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From Moscow to Khabarovsk

This year, the works submitted by the students of the Genplan Institute of Moscow included a proposal for revitalizing Moscow’s “Pravda” complex with its structures designed by Ilia Golosov, landscaping an East Siberian town, located a 12-hour drive away from the nearest big city, and three versions of turning a derelict “pioneer camp” into an educational hub, similar to “Sirius”. Two sites out of three have an interested client, so chances are that the students’ works will be ultimately implemented.

12 October 2023
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The projects submitted by the students of the Genplan Institute of Moscow keep getting better by the year – both from the standpoint of their presentation and in terms of their actual results. While in 2021 the student projects were discussed in a small hall on the Triumfalnaya Square, this year the presentation took place in the Situation Center of the Government of Moscow – it was a grand event conducted on a big stage with a big screen.

We consider these summer “practices” or “internships” to be an important and very interesting part of the Institute’s activities. Student work, as you know, unlike other types of architectural practice, implies greater freedom and courage, as well as relaxation of all participants – accordingly, the practices help us to look at seemingly familiar tasks from a new angle, and to recharge our batteries in many respects. This year I curated one of the workshops for the first time, so I followed both the work and the presentations with great interest.

And I have to say that – although I certainly see some mistakes, weaknesses, inaccuracies, etc. – I think it is much more important that the level of work is increasing, sometimes it is amazing how students manage to do such thorough research in a short period of 1.5-2 months. Of course, we use internships to recruit future employees – some internship participants, as was done in previous years, will receive invitations for additional internships or jobs.


Participants, tutors and jury. Practice of the Institute of General Plan / 2023
Copyright: Photograph © Vladimir Kudryavtsev / provided by Genplan Institute of Moscow


Practice of Genplan Institute of Moscow / 2023. Chegdomyn project team
Copyright: Photograph © Vladimir Kudryavtsev / provided by Genplan Institute of Moscow


Video report on the presentation of students’ works.



The first two projects were done by big teams, and they are characterized by a high degree of detailing of town planning solutions.

The project developed for the Pravda complex was awarded the grand prize by the judging panel.

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    Grigory Mustafin, Chief Architect of the Institute of Genplan. Practice of the Institute of Genplan / 2023
    Copyright: Photograph © Vladimir Kudryavtsev / provided by Genplan Institute of Moscow
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    Sergey Glubokin, Deputy Head of the Architectural Council of Moscow. Practice of the Genplan Institute of Moscow / 2023. Defense
    Copyright: Photograph © Vladimir Kudryavtsev / provided by Genplan Institute of Moscow
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    Maxim Perov, Advisor to the Director of the Genplan Institute of Moscow. Practice of the Institute of Genplan / 2023
    Copyright: Photograph © Vladimir Kudryavtsev / provided by Genplan Institute of Moscow
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    Internship of the Institute / 2023
    Copyright: Photograph © Vladimir Kudryavtsev / provided by Genplan Institute of Moscow
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    Tatiana Guk, Director of the Genplan Institute of Moscow. Internship of the Institute / 2023
    Copyright: Photograph © Vladimir Kudrzavtsev / provided by Genplan Institute of Moscow


Grand Prize
New Pravda: a media cluster for bloggers
Curators: Tatiana Guk, Director of the Genplan Institute of Moscow, Dmitry Nekrasov, Advisor to the Director of the Genplan Institute of Moscow.
Participants: Anastasia Dzhumiga, Kristina Yakovleva, Anastasia Smirnova, Emil Halliullin, Arina Andreeva, Nikolay Samofalov, Arina Demyanova, Marina Chursanova


Team of the PRAVDA project. Practice of Genplan Institute of Moscow / 2023.
Copyright: Photograph © Vladimir Kudryavtsev / provided by Genplan Institute of Moscow


Concept of the local urban space PRAVDA
Copyright: Practice of the Genplan Institute of Moscow / 2023

 
The Pravda newspaper factory, built according to the project of Ilya Golosov, which opened in 1934, and in 1988 received the status of a cultural heritage site (this status, by the way, as a consequence, implies only restoration of the buildings), is now in a state of semi-abandonment and inefficient rent. The Yamskoye Pole district is not used very efficiently by Moscow in general, as the project team calculated: there are 12 times fewer organizations here than in other districts within the Third Transport Ring. Pravda used to be the largest publishing house in the world, which, of course, was due to the Soviet passion for building big things, but still, the fact that back in the day it produced about 11 million copies of printed matter a year is as impressive as an Egyptian pyramid.

