По-русски

Grasping and Formulating

The special project “Tezisy” (“Abstracts”), showcased at Arch Moscow exhibition in Moscow’s Gostiny Dvor, brought together eight young “rock stars of architecture”, the headliner being Vladislav Kirpichev, founder of the EDAS school. In this article, we share our impressions of the installations and the perspectives of the new generation of architects.

19 June 2023
Report
mainImg
To me as the editor-in-chief of the St. Petersburg branch of Archi.ru, who visited Arch Moscow for the first time and was initially overwhelmed by the abundance of showcased projects, the “Tezisy” project became the “anchor” and “grounding” point. Probably, it was the black pavilion that did the trick – it securely protected me from the outside garishness, fomo-syndrome, and fear of drones over Moscow. Or maybe it was the participants – it’s easier to relate to the subject of interests and creative search of your age-mates than those of the older generation. Or maybe it’s just the magic of Grigorios Gavalidis – if you haven’t heard of him, don’t worry, you will. Essentially, however, “Tezisy” is both a cross-section and a full-fledged statement, a collection of short stories by different authors on the same theme, which could very well have become a self-sufficient exhibition project, which it actually is. But first things first.
Tezisy at Arch Moscow 2023
Copyright: Photograph © Daniel Annenkov / Provided by GAFA


Chapter 1 Enter Grigorios, two liters of Sake, and 300 phone calls.

If someone is interested in the secret of a successful exhibition project, then the GAFA company would probably be my best bet. Last year, this company also curated the project NEXT! with the same competence and drive – it was a great lineup of participants, whose enthusiasm was further boosted by business meetings, panel discussions, involvement of MARCH School, and chats in messaging apps. We wrote in detail about the preparation and results – such an experience, we believe, will be useful to followers.

In 2023, GAFA continued to experiment with the formats of Arch Moscow. The special project has always been called “Antithesis” – but the curators reasoned rightly that it is more important to build bridges and be together than to look for another opposition. This is why they offered each participant the opportunity to choose their own thesis (or “abstract”) and develop it as part of the overall theme of the exhibition, which was “Perspectives”.

This time the participants were experienced and commercially successful architectural companies, on a level with GAFA. Despite their experience, or maybe simply because they were all very busy at the moment, getting them together and bringing the project to the end was quite a tall order. However, GAFA’s enthusiasm is contagious and leaves no chance to stay aside – you enter their field and change yourself.

Below, we offer an imaginary infographic about the preparation of the “Tezisy”:
  • It took 300 calls to get the architects to agree to participate, finish the layouts and arrive at the exhibition on time;
  • 2 liters of sake was consumed during the discussion of the work of N…
In general, as you understand, the approach is individual, requiring energy and a fair amount of charm.

At the presentation of the project, where the spectators were so numerous that they “spilled over” the confines of the pavilion, Grigorios described the participants as “rock stars”. The comparison is apt indeed – let us hope that in the future the profession will include not just pavilions, but arenas of screaming fans as well.

Tezisy at Arch Moscow 2023
Copyright: Photograph © Daniel Annenkov / Provided by GAFA


Chapter 2

In which Master addresses the Child

Not all of the participants of “Tezisy” are young by passport. GAFA managed to do another amazing thing – to attract to the project the legendary Vladislav Kirpichev, who remembers the voices of today’s masters of architecture, when they were still filling their sketchbooks in the halls with avant-garde art.

Tezisy at Arch Moscow 2023
Copyright: Photograph © Provided by GAFA


As a matter of fact, the project prepared by EDAS school won the first prize of “Tezisy” as the best architectural statement. “Brains, just like buckwheat, are the national strategic product” – read the accompanying inscription on the wall of the pavilion. You cannot but agree with that, because it’s so painful to see the wonderful brains leaking out of the country. 

As for the source of the strategic product, the inscription also says: “We have always believed that every child is a genius…” The EDAS school has always fostered individuality and independent thinking in its students, and it obtained results that surprised everyone. On the silkscreen, there is a collection of homages, sparkling “ingots” with layouts made by children as young as 6 years old. There is admiration and hope in the eyes of the beholder.

Against the background of the “bullions”, the installation itself looks a bit lost, but the statement continues: a vertical city that demonstrates how differently children can play with cubes.

