По-русски

Exemplary Adaptation

In Novosibirsk, the construction of a school has been completed, whose project is standing every chance to set a new standard for the nation’s educational institutions. SVESMI Architects and Brusnika company started by developing the brief that would answer the modern teaching practices, and then they proposed the optimum plan, versatile classrooms, and reserved, yet expressive, image in the spirit of this Amsterdam alliance.

01 June 2023
Object
mainImg
School 220 is situated in the center of the “Evrobereg” district, whose master plan was developed in 2016 by the Dutch company KCAP at the commission of the development company Brusnika. Since in 2018 the city had prepared a standard school project that met only Soviet standards, Brusnika took the initiative and financed the new work: the Rotterdam bureau SVESMI was responsible for the architectural concept and facades, the interior design and layout were done by Brusnika’s design studio, and the landscape was designed by Buro Novascape (Netherlands).

As a result, the architects were able to solve the master task: the school matches the modern architecture of Evrobereg, and the solutions found by the architects proved to be so effective that the Deputy Prime Minister Marat Khusnullin proposed to make the project a model for other cities in Russia. We tell you about the key details.

The school in “Evrobereg” district
Copyright: Photograph © Dmitry Chebanenko / provided by Brusnika


The Territory of New Pedagogy

Since the endgame of the project is not new computer classes, but new ways of thinking and cognition, the first stage of the work was formulating the very task for creating a modern educational environment. The architects prepared it in cooperation with the center for development of educational systems “Smart School”.

Given that the school is a state-run one, it was necessary to rely on the Federal State Educational Standards. Experts argue, however, that the FSES are not as scary as they are commonly thought of, since they allow for individualization of curricula, varying group sizes, and timing of subjects. In this sense, much depends on the team of teachers and administrators, but also space is capable of pushing new practices. Therefore the authors rejected rigid hierarchy and division into thematic classes, striving for openness, synergy, and adaptability.

Modern school education is not limited to mastering the same amount of knowledge for everyone, and the educational process is not limited to frontal teaching methods. They have been replaced by group and individual forms of work, projects and research, discussions, mixed analogue and digital learning. The educational program itself has been transformed from a general one into a set of individual curricula, which should be implemented for all students of the school simultaneously in a single space. An important feature of the modern school is its inclusiveness, readiness to joint learning of all children, regardless of their social status, abilities and health conditions. In the process of developing the project we visited many schools, including municipal ones, where different formats of lessons were implemented, and the feedback on their effectiveness is only positive. Therefore we see the future of educational architecture precisely in the adaptability of spaces to various educational tasks.


The school in “Evrobereg” district
Copyright: Photograph © Valery Kostyunin / provided by Brusnika


The plan is simple, hence beautiful

The team of the project at once rejected the idea of an H- or U-shaped plan, characteristic of standard Soviet schools. One of the main issues with such solutions is a large schoolyard that is hardly ever used.

Plans of the standard school and the new school in Evrobereg district
Copyright: SVESMI © image courtesy by Brusnika


Instead, the architects proposed a closed rectangular contour. The courtyard evolved into a multifunctional atrium, joined by a block of small gyms, sanitary and technical rooms, resulting in most of the outer contour being free for classrooms. Vertical connections between the floors are located in the corner staircases. All of this allowed for looping corridors, avoiding dead ends, maintaining clear navigation while offering a variety of routes instead of going straight and up and down.

The concept. The school in “Evrobereg” district
Copyright: SVESMI © image courtesy by Brusnika


Another benefit is that the area of school spaces per student compared to typical projects is larger, and the volume of structures smaller. We remind you at this point that 825 students are planned.

  • zooming
    1 / 4
    Plan of the 1st floor. The school in “Evrobereg” district
    Copyright: SVESMI © image courtesy by Brusnika
  • zooming
    2 / 4
    Plan of the 2nd floor. The school in “Evrobereg” district
    Copyright: SVESMI © image courtesy by Brusnika
  • zooming
    3 / 4
    Plan of the 3rd floor. The school in “Evrobereg” district
    Copyright: SVESMI © image courtesy by Brusnika
  • zooming
    4 / 4
    Plan of the 4th floor. The school in “Evrobereg” district
    Copyright: SVESMI © image courtesy by Brusnika


Democracy of the Facades 

The school is located in an open area, at the intersection of two important streets, and is visible from many points of Evrobereg. Therefore, all the facades clad in terracotta Klinker brick are identical, and differ only in the entrance groups and the rhythmic pattern of the large windows: the classrooms have windows measuring 2.5 x 4.5 meters, and the canteen and music room have 14 x 3.2 and 10.6 x 3.2 meters. At nightfall, the school becomes a shining beacon, radiating light.

We have always been interested in the architecture of the so-called Amsterdam Association, which is famous for its picturesque brickwork and bold forms. Its architects were inspired by exotic motifs, the poetics of ships and forts, and always talked about architecture as an adventure. It was with this same spirit that we designed the school for learning and also as a space for games, communication and unpredictable events. We very much hope that the new image of the place we invented will make school life seem less monotonous to students.


