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Grasping and Formulating

The special project “Tezisy” (“Abstracts”), showcased at Arch Moscow exhibition in Moscow’s Gostiny Dvor, brought together eight young “rock stars of architecture”, the headliner being Vladislav Kirpichev, founder of the EDAS school. In this article, we share our impressions of the installations and the perspectives of the new generation of architects.

19 June 2023
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To me as the editor-in-chief of the St. Petersburg branch of Archi.ru, who visited Arch Moscow for the first time and was initially overwhelmed by the abundance of showcased projects, the “Tezisy” project became the “anchor” and “grounding” point. Probably, it was the black pavilion that did the trick – it securely protected me from the outside garishness, fomo-syndrome, and fear of drones over Moscow. Or maybe it was the participants – it’s easier to relate to the subject of interests and creative search of your age-mates than those of the older generation. Or maybe it’s just the magic of Grigorios Gavalidis – if you haven’t heard of him, don’t worry, you will. Essentially, however, “Tezisy” is both a cross-section and a full-fledged statement, a collection of short stories by different authors on the same theme, which could very well have become a self-sufficient exhibition project, which it actually is. But first things first.
Tezisy at Arch Moscow 2023
Copyright: Photograph © Daniel Annenkov / Provided by GAFA


Chapter 1 Enter Grigorios, two liters of Sake, and 300 phone calls.

If someone is interested in the secret of a successful exhibition project, then the GAFA company would probably be my best bet. Last year, this company also curated the project NEXT! with the same competence and drive – it was a great lineup of participants, whose enthusiasm was further boosted by business meetings, panel discussions, involvement of MARCH School, and chats in messaging apps. We wrote in detail about the preparation and results – such an experience, we believe, will be useful to followers.

In 2023, GAFA continued to experiment with the formats of Arch Moscow. The special project has always been called “Antithesis” – but the curators reasoned rightly that it is more important to build bridges and be together than to look for another opposition. This is why they offered each participant the opportunity to choose their own thesis (or “abstract”) and develop it as part of the overall theme of the exhibition, which was “Perspectives”.

This time the participants were experienced and commercially successful architectural companies, on a level with GAFA. Despite their experience, or maybe simply because they were all very busy at the moment, getting them together and bringing the project to the end was quite a tall order. However, GAFA’s enthusiasm is contagious and leaves no chance to stay aside – you enter their field and change yourself.

Below, we offer an imaginary infographic about the preparation of the “Tezisy”:
  • It took 300 calls to get the architects to agree to participate, finish the layouts and arrive at the exhibition on time;
  • 2 liters of sake was consumed during the discussion of the work of N…
In general, as you understand, the approach is individual, requiring energy and a fair amount of charm.

At the presentation of the project, where the spectators were so numerous that they “spilled over” the confines of the pavilion, Grigorios described the participants as “rock stars”. The comparison is apt indeed – let us hope that in the future the profession will include not just pavilions, but arenas of screaming fans as well.

Tezisy at Arch Moscow 2023
Copyright: Photograph © Daniel Annenkov / Provided by GAFA


Chapter 2

In which Master addresses the Child

Not all of the participants of “Tezisy” are young by passport. GAFA managed to do another amazing thing – to attract to the project the legendary Vladislav Kirpichev, who remembers the voices of today’s masters of architecture, when they were still filling their sketchbooks in the halls with avant-garde art.

Tezisy at Arch Moscow 2023
Copyright: Photograph © Provided by GAFA


As a matter of fact, the project prepared by EDAS school won the first prize of “Tezisy” as the best architectural statement. “Brains, just like buckwheat, are the national strategic product” – read the accompanying inscription on the wall of the pavilion. You cannot but agree with that, because it’s so painful to see the wonderful brains leaking out of the country. 

As for the source of the strategic product, the inscription also says: “We have always believed that every child is a genius…” The EDAS school has always fostered individuality and independent thinking in its students, and it obtained results that surprised everyone. On the silkscreen, there is a collection of homages, sparkling “ingots” with layouts made by children as young as 6 years old. There is admiration and hope in the eyes of the beholder.

Against the background of the “bullions”, the installation itself looks a bit lost, but the statement continues: a vertical city that demonstrates how differently children can play with cubes.