In 2006, the buildings of the complex burned down, and the issue of its revitalization was subsequently approached more than once, but no project was ever implemented. In the summer of 2022, DOM.rf put it up for sale; there is a great chance, as was heard at the event, that the territory will soon be covered by the “comprehensive development of cities and districts” program.

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    Concept of the local urban space PRAVDA
    Copyright: Practice of the Genplan Institute of Moscow / 2023
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    Concept of the local urban space PRAVDA
    Copyright: Practice of the Genplan Institute of Moscow / 2023


The team members analyzed the lists of organizations “inhabiting” Yamskoye Pole now and concluded that among them there is a very high percentage of media entities: editorial offices, publishing houses, and the like – they qualified it as a fading trace of the influence of the Soviet publishing complex, and even characterized the Pravda district as a “protocluster”.
 
The authors of the project suggested turning the complex into a media cluster specializing in bloggers as the most productive and promising area of the media sphere of our time: their rates are lower, their audience is larger, and they grow faster. According to research data, there are 1.4 million bloggers in the country now, 60% of them based in Moscow, so cafes, co-working spaces, recording studios, creative offices and exhibition spaces could appear here for them.

Concept of the local urban space PRAVDA
Copyright: Practice of the Genplan Institute of Moscow / 2023


“Camp Fest” campus.
Copyright: Practice of the Genplan Institute of Moscow / 2023


Concept of the local urban space PRAVDA
Copyright: Practice of the Genplan Institute of Moscow / 2023


According to the project, the main traffic load should be channeled from Pravda Street to Yamskogo Polya Street; a pedestrian bridge should be built over the Butyrsky Val and over the railroad (it seems that it is in the city’s plans and is even under construction now). The industrial areas of the Dux Rocket Plant and the Rumyantsev Machine Building Plant should be turned into parks that will be in demand both by creative media bloggers and by the residents of the neighboring houses and offices being built in the Yamskoye Pole area according to the designs of CLP, Dyar, Evgeny Gerasimov and others.

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    Concept of the local urban space PRAVDA
    Copyright: Practice of the Genplan Institute of Moscow / 2023
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    Concept of the local urban space PRAVDA
    Copyright: Practice of the Genplan Institute of Moscow / 2023
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    Concept of the local urban space PRAVDA
    Copyright: Practice of the Genplan Institute of Moscow / 2023
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    Concept of the local urban space PRAVDA
    Copyright: Practice of the Genplan Institute of Moscow / 2023


According to the team’s calculations, the project has a chance to pay off in 3 years, its implementation could be started in 2023, completed in 2030, and in 2034 the 100th anniversary of the complex could be celebrated in the new media cluster.

Practice participants

Chegdomyn, Tsentralnaya Street
Concept for the development of Tsentralnaya Street in the town of Chegdomyn

 
Curators: Tatiana Terekhova, Head of Urban Development Workshop, Arseniy Igoshev, Junior Specialist of APM No.2.
Participants: Daria Igoshina, Georgy Haiduk, Inna Sergeeva, Angelina Indereva, Sofia Makarova, Alexandra Petrova, Timofey Maiko, Anastasia Murzaeva


The team of Chegdomyn project. Practice of Genplan Institute of Moscow / 2023.
Copyright: Photograph © Vladimir Kudryavtsev / provided by Genplan Institute of Moscow


Chegdomyn, the Central Street
Copyright: Practice of the Genplan Institute of Moscow / 2023


Yet another detailed project with a large team from different time zones was developed at the request by Alexey Krupevsky, the first deputy head of the Verkhnebureinsky district; it is one of the useful echoes of the competition that the Genplan Institute of Moscow was engaged in 2022-2023 – and in many ways it represents a different pole as compared to the territory of the capital’s monument of architecture, i.e. the Pravda complex.

