Genpro considered the development of the vertical city concept and made it the theme of their pavilion at the “ArchMoscow” exhibition.
Written by: Natalia Koriakovskaia Translated by: Anton Mizonov
10 June 2024
Overview
No architectural forum bypasses the topic of skyscraper construction, and ArchMoscow was no exception. One of the ambassadors of this theme at the recent exhibition was the company Genpro, which dedicated their pavilion, titled “Vertical Civilization”, to high-rises. Inside, it looked pretty suprematist: glowing “architectons” of lightboxes with fragments of high-rises printed on them in a black space that evoked the image of outer space. Under the ceiling, there were curly clouds, clearly hinting at the ever-growing height of the urban skyline.
Genpro showcased five of their high-rise projects in the pavilion – Sydney City, a residential complex on Shosseynaya Street, JOIS, N’ICE LOFT, and a project in Moscow-City. Inside the black room, the usual sense of tectonics is lost: it seems that the lightboxes float above the surface and, reflecting off the ceiling, vanish into infinity. This suprematist picture evokes memories of projects for flying cities. However, Genpro wants to convey that all this is no longer a utopia, but today’s reality. The five showcased high-rise projects are the Moscow skyline of the near future. Thus, moving from our reflection outside the pavilion, we enter the “city of skyscrapers” that emerged from a master plan drawn by Genpro.
“The idea of the project is to show the process of the “growth” of the urban skyline as a kind of natural, aesthetically pleasing development” explains the pavilion’s curator, Genpro’s creative director, Evgeny Zelenov “This verticality does not oppress us, although many, of course, disagree with it and try to avoid it. But we need to adapt to the high-rise environment, as it is the future of Moscow”.
Make no mistake: skyscrapers are not a consequence of someone’s aesthetic taste or preferences, but a derivative of the market, economy, and the very structure of the modern city. Their construction is usually a necessity, even in spite of the fact that building structures over 150 meters tall is very expensive. I say “usually” because there are also examples of skyscrapers being endowed with a more symbolic function: hence the spires that increase the height of record-breaking buildings. However, the main bulk of high-rises emerges due to the high cost of land and the need for a high concentration of people, whose synergistic effect exceeds the costs and brings more economic benefits to the city.
The history of skyscraper construction spans more than a hundred years, during which skyscrapers have managed to earn fame as the main feature of the utopian city, as well as the disdain of supporters of the conservation of the historical environment. Nevertheless, this is our present, Genpro reminds us once again. Moreover, if some time ago any building over 150 meters was considered a dominant structure and had a landmark status simply due to its size, now we are already talking about secondary skyscraper development. As Evgeny Zelenov says, essentially, an ensemble of environmental, background architecture and dominants is being created, similar to Paris in the Haussmannian times, only with taller buildings. But the principle is the same.
1 / 3
The Genpro booth at ArchMoscow 2024
Copyright: image courtesy by Genpro
2 / 3
The Genpro booth at ArchMoscow 2024
Copyright: image courtesy by Genpro
3 / 3
The Genpro booth at ArchMoscow 2024
Copyright: image courtesy by Genpro
Participants in the case session conducted by Genpro noted how the structure of buyer demand has been changing lately. According to surveys by product specialists, people have become bolder in buying apartments above the 20th floor. Experts believe that the mentality is changing, and city dwellers are no longer afraid to live higher than the generations before them did. Moreover, people even want to live higher up, where the air is cleaner. They also want to live in locations they could not afford in the format of medium- or low-rise housing of equivalent quality. As a result, what seemed impossible ten years ago is becoming the norm, driven by internal social and economic processes – overpopulation, rising housing costs, deteriorating environmental conditions, and changes in the labor market structure.
