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Vertical Civilization

Genpro considered the development of the vertical city concept and made it the theme of their pavilion at the “ArchMoscow” exhibition.

10 June 2024
Overview
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No architectural forum bypasses the topic of skyscraper construction, and ArchMoscow was no exception. One of the ambassadors of this theme at the recent exhibition was the company Genpro, which dedicated their pavilion, titled “Vertical Civilization”, to high-rises. Inside, it looked pretty suprematist: glowing “architectons” of lightboxes with fragments of high-rises printed on them in a black space that evoked the image of outer space. Under the ceiling, there were curly clouds, clearly hinting at the ever-growing height of the urban skyline.

The Genpro booth at ArchMoscow 2024
Copyright: image courtesy by Genpro


Genpro showcased five of their high-rise projects in the pavilion – Sydney City, a residential complex on Shosseynaya Street, JOIS, N’ICE LOFT, and a project in Moscow-City. Inside the black room, the usual sense of tectonics is lost: it seems that the lightboxes float above the surface and, reflecting off the ceiling, vanish into infinity. This suprematist picture evokes memories of projects for flying cities. However, Genpro wants to convey that all this is no longer a utopia, but today’s reality. The five showcased high-rise projects are the Moscow skyline of the near future. Thus, moving from our reflection outside the pavilion, we enter the “city of skyscrapers” that emerged from a master plan drawn by Genpro.

“The idea of the project is to show the process of the “growth” of the urban skyline as a kind of natural, aesthetically pleasing development” explains the pavilion’s curator, Genpro’s creative director, Evgeny Zelenov “This verticality does not oppress us, although many, of course, disagree with it and try to avoid it. But we need to adapt to the high-rise environment, as it is the future of Moscow”.

Evgeny Zelenov, art director of Genpro
Copyright: image courtesy by Genpro


Make no mistake: skyscrapers are not a consequence of someone’s aesthetic taste or preferences, but a derivative of the market, economy, and the very structure of the modern city. Their construction is usually a necessity, even in spite of the fact that building structures over 150 meters tall is very expensive. I say “usually” because there are also examples of skyscrapers being endowed with a more symbolic function: hence the spires that increase the height of record-breaking buildings. However, the main bulk of high-rises emerges due to the high cost of land and the need for a high concentration of people, whose synergistic effect exceeds the costs and brings more economic benefits to the city.

The history of skyscraper construction spans more than a hundred years, during which skyscrapers have managed to earn fame as the main feature of the utopian city, as well as the disdain of supporters of the conservation of the historical environment. Nevertheless, this is our present, Genpro reminds us once again. Moreover, if some time ago any building over 150 meters was considered a dominant structure and had a landmark status simply due to its size, now we are already talking about secondary skyscraper development. As Evgeny Zelenov says, essentially, an ensemble of environmental, background architecture and dominants is being created, similar to Paris in the Haussmannian times, only with taller buildings. But the principle is the same.

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    The Genpro booth at ArchMoscow 2024
    Copyright: image courtesy by Genpro
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    The Genpro booth at ArchMoscow 2024
    Copyright: image courtesy by Genpro
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    The Genpro booth at ArchMoscow 2024
    Copyright: image courtesy by Genpro


Participants in the case session conducted by Genpro noted how the structure of buyer demand has been changing lately. According to surveys by product specialists, people have become bolder in buying apartments above the 20th floor. Experts believe that the mentality is changing, and city dwellers are no longer afraid to live higher than the generations before them did. Moreover, people even want to live higher up, where the air is cleaner. They also want to live in locations they could not afford in the format of medium- or low-rise housing of equivalent quality. As a result, what seemed impossible ten years ago is becoming the norm, driven by internal social and economic processes – overpopulation, rising housing costs, deteriorating environmental conditions, and changes in the labor market structure.

Thus, the discussion around skyscraper construction is shifting to a different plane: high-rises are no longer debated from the perspective of whether they are needed or not, good or bad, but rather what benefits this phenomenon can bring to the city. Participants in the case session noted that the concept of a vertical city helps preserve biodiversity because skyscrapers necessarily include green areas and parks both outside and inside, for example, in the format of rooftop gardens, green walls, or terraces. In addition, such expensive projects are created with energy efficiency and environmental safety requirements in mind and make a significant contribution to reducing the carbon footprint. High-density development is also quite efficient from the perspective of the urban transportation framework since high-rise clusters are formed near transportation hubs.