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    Chegdomyn, the Central Street
    Copyright: Practice of the Genplan Institute of Moscow / 2023
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    Chegdomyn, the Central Street
    Copyright: Practice of the Genplan Institute of Moscow / 2023


The town of Chegdomyn specializes in coal mining and processing, its population is 11,000 people, and it is located between Blagoveshchensk and Khabarovsk; it takes 12 to 18 hours to get to the nearest city by car, 17 hours by train, airfields are only open in winter, so going somewhere for fun is not an trivial task here. However, in this city they shoot a serial named “The Gold of Umalta”. One of the main advantages of the city, noted by the authors of the project, is that although it is located on a plain, it is surrounded by beautiful landscapes of forest-covered mountains.

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    Chegdomyn, the Central Street
    Copyright: Practice of the Genplan Institute of Moscow / 2023
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    Chegdomyn, the Central Street
    Copyright: Practice of the Genplan Institute of Moscow / 2023
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    Chegdomyn, the Central Street
    Copyright: Practice of the Genplan Institute of Moscow / 2023
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    Chegdomyn, the Central Street
    Copyright: Practice of the Genplan Institute of Moscow / 2023
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    Chegdomyn, the Central Street
    Copyright: Practice of the Genplan Institute of Moscow / 2023


The subject of the design is the improvement of Tsentralnaya (Central) Street, the linear center of the town, where most of its public infrastructure is concentrated, including its social sector, although it has few residents and, therefore, the functions will be located far from pedestrian accessibility.

Chegdomyn project team. Practice of the Institute of General Plan / 2023.
Copyright: Photograph © Vladimir Kudryavtsev / provided by Genplan Institute of Moscow


However, the project is not so much about a master plan, as it is about landscaping, and the architects proposed to rethink 8 public spaces of various kinds, “strung” on the axis of the street: squares in front of the cinema and registry office, a playground and a sightseeing platform, a public garden, a boulevard and even parking garages. They propose to narrow the main – Central – street from 5 meters to 3.5 meters, and to use the resulting space for snow storage (there is a lot of snow there), as well as to make a storm drainage system, which does not exist yet – after its appearance, the tarmac coverage will be preserved longer than now.

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    Chegdomyn, the Central Street
    Copyright: Practice of the Genplan Institute of Moscow / 2023
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    Chegdomyn, the Central Street
    Copyright: Practice of the Genplan Institute of Moscow / 2023
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    Chegdomyn, the Central Street
    Copyright: Practice of the Genplan Institute of Moscow / 2023
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    Chegdomyn, the Central Street
    Copyright: Practice of the Genplan Institute of Moscow / 2023


The team not only worked at the request of the village administration, but was in constant contact with it, collecting information and its additional wishes, so that the “presence effect”at the presentation of the project definitely appeared, especially since the young architect organized part of the story about the project in the format of a tour of the city, or rather, a tour of the spaces that they proposed to create in it. However, if the study and schemes should be recognized as detailed and thorough, I would suggest the young architects work more on the architecture of the proposed objects – so far only the “onion” gazebos in the square near the chapel seem truly interesting from a purely architectural standpoint.

Chegdomyn, the Central Street
Copyright: Practice of the Genplan Institute of Moscow / 2023


A “new-generation” young pioneer camp

The next three works were made under the guidance of curator Irina Lobanova, and according to a slightly different principle: instead of gathering a large team of participants around one story, they were divided into three groups and each group proposed its own solution for the same territory – the former pioneer camp “Gornoe Echo” in the Alikonovsky Gorge of the Stavropol Territory, near Kislovodsk.