Tezisy at Arch Moscow 2023
Copyright: Photograph © Provided by GAFA


The curators share that at one of the preparatory meetings the teacher “provoked” a discussion – it was easy to get confused by his questions, but it was also interesting to look for an answer. The presence of Vladislav Kirpichev, it seems, definitely influenced the other participants.

Architecture is not about buildings. Architecture is about space plus the way we move in it. Descartes first described space through the extent of the bodies that fill it. After him, the whole of European metaphysics became like an attic, cluttered with objects and associated forever with fullness and excess. Kant threw objects and bodies out of the attic, clearing the room. Now space along with time is connected to consciousness, not to bodies and objects...

Tezisy at Arch Moscow 2023
Copyright: Photograph © Daniel Annenkov / Provided by GAFA


Chapter 3

In which the kids create perspectives

You get into the dark pavilion of “Tezisy” from a lit space – the sounds get muffled, and the colors get brighter in the highlighted objects. They look as if they were hovering in an empty space, or as if we were wearing AR glasses.

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    Tezisy at Arch Moscow 2023
    Copyright: Photograph © Daniel Annenkov / Provided by GAFA
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    Tezisy at Arch Moscow 2023
    Copyright: Photograph © Daniel Annenkov / Provided by GAFA
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    Tezisy at Arch Moscow 2023
    Copyright: Photograph © Daniel Annenkov / Provided by GAFA
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    Tezisy at Arch Moscow 2023
    Copyright: Photograph © Daniel Annenkov / Provided by GAFA
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    Tezisy at Arch Moscow 2023
    Copyright: Photograph © Daniel Annenkov / Provided by GAFA
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    Tezisy at Arch Moscow 2023
    Copyright: Photograph © Daniel Annenkov / Provided by GAFA


“The world will be as we invent it” reads the message of the PARSEC installation in the darkness. The architects propose that everyone interpret it according to their taste: the sculpture of streamlined volumes with the trim of soft feathers at the rational level does not seem to relate to any ready-made images, but makes you dive into the unconscious and seek answers there, in the space of dreams or the cosmos. PARSEC finds “points of reference beyond the earthly”, and in the work they combine things that they value the most – lightness, play, sensuality, mathematics, philosophy and poetry.

Tezisy at Arch Moscow 2023. PARSEC ARCHITECTS, “Fixes Points Beyond the Terrestrial”
Copyright: Photograph © Daniel Annenkov / Provided by GAFA


CHADO’s work echoes this plurality of possibilities: the perspectives are infinite, but which of them will a man be able to discover, what will catch his eye? “Black Monolith is inspired in part by Stanley Kubrick’s Space Odyssey, in part by the Sumerian disc or the Maya calendar, and symbolizes the clot of perspectives that is opened up by the knowledge of previous generations, the will to accomplish something, and some kind of catalyst. This also brings to mind the final episodes of another film, The Fifth Element – let love be the catalyst.

Tezisy at Arch Moscow 2023. "The Black Monolith , the precursor to discovering a perspective."
Copyright: Photograph © Daniel Annenkov / Provided by GAFA


Across from it, there is something earthy, warm, and stable: a stove made by TOBE architects from recycled plastic. The marble-like material brings to mind the ancient halls of the Hermitage or maybe the St. Petersburg subway. As you get closer, you cannot resist the urge to touch it. New perspectives are opened by a synthesis of identity, new technologies, and environmental responsibility.

Tezisy at Arch Moscow 2023.TOBE Architects, “Substitution in the hearth of culture”
Copyright: Photograph © Daniel Annenkov / Provided by GAFA


KAMEN (“Stone”), which was the only one to present a kinetic object, sees the meaning of things in transformation. It becomes the basis for the search for form, function, and feeling. Everything flows and changes with time and space. It becomes a kind of haiku:

The horizontal flows into vertical. The public function flows into a residential one. The closed space becomes open. Hybrid and multifunctional are our future. 

Tezisy at Arch Moscow 2023. KAMEN Architects, Transformation
Copyright: Photograph © Daniel Annenkov / Provided by GAFA


AD HOC ARCHITECTURE takes a slightly broader view, glorifying movement per se. Movement generates life, not always predictable or even happy, but there is only certainty in death, the essence of which is the absence of all movement. Mors certa, vita incerta. “If there is no movement and nothing happens, everything becomes cold, dull and meaningless, and the impulses and triggers of various processes create dynamic, non-linear spaces whose perspectives are learned through movement”.

