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Life on the Level

In Moscow area, architect Roman Leonidov and designer Svetlana Fiantseva are building a residential house whose elongated one-story volume looks like it is opposed to the verticals of the city.

30 April 2014
Object
mainImg
Architect:
Roman Leonidov
Svetlana Fiantseva
Object:
Private residential house in Moscow area
Russia, Moscow

Project Team:
Author of the project: Roman Leonidov. Interior design: Svetlana Fiantseva
Private residential house in Moscow area © "Roman Leonidov and Partners"

This project is a brilliant example of the kind of housing that the really wealthy people opt for - people that are tired of ostentatious luxury. As Roman Leonidov reminisces, the customer put his requirements on this nutshell: "No frills, no buildup". At the same time, money was practically no object - it was just that the architects had to invest primarily into finding a simple yet graceful solution that would provide the future inhabitants of the house with maximum comfort and would not, at the same time, distract them from doing what they would come here to do - namely, contemplate the nature.

Private residential house in Moscow area © "Roman Leonidov and Partners"

And, yes, there are a lot of things to contemplate out there: for the construction of this house, the customer purchased a magnificent piece of forest land. The tall pine trees that are there on it create the all-but-impenetrable green screen that protects the land site from the outside world better than any man-made fence would. 

"We came up with the vision of this house almost at once - Roman Leonidov reminisces - the task of opening it up, as much as possible, to the surrounding beautiful scenery necessitated for the huge windows, while the customer's desire to get a terminally functional house prompted to us the idea of a single-story volume of a very simple layout". In fact, this is a parallelepiped that is placed on the land site in such a way as to "catch" as many beautiful views as possible. For the very same purpose, out of the main volume, Roman Leonidov pulls the cube of the living room, while the entrance area, on the other hand, gets a little "pushed in", thanks to which the plan gets some sophistication, however moderate. From a bird's height view, however, one can only guess about that: the house is covered by a wide rectangular roof that conceals all the tectonic nuances. 

Private residential house in Moscow area © "Roman Leonidov and Partners"

The meaning of the roof with such powerful overhangs is hard to overestimate. First of all, such structure helps protect the premises from excessive heat in the summertime and from losing this same heat during the winter. Second of all, the slight angle of inclination helps to make a few rooms double-height, should this be necessary. And finally, thanks to these huge overhangs, in the immediate proximity of the house, the architects make the barbecue zone and the parking stalls. The solution of the latter is charmingly simple: "breaking off" the terrace, Roman Leonidov runs under the continuing surface of the roof a paved area, flanking its opposite side with an array of slender round-section supports. 

Private residential house in Moscow area © "Roman Leonidov and Partners"

It only makes perfect sense that the volume of such a simple shape is also terminally thought-out and laconic in its materials. Quite predictably, the main part here is played by the wood - one can hardly find a material more resonant to the woodland surroundings than this. Roman Leonidov uses the timber of two colors, assembling the bearing structure from the dark broad boards, while the thinner boards of a lighter color are used to make the partitions wherever transparent glass surfaces would have been inappropriate. The central "public" block of the building is also "fixed" by concrete panels, the rough surface of which serves as the perfect background for the wooden framework. Such an addition, apart from performing the construction function, has also an aesthetic meaning: the customer asked to highlight, in the image of the building, its contemporary origin as well, and, by introducing the main construction material of the century, Roman Leonidov gives a modern twist to the "good old wooden house". 

Private residential house in Moscow area © "Roman Leonidov and Partners"

On a par with the wood, the concrete is present even in the interior design of the house. In particular, it is used to decorate the fireplace and the kitchen area. And, just as the house itself is in fact a laconic horizontally oriented volume, the main pieces of the furniture here "develop" horizontally, sporting shapes that are reserved and laconic, at times bordering on ascetic. "But a few premises of the house sport any particular "faceting", otherwise the house is completely natural and free of any cumbersome details" - explains Svetlana Fiantseva, the author of the interior design project. One of such "wrought" territories is the area of the living/dining room, in which the muffled natural tones of wood and concrete are "diluted" with bright colorful accents - the mint green, orange, and the grass green. According to the authors' idea, such color palette goes a long way to make the house even more resonant with its surroundings, bringing the latter in from the outside not only through the large windows but also by means of the bright colors. 

Private residential house in Moscow area © "Roman Leonidov and Partners"

Apart from the spacious living room combined with the dining room and a large kitchen, the house also has in it two bedrooms, each of which has a bathroom and a closet of its own. The architects place these residential blocks separately, one in each wing of the house - the role of the "buffer zone" here is played not only by the nucleus of the living room but also by the guest room and the lobby that flank it from either side. Yet another bedroom is designed directly in the anteroom, adjoining from the opposite side to the wet zone of the kitchen. "From the rational planning standpoint, the advantages of the single-story volume are hard to overestimate - says Svetlana Fiantseva - the premises are arranged in such a way that the people who will live here will have an opportunity to rest and be left alone even if there is a large company partying hard in the other part of the house". 