Tezisy at Arch Moscow 2023
Copyright: Photograph © Provided by GAFA


The curators share that at one of the preparatory meetings the teacher “provoked” a discussion – it was easy to get confused by his questions, but it was also interesting to look for an answer. The presence of Vladislav Kirpichev, it seems, definitely influenced the other participants.

Architecture is not about buildings. Architecture is about space plus the way we move in it. Descartes first described space through the extent of the bodies that fill it. After him, the whole of European metaphysics became like an attic, cluttered with objects and associated forever with fullness and excess. Kant threw objects and bodies out of the attic, clearing the room. Now space along with time is connected to consciousness, not to bodies and objects...

Tezisy at Arch Moscow 2023
Copyright: Photograph © Daniel Annenkov / Provided by GAFA


Chapter 3

In which the kids create perspectives

You get into the dark pavilion of “Tezisy” from a lit space – the sounds get muffled, and the colors get brighter in the highlighted objects. They look as if they were hovering in an empty space, or as if we were wearing AR glasses.

  • zooming
    1 / 6
    Tezisy at Arch Moscow 2023
    Copyright: Photograph © Daniel Annenkov / Provided by GAFA
  • zooming
    2 / 6
    Tezisy at Arch Moscow 2023
    Copyright: Photograph © Daniel Annenkov / Provided by GAFA
  • zooming
    3 / 6
    Tezisy at Arch Moscow 2023
    Copyright: Photograph © Daniel Annenkov / Provided by GAFA
  • zooming
    4 / 6
    Tezisy at Arch Moscow 2023
    Copyright: Photograph © Daniel Annenkov / Provided by GAFA
  • zooming
    5 / 6
    Tezisy at Arch Moscow 2023
    Copyright: Photograph © Daniel Annenkov / Provided by GAFA
  • zooming
    6 / 6
    Tezisy at Arch Moscow 2023
    Copyright: Photograph © Daniel Annenkov / Provided by GAFA


“The world will be as we invent it” reads the message of the PARSEC installation in the darkness. The architects propose that everyone interpret it according to their taste: the sculpture of streamlined volumes with the trim of soft feathers at the rational level does not seem to relate to any ready-made images, but makes you dive into the unconscious and seek answers there, in the space of dreams or the cosmos. PARSEC finds “points of reference beyond the earthly”, and in the work they combine things that they value the most – lightness, play, sensuality, mathematics, philosophy and poetry.

Tezisy at Arch Moscow 2023. PARSEC ARCHITECTS, “Fixes Points Beyond the Terrestrial”
Copyright: Photograph © Daniel Annenkov / Provided by GAFA


CHADO’s work echoes this plurality of possibilities: the perspectives are infinite, but which of them will a man be able to discover, what will catch his eye? “Black Monolith is inspired in part by Stanley Kubrick’s Space Odyssey, in part by the Sumerian disc or the Maya calendar, and symbolizes the clot of perspectives that is opened up by the knowledge of previous generations, the will to accomplish something, and some kind of catalyst. This also brings to mind the final episodes of another film, The Fifth Element – let love be the catalyst.

Tezisy at Arch Moscow 2023. "The Black Monolith , the precursor to discovering a perspective."
Copyright: Photograph © Daniel Annenkov / Provided by GAFA


Across from it, there is something earthy, warm, and stable: a stove made by TOBE architects from recycled plastic. The marble-like material brings to mind the ancient halls of the Hermitage or maybe the St. Petersburg subway. As you get closer, you cannot resist the urge to touch it. New perspectives are opened by a synthesis of identity, new technologies, and environmental responsibility.

Tezisy at Arch Moscow 2023.TOBE Architects, “Substitution in the hearth of culture”
Copyright: Photograph © Daniel Annenkov / Provided by GAFA


KAMEN (“Stone”), which was the only one to present a kinetic object, sees the meaning of things in transformation. It becomes the basis for the search for form, function, and feeling. Everything flows and changes with time and space. It becomes a kind of haiku:

The horizontal flows into vertical. The public function flows into a residential one. The closed space becomes open. Hybrid and multifunctional are our future. 