Tezisy at Arch Moscow 2023. AD HOC ARCHITECTURE “Perspective of Movement”
Copyright: Photograph © Daniel Annenkov / Provided by GAFA


A4 associates the “new renaissance” with technology – the idea hangs in the air rather intrusively, but here they managed to breathe a piece of human warmth into the neural networks. The architects acted as intermediaries between the grandmother of one of the participants in the project and MidJourney: the memories of one “downloaded” into the other in order to restore the look of the burnt-out house, the family nest, photos of which are almost gone. Discovering more and more new details, the architects gradually came to a certain form, but they did not seek to restore everything – only the most striking things that stand out in the memory. The layout was printed on a 3d printer, making the gaps transparent; the pedestal was built from the logs of the old house – this way, the new sprouts from the old.

There is, of course, always a possibility of an error due to the nature of human memory, and this method of reconstruction cannot be called scientific. However, it definitely captures your imagination. You start fantasizing how in the future it will be possible to load all existing documentation about the lost object into a neural network, add a piece of preserved authentic matter to this “melting pot”, and you will obtain a hologram of the building and working documents for actual reconstruction.

Tezisy at Arch Moscow 2023. A4, "The New Renaissance: the synthesis of humans and neural networks"
Copyright: Photograph © Daniel Annenkov / Provided by GAFA


The ARCH(E)TYPE team, which makes architecture, furniture, and jewelry, predictably pays maximum attention to interdisciplinary flexibility. Their table displays a postmodernist game of scaling: a slice of a column becomes a decoration and then, like Lewis Carroll, blows up to become a public building. It is only the concept that matters: a good one is bound to work on a scale from storefront to megalopolis.

Tezisy at Arch Moscow 2023. ARCH(E)TYPE , “Perspective in Interdisciplinary Flexibility and Subordination to a Common Concept”
Copyright: Photograph © Daniel Annenkov / Provided by GAFA


Afterword

The “Tezisy” project was a success and aroused a lot of interest, which evidenced by the sheer fact that the pavilion never stood empty. After Arch Moscow, Daria Belyakova, the founder of ARCH(E)TYPE, showed “Tezisy” in her A-House space, a club for architects, designers, and “other visionaries from related fields”. The project could have gone on tour to St. Petersburg’s “Sevkabel”, but, as the participants rightly pointed out, “you still have to go and do actual work sometimes”. 

Therefore, for all those who didn’t make it to Arch Moscow, the organizers have prepared a film tour; it is posted on a brand new, but promising GAFA’s YouTube channel.



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    The “Tezisy” project in A-House, 2023
    Copyright: Photograph © Diana Veshkurtseva / Provided by GAFA
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    The “Tezisy” project in A-House, 2023
    Copyright: Photograph © Diana Veshkurtseva / Provided by GAFA
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    The “Tezisy” project in A-House, 2023
    Copyright: Photograph © Diana Veshkurtseva / Provided by GAFA
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    The “Tezisy” project in A-House, 2023
    Copyright: Photograph © Diana Veshkurtseva / Provided by GAFA
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    The “Tezisy” project in A-House, 2023
    Copyright: Photograph © Diana Veshkurtseva / Provided by GAFA
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    The “Tezisy” project in A-House, 2023
    Copyright: Photograph © Diana Veshkurtseva / Provided by GAFA
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    The “Tezisy” project in A-House, 2023
    Copyright: Photograph © Diana Veshkurtseva / Provided by GAFA
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    The “Tezisy” project in A-House, 2023
    Copyright: Photograph © Diana Veshkurtseva / Provided by GAFA
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    The “Tezisy” project in A-House, 2023
    Copyright: Photograph © Diana Veshkurtseva / Provided by GAFA
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    The “Tezisy” project in A-House, 2023
    Copyright: Photograph © Diana Veshkurtseva / Provided by GAFA
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    The “Tezisy” project in A-House, 2023
    Copyright: Photograph © Diana Veshkurtseva / Provided by GAFA