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    Irina Lobanova, Head of the Operational Workshop of the Genplan Institute of Moscow, supervisor of practice projects for the Aligonovo Gorge
    Copyright: Photograph © Vladimir Kudryavtsev / provided by Genplan Institute of Moscow
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    Irina Lobanova, Head of the Operational Workshop of the Genplan Institute of Moscow, supervisor of practice projects for the Aligonovo Gorge
    Copyright: Photograph © Julia Tarabarina, Archi.ru

 
The territory is part of the tourist route “The Path of Narzan”, a tourist trail runs along it. The camp straddles the two banks of the Akonovka River, the height difference on the planning site itself is 5 meters, and on the sides – up to 40 meters.

The task was to propose the concept of an educational hub for gifted schoolchildren, similar to Sirius. The camp is designed for 24 days of stay for schoolchildren of 7-11 grades.

Festival and party type: FEST

Participants: Rufina Galikieva, Alina Shultz, Sofia Ryabinina, Daria Karpunina
 
“Camp Fest” campus.
Copyright: Practice of the Genplan Institute of Moscow / 2023


My favorite (the wildest), project of the three: according to the architects’ self-title, “a place of legalized vandalism, a center of education in modern art, sports and science”. The project essentially consists of “fashionable” funny collages, the emphasis being not so much on architecture and planning as on the program and the idea of “triggering” creativity through a special festival atmosphere. The reality of this idea is immediately questionable, but the very possibility of this kind of fantasy is somehow inspiring in itself.

Spatial type: MOST (“THE BRIDGE”)

Participants: Maria Chernikova, Kira Chamurlieva

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    “Camp Fest” campus.
    Copyright: Practice of the Genplan Institute of Moscow / 2023
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    “Camp Fest” campus.
    Copyright: Practice of the Genplan Institute of Moscow / 2023
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    The “Camp FEST” campus
    Copyright: Practice of the Genplan Institute of Moscow / 2023
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    The “Camp FEST” campus
    Copyright: Practice of the Genplan Institute of Moscow / 2023
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    The “Camp FEST” campus
    Copyright: Practice of the Genplan Institute of Moscow / 2023
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    The “Camp FEST” campus
    Copyright: Practice of the Genplan Institute of Moscow / 2023
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    The “Camp FEST” campus
    Copyright: Practice of the Genplan Institute of Moscow / 2023
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    “Camp Fest” campus.
    Copyright: Practice of the Genplan Institute of Moscow / 2023
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    Concept of the local urban space PRAVDA
    Copyright: Practice of the Genplan Institute of Moscow / 2023
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    “Camp Fest” campus. Practice of the Institute of Genplan / 2023
    Copyright: Photograph: provided by Genplan Institute of Moscow
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    “Camp Fest” campus. Practice of the Institute of Genplan / 2023
    Copyright: Photograph: provided by Genplan Institute of Moscow
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    “Camp Fest” campus. Practice of the Institute of Genplan / 2023
    Copyright: Photograph: provided by Genplan Institute of Moscow

 
The project is no less daring, but more in architectural and spatial terms: the young architects proposed to divide the two banks of the gorge into children and adults areas, and to connect them by a “bridge”, this bridge being the school building itself.

An “Inhabited Bridge” is a thing known to be a favorite of many and therefore almost a sure-fire thing as a subject for the project. The architects proposed three variants of the building, consistently working off the agenda of metaphysical classics, neo- and simple modernism. One bridge turned out to be in the form of a Roman aqueduct, which, however, for some reason was called “romantic Gothic”; another with unmotivated non-linear curves in the form of mountains; and the third was straight.
 
The building is three stories high; in the middle part, classrooms are located above the river; on the sides, where the bridge rests on the ground, communication centers and large halls are grouped together: dining room, stage, library.