The school in “Evrobereg” district
Copyright: Photograph © Dmitry Chebanenko / provided by Brusnika


The school in “Evrobereg” district
Copyright: Photograph © Natalia Bochkova / provided by Brusnika


The school in “Evrobereg” district
Copyright: Photograph © Natalia Bochkova / provided by Brusnika


The “folds” of the corner accents host the staircases. These strong verticals are identical, but each successive one rotates 90°, forming a “swirl” when viewed from above, and making each facade look slightly different from the “human” line of vision. The massive wall takes on the malleability of a sheet of paper, capable of turning into a crane or a ship in somebody’s skillful hands.

The school in “Evrobereg” district
Copyright: Photograph © Valery Kostyunin / provided by Brusnika


The school in “Evrobereg” district
Copyright: Photograph © Valery Kostyunin / provided by Brusnika


  • zooming
    1 / 4
    The school in “Evrobereg” district
    Copyright: Photograph © Valery Kostyunin / provided by Brusnika
  • zooming
    2 / 4
    The school in “Evrobereg” district
    Copyright: Photograph © Valery Kostyunin / provided by Brusnika
  • zooming
    3 / 4
    The school in “Evrobereg” district
    Copyright: Photograph © Valery Kostyunin / provided by Brusnika
  • zooming
    4 / 4
    The school in “Evrobereg” district
    Copyright: Photograph © Valery Kostyunin / provided by Brusnika


The smoothness of the angular accents echoes in the rounded pylons of the main entrance niche, as well as in the arch of the skylight. Because the utilities are hidden in the troughs and rooms on the first and last floors, the roof acts as a fifth façade. The folds of the stair walls protrude above it, “pointing” to the skylight made of bent wooden beams and stained glass windows.

The school in “Evrobereg” district
Copyright: Photograph © Valery Kostyunin / provided by Brusnika


The school in “Evrobereg” district
Copyright: Photograph © Valery Kostyunin / provided by Brusnika


The school in “Evrobereg” district
Copyright: Photograph © Dmitry Chebanenko / provided by Brusnika


The school in “Evrobereg” district
Copyright: Photograph © Natalia Bochkova / provided by Brusnika


The educational space

Classrooms of different sizes are located along the outer contour of the three facades and simultaneously around the inner core of the atrium. The canteen and gymnasium are located on the fourth north side. The classrooms are separated from the corridors by glass partitions, which expose the educational process and allow natural light to permeate the entire building.

The school in “Evrobereg” district
Copyright: Photograph © Valery Kostyunin / provided by Brusnika


Specialized classrooms have been replaced by clusters – media and art, sports, science, and technology. At the same time, all classrooms are cross-functional and can be used to study several subjects. Their size and configuration allow for adapting to different methods of the educational process: mobile furniture can be quickly rearranged and the classroom can be prepared for a regular lesson, group work, discussion, or informal classes. About ten laboratories and workshops are designed for creative classes and after-school groups.

  • zooming
    1 / 7
    The school in “Evrobereg” district
    Copyright: Photograph © Valery Kostyunin / provided by Brusnika
  • zooming
    2 / 7
    The school in “Evrobereg” district
    Copyright: Photograph © Valery Kostyunin / provided by Brusnika
  • zooming
    3 / 7
    The school in “Evrobereg” district
    Copyright: Photograph © Natalia Bochkova / provided by Brusnika
  • zooming
    4 / 7
    The school in “Evrobereg” district
    Copyright: Photograph © Dmitry Chebanenko / provided by Brusnika
  • zooming
    5 / 7
    The school in “Evrobereg” district
    Copyright: Photograph © Dmitry Chebanenko / provided by Brusnika
  • zooming
    6 / 7
    The school in “Evrobereg” district
    Copyright: Photograph © Dmitry Chebanenko / provided by Brusnika
  • zooming
    7 / 7
    The school in “Evrobereg” district
    Copyright: Photograph © Valery Kostyunin / provided by Brusnika


The Social Life

School life pulsates in the atrium with an amphitheater. Most of the time, it serves as an indoor plaza for meetings, reading, games, and recess. It also assumes the function of an auditorium, convenient for ceremonial meetings, film screenings, concerts, and plays. A timber-framed skylight floods the atrium and corridor galleries with natural light; from the galleries, almost the entire school can be seen.

The school in “Evrobereg” district
Copyright: Photograph © Dmitry Chebanenko / provided by Brusnika


The school in “Evrobereg” district
Copyright: Photograph © Dmitry Chebanenko / provided by Brusnika


The school in “Evrobereg” district
Copyright: Photograph © Dmitry Chebanenko / provided by Brusnika


On the first tier level, the atrium is connected to the music room and a 400-seat dining room. These rooms have access to terraces where students and teachers can hold informal classes, picnics, and just enjoy the fresh air.

The school in “Evrobereg” district
Copyright: Photograph © Dmitry Chebanenko / provided by Brusnika


The school in “Evrobereg” district
Copyright: Photograph © Dmitry Chebanenko / provided by Brusnika

 
The media cluster combines a library, lab, press center, co-working space, and book repository. The teachers’ lounge is conceived as an administrative open space with six zones: an open space for teachers to work and relax, an office, a secretariat, meeting rooms, a kitchenette, and the principal’s desk. Transparent partitions add to the openness of the teachers’ work. There are two gyms: the small one adjoins the atrium, and the large one faces the northern façade.