19 June 2023

Headlines now
Pro Forma
Photos have emerged of the newly completed whisky distillery in Chernyakhovsk, designed by TOTEMENT / PAPER – a continuation of their earlier work on the nearby Cognac Museum. From what is, in essence, a merely technical and utilitarian volume and space, the architects have created a fully-fledged theatre of impressions. Let’s take a closer look. We highly recommend a visit to what may look like a factory, but is in fact an experiment in theatricalizing the process of strong spirit production – and not only that, but also of “pure art”, capable of evolving anywhere.
Health Factory
While working on a wellness and tourist complex on the banks of the Yenisei River, the architects at Vissarionov Studio set out to create healing spaces that would amplify the benefits of nature and medical treatments for both body and soul. The spatial solutions are designed to encourage interaction between the guests and the landscape, as well as each other.
Grace and Unity
Villa “Grace”, designed by Roman Leonidov’s studio and built in the Moscow suburbs, strikes a balance between elegant minimalism and the expansive gestures of the Russian soul. The main house is conceived as a sequence of four self-contained volumes – each could exist independently, yet it chooses to be part of a whole. Unity is achieved through color and a system of shared spaces, while the rich plasticity of the forms – refined throughout the construction process – compensates for the near-total absence of decorative elements.
Daring Brilliance
In this article, we are exploring “New Vision”, the first school built in the past 25 years in Moscow’s Khamovniki. The building has three main features: it is designed in accordance with the universal principles of modern education, fostering learning through interaction and more; second, the façades combine structural molded glass and metallic glazed ceramics – expensive and technologically advanced materials. Third, this is the school of Garden Quarters, the latest addition to Moscow’s iconic Khamovniki district. Both a costly and, in its way, audacious acquisition, it carries a youthful boldness in its statement. Let’s explore how the school is designed and where the contrasts lie.
A Twist of the Core
A clever and concise sculptural solution – rotating each floor by N degrees – has created an ensemble of “dancing” towers: similar yet different, simple yet complex. The designers meticulously refined a single structural node and spent considerable effort on the column construction – after that, “everything else was easy”. The architects also rotated the core walls on each floor to maximize the efficiency of the office spaces.
The Sculpting of Spring Forest Matter
We’ve been observing this building for a couple of years now: seemingly simple, perhaps even unassuming, it fits in remarkably well with the micro-district context shaped by the Moscow MCD road junctions. This building sticks in the memory of everyone who drives along the highway, even occasionally. In our opinion, Sergey Nikeshkin, by blending popular architectural techniques and approaches of the 2010s, managed to turn a seemingly simple structure into a statement “on the theme of a house as such”. Let’s figure out how this happened.
Water and Wind Whet the Stone
The Arisha Terraces residential complex, designed by Asadov Architects, will be built in a district of Dubai dedicated to film and television production. To create shaded spaces and an intriguing silhouette, the architects opted for a funnel-shaped composition and nature-inspired forms of erosion and weathering. The roofs, podium, and underground spaces extend leisure opportunities within the boundaries of a man-made “oasis”.
Elevation 5642
The Genplan Institute of Moscow has developed a comprehensive development project for three ski resorts in the Caucasus, which have been designated as special economic zones of the tourism and recreation type. The first of these zones is Elbrus. The project includes the construction of new ski runs, cable cars, and hotels, as well as the modernization of stations and improvements to the Azau tourist meadow. To expand the audience and enhance year-round appeal, a network of eco-trails is also being developed. In this article, we provide a detailed breakdown of each stage.
The IT Town
Taking the example of the first completed phase of the “U” district, we examine how the new neighborhood in Innopolis will be organized. T+T Architects and HADAA formed a well-balanced and ingenious master plan with different types of housing, a green artery, a system of squares, and a park in the town’s central part.
The Heart Lies Within
The second-phase building of the Evgeny Primakov School already won multiple awards while still in the design stage. Now that it’s completed, some unfinished nuances remain – most notably, the exposed ceiling structures, which ideally should have been concealed. However, given the priority placed on the building’s volumetric composition, this does not seem critical. What matters more is the “Wow!” effect created by the space itself.
Magnetic Forces