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    "There is a contact!" team. Practice of the Genplan Institute of Moscow / 2023
    Copyright: Photograph © Vladimir Kudryavtsev / provided by Genplan Institute of Moscow
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    The Bridge ptoject / "There is a contact!"
    Copyright: Practice of the Genplan Institute of Moscow / 2023


This is all great and fine, and the solution looks enticingly simple, but I am still haunted by the question: how are the children going to get by on their bank without the adults? Of course, you can install surveillance cameras, but that sort of kills the very idea…

Consecutive type: trail

Participants: Daria Karpunina, Sofia Ryabinina, Alina Shultz, Rufina Galikieva

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    The Bridge ptoject / "There is a contact!"
    Copyright: Practice of the Genplan Institute of Moscow / 2023
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    The Bridge project / "The is a contact!"
    Copyright: Practice of the Genplan Institute of Moscow / 2023
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    The Bridge ptoject / "There is a contact!"
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    The Bridge ptoject / "There is a contact!"
    Copyright: Practice of the Genplan Institute of Moscow / 2023
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    The Bridge ptoject / "There is a contact!"
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    The Bridge project / "The is a contact!"
    Copyright: Practice of the Genplan Institute of Moscow / 2023
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    The Bridge project / "The is a contact!"
    Copyright: Practice of the Genplan Institute of Moscow / 2023

 
The authors were inspired by the idea of a pilgrimage trail – primarily Santiago de Compostela – and the effect it can have on personal growth, including for non-religious people, and treated their version of an educational hub as a trail.

This project features the most elaborate study of the surrounding urban situation, from transportation to the nearby monuments.

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    The El Camino team. Practice of the Institute of Genplan / 2023
    Copyright: Photograph © Vladimir Kudryavtsev / provided by Genplan Institute of Moscow
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    El Camino
    Copyright: Practice of the Genplan Institute of Moscow / 2023

 
On the downside, however, the idea of the “trail” itself seems underdeveloped: the students, according to the proposed concept, will hike only at the end of their stay. But the very desire to immerse the hub in the peculiarities of the place, using an existing tourist route, deserves some credit, as does the beautiful collage graphics, which, however, is now becoming pretty commonplace.

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    El Camino
    Copyright: Practice of the Genplan Institute of Moscow / 2023
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    El Camino
    Copyright: Practice of the Genplan Institute of Moscow / 2023
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    El Camino
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    El Camino
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    El Camino
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    El Camino
    Copyright: Practice of the Genplan Institute of Moscow / 2023


***

So, if we look at the projects, we can see the reality of the sites and tasks: both the improvement of the Central Street in Chegdomyn and the former pioneer camp “Gornoe Echo” already have an interested client, so the ideas, although pretty raw in some places, but fresh and bold, will probably not go to waste, but at least will be added to the collection of local studies. During the discussion of the projects, it was even mentioned that Central Street could well be included in the Small Towns competition – and why not? It will be interesting to follow the subsequent development of each site: whether the ideas will be useful or not.

All the participants were quite deservedly praised – after all, for many of them it was their first works of varying degrees of urbanism. On the other hand, it would be interesting not only to praise, but also to hear a professional critical analysis of the works from the position of an urban planner. Presentations of projects are becoming more and more beautiful and lengthy and convincing – all the more curious to find out what failed in each of them, and what, for example, is unrealizable. Maybe the next step in the development of practices will be such a parsing? Not brutal, just objective.

On August 28, the projects were evaluated by the jury:
Sergey Glubokin, MCA;
Anna Ivanova, Genplan Institute of Moscow;
Maxim Perov, Genplan Institute of Moscow;
Grigory Mustafin, Genplan Institute of Moscow;
Julia Tarabarina, Archi.ru
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    El Camino
    Copyright: Practice of the Genplan Institute of Moscow / 2023
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    El Camino
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    El Camino
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    El Camino
    Copyright: Practice of the Genplan Institute of Moscow / 2023


