По-русски

Crystal Rainbow

Architectural workshop "Studio 44" has won an international contest on new railway station design in Astana.

07 February 2011
Object
mainImg
Firm:
Company:
Object:
Railway station in Astana
Kazakhstan, Astana

Project Team:
architects: Yavein N.I., Zenkevich V.A., Aksenov S.I., Ashmetiev U.N., Vinogradova M.S., Grigoriev I.E., Zhukova V.S., Kozhin I.V., Lemehov V.I., Novosaduk E.A., Snezhkin G.S., Stanchinsky A.V., Schastlivtseva K.O., Yavein M.V.; constructor: Gershtein V.I.; texts: Lihacheva L.N., model: Itsikson Y.S.

2010 — 2010 / 2011
The new station will be built in the south-eastern part of Astana, on the extension of Mustafina street, one of the most important urban highways. It is leading to the most significant buildings of the new Kazakh capital, already constructed or under construction, and such a grand background the railway station had to have a suitable scale. "Studio 44" interpreted it as “the main Astana gate”. “We realized the complex rising in the long distance perspective of Mustafina street must be like La Grande Arche de la Défense in the perspective of the Champs Elysees and this determined its architectural solution", - said Nikita Yavein. The most spectacular part of architecture of the new Astana station really is the arch - a transparent structure in the form of a hyperbolic paraboloid, finish pattern of which reproduces large scale “kerege” pattern. "It is not only expressive, but technological and easy to manufacture so it is ideal for covering large areas without creating extra cubic meters of heated spaces - said Nikita Yavein. – But it was also important for us to create expressive silhouette: arch is rising above the station and roads, like a rainbow over a steppe stressing the enormous scale of Astana and its vast expanses. In its smooth outline you can guess the soft contours of hills and mounds of Kazakhstan, and hint on a saddle and a bow, so characteristic for gypsy culture. " The existing railway tracks are raised above ground at 3 meters, and the station itself is located on the concourse above them. Such constructive solution allows more efficient use of urban areas: in particular, Mustafina street is carried through the underground part of the railway station, where the architects suggest arranging key public transport stops. For passengers there will appear one bank platform and three island platforms (and one more backup platform in case of further development of the railway station), and there will be a commercial building for housing necessary additional functions. They plan to construct it on the opposite side of the tracks and the stretched strip of roof will become an exhibition of landscape architecture achievements. Under the transparent arch there will be a uniform space of layered concourse hall, which giant widows have breathtaking views of Astana.
Astana Railway Station
Copyright: © Studio 44
zooming
zooming
zooming


Firm:
Company:
Object:
Railway station in Astana
Kazakhstan, Astana

Project Team:
architects: Yavein N.I., Zenkevich V.A., Aksenov S.I., Ashmetiev U.N., Vinogradova M.S., Grigoriev I.E., Zhukova V.S., Kozhin I.V., Lemehov V.I., Novosaduk E.A., Snezhkin G.S., Stanchinsky A.V., Schastlivtseva K.O., Yavein M.V.; constructor: Gershtein V.I.; texts: Lihacheva L.N., model: Itsikson Y.S.

2010 — 2010 / 2011

07 February 2011

Headlines now
Daring Brilliance
In this article, we are exploring “New Vision”, the first school built in the past 25 years in Moscow’s Khamovniki. The building has three main features: it is designed in accordance with the universal principles of modern education, fostering learning through interaction and more; second, the façades combine structural molded glass and metallic glazed ceramics – expensive and technologically advanced materials. Third, this is the school of Garden Quarters, the latest addition to Moscow’s iconic Khamovniki district. Both a costly and, in its way, audacious acquisition, it carries a youthful boldness in its statement. Let’s explore how the school is designed and where the contrasts lie.
A Twist of the Core
A clever and concise sculptural solution – rotating each floor by N degrees – has created an ensemble of “dancing” towers: similar yet different, simple yet complex. The designers meticulously refined a single structural node and spent considerable effort on the column construction – after that, “everything else was easy”. The architects also rotated the core walls on each floor to maximize the efficiency of the office spaces.
The Sculpting of Spring Forest Matter
We’ve been observing this building for a couple of years now: seemingly simple, perhaps even unassuming, it fits in remarkably well with the micro-district context shaped by the Moscow MCD road junctions. This building sticks in the memory of everyone who drives along the highway, even occasionally. In our opinion, Sergey Nikeshkin, by blending popular architectural techniques and approaches of the 2010s, managed to turn a seemingly simple structure into a statement “on the theme of a house as such”. Let’s figure out how this happened.
Water and Wind Whet the Stone
The Arisha Terraces residential complex, designed by Asadov Architects, will be built in a district of Dubai dedicated to film and television production. To create shaded spaces and an intriguing silhouette, the architects opted for a funnel-shaped composition and nature-inspired forms of erosion and weathering. The roofs, podium, and underground spaces extend leisure opportunities within the boundaries of a man-made “oasis”.