Thus, the discussion around skyscraper construction is shifting to a different plane: high-rises are no longer debated from the perspective of whether they are needed or not, good or bad, but rather what benefits this phenomenon can bring to the city. Participants in the case session noted that the concept of a vertical city helps preserve biodiversity because skyscrapers necessarily include green areas and parks both outside and inside, for example, in the format of rooftop gardens, green walls, or terraces. In addition, such expensive projects are created with energy efficiency and environmental safety requirements in mind and make a significant contribution to reducing the carbon footprint. High-density development is also quite efficient from the perspective of the urban transportation framework since high-rise clusters are formed near transportation hubs.
Finally, according to market experts, the issue of emotional well-being depends more on the quality of the designed environment rather than the number of floors per se. The growing demand for apartments on higher floors confirms that for many, the panoramic view and other benefits of high-rise living outweigh the cons.
What is a vertical city today? Any skyscraper project, such as JOIS or Sydney City, is like a layered cake: numerous service functions are brought inside, so that residents only need to move up and down within the complex for a complete living experience. Household services, shopping, restaurants, kindergartens, co-working spaces, and offices – all of these, especially popular due to the rise of remote work – are concentrated in one location, allowing residents to save time on commuting.
For the modern megalopolis, high-density development is perhaps the only way not only to regulate traffic loads but also to preserve green or historical areas and save space by distributing people over a smaller area. The “Vertical Civilization” project, presented by Genpro at ArchMoscow, essentially marks the end of the debate between urbanists and anti-urbanists: it captures the vision of the future Moscow that is actively forming right before our eyes and is unlikely to backtrack.
“The verticality of the city is inevitable, and we are crossing this barrier right now. Needs that did not exist thirty years ago are coming to the forefront, and people prefer locations and the infrastructure set that the “vertical city” provides over mid-rise developments far from the center. A new skyline is gradually emerging, a new silhouette that used to exist only on paper. Urbanization dictates economic parameters, and those who choose to live in places with a concentration of various resources and social benefits are also choosing density” Evgeny Zelenov says.
The increase in the number of floors is, of course, not the final point in the development of the modern city. When asked what to expect next, Evgeny replies that infrastructure will grow upwards along with the buildings. “Remember how Le Corbusier planned to run transportation over the roofs of residential buildings, creating multi-tiered urban mega-structures. Well, I think we are heading towards this multi-layered city now. We are already living in an era of developing unmanned transport, and I believe that the chain of transport infrastructure on the ground will be completed, and we will move to transport above ground – with the help of cars, drones, and even people themselves. Then vertical development will be more integral, with your orders or even you yourself being delivered directly to your apartment. I would like to see that, and I think we will witness the beginning of this era”.
Living in the Architecture of One’s Own Making
Do architects design houses for themselves? You bet! In this article, we are examining a new book by TATLIN publishing house. This book – unprecedented for Russia – features 52 private homes designed and built by contemporary architects for themselves. It includes houses that are famous, even iconic, as well as lesser-known ones; large and small, stylish and eccentric. To some extent, the book reflects the history of Russian architecture over the past 30 years.
A City Block Isoline
Another competition project for a residential complex on the banks of the Volga in Nizhny Novgorod has been prepared by Studio 44. A team of architects led by Ivan Kozhin concluded that using a regular block layout in such a location would be inappropriate and developed a “custom design” approach: a chain of parceled multi-section buildings stretching along the entire embankment. Let’s explore the features and advantages of this unconventional method.
Competition: The Price of Creativity?
Any day now, we’re expecting the results of a competition held by the “Samolet” development group for a plot in Kommunarka. In the meantime, we share the impressions of Editor-in-Chief Julia Tarabarina, who managed to conduct a public talk. Though technically focused on the interaction between developers and architects, the public talk turned into a discussion about the pros and cons of architectural competitions.
Terraced Design
The “River Park” residential complex has confidently and securely shaped the Nagatinsky Backwater shoreline. Featuring a public embankment, elevated courtyards connected by pedestrian bridges, and brick façades, the development invites exploration of its nuanced response to the surrounding context, as well as hints of the architects’ megalithic design thinking.