12 October 2023

Headlines now
Living in the Architecture of One’s Own Making
Do architects design houses for themselves? You bet! In this article, we are examining a new book by TATLIN publishing house. This book – unprecedented for Russia – features 52 private homes designed and built by contemporary architects for themselves. It includes houses that are famous, even iconic, as well as lesser-known ones; large and small, stylish and eccentric. To some extent, the book reflects the history of Russian architecture over the past 30 years.
A City Block Isoline
Another competition project for a residential complex on the banks of the Volga in Nizhny Novgorod has been prepared by Studio 44. A team of architects led by Ivan Kozhin concluded that using a regular block layout in such a location would be inappropriate and developed a “custom design” approach: a chain of parceled multi-section buildings stretching along the entire embankment. Let’s explore the features and advantages of this unconventional method.
Competition: The Price of Creativity?
Any day now, we’re expecting the results of a competition held by the “Samolet” development group for a plot in Kommunarka. In the meantime, we share the impressions of Editor-in-Chief Julia Tarabarina, who managed to conduct a public talk. Though technically focused on the interaction between developers and architects, the public talk turned into a discussion about the pros and cons of architectural competitions.
Terraced Design
The “River Park” residential complex has confidently and securely shaped the Nagatinsky Backwater shoreline. Featuring a public embankment, elevated courtyards connected by pedestrian bridges, and brick façades, the development invites exploration of its nuanced response to the surrounding context, as well as hints of the architects’ megalithic design thinking.
A Kremlin’s Core and Meteorite Fragments
We continue our coverage of the competition projects for the residential district that the development company GloraX plans to build along the embankment of the Rowing Channel in Nizhny Novgorod. ASADOV Architects approached the concept through a deep dive into local identity, using storytelling to pinpoint a central idea for the design: the master plan and composition are imagined as if a meteorite had struck a “proto-Kremlin”. Sounds weird? Find more details below!
The Volga Regatta
GloraX plans to develop a residential complex spanning 14 hectares along the Volga River in Nizhny Novgorod. The winning design in a closed-door competition, created by GORA Architects, features housing typologies ranging from townhouses to terraced high-rise slabs, a balance of functions, diverse ways of engaging with the water, and even a dedicated island (no less!) for the city residents.
Life Plans
The master plan for the residential district “Prityazheniye” (“Gravity”) in Naberezhnye Chelny was developed by the architectural company A.Len, taking into account the specific urban planning context and partially implemented solutions of the first phase. However, the master plan prioritized its own values: a green framework, a system of focal points, a hierarchy of spaces, and pedestrian priority. After this, the question of what residents will do in their neighborhood simply doesn’t arise.
A New Track
We took a thorough look at D_Station, a railcar repair depot dating back to 1906, recently reconstructed while preserving its century-old industrial structure, upon the project by Sergey Trukhanov and T+T Architects. Though work on the interiors – set to house restaurants and public spaces – is still underway, the building’s exterior already offers plenty to see. Visitors can explore the blend of old and new brickwork, appreciate the architect’s unique interpretation of ruin aesthetics, and enjoy the newly built pedestrian route that connects the Citydel Business Center’s arches to Kazakova Street.
Four Different Surveys
The “Explore the City” competition, organized this year by the Genplan Institute of Moscow, stands out as a pretty unconventional one for the architectural field but aligns perfectly well with the character of urban planning work. The winning project analyzed contemporary residential complexes, combining urban planning insights with a realtor’s perspective to propose a hybrid approach. Other entries explored public centers, motivations for car ownership, and housing vacancy rates. A fifth participant withdrew. Here’s a closer look at the four completed works.
Scheduled Evolution
ASADOV Architects unveiled the EvyCenter pavilion, a microcultural hub for fostering personal growth, organizing workshops, and doing gymnastics. Additionally, this pavilion serves as a prototype for a scalable country house, drawing inspiration from the “Loskutok” project, and constructed from CLT panels in a factory. This marks the beginning of a developer project initiated by the architectural firm (sic!), which is seeking partners to expand both small Evy settlements and even larger Evy cities, which are, according to Andrey Asadov, aimed at fostering the “evolutionary” development of the people who will inhabit them.
The Golden Crown