Case Session: “Vertical City. Modern reality of megalopolis development"
Copyright: image courtesy by Genpro


Finally, according to market experts, the issue of emotional well-being depends more on the quality of the designed environment rather than the number of floors per se. The growing demand for apartments on higher floors confirms that for many, the panoramic view and other benefits of high-rise living outweigh the cons.

What is a vertical city today? Any skyscraper project, such as JOIS or Sydney City, is like a layered cake: numerous service functions are brought inside, so that residents only need to move up and down within the complex for a complete living experience. Household services, shopping, restaurants, kindergartens, co-working spaces, and offices – all of these, especially popular due to the rise of remote work – are concentrated in one location, allowing residents to save time on commuting.

The Genpro booth at ArchMoscow 2024
Copyright: image courtesy by Genpro


For the modern megalopolis, high-density development is perhaps the only way not only to regulate traffic loads but also to preserve green or historical areas and save space by distributing people over a smaller area. The “Vertical Civilization” project, presented by Genpro at ArchMoscow, essentially marks the end of the debate between urbanists and anti-urbanists: it captures the vision of the future Moscow that is actively forming right before our eyes and is unlikely to backtrack.

“The verticality of the city is inevitable, and we are crossing this barrier right now. Needs that did not exist thirty years ago are coming to the forefront, and people prefer locations and the infrastructure set that the “vertical city” provides over mid-rise developments far from the center. A new skyline is gradually emerging, a new silhouette that used to exist only on paper. Urbanization dictates economic parameters, and those who choose to live in places with a concentration of various resources and social benefits are also choosing density” Evgeny Zelenov says.

The Genpro booth at ArchMoscow 2024
Copyright: image courtesy by Genpro


The increase in the number of floors is, of course, not the final point in the development of the modern city. When asked what to expect next, Evgeny replies that infrastructure will grow upwards along with the buildings. “Remember how Le Corbusier planned to run transportation over the roofs of residential buildings, creating multi-tiered urban mega-structures. Well, I think we are heading towards this multi-layered city now. We are already living in an era of developing unmanned transport, and I believe that the chain of transport infrastructure on the ground will be completed, and we will move to transport above ground – with the help of cars, drones, and even people themselves. Then vertical development will be more integral, with your orders or even you yourself being delivered directly to your apartment. I would like to see that, and I think we will witness the beginning of this era”.


