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Life on the Level

In Moscow area, architect Roman Leonidov and designer Svetlana Fiantseva are building a residential house whose elongated one-story volume looks like it is opposed to the verticals of the city.

30 April 2014
Object
mainImg
Architect:
Roman Leonidov
Svetlana Fiantseva
Object:
Private residential house in Moscow area
Russia, Moscow

Project Team:
Author of the project: Roman Leonidov. Interior design: Svetlana Fiantseva
Private residential house in Moscow area © "Roman Leonidov and Partners"

This project is a brilliant example of the kind of housing that the really wealthy people opt for - people that are tired of ostentatious luxury. As Roman Leonidov reminisces, the customer put his requirements on this nutshell: "No frills, no buildup". At the same time, money was practically no object - it was just that the architects had to invest primarily into finding a simple yet graceful solution that would provide the future inhabitants of the house with maximum comfort and would not, at the same time, distract them from doing what they would come here to do - namely, contemplate the nature.

Private residential house in Moscow area © "Roman Leonidov and Partners"

And, yes, there are a lot of things to contemplate out there: for the construction of this house, the customer purchased a magnificent piece of forest land. The tall pine trees that are there on it create the all-but-impenetrable green screen that protects the land site from the outside world better than any man-made fence would. 

"We came up with the vision of this house almost at once - Roman Leonidov reminisces - the task of opening it up, as much as possible, to the surrounding beautiful scenery necessitated for the huge windows, while the customer's desire to get a terminally functional house prompted to us the idea of a single-story volume of a very simple layout". In fact, this is a parallelepiped that is placed on the land site in such a way as to "catch" as many beautiful views as possible. For the very same purpose, out of the main volume, Roman Leonidov pulls the cube of the living room, while the entrance area, on the other hand, gets a little "pushed in", thanks to which the plan gets some sophistication, however moderate. From a bird's height view, however, one can only guess about that: the house is covered by a wide rectangular roof that conceals all the tectonic nuances. 

Private residential house in Moscow area © "Roman Leonidov and Partners"

The meaning of the roof with such powerful overhangs is hard to overestimate. First of all, such structure helps protect the premises from excessive heat in the summertime and from losing this same heat during the winter. Second of all, the slight angle of inclination helps to make a few rooms double-height, should this be necessary. And finally, thanks to these huge overhangs, in the immediate proximity of the house, the architects make the barbecue zone and the parking stalls. The solution of the latter is charmingly simple: "breaking off" the terrace, Roman Leonidov runs under the continuing surface of the roof a paved area, flanking its opposite side with an array of slender round-section supports. 

Private residential house in Moscow area © "Roman Leonidov and Partners"

It only makes perfect sense that the volume of such a simple shape is also terminally thought-out and laconic in its materials. Quite predictably, the main part here is played by the wood - one can hardly find a material more resonant to the woodland surroundings than this. Roman Leonidov uses the timber of two colors, assembling the bearing structure from the dark broad boards, while the thinner boards of a lighter color are used to make the partitions wherever transparent glass surfaces would have been inappropriate. The central "public" block of the building is also "fixed" by concrete panels, the rough surface of which serves as the perfect background for the wooden framework. Such an addition, apart from performing the construction function, has also an aesthetic meaning: the customer asked to highlight, in the image of the building, its contemporary origin as well, and, by introducing the main construction material of the century, Roman Leonidov gives a modern twist to the "good old wooden house". 

Private residential house in Moscow area © "Roman Leonidov and Partners"

On a par with the wood, the concrete is present even in the interior design of the house. In particular, it is used to decorate the fireplace and the kitchen area. And, just as the house itself is in fact a laconic horizontally oriented volume, the main pieces of the furniture here "develop" horizontally, sporting shapes that are reserved and laconic, at times bordering on ascetic. "But a few premises of the house sport any particular "faceting", otherwise the house is completely natural and free of any cumbersome details" - explains Svetlana Fiantseva, the author of the interior design project. One of such "wrought" territories is the area of the living/dining room, in which the muffled natural tones of wood and concrete are "diluted" with bright colorful accents - the mint green, orange, and the grass green. According to the authors' idea, such color palette goes a long way to make the house even more resonant with its surroundings, bringing the latter in from the outside not only through the large windows but also by means of the bright colors. 