The concept for a dental clinic in Yekaterinburg, developed by CNTR Studio, revolves around the idea of a “mouth full of gold”: pristine white porcelain stoneware walls are complemented by matte brass details. To avoid an overly literal interpretation, the architects focused on the building’s proportions, skillfully navigating between sunlight requirements and fire safety regulations.
Flexibility and Integration
Not long ago, we covered the project for the fourth phase of the ÁLIA residential complex, designed by APEX. Now, we’ve been shown different fence concepts they developed to enclose the complex’s private courtyards, incorporating a variety of public functions. We believe that the sheer fact that the complex’s architects were involved in such a detail as fencing speaks volumes.
A Step Forward
The HIDE residential complex represents a major milestone for ADM architects and their leaders Andrey Romanov and Ekaterina Kuznetsova in their quest for a fresh high-rise aesthetic – one that is flexible and layered, capable of bringing vibrancy to mass and silhouette while shaping form. Over recent years, this approach has become ADM’s “signature style”, with the golden HIDE tower playing a pivotal role in its evolution. Here, we delve into the project’s story, explore the details of the complex’s design, and uncover its core essence.
Gold in the Sands
A new office for a transcontinental company specializing in resource extraction and processing has opened in Dubai. Designed by T+T Architects, masters of creating spaces that are contemporary, diverse, flexible, and original, this project exemplifies their expertise. On the executive floor, a massive brass-clad partition dominates, while layered textures of compressed earth create a contextually resonant backdrop.
Layers and Levels of Flight
This project goes way back – Reserve Union won this architectural competition at the end of 2011, and the building was completed in 2018, so it’s practically “archival”. However, despite being relatively unknown, the building can hardly be considered “dated” and remains a prime example of architectural expression, particularly in the headquarters genre. And it’s especially fitting for an aviation company office. In some ways, it resembles the Aeroflot headquarters at Sheremetyevo but with its own unique identity, following the signature style of Vladimir Plotkin. In this article, we take an in-depth look at the United Aircraft Corporation (UAC) headquarters in the Moscow agglomeration town of Zhukovsky, supplemented by recent photographs from Alexey Naroditsky – a shoot that became only recently possible due to the fact that improvements were finally made in the surrounding area.
Light and Shadow
In this article, we delve into the architectural design of the “Chaika” house by DNK ag architects, which was recently completed in 2023 as part of the collection of signature designs at ZILArt. As is well-known, all the buildings in this complex follow a design code, yet each one is distinct. This particular building stands out not only for its whiteness and minimalism but also for the refined use of a limited number of techniques that, together, create what can confidently be called synergy.
Casus Novae
A master plan was developed for a large residential area with a name of “DNS City”, but now that its implementation began, the plan has been arbitrarily reformatted and replaced with something that, while similar on the surface, is actually quite different. This is not the first time such a thing happens, but it’s always frustrating. With permission from the author, we are sharing Maria Elkina’s post.
Treasure Hunting
The GAFA bureau, in collaboration with Tegola and Arkhitail, organized an expedition to the island of Kilpola in Karelia as part of Moskomarkhitektura’s “Open City” festival. There, amidst moss and rocks, the students sought answers to questions like: what is the sacred, where does it dwell, and what sustains it? Assisting the participants in this quest were landscape engineer Evgeny Levin, artist Nicholas Roerich, a moose, and the lack of cellular connection. Here’s how the story unfolded.
Depths of the Earth, Streams of Water
In the Malaya Okhta district, the Akzent building, designed by Stepan Liphart, was constructed. It follows a classic tripartite structure, yet it’s what you might call “hand-drawn”: each façade is unique in its form and details, some of which aren’t immediately noticeable. In this article, we explore the context and, together with the architect, delve into how the form was developed.
Fir Tree Dynamics
The “Airports of Region” holding is planning to build an airport in Karachay-Cherkessia, aiming to make the Arkhyz and Dombay resorts more accessible to travelers. The project that won in an invitation-only competition, submitted by Sergey Nikeshkin’s KPLN, blends natural imagery inspired by the shape of a conifer seed, open-air waiting spaces, majestic large trees, and a green roof elevated on needle-like columns. The result is both nature-inspired and WOW.
​A Brick Shell