Tezisy at Arch Moscow 2023. KAMEN Architects, Transformation
Copyright: Photograph © Daniel Annenkov / Provided by GAFA


AD HOC ARCHITECTURE takes a slightly broader view, glorifying movement per se. Movement generates life, not always predictable or even happy, but there is only certainty in death, the essence of which is the absence of all movement. Mors certa, vita incerta. “If there is no movement and nothing happens, everything becomes cold, dull and meaningless, and the impulses and triggers of various processes create dynamic, non-linear spaces whose perspectives are learned through movement”.

Tezisy at Arch Moscow 2023. AD HOC ARCHITECTURE “Perspective of Movement”
Copyright: Photograph © Daniel Annenkov / Provided by GAFA


A4 associates the “new renaissance” with technology – the idea hangs in the air rather intrusively, but here they managed to breathe a piece of human warmth into the neural networks. The architects acted as intermediaries between the grandmother of one of the participants in the project and MidJourney: the memories of one “downloaded” into the other in order to restore the look of the burnt-out house, the family nest, photos of which are almost gone. Discovering more and more new details, the architects gradually came to a certain form, but they did not seek to restore everything – only the most striking things that stand out in the memory. The layout was printed on a 3d printer, making the gaps transparent; the pedestal was built from the logs of the old house – this way, the new sprouts from the old.

There is, of course, always a possibility of an error due to the nature of human memory, and this method of reconstruction cannot be called scientific. However, it definitely captures your imagination. You start fantasizing how in the future it will be possible to load all existing documentation about the lost object into a neural network, add a piece of preserved authentic matter to this “melting pot”, and you will obtain a hologram of the building and working documents for actual reconstruction.

Tezisy at Arch Moscow 2023. A4, "The New Renaissance: the synthesis of humans and neural networks"
Copyright: Photograph © Daniel Annenkov / Provided by GAFA


The ARCH(E)TYPE team, which makes architecture, furniture, and jewelry, predictably pays maximum attention to interdisciplinary flexibility. Their table displays a postmodernist game of scaling: a slice of a column becomes a decoration and then, like Lewis Carroll, blows up to become a public building. It is only the concept that matters: a good one is bound to work on a scale from storefront to megalopolis.

Tezisy at Arch Moscow 2023. ARCH(E)TYPE , “Perspective in Interdisciplinary Flexibility and Subordination to a Common Concept”
Copyright: Photograph © Daniel Annenkov / Provided by GAFA


Afterword

The “Tezisy” project was a success and aroused a lot of interest, which evidenced by the sheer fact that the pavilion never stood empty. After Arch Moscow, Daria Belyakova, the founder of ARCH(E)TYPE, showed “Tezisy” in her A-House space, a club for architects, designers, and “other visionaries from related fields”. The project could have gone on tour to St. Petersburg’s “Sevkabel”, but, as the participants rightly pointed out, “you still have to go and do actual work sometimes”. 

Therefore, for all those who didn’t make it to Arch Moscow, the organizers have prepared a film tour; it is posted on a brand new, but promising GAFA’s YouTube channel.



  • zooming
    1 / 11
    The “Tezisy” project in A-House, 2023
    Copyright: Photograph © Diana Veshkurtseva / Provided by GAFA
  • zooming
    2 / 11
    The “Tezisy” project in A-House, 2023
    Copyright: Photograph © Diana Veshkurtseva / Provided by GAFA
  • zooming
    3 / 11
    The “Tezisy” project in A-House, 2023
    Copyright: Photograph © Diana Veshkurtseva / Provided by GAFA
  • zooming
    4 / 11
    The “Tezisy” project in A-House, 2023
    Copyright: Photograph © Diana Veshkurtseva / Provided by GAFA
  • zooming
    5 / 11
    The “Tezisy” project in A-House, 2023
    Copyright: Photograph © Diana Veshkurtseva / Provided by GAFA
  • zooming
    6 / 11
    The “Tezisy” project in A-House, 2023
    Copyright: Photograph © Diana Veshkurtseva / Provided by GAFA
  • zooming
    7 / 11
    The “Tezisy” project in A-House, 2023
    Copyright: Photograph © Diana Veshkurtseva / Provided by GAFA
  • zooming
    8 / 11
    The “Tezisy” project in A-House, 2023
    Copyright: Photograph © Diana Veshkurtseva / Provided by GAFA
  • zooming
    9 / 11
    The “Tezisy” project in A-House, 2023
    Copyright: Photograph © Diana Veshkurtseva / Provided by GAFA
  • zooming
    10 / 11
    The “Tezisy” project in A-House, 2023
    Copyright: Photograph © Diana Veshkurtseva / Provided by GAFA
  • zooming
    11 / 11
    The “Tezisy” project in A-House, 2023
    Copyright: Photograph © Diana Veshkurtseva / Provided by GAFA