Private residential house in Moscow area © "Roman Leonidov and Partners"

Apart from the spacious living room combined with the dining room and a large kitchen, the house also has in it two bedrooms, each of which has a bathroom and a closet of its own. The architects place these residential blocks separately, one in each wing of the house - the role of the "buffer zone" here is played not only by the nucleus of the living room but also by the guest room and the lobby that flank it from either side. Yet another bedroom is designed directly in the anteroom, adjoining from the opposite side to the wet zone of the kitchen. "From the rational planning standpoint, the advantages of the single-story volume are hard to overestimate - says Svetlana Fiantseva - the premises are arranged in such a way that the people who will live here will have an opportunity to rest and be left alone even if there is a large company partying hard in the other part of the house". 

This effect is strengthened even more by the ramified terrace. Running along the entire perimeter of the house, it accentuates its connection with the surroundings and gives the people still more possibilities to actively spend their time both indoors and outside. 

Private residential house in Moscow area © "Roman Leonidov and Partners"

Private residential house in Moscow area © "Roman Leonidov and Partners"

Private residential house in Moscow area © "Roman Leonidov and Partners"

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Architect:
Roman Leonidov
Svetlana Fiantseva
Object:
Private residential house in Moscow area
Russia, Moscow

Project Team:
Author of the project: Roman Leonidov. Interior design: Svetlana Fiantseva