A Kremlin’s Core and Meteorite Fragments
We continue our coverage of the competition projects for the residential district that the development company GloraX plans to build along the embankment of the Rowing Channel in Nizhny Novgorod. ASADOV Architects approached the concept through a deep dive into local identity, using storytelling to pinpoint a central idea for the design: the master plan and composition are imagined as if a meteorite had struck a “proto-Kremlin”. Sounds weird? Find more details below!
The Volga Regatta
GloraX plans to develop a residential complex spanning 14 hectares along the Volga River in Nizhny Novgorod. The winning design in a closed-door competition, created by GORA Architects, features housing typologies ranging from townhouses to terraced high-rise slabs, a balance of functions, diverse ways of engaging with the water, and even a dedicated island (no less!) for the city residents.
A New Track
We took a thorough look at D_Station, a railcar repair depot dating back to 1906, recently reconstructed while preserving its century-old industrial structure, upon the project by Sergey Trukhanov and T+T Architects. Though work on the interiors – set to house restaurants and public spaces – is still underway, the building’s exterior already offers plenty to see. Visitors can explore the blend of old and new brickwork, appreciate the architect’s unique interpretation of ruin aesthetics, and enjoy the newly built pedestrian route that connects the Citydel Business Center’s arches to Kazakova Street.
Four Different Surveys
The “Explore the City” competition, organized this year by the Genplan Institute of Moscow, stands out as a pretty unconventional one for the architectural field but aligns perfectly well with the character of urban planning work. The winning project analyzed contemporary residential complexes, combining urban planning insights with a realtor’s perspective to propose a hybrid approach. Other entries explored public centers, motivations for car ownership, and housing vacancy rates. A fifth participant withdrew. Here’s a closer look at the four completed works.
Scheduled Evolution
ASADOV Architects unveiled the EvyCenter pavilion, a microcultural hub for fostering personal growth, organizing workshops, and doing gymnastics. Additionally, this pavilion serves as a prototype for a scalable country house, drawing inspiration from the “Loskutok” project, and constructed from CLT panels in a factory. This marks the beginning of a developer project initiated by the architectural firm (sic!), which is seeking partners to expand both small Evy settlements and even larger Evy cities, which are, according to Andrey Asadov, aimed at fostering the “evolutionary” development of the people who will inhabit them.
The Golden Crown
The concept for a dental clinic in Yekaterinburg, developed by CNTR Studio, revolves around the idea of a “mouth full of gold”: pristine white porcelain stoneware walls are complemented by matte brass details. To avoid an overly literal interpretation, the architects focused on the building’s proportions, skillfully navigating between sunlight requirements and fire safety regulations.
Flexibility and Integration
Not long ago, we covered the project for the fourth phase of the ÁLIA residential complex, designed by APEX. Now, we’ve been shown different fence concepts they developed to enclose the complex’s private courtyards, incorporating a variety of public functions. We believe that the sheer fact that the complex’s architects were involved in such a detail as fencing speaks volumes.
A Step Forward
The HIDE residential complex represents a major milestone for ADM architects and their leaders Andrey Romanov and Ekaterina Kuznetsova in their quest for a fresh high-rise aesthetic – one that is flexible and layered, capable of bringing vibrancy to mass and silhouette while shaping form. Over recent years, this approach has become ADM’s “signature style”, with the golden HIDE tower playing a pivotal role in its evolution. Here, we delve into the project’s story, explore the details of the complex’s design, and uncover its core essence.
Gold in the Sands
A new office for a transcontinental company specializing in resource extraction and processing has opened in Dubai. Designed by T+T Architects, masters of creating spaces that are contemporary, diverse, flexible, and original, this project exemplifies their expertise. On the executive floor, a massive brass-clad partition dominates, while layered textures of compressed earth create a contextually resonant backdrop.
