typology, featuring a cantilever leaning on an art object.
Nuanced Alternative
How can you rhyme a square and space? Easily! But to do so, you need to rhyme everything you can possibly think of: weave everything together, like in a tensegrity structure, and find your own optics too. The new exhibition at GES-2 does just that, offering its visitor a new perspective on the history of art spanning 150 years, infused with the hope for endless multiplicity of worlds and art histories. Read on to see how this is achieved and how the exhibition design by Evgeny Ace contributes to it.
Blinds for Ice
An ice arena has been constructed in Domodedovo based on a project by Yuri Vissarionov Architects. To prevent the long façade, a technical requirement for winter sports facilities, from appearing monotonous, the architects proposed the use of suspended structures with multidirectional slats. This design protects the ice from direct sunlight while giving the wall texture and detail.
Campus within a Day
In this article, we talk about what the participants of Genplan Institute of Moscow’s hackathon were doing at the MosComArchitecture booth at the “ArchMoscow” exhibition. We also discuss who won the prize and why, and what can be done with the territory of a small university on the outskirts of Moscow.
Vertical Civilization
Genpro considered the development of the vertical city concept and made it the theme of their pavilion at the “ArchMoscow” exhibition.
Marina Yegorova: “We think in terms of hectares, not square meters”
The career path of architect Marina Yegorova is quite impressive: MARHI, SPEECH, MosComArchitectura, the Genplan Institute of Moscow, and then her own architectural company. Its name Empate, which refers to the words “to draw” in Portuguese and “to empathize” in English, should not be misleading with its softness, as the firm freely works on different scales, including Integrated Territorial Development projects. We talked with Marina about various topics: urban planning experience, female leadership style, and even the love of architects for yachting.
Andrey Chuikov: “Optimum balance is achieved through economics”
The Yekaterinburg-based architectural company CNTR is in its mature stage: crystallization of principles, systematization, and standardization helped it make a qualitative leap, enhance competencies, and secure large contracts without sacrificing the aesthetic component. The head of the company, Andrey Chuikov, told us about building a business model and the bonuses that additional education in financial management provides for an architect.
The Fulcrum
Ostozhenka Architects have designed two astonishing towers practically on the edge of a slope above the Oka River in Nizhny Novgorod. These towers stand on 10-meter-tall weathered steel “legs”, with each floor offering panoramic views of the river and the city; all public spaces, including corridors, receive plenty of natural light. Here, we see a multitude of solutions that are unconventional for the residential routine of our day and age. Meanwhile, although these towers hark back to the typological explorations of the seventies, they are completely reinvented in a contemporary key. We admire Veren Group as the client – this is exactly how a “unique product” should be made – and we tell you exactly how our towers are arranged.
Crystal is Watching You
Right now, Museum Night has kicked off at the Museum of Architecture, featuring a fresh new addition – the “Crystal of Perception”, an installation by Sergey Kuznetsov, Ivan Grekov, and the KROST company, set up in the courtyard. It shimmers with light, it sings, it reacts to the approach of people, and who knows what else it can do.
The Secret Briton
The house is called “Little France”. Its composition follows the classical St. Petersburg style, with a palace-like courtyard. The decor is on the brink of Egyptian lotuses, neo-Greek acroteria, and classic 1930s “gears”; the recessed piers are Gothic, while the silhouette of the central part of the house is British. It’s quite interesting to examine all these details, attempting to understand which architectural direction they belong to. At the same time, however, the house fits like a glove in the context of the 20th line of St. Petersburg’s Vasilievsky Island; its elongated wings hold up the façade quite well.
The Wrap-Up
The competition project proposed by Treivas for the first 2021 competition for the Russian pavilion at EXPO 2025 concludes our series of publications on pavilion projects that will not be implemented. This particular proposal stands out for its detailed explanations and the idea of ecological responsibility: both the facades and the exhibition inside were intended to utilize recycled materials.
Birds and Streams
For the competition to design the Omsk airport, DNK ag formed a consortium, inviting VOX architects and Sila Sveta. Their project focuses on intersections, journeys, and flights – both of people and birds – as Omsk is known as a “transfer point” for bird migrations. The educational component is also carefully considered, and the building itself is filled with light, which seems to deconstruct the copper circle of the central entrance portal, spreading it into fantastic hyper-spatial “slices”.
Faraday Grid
The project of the Omsk airport by ASADOV Architects is another concept among the 14 finalists of a recent competition. It is called “The Bridge” and is inspired by both the West Siberian Exhibition of 1911 and the Trans-Siberian Railway bridge over the Irtysh River, built in 1896. On one hand, it carries a steampunk vibe, while on the other, there’s almost a sense of nostalgia for the heyday of 1913. However, the concept offers two variants, the second one devoid of nostalgia but featuring a parabola.
Midway upon the Journey of Our Life
Recently, Tatlin Publishing House released a book entitled “Architect Sergey Oreshkin. Selected Projects”. This book is not just a traditional book of the architectural company’s achievements, but rather a monograph of a more personal nature. The book includes 43 buildings as well as a section with architectural drawings. In this article, we reflect on the book as a way to take stock of an architect’s accomplishments.
Inverted Fortress
This year, there has been no shortage of intriguing architectural ideas around the Omsk airport. The project developed by the architectural company KPLN appeals to Omsk’s history as a wooden fortress that it was back in the day, but transforms the concept of a fortress beyond recognition: it “shaves off” the conical ends of “wooden logs”, then enlarges them, and then flips them over. The result is a hypostyle – a forest of conical columns on point supports, with skylights on top.
Transformation of Annenkirche
For Annenkirche (St. Anna Lutheran Church in St. Petersburg), Sergey Kuznetsov and the Kamen bureau have prepared a project that relies on the principles of the Venice Charter: the building is not restored to a specific date, historical layers are preserved, and modern elements do not mimic the authentic ones. Let’s delve into the details of these solutions.
The Paradox of the Temporary
The concept of the Russian pavilion for EXPO 2025 in Osaka, proposed by the Wowhaus architects, is the last of the six projects we gathered from the 2022 competition. It is again worth noting that the results of this competition were not finalized due to the cancellation of Russia’s participation in World Expo 2025. It should be mentioned that Wowhaus created three versions for this competition, but only one is being presented, and it can’t be said that this version is thoroughly developed – rather, it is done in the spirit of a “student assignment”. Nevertheless, the project is interesting in its paradoxical nature: the architects emphasized the temporary character of the pavilion, and in its bubble-like forms sought to reflect the paradoxes of space and time.
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
Mirrors Everywhere
The project by Sergey Nebotov, Anastasia Gritskova, and the architectural company “Novoe” was created for the Russian pavilion at EXPO 2025, but within the framework of another competition, which, as we learned, took place even earlier, in 2021. At that time, the competition theme was “digital twins”, and there was minimal time for work, so the project, according to the architect himself, was more of a “student assignment”. Nevertheless, this project is interesting for its plan bordering on similarity with Baroque projects and the emblem of the exhibition, as well as its diverse and comprehensive reflectiveness.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.