19 June 2023

Headlines now
“Strangers” in the City
We asked Alexander Skokan for a comment on the results of 2025 – and he sent us a whole article, moreover one devoted to the discussion we recently began on the “appropriateness of high-rises” – or, more broadly speaking, “contrasting insertions into the urban fabric”. The result is a text that is essentially a question: why here? Why like this?
Dmitry Ostroumov: “To use the language of alchemy, we are involved in the process of “transmutation...
What we ended up having was an extremely unusual conversation with Dmitry Ostroumov. Why? At the very least, because he is not just an architect specializing in the construction of Orthodox churches. And not just – which is an extreme rarity – a proponent of developing contemporary stylistics within this still highly conservative field. Dmitry Ostroumov is a Master of Theology. So in addition to the history and specifics of the company, we speak about the very concept of the temple, about canon and tradition, about the living and the eternal, and even about the Russian Logos.
A Glazed Figurine
In searching for an image for a residential building near the Novodevichy Convent, GAFA architects turned to their own perception of the place: it evoked associations with antiquity, plein-air painting, and vintage artifacts. The two towers will be entirely clad in volumetric glazed ceramic – at present, there are no other buildings like this in Russia. The complex will also stand out thanks to its metabolic bay-window cells, streamlined surfaces, a ceremonial “hotel-style” driveway, and a lobby overlooking a lush garden.
A Knight’s Move via the Cour d’Honneur
Intercolumnium Architects presented to the City Planning Council a residential complex project that is set to replace the Aquatoria business center on Vyborgskaya Embankment. Experts praised the overall quality of the work, but expressed reservations about the three cour d’honneurs and suggested softening the contrast between the facades facing the embankment and the Kantemirovsky Bridge.
A Small Country
Mezonproekt is developing a long-term master plan for the MEPhI campus in Obninsk. Over the next ten years, an enclave territory of about 100 hectares, located in a forest on the northern edge of the city, is set to transform into a modern center for the development of the nuclear energy sector. The plan envisions attracting international students and specialists, as well as comprehensive territorial development: both through the contemporary realization of “frozen” plans from the 1980s and through the introduction of new trends – public spaces, an aquapark, a food court, a school, and even a nuclear medicine center. Public and sports facilities are intended to be accessible to city residents as well, and the campus is to be physically and functionally connected to Obninsk.
Pearl Divers
GAFA has designed an apartment complex for Derbent intended to switch people from a work mode to a resort mindset – and to give the surrounding area a much-needed jolt. The building offers two distinct faces: restrained and laconic on the city side, and a lushly ornate façade facing the sea. At the heart of the complex, a hidden pearl lies – an open-air pool with an arch, offering views of a starry sky, and providing direct access to the beach.
A Satellite Island
The Genplan Institute of Moscow has prepared a master plan for the development of the Sarpinsky and Golodny island system, located within the administrative boundaries of Volgograd and considered among the largest river islands in Russia. By 2045, the plan envisions the implementation of 15 large-scale investment projects, including sports and educational clusters, a congress center with a “Volgonarium”, a film production cluster, and twenty-one theme parks. We explain which engineering, environmental, and transportation challenges must be addressed to turn this vision into reality. The master plan solutions have already been approved and incorporated into the city’s general development plan.
The Amber Gate
The Amber City residential complex is one of the redevelopment projects in the former industrial area located beyond Moscow’s Third Ring Road near Begovaya metro station. Alexey Ilyin’s studio proposed an original master plan that transformed two clusters of towers into ceremonial propylaea, gave the complex a recognizable silhouette, and established visual connections with new high-rise developments on both right and left – thus integrating it into the scale of the growing metropolis. It is also marked by its own futuristic stylistic language, based on a reinterpreted streamline aesthetic.
A Theater Triangle
The architectural company “Chetvertoe Izmerenie” (“Fourth Dimension”) has developed the design for a new stage of the Magnitogorsk Musical Theater, rethinking not only theater architecture but also the role of the theater in the contemporary city.
Aleksei Ilyin: “I approach every task with genuine interest”