30 April 2014

Headlines now
The Big Twelve
Yesterday, the winners of the Moscow Mayor’s Architecture Award were announced and honored. Let’s take a look at what was awarded and, in some cases, even critique this esteemed award. After all, there is always room for improvement, right?
Above the Golden Horn
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Nuanced Alternative
How can you rhyme a square and space? Easily! But to do so, you need to rhyme everything you can possibly think of: weave everything together, like in a tensegrity structure, and find your own optics too. The new exhibition at GES-2 does just that, offering its visitor a new perspective on the history of art spanning 150 years, infused with the hope for endless multiplicity of worlds and art histories. Read on to see how this is achieved and how the exhibition design by Evgeny Ace contributes to it.
Blinds for Ice
An ice arena has been constructed in Domodedovo based on a project by Yuri Vissarionov Architects. To prevent the long façade, a technical requirement for winter sports facilities, from appearing monotonous, the architects proposed the use of suspended structures with multidirectional slats. This design protects the ice from direct sunlight while giving the wall texture and detail.
Campus within a Day
In this article, we talk about what the participants of Genplan Institute of Moscow’s hackathon were doing at the MosComArchitecture booth at the “ArchMoscow” exhibition. We also discuss who won the prize and why, and what can be done with the territory of a small university on the outskirts of Moscow.
Vertical Civilization
Genpro considered the development of the vertical city concept and made it the theme of their pavilion at the “ArchMoscow” exhibition.
Marina Yegorova: “We think in terms of hectares, not square meters”
The career path of architect Marina Yegorova is quite impressive: MARHI, SPEECH, MosComArchitectura, the Genplan Institute of Moscow, and then her own architectural company. Its name Empate, which refers to the words “to draw” in Portuguese and “to empathize” in English, should not be misleading with its softness, as the firm freely works on different scales, including Integrated Territorial Development projects. We talked with Marina about various topics: urban planning experience, female leadership style, and even the love of architects for yachting.
Andrey Chuikov: “Optimum balance is achieved through economics”
The Yekaterinburg-based architectural company CNTR is in its mature stage: crystallization of principles, systematization, and standardization helped it make a qualitative leap, enhance competencies, and secure large contracts without sacrificing the aesthetic component. The head of the company, Andrey Chuikov, told us about building a business model and the bonuses that additional education in financial management provides for an architect.
The Fulcrum
Ostozhenka Architects have designed two astonishing towers practically on the edge of a slope above the Oka River in Nizhny Novgorod. These towers stand on 10-meter-tall weathered steel “legs”, with each floor offering panoramic views of the river and the city; all public spaces, including corridors, receive plenty of natural light. Here, we see a multitude of solutions that are unconventional for the residential routine of our day and age. Meanwhile, although these towers hark back to the typological explorations of the seventies, they are completely reinvented in a contemporary key. We admire Veren Group as the client – this is exactly how a “unique product” should be made – and we tell you exactly how our towers are arranged.
Crystal is Watching You
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The Secret Briton
The house is called “Little France”. Its composition follows the classical St. Petersburg style, with a palace-like courtyard. The decor is on the brink of Egyptian lotuses, neo-Greek acroteria, and classic 1930s “gears”; the recessed piers are Gothic, while the silhouette of the central part of the house is British. It’s quite interesting to examine all these details, attempting to understand which architectural direction they belong to. At the same time, however, the house fits like a glove in the context of the 20th line of St. Petersburg’s Vasilievsky Island; its elongated wings hold up the façade quite well.
The Wrap-Up
The competition project proposed by Treivas for the first 2021 competition for the Russian pavilion at EXPO 2025 concludes our series of publications on pavilion projects that will not be implemented. This particular proposal stands out for its detailed explanations and the idea of ecological responsibility: both the facades and the exhibition inside were intended to utilize recycled materials.
Birds and Streams
For the competition to design the Omsk airport, DNK ag formed a consortium, inviting VOX architects and Sila Sveta. Their project focuses on intersections, journeys, and flights – both of people and birds – as Omsk is known as a “transfer point” for bird migrations. The educational component is also carefully considered, and the building itself is filled with light, which seems to deconstruct the copper circle of the central entrance portal, spreading it into fantastic hyper-spatial “slices”.
Faraday Grid
The project of the Omsk airport by ASADOV Architects is another concept among the 14 finalists of a recent competition. It is called “The Bridge” and is inspired by both the West Siberian Exhibition of 1911 and the Trans-Siberian Railway bridge over the Irtysh River, built in 1896. On one hand, it carries a steampunk vibe, while on the other, there’s almost a sense of nostalgia for the heyday of 1913. However, the concept offers two variants, the second one devoid of nostalgia but featuring a parabola.
Midway upon the Journey of Our Life
Recently, Tatlin Publishing House released a book entitled “Architect Sergey Oreshkin. Selected Projects”. This book is not just a traditional book of the architectural company’s achievements, but rather a monograph of a more personal nature. The book includes 43 buildings as well as a section with architectural drawings. In this article, we reflect on the book as a way to take stock of an architect’s accomplishments.
Inverted Fortress
This year, there has been no shortage of intriguing architectural ideas around the Omsk airport. The project developed by the architectural company KPLN appeals to Omsk’s history as a wooden fortress that it was back in the day, but transforms the concept of a fortress beyond recognition: it “shaves off” the conical ends of “wooden logs”, then enlarges them, and then flips them over. The result is a hypostyle – a forest of conical columns on point supports, with skylights on top.
Transformation of Annenkirche
For Annenkirche (St. Anna Lutheran Church in St. Petersburg), Sergey Kuznetsov and the Kamen bureau have prepared a project that relies on the principles of the Venice Charter: the building is not restored to a specific date, historical layers are preserved, and modern elements do not mimic the authentic ones. Let’s delve into the details of these solutions.
The Paradox of the Temporary
The concept of the Russian pavilion for EXPO 2025 in Osaka, proposed by the Wowhaus architects, is the last of the six projects we gathered from the 2022 competition. It is again worth noting that the results of this competition were not finalized due to the cancellation of Russia’s participation in World Expo 2025. It should be mentioned that Wowhaus created three versions for this competition, but only one is being presented, and it can’t be said that this version is thoroughly developed – rather, it is done in the spirit of a “student assignment”. Nevertheless, the project is interesting in its paradoxical nature: the architects emphasized the temporary character of the pavilion, and in its bubble-like forms sought to reflect the paradoxes of space and time.
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
Mirrors Everywhere
The project by Sergey Nebotov, Anastasia Gritskova, and the architectural company “Novoe” was created for the Russian pavilion at EXPO 2025, but within the framework of another competition, which, as we learned, took place even earlier, in 2021. At that time, the competition theme was “digital twins”, and there was minimal time for work, so the project, according to the architect himself, was more of a “student assignment”. Nevertheless, this project is interesting for its plan bordering on similarity with Baroque projects and the emblem of the exhibition, as well as its diverse and comprehensive reflectiveness.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
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In the Rhombus Grid
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​Generational Connection
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Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
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The Yauza Towers
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