“Krylatskaya 33” is the first large-scale residential complex to appear amidst the 1980s “micro-districts” that harmoniously coexist with the forests, the river, the slopes, and the sports infrastructure. Despite its imposing scale, the architects of Ostozhenka managed to turn the complex into something that can be best described as a “graceful dominant”. First, they designed the complex with consideration for the style and height of the surrounding micro-districts. Second, by introducing a pause in its tallest section, they created compositional tension – right along the urban planning axis of the area.
Orion’s Belt
The Stone Khodynka 2 office complex, designed by Kleinewelt Architekten for the company Stone, is built with an ergonomic layout following “healthy building” principles: natural light, ventilation, and all the necessary features for an efficient office environment. On the outside, it resembles – like many contemporary buildings – an iPhone: sleek, glowing, glass-and-metal, edges elegantly rounded. Yet, it responds sensitively to the Khodynka context, where the main theme is the contrast between vertical and horizontal lines. The key intrigue lies in the design of the “stylobate” as a suspended passage, leaving the space beneath it open for free pedestrian movement.
Grigory Revzin: “It Was a Bold Statement Made on the Sly. Something Won”
In this article, we discuss the debates surrounding the circus competition and the demolition of the CMEA building with the most renowned architectural critic of our time. A paradox emerges in the process: while nostalgia for the Brezhnev era seems to be in vogue in Russia, a landmark building – the “axis” of the Warsaw Pact – has been sentenced to demolition. Isn’t that strange? We also find out that wow-architecture has made a comeback as a post-COVID trend. However, to make a truly powerful statement, professionals still remain indispensable.
Exposed Concrete
One of the stages of improving a small square in the town of Lermontov was the construction of a skatepark. Entrusting this part of the project to the XSA team, the city gained a 250-meter trick track whose features resemble those of land art objects – unparalleled in Russia in both scale and design. Here’s a look at how the experimental snake run in the foothills of the Caucasus was built.
One Step Closer To the Dream
The challenges of getting all the mandatory approvals, an insufficient budget, and construction site difficulties did not prevent ASADOV Bureau from achieving its main goal in the realization of the school project in the town of Troitsk – taking another step away from outdated notions of educational spaces toward creating a fundamentally new academic environment.
Chalet on the Rock
An Accor hotel in Arkhyz, designed by A.Len, will be situated at the gateway to the resort’s main tourist hubs. The architects reinterpreted the widely popular chalet style while adding an unexpected twist – an unfinished structure preserved on the site. The design team transformed this remnant into an exciting space featuring an open-air pool and a restaurant with panoramic views of the region’s highest mountain ridges.
Sergey Skuratov: “By and large, the project has been realized in line with the original ideas”
In this issue, we talk to the chief architect of Garden Quarters, looking back at the history and key moments of a project that took 18 years to develop and has now finally been completed. What interests us most are the transformations that the project underwent during construction, and the way the “necessary void” of public space was formed, which turned this remarkable complex into a fragment of a whole new type of urban fabric – not just at the horizontal “street” level but in its vertical structure as well.
A Unique Representative
The recently concluded year 2024 can be considered the year of completion for the “Garden Quarters” residential complex in Moscow’s Khamovniki. This project is well-known and, in many ways, iconic. Rarely does one manage to preserve such a number of original ideas, achieving in the end a kind of urban planning Gesamtkunstwerk. Here is a subjective view from an architecture journalist, with an interview with Sergey Skuratov soon to follow.
Field of Life
The new project by the architectural company PNKB (an acronym for “Design, Research, and Advisory Bureau”), led by Sergey Gnedovsky and Anton Lyubimkin, for the Kulikovo Field Museum is dedicated to the field as a concept in its own right. The field has long been a focus of the museum’s thorough and successful research. Accordingly, the exterior of the new museum building is gentler than that of its predecessor, which was also designed by PNKB and dedicated specifically to the historic battle. Inside, however, the building confidently guides the visitor from a luminous atrium along a spiral path to the field – interpreted here as a field of life.
A Paper Clip above the River
In this article, we talk with Vitaly Lutz from the Genplan Institute of Moscow about the design and unique features of the pedestrian bridge that now links the two banks of the Yauza River in the new cluster of Bauman Moscow State Technical University (MSTU). The bridge’s form and functionality – particularly the inclusion of an amphitheater suspended over the river – were conceived during the planning phase of the territory’s development. Typically, this approach is not standard practice, but the architects advocate for it, referring to this intermediate project phase as the “pre-AGR” stage (AGR stands for Architectural and Urban Planning Approval). Such a practice, they argue, helps define key parameters of future projects and bridge the gap between urban planning and architectural design.