Aleksei Ilyin has been working on major urban projects for more than 30 years. He has all the necessary skills for high-rise construction in Moscow – yet he believes it’s essential to maintain variety in the typologies and scales represented in his portfolio. He is passionate about drawing – but only from life, and also in the process of working on a project. We talk about the structure and optimal size of an office, about his past and current projects, large and small tasks, and about creative priorities.
​A Golden Sunbeam
A compact brick-and-metal building in the growing Shukhov Park in Vyksa seems to absorb sunlight, transform it into yellow accents inside, and in the evening “give it back” as a warm golden glow streaming from its windows. It is, frankly, a very attractive building: both material and lightweight at the same time, with lightness inside and materiality outside. Its form is shaped by function – laconic, yet far from simple. Let’s take a closer look.
Architecton Awards
In 2025, the jury of the Architecton festival reviewed the finalist projects through live, open presentations held right in the exhibition hall – a rather engaging performance, and something rarely seen among Russian awards. It would be great if “Zodchestvo” adopted this format. Below, we present all the winning projects, including four special nominations.
Garden of Knowledge
UNK architects and UNK design created the interiors of the Letovo Junior campus, working together with NF Studio, which was responsible for developing the educational technology that takes into account the needs and perception of younger and middle school children.
The Silver Skates
The STONE Kaluzhskaya office quarter is accompanied by two residential towers, making the complex – for it is indeed a single ensemble – well balanced in functional terms. The architects at Kleinewelt gave the residential buildings a silvery finish to match the office blocks. How they are similar, how they differ, and what “Silver Skates” has to do with it – we explore in this article.
On the Dynastic Trail
The houses and townhouses of the “Tsarskaya Tropа” (“Czar’s Trail”) complex are being built in the village of Gaspra in Crimea – to the west and east of the palaces of the former grand-ducal residence “Ai-Todor”. One of the main challenges for the architects at KPLN, who developed the project, was to respond appropriately to this significant neighboring heritage. How this influenced the massing, the façades, and the way the authors work with the terrain is explored in our article.
A New Path
The main feature of the Yar Park project, designed by Sergey Skuratov for Kazan, is that it is organized along the “spine” of a multifunctional mall with an impressive multi-height atrium space in its middle. The entire site, both on the city side and the Kazanka River embankment, is open to the public. The complex is intended not to become “yet another fenced enclave” but, as urban planners say, a “polycenter” – a new point of attraction for the whole of Kazan, especially its northern part, made up of residential districts that until now have lacked such a vibrant public space. It represents a new urban planning approach to a high-density mixed-use development situated in the city center – in a sense, an “anti-quarter”. Even Moscow, one might say, doesn’t yet have anything quite like it. Well, lucky Kazan!
Beneath the Azure Sky
A depository designed by Studio 44 will soon be built in Kenozersky National Park to preserve and display the so-called “heavens” – ceiling structures characteristic of wooden churches in the Russian North, painted with biblical scenes. For each of these “heavens”, the architects created a volume corresponding in scale and dimensions to the original church interior. The result is a honeycomb-like composition, with modules derived directly from the historic monuments themselves, allowing visitors to view the icons from the historically accurate angle – from below, looking upward. How exactly this works is the subject of our story.
​The Power of Lines
The building at the very beginning of New Arbat is the result of long deliberations over how to replace the former House of Communication. Contemporary, dynamic, and even somewhat zoomorphic in character, it is structured around a large diagonal grid. The building has become a striking accent both in the perspective of the former Kalinin Avenue and in the panorama of Arbat Square. Yet, unfortunately, the original concept was not fully realized. In 2020, the Moscow ArchCouncil approved a design featuring an exoskeleton – an external load-bearing structure, which eventually turned into a purely decorative element. Still, the power of the supergraphic “holds” the building, giving it the qualities of a new urban landmark with iconic potential. How this concept took shape, what unexpected associations might underlie the grid’s form, and why the exoskeleton was never built – all this is explored in our article.
Resort on the Kama River
Wowhaus has developed a project for the reconstruction of Korabelnaya Roshcha (“Mast Grove”), a wellness resort located on the banks of the Kama River.
Nests in Primorye