Layers and Levels of Flight
This project goes way back – Reserve Union won this architectural competition at the end of 2011, and the building was completed in 2018, so it’s practically “archival”. However, despite being relatively unknown, the building can hardly be considered “dated” and remains a prime example of architectural expression, particularly in the headquarters genre. And it’s especially fitting for an aviation company office. In some ways, it resembles the Aeroflot headquarters at Sheremetyevo but with its own unique identity, following the signature style of Vladimir Plotkin. In this article, we take an in-depth look at the United Aircraft Corporation (UAC) headquarters in the Moscow agglomeration town of Zhukovsky, supplemented by recent photographs from Alexey Naroditsky – a shoot that became only recently possible due to the fact that improvements were finally made in the surrounding area.
Light and Shadow
In this article, we delve into the architectural design of the “Chaika” house by DNK ag architects, which was recently completed in 2023 as part of the collection of signature designs at ZILArt. As is well-known, all the buildings in this complex follow a design code, yet each one is distinct. This particular building stands out not only for its whiteness and minimalism but also for the refined use of a limited number of techniques that, together, create what can confidently be called synergy.
Casus Novae
A master plan was developed for a large residential area with a name of “DNS City”, but now that its implementation began, the plan has been arbitrarily reformatted and replaced with something that, while similar on the surface, is actually quite different. This is not the first time such a thing happens, but it’s always frustrating. With permission from the author, we are sharing Maria Elkina’s post.
Treasure Hunting
The GAFA bureau, in collaboration with Tegola and Arkhitail, organized an expedition to the island of Kilpola in Karelia as part of Moskomarkhitektura’s “Open City” festival. There, amidst moss and rocks, the students sought answers to questions like: what is the sacred, where does it dwell, and what sustains it? Assisting the participants in this quest were landscape engineer Evgeny Levin, artist Nicholas Roerich, a moose, and the lack of cellular connection. Here’s how the story unfolded.
Depths of the Earth, Streams of Water
In the Malaya Okhta district, the Akzent building, designed by Stepan Liphart, was constructed. It follows a classic tripartite structure, yet it’s what you might call “hand-drawn”: each façade is unique in its form and details, some of which aren’t immediately noticeable. In this article, we explore the context and, together with the architect, delve into how the form was developed.
Fir Tree Dynamics
The “Airports of Region” holding is planning to build an airport in Karachay-Cherkessia, aiming to make the Arkhyz and Dombay resorts more accessible to travelers. The project that won in an invitation-only competition, submitted by Sergey Nikeshkin’s KPLN, blends natural imagery inspired by the shape of a conifer seed, open-air waiting spaces, majestic large trees, and a green roof elevated on needle-like columns. The result is both nature-inspired and WOW.
A Brick Shell
In the process of designing a clubhouse situated among pine trees in a prestigious suburban area near Moscow, the architectural firm “A.Len” did the façade design part. The combination of different types of brick and masonry correlates with the volumetric and plastique solutions, further enhanced by the inclusion of wood-painted fragments and metal “glazing”.
Word Forms
ATRIUM architects love ambitious challenges, and for the firm’s thirtieth anniversary, they boldly play a game of words with an exhibition that dives deep into a self-created vocabulary. They immerse their projects – especially art installations – into this glossary, as if plunging into a current of their own. You feel as if you’re flowing through the veins of pure art, immersed in a universe of vertical cities, educational spaces – of which the architects are true masters – and the cultural codes of various locations. But what truly captivates is the bold statement that Vera Butko and Anton Nadtochy make, both through their work and this exhibition: architecture, above all, is art – the art of working with form and space.