Living in the Architecture of One’s Own Making
Do architects design houses for themselves? You bet! In this article, we are examining a new book by TATLIN publishing house. This book – unprecedented for Russia – features 52 private homes designed and built by contemporary architects for themselves. It includes houses that are famous, even iconic, as well as lesser-known ones; large and small, stylish and eccentric. To some extent, the book reflects the history of Russian architecture over the past 30 years.
A City Block Isoline
Another competition project for a residential complex on the banks of the Volga in Nizhny Novgorod has been prepared by Studio 44. A team of architects led by Ivan Kozhin concluded that using a regular block layout in such a location would be inappropriate and developed a “custom design” approach: a chain of parceled multi-section buildings stretching along the entire embankment. Let’s explore the features and advantages of this unconventional method.
Competition: The Price of Creativity?
Any day now, we’re expecting the results of a competition held by the “Samolet” development group for a plot in Kommunarka. In the meantime, we share the impressions of Editor-in-Chief Julia Tarabarina, who managed to conduct a public talk. Though technically focused on the interaction between developers and architects, the public talk turned into a discussion about the pros and cons of architectural competitions.
Terraced Design
The “River Park” residential complex has confidently and securely shaped the Nagatinsky Backwater shoreline. Featuring a public embankment, elevated courtyards connected by pedestrian bridges, and brick façades, the development invites exploration of its nuanced response to the surrounding context, as well as hints of the architects’ megalithic design thinking.
A Kremlin’s Core and Meteorite Fragments
We continue our coverage of the competition projects for the residential district that the development company GloraX plans to build along the embankment of the Rowing Channel in Nizhny Novgorod. ASADOV Architects approached the concept through a deep dive into local identity, using storytelling to pinpoint a central idea for the design: the master plan and composition are imagined as if a meteorite had struck a “proto-Kremlin”. Sounds weird? Find more details below!
The Volga Regatta
GloraX plans to develop a residential complex spanning 14 hectares along the Volga River in Nizhny Novgorod. The winning design in a closed-door competition, created by GORA Architects, features housing typologies ranging from townhouses to terraced high-rise slabs, a balance of functions, diverse ways of engaging with the water, and even a dedicated island (no less!) for the city residents.
Life Plans
The master plan for the residential district “Prityazheniye” (“Gravity”) in Naberezhnye Chelny was developed by the architectural company A.Len, taking into account the specific urban planning context and partially implemented solutions of the first phase. However, the master plan prioritized its own values: a green framework, a system of focal points, a hierarchy of spaces, and pedestrian priority. After this, the question of what residents will do in their neighborhood simply doesn’t arise.
A New Track
We took a thorough look at D_Station, a railcar repair depot dating back to 1906, recently reconstructed while preserving its century-old industrial structure, upon the project by Sergey Trukhanov and T+T Architects. Though work on the interiors – set to house restaurants and public spaces – is still underway, the building’s exterior already offers plenty to see. Visitors can explore the blend of old and new brickwork, appreciate the architect’s unique interpretation of ruin aesthetics, and enjoy the newly built pedestrian route that connects the Citydel Business Center’s arches to Kazakova Street.
Four Different Surveys
The “Explore the City” competition, organized this year by the Genplan Institute of Moscow, stands out as a pretty unconventional one for the architectural field but aligns perfectly well with the character of urban planning work. The winning project analyzed contemporary residential complexes, combining urban planning insights with a realtor’s perspective to propose a hybrid approach. Other entries explored public centers, motivations for car ownership, and housing vacancy rates. A fifth participant withdrew. Here’s a closer look at the four completed works.
Scheduled Evolution
ASADOV Architects unveiled the EvyCenter pavilion, a microcultural hub for fostering personal growth, organizing workshops, and doing gymnastics. Additionally, this pavilion serves as a prototype for a scalable country house, drawing inspiration from the “Loskutok” project, and constructed from CLT panels in a factory. This marks the beginning of a developer project initiated by the architectural firm (sic!), which is seeking partners to expand both small Evy settlements and even larger Evy cities, which are, according to Andrey Asadov, aimed at fostering the “evolutionary” development of the people who will inhabit them.