The eco-park project “Nests”, designed by Aleksey Polishchuk and the company Power Technologies, received first prize at the Eco-Coast 2025 festival, organized by the Union of Architects of Russia. For a glamping site in Filinskaya Bay, the authors proposed bird-shaped houses, treehouses, and a nest-shaped observation platform, topping it all with an entrance pavilion executed in the shape of an owl.
The Angle of String Tension
The House of Music, designed by Vladimir Plotkin and the architects of TPO Reserve, resembles a harp, and when seen from above, even a bass clef. But if only it were that simple! The architecture of the complex fuses two distinct expressive languages: the lattice-like, transparent, permeable vocabulary of “classical” modernism and the sculptural, ribbon-like volumes so beloved by today’s neo-modernism. How it all works – where the catharsis lies, which compositional axes underpin the design, where the project resembles Zaryadye Concert Hall and where it does not – read in the article below.
How Historic Tobolsk Becomes a Portal to the Future
Over the past decade, the architectural company Wowhaus has developed urban strategies for several Russian cities – Vyksa, Tula, and Nizhnekamsk, to name but a few. Against this backdrop, the Tobolsk master plan stands out both for its scale – the territory under transformation covers more than 220 square kilometers – and for its complexity.
St. Petersburg vs Rome
The center of St. Petersburg is, as we know, sacred – but few people can say with certainty where this “sacred place” actually begins and ends. It’s not about the formal boundaries, “from the Obvodny Canal to the Bolshaya Nevka”, but about the vibe that feels true to the city center. With the Nevskaya Ratusha complex – built to a design that won an international competition – Evgeny Gerasimov and Sergei Tchoban created an “image of the center” within its territory. And not so much the image of St. Petersburg itself, as that of a global metropolis. This is something new, something that hasn’t appeared in the city for a long time. In this article, we study the atmosphere, recall precedents, and even reflect on who and when first called St. Petersburg the “new Rome”. Clearly, the idea is alive for a reason.
On the Wave
The project of transforming the river port and embankment in the city of Cheboksary, developed by the ATRIUM Architects, involves one of the city’s key areas. The Volga embankment is to be turned into a riverside boulevard – a multifunctional, comfortable, and expressive space for work and leisure activities. The authors propose creating a new link with the city’s main Krasnaya (“Red”) Square, as well as erecting several residential towers inspired by the shape of the traditional national women’s headdress – these towers are likely to become striking accents on the Volga panorama.
Valery Kanyashin: “We Were Given a Free Hand”
The Headliner residential complex, the main part of which was recently completed just across from Moscow City, is a kind of neighbor to the MIBC that doesn’t “play along” with it. On the contrary, the new complex is entirely built on contrast: like a city of differently scaled buildings that seems to have emerged naturally over the past 20 years – which is a hugely popular trend nowadays! And yet here – perhaps only here – such a project has been realized to its full potential. Yes, high-rises dominate, but all these slender, delicate profiles, all these exciting perspectives! And most importantly – how everything is mixed and composed together... We spoke with the project’s leader Valery Kanyashin.
​The Keystone
Until quite recently, premium residential and office complexes in Moscow were seen as the exclusive privilege of the city center. Today the situation is changing: high-quality architecture is moving beyond the confines of the Third Ring Road and appearing on the outskirts. The STONE Kaluzhskaya business center is one such example. Projects like this help decentralize the megalopolis, making life and work prestigious in any part of the city.
Perpetuum Mobile
The interior of the headquarters of Natsproektstroy, created by the IND studio team, vividly and effectively reflects the client’s field of activity – it is one of Russia’s largest infrastructure companies, responsible for logistics and transport communications of every kind you can possibly think of.
Water and Light
Church art is full of symbolism, and part of it is truly canonical, while another part is shaped by tradition and is perceived by some as obligatory. Because of this kind of “false conservatism”, contemporary church architecture develops slowly compared to other genres, and rarely looks contemporary. Nevertheless, there are enthusiasts in this field out there: the cemetery church of Archangel Michael in Apatity, designed by Dmitry Ostroumov and Prokhram bureau, combines tradition and experiment. This is not an experiment for its own sake, however – rather, the considered work of a contemporary architect with the symbolism of space, volume, and, above all, light.