In the process of designing a clubhouse situated among pine trees in a prestigious suburban area near Moscow, the architectural firm “A.Len” did the façade design part. The combination of different types of brick and masonry correlates with the volumetric and plastique solutions, further enhanced by the inclusion of wood-painted fragments and metal “glazing”.
Word Forms
ATRIUM architects love ambitious challenges, and for the firm’s thirtieth anniversary, they boldly play a game of words with an exhibition that dives deep into a self-created vocabulary. They immerse their projects – especially art installations – into this glossary, as if plunging into a current of their own. You feel as if you’re flowing through the veins of pure art, immersed in a universe of vertical cities, educational spaces – of which the architects are true masters – and the cultural codes of various locations. But what truly captivates is the bold statement that Vera Butko and Anton Nadtochy make, both through their work and this exhibition: architecture, above all, is art – the art of working with form and space.
Flexibility and Acuteness of Modernity
Luxurious, fluid, large “kokoshniks” and spiral barrel columns, as if made from colorful chewing gum: there seem to be no other mansion like this in Moscow, designed in the “Neo-Russian-Modern” style. And the “Teremok” on Malaya Kaluzhskaya, previously somewhat obscure, has “come alive with new colors” and gained visibility after its restoration for the office of the “architectural ecosystem” as the architects love to call themselves. It’s evident that Julius Borisov and the architects at UNK put their hearts into finding this new office and bringing it up to date. Let’s delve into the paradoxes of this mansion’s history and its plasticity. Spoiler: two versions of modernity meet here, both balancing on the razor’s edge of “what’s current”.
Yuri Vissarionov: “A modular house does not belong to the land”
It belongs to space, or to the air... It turns out that 3D printing is more effective when combined with a modular approach: the house is built in a workshop and then adapted to the site, including on uneven terrain. Yuri Vissarionov shares his latest experience in designing tourist complexes, both in central Russia and in the south. These include houseboats, homes printed from lightweight concrete using a 3D printer, and, of course, frame houses.
​Moscow’s First
“The quality of education largely depends on the quality of the educational environment”. This principle of the last decade has been realized by Sergey Skuratov in the project for the First Moscow Gymnasium on Rostovskaya Embankment in the Khamovniki district. The building seamlessly integrates into the complex urban landscape, responding both to the pedestrian flow of the city and the quiet alleyways. It skillfully takes advantage of the height differences and aligns with modern trends in educational space design. Let’s take a closer look.
Looking at the Water
The site of Villa Sonata stretches from the road to the water’s edge, offering its own shoreline, pier, and a picturesque river panorama. To reveal these sweeping views, Roman Leonidov “cut” the façade diagonally parallel to the river, thus getting two main axes for the house and, consequently, “two heads”. The internal core – two double-height spaces, a living room and a conservatory, with a “bridge” above them – makes the house both “transparent” and filled with light.
The White Wing
Well, it’s not exactly white. It’s more of a beige, white-stone structure that plays with the color of limestone – smoother surfaces are lighter, while rougher ones are darker. This wing unites various elements: it absorbs and interprets the surrounding themes. It responds to everything, yet maintains a cohesive expression – a challenging task! – while also incorporating recognizable features of its own, such as the dynamic cuts at the bottom, top, and middle.
Urban Dunes
The XSA Ramps team designed and built a three-part sports hub for a park in Rostov-on-Don, welcoming people of all ages and fitness levels. The skate plaza, pump track, and playground are all meticulously crafted with details that attract a diverse range of visitors. The technical execution of the shapes and slopes transforms this space into a kind of sculptural composition.
Proportional Growth
The project for the fourth phase of the ÁLIA residential area has been announced. The buildings are situated on an elongated plot – almost a “ray” that shoots out from the center of the area towards the river. Their layout reflects both a response to Moscow’s architectural preferences over the past 15 years, shifting “from blocks to towers”, and an interpretation of the neighboring business park designed by SOM. Additionally, the best apartments here are not located at the very top but closer to the middle, forming a glowing “waistline”.
The “Staircase” Building
In designing the “Details” residential complex in New Moscow, Rais Baishev spiced up the now-popular Moscow theme of a “courtyard” building with an idea drawn from the surrealist drawings by Maurits Escher. He envisioned the stepped silhouettes and descending slopes as a metaphysical mega-staircase, creating a key void within the courtyard that gave the project an internal “spine”. This concept is felt both in the building’s silhouette and on its façades.