10 June 2024

Headlines now
Above the Golden Horn
The residential complex “Philosophy” designed by T+T architects in Vladivostok, is one of the new projects in the “Golubinaya Pad” area, changing its development philosophy (pun intended) from single houses to a comprehensive approach. The buildings are organized along public streets, varying in height and format, with one house even executed in gallery typology, featuring a cantilever leaning on an art object.
Blinds for Ice
An ice arena has been constructed in Domodedovo based on a project by Yuri Vissarionov Architects. To prevent the long façade, a technical requirement for winter sports facilities, from appearing monotonous, the architects proposed the use of suspended structures with multidirectional slats. This design protects the ice from direct sunlight while giving the wall texture and detail.
Campus within a Day
In this article, we talk about what the participants of Genplan Institute of Moscow’s hackathon were doing at the MosComArchitecture booth at the “ArchMoscow” exhibition. We also discuss who won the prize and why, and what can be done with the territory of a small university on the outskirts of Moscow.
Vertical Civilization
Genpro considered the development of the vertical city concept and made it the theme of their pavilion at the “ArchMoscow” exhibition.
Marina Yegorova: “We think in terms of hectares, not square meters”
The career path of architect Marina Yegorova is quite impressive: MARHI, SPEECH, MosComArchitectura, the Genplan Institute of Moscow, and then her own architectural company. Its name Empate, which refers to the words “to draw” in Portuguese and “to empathize” in English, should not be misleading with its softness, as the firm freely works on different scales, including Integrated Territorial Development projects. We talked with Marina about various topics: urban planning experience, female leadership style, and even the love of architects for yachting.
Andrey Chuikov: “Optimum balance is achieved through economics”
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The Fulcrum
Ostozhenka Architects have designed two astonishing towers practically on the edge of a slope above the Oka River in Nizhny Novgorod. These towers stand on 10-meter-tall weathered steel “legs”, with each floor offering panoramic views of the river and the city; all public spaces, including corridors, receive plenty of natural light. Here, we see a multitude of solutions that are unconventional for the residential routine of our day and age. Meanwhile, although these towers hark back to the typological explorations of the seventies, they are completely reinvented in a contemporary key. We admire Veren Group as the client – this is exactly how a “unique product” should be made – and we tell you exactly how our towers are arranged.
Crystal is Watching You
Right now, Museum Night has kicked off at the Museum of Architecture, featuring a fresh new addition – the “Crystal of Perception”, an installation by Sergey Kuznetsov, Ivan Grekov, and the KROST company, set up in the courtyard. It shimmers with light, it sings, it reacts to the approach of people, and who knows what else it can do.
The Secret Briton
The house is called “Little France”. Its composition follows the classical St. Petersburg style, with a palace-like courtyard. The decor is on the brink of Egyptian lotuses, neo-Greek acroteria, and classic 1930s “gears”; the recessed piers are Gothic, while the silhouette of the central part of the house is British. It’s quite interesting to examine all these details, attempting to understand which architectural direction they belong to. At the same time, however, the house fits like a glove in the context of the 20th line of St. Petersburg’s Vasilievsky Island; its elongated wings hold up the façade quite well.
The Wrap-Up
The competition project proposed by Treivas for the first 2021 competition for the Russian pavilion at EXPO 2025 concludes our series of publications on pavilion projects that will not be implemented. This particular proposal stands out for its detailed explanations and the idea of ecological responsibility: both the facades and the exhibition inside were intended to utilize recycled materials.
Birds and Streams
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Faraday Grid
The project of the Omsk airport by ASADOV Architects is another concept among the 14 finalists of a recent competition. It is called “The Bridge” and is inspired by both the West Siberian Exhibition of 1911 and the Trans-Siberian Railway bridge over the Irtysh River, built in 1896. On one hand, it carries a steampunk vibe, while on the other, there’s almost a sense of nostalgia for the heyday of 1913. However, the concept offers two variants, the second one devoid of nostalgia but featuring a parabola.
Midway upon the Journey of Our Life
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Inverted Fortress
This year, there has been no shortage of intriguing architectural ideas around the Omsk airport. The project developed by the architectural company KPLN appeals to Omsk’s history as a wooden fortress that it was back in the day, but transforms the concept of a fortress beyond recognition: it “shaves off” the conical ends of “wooden logs”, then enlarges them, and then flips them over. The result is a hypostyle – a forest of conical columns on point supports, with skylights on top.
Transformation of Annenkirche
For Annenkirche (St. Anna Lutheran Church in St. Petersburg), Sergey Kuznetsov and the Kamen bureau have prepared a project that relies on the principles of the Venice Charter: the building is not restored to a specific date, historical layers are preserved, and modern elements do not mimic the authentic ones. Let’s delve into the details of these solutions.
The Paradox of the Temporary
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The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
Mirrors Everywhere
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The Steppe Is Full of Beauty and Freedom
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The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
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Part of the Ideal
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The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
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​Generational Connection
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Three Dimensions of the City
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New “Flight”
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The Yauza Towers
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Arch, Pearl, Wing, Wind
In the social media of the governor of the Omsk region, voting was conducted for the best project for the city’s new airport. We asked the finalists to send over their projects and are now showcasing them. The projects are quite interesting: the client requested that the building be visually permeable throughout, and the images that the architects are working with include arches, wings, gusts of wind, and even the “Pearl” painting by Vrubel, who was actually born in Omsk.
Architecture and Leisure Park
For the suburban hotel complex, which envisages various formats of leisure, the architectural company T+T Architects proposed several types of accommodation, ranging from the classic “standard” in a common building to a “cave in the hill” and a “house in a tree”. An additional challenge consisted in integrating a few classic-style residences already existing on this territory into the “architectural forest park”.