This effect is strengthened even more by the ramified terrace. Running along the entire perimeter of the house, it accentuates its connection with the surroundings and gives the people still more possibilities to actively spend their time both indoors and outside. 

Private residential house in Moscow area © "Roman Leonidov and Partners"

Private residential house in Moscow area © "Roman Leonidov and Partners"

Private residential house in Moscow area © "Roman Leonidov and Partners"

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Architect:
Roman Leonidov
Svetlana Fiantseva
Object:
Private residential house in Moscow area
Russia, Moscow

Project Team:
Author of the project: Roman Leonidov. Interior design: Svetlana Fiantseva

30 April 2014

Headlines now
The Mirror of Your Soul
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Part of the Ideal
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The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
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​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
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New “Flight”
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The Yauza Towers
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Architecture and Leisure Park
For the suburban hotel complex, which envisages various formats of leisure, the architectural company T+T Architects proposed several types of accommodation, ranging from the classic “standard” in a common building to a “cave in the hill” and a “house in a tree”. An additional challenge consisted in integrating a few classic-style residences already existing on this territory into the “architectural forest park”.
The U-House
The Jois complex combines height with terraces, bringing the most expensive apartments from penthouses down to the bottom floors. The powerful iconic image of the U-shaped building is the result of the creative search for a new standard of living in high-rise buildings by the architects of “Genpro”.
Black and White
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The “Snake” Mountain
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Opal from Anna Mons’ Ring
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Feed ’Em All
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The Ensemble at the Mosque
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Pargolovo Protestantism
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The Shape of the Inconceivable
The ATOM Pavilion at VDNKh brings to mind a famous maxim of all architects and critics: “You’ve come up with it? Now build it!” You rarely see such a selfless immersion in implementation of the project, and the formidable structural and engineering tasks set by UNK architects to themselves are presented here as an integral and important part of the architectural idea. The challenge matches the obliging status of the place – after all, it is an “exhibition of achievements”, and the pavilion is dedicated to the nuclear energy industry. Let’s take a closer look: from the outside, from the inside, and from the underside too.
​Rays of the Desert
A school for 1750 students is going to be built in Dubai, designed by IND Architects. The architects took into account the local specifics, and proposed a radial layout and spaces, in which the children will be comfortable throughout the day.
The Dairy Theme
The concept of an office of a cheese-making company, designed for the enclosed area of a dairy factory, at least partially refers to industrial architecture. Perhaps that is why this concept is very simple, which seems the appropriate thing to do here. The building is enlivened by literally a couple of “master strokes”: the turning of the corner accentuates the entrance, and the shade of glass responds to the theme of “milk rivers” from Russian fairy tales.
The Road to the Temple
Under a grant from the Small Towns Competition, the main street and temple area of the village of Nikolo-Berezovka near Neftekamsk has been improved. A consortium of APRELarchitects and Novaya Zemlya is turning the village into an open-air museum and integrating ruined buildings into public life.
​Towers Leaning Towards the Sun
The three towers of the residential complex “Novodanilovskaya 8” are new and the tallest neighbors of the Danilovsky Manufactory, “Fort”, and “Plaza”, complementing a whole cluster of modern buildings designed by renowned masters. At the same time, the towers are unique for this setting – they are residential, they are the tallest ones here, and they are located on a challenging site. In this article, we explore how architects Andrey Romanov and Ekaterina Kuznetsova tackled this far-from-trivial task.
In the spirit of ROSTA posters
The new Rostselmash tractor factory, conceptualized by ASADOV Architects, is currently being completed in Rostov-on-Don. References to the Soviet architecture of the 1920’s and 1960’s resonate with the mission and strategic importance of the enterprise, and are also in line with the client’s wish: to pay homage to Rostov’s constructivism.
The Northern Thebaid
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Brilliant Production
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Three-Part Task: St. Petersburg’s Mytny Dvor
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The Color of the City, or Reflections on the Slope of an Urban Settlement
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A Single-Industry Town
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A New Age Portico
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A New Starting Point
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Molding Perspectives
Stepan Liphart introduces “schematic Art Deco” on the outskirts of Kazan – his houses are executed in green color, with a glassy “iced” finish on the facades. The main merits of the project lie in his meticulous arrangement of viewing angles – the architect is striving to create in a challenging environment the embryo of a city not only in terms of pedestrian accessibility but also in a sculptural sense. He works with silhouettes, proposing intriguing triangular terraces. The entire project is structured like a crystal, following two grids, orthogonal and diagonal. In this article, we are examining what worked, and what eventually didn’t.