Flexibility and Acuteness of Modernity
Luxurious, fluid, large “kokoshniks” and spiral barrel columns, as if made from colorful chewing gum: there seem to be no other mansion like this in Moscow, designed in the “Neo-Russian-Modern” style. And the “Teremok” on Malaya Kaluzhskaya, previously somewhat obscure, has “come alive with new colors” and gained visibility after its restoration for the office of the “architectural ecosystem” as the architects love to call themselves. It’s evident that Julius Borisov and the architects at UNK put their hearts into finding this new office and bringing it up to date. Let’s delve into the paradoxes of this mansion’s history and its plasticity. Spoiler: two versions of modernity meet here, both balancing on the razor’s edge of “what’s current”.
Yuri Vissarionov: “A modular house does not belong to the land”
It belongs to space, or to the air... It turns out that 3D printing is more effective when combined with a modular approach: the house is built in a workshop and then adapted to the site, including on uneven terrain. Yuri Vissarionov shares his latest experience in designing tourist complexes, both in central Russia and in the south. These include houseboats, homes printed from lightweight concrete using a 3D printer, and, of course, frame houses.
Moscow’s First
“The quality of education largely depends on the quality of the educational environment”. This principle of the last decade has been realized by Sergey Skuratov in the project for the First Moscow Gymnasium on Rostovskaya Embankment in the Khamovniki district. The building seamlessly integrates into the complex urban landscape, responding both to the pedestrian flow of the city and the quiet alleyways. It skillfully takes advantage of the height differences and aligns with modern trends in educational space design. Let’s take a closer look.
Looking at the Water
The site of Villa Sonata stretches from the road to the water’s edge, offering its own shoreline, pier, and a picturesque river panorama. To reveal these sweeping views, Roman Leonidov “cut” the façade diagonally parallel to the river, thus getting two main axes for the house and, consequently, “two heads”. The internal core – two double-height spaces, a living room and a conservatory, with a “bridge” above them – makes the house both “transparent” and filled with light.
The White Wing
Well, it’s not exactly white. It’s more of a beige, white-stone structure that plays with the color of limestone – smoother surfaces are lighter, while rougher ones are darker. This wing unites various elements: it absorbs and interprets the surrounding themes. It responds to everything, yet maintains a cohesive expression – a challenging task! – while also incorporating recognizable features of its own, such as the dynamic cuts at the bottom, top, and middle.
Urban Dunes
The XSA Ramps team designed and built a three-part sports hub for a park in Rostov-on-Don, welcoming people of all ages and fitness levels. The skate plaza, pump track, and playground are all meticulously crafted with details that attract a diverse range of visitors. The technical execution of the shapes and slopes transforms this space into a kind of sculptural composition.
Proportional Growth
The project for the fourth phase of the ÁLIA residential area has been announced. The buildings are situated on an elongated plot – almost a “ray” that shoots out from the center of the area towards the river. Their layout reflects both a response to Moscow’s architectural preferences over the past 15 years, shifting “from blocks to towers”, and an interpretation of the neighboring business park designed by SOM. Additionally, the best apartments here are not located at the very top but closer to the middle, forming a glowing “waistline”.
The “Staircase” Building
In designing the “Details” residential complex in New Moscow, Rais Baishev spiced up the now-popular Moscow theme of a “courtyard” building with an idea drawn from the surrealist drawings by Maurits Escher. He envisioned the stepped silhouettes and descending slopes as a metaphysical mega-staircase, creating a key void within the courtyard that gave the project an internal “spine”. This concept is felt both in the building’s silhouette and on its façades.
Projection of the Quarter
No one doubted that the building that Vladimir Plotkin designed as part of the “Garden Quarters” would be the most modernist of all. And it turned out just that way: while adhering to the common design code, the building successfully combines brick and white stone, rhythmically responding to the neighboring building designed by Ostozhenka, yet tactfully and persistently making a few statements of its own. This includes the projection of the ideal urban development composition “14–9–6”, which can be found right next door, mathematical calculations, including those for various types of terraces (and perhaps the only reminder of the Soviet past of the Kauchuk rubber factory!), and the white “cross-stitch” pattern of the façade grid.