  • zooming
    1 / 5
    The school in “Evrobereg” district
    Copyright: Photograph © Valery Kostyunin / provided by Brusnika
  • zooming
    2 / 5
    The school in “Evrobereg” district
    Copyright: Photograph © Natalia Bochkova / provided by Brusnika
  • zooming
    3 / 5
    The school in “Evrobereg” district
    Copyright: Photograph © Valery Kostyunin / provided by Brusnika
  • zooming
    4 / 5
    The school in “Evrobereg” district
    Copyright: Photograph © Natalia Bochkova / provided by Brusnika
  • zooming
    5 / 5
    The school in “Evrobereg” district
    Copyright: Photograph © Dmitry Chebanenko / provided by Brusnika


Wood and concrete are used in the finishing of all rooms. The window panes are coated with a special coating that protects the rooms from overheating in summer and keeps them warm in winter. The navigation and layout of the rooms are comfortable for children with hearing, vision, or mobility impairments.

The school in “Evrobereg” district
Copyright: Photograph © natalia Bochkova / provided by Brusnika


The school in “Evrobereg” district
Copyright: Photograph © Dmitry Chebanenko / provided by Brusnika


The school in “Evrobereg” district
Copyright: Photograph © Dmitry Chebanenko / provided by Brusnika


Open air lessons

For the landscaping, Brusnika invited the Novascape company, which was able to continue the educational process outside the walls and adapt the area to different functions. On the green slopes with wooden decking and pavilions you can relax or do your homework. The sports field for ball games simultaneously acts as an amphitheater and open-air laboratory. The workout and active play area with slides, balancers, trampolines, and climbing walls will help switch from mental to physical activity. In winter, an ice rink can be poured and a ski track can be laid.

The school in “Evrobereg” district
Copyright: Photograph © Dmitry Chebanenko / provided by Brusnika


The school in “Evrobereg” district
Copyright: Photograph © Dmitry Chebanenko / provided by Brusnika


In this project, we decided not to experiment with plants, and selected plants that are low-maintenance, resistant to the climatic conditions of Siberia. Around the perimeter of the site, there will appear 107 pine and poplar trees with a height of 8-12 meters, inside, there will be small linden, berry apple tree, small-leaved birch and bird cherry. The latter will bloom and give shade from the first year. The green “mass” will be formed by shrubs and perennials, selected according to the flourish calendar, and by grasses. Bushes will become buffers – meaning, they will divide zones of active games and quiet rest. About 17,000 plants will be planted here during the season.
In winter, the area won’t look like a black-and-white movie either. Coniferous trees will make the landscape attractive even in the cold season. With the onset of warmer days, the students will be able to grow greens and vegetables in the school vegetable garden, dine on the outdoor terrace, and study botany with live examples growing in the courtyard.


The school in “Evrobereg” district
Copyright: Photograph © Valery Kostyunin / provided by Brusnika


***

The school project, as was already mentioned, is included in the practice of reapplication in the Ministry of Construction of the Russian Federation, that is, it can be replicated at the federal and regional levels. The architects believe that only the key principles and approaches should be standardized, but each individual school should claim an identity of its own.
The school in “Evrobereg” district
Copyright: Photograph © Valery Kostyunin / provided by Brusnika
The school in “Evrobereg” district
Copyright: Photograph © Dmitry Chebanenko / provided by Brusnika


01 June 2023

Headlines now
Faraday Grid
The project of the Omsk airport by ASADOV Architects is another concept among the 14 finalists of a recent competition. It is called “The Bridge” and is inspired by both the West Siberian Exhibition of 1911 and the Trans-Siberian Railway bridge over the Irtysh River, built in 1896. On one hand, it carries a steampunk vibe, while on the other, there’s almost a sense of nostalgia for the heyday of 1913. However, the concept offers two variants, the second one devoid of nostalgia but featuring a parabola.
Midway upon the Journey of Our Life
Recently, Tatlin Publishing House released a book entitled “Architect Sergey Oreshkin. Selected Projects”. This book is not just a traditional book of the architectural company’s achievements, but rather a monograph of a more personal nature. The book includes 43 buildings as well as a section with architectural drawings. In this article, we reflect on the book as a way to take stock of an architect’s accomplishments.
Inverted Fortress
This year, there has been no shortage of intriguing architectural ideas around the Omsk airport. The project developed by the architectural company KPLN appeals to Omsk’s history as a wooden fortress that it was back in the day, but transforms the concept of a fortress beyond recognition: it “shaves off” the conical ends of “wooden logs”, then enlarges them, and then flips them over. The result is a hypostyle – a forest of conical columns on point supports, with skylights on top.
Transformation of Annenkirche
For Annenkirche (St. Anna Lutheran Church in St. Petersburg), Sergey Kuznetsov and the Kamen bureau have prepared a project that relies on the principles of the Venice Charter: the building is not restored to a specific date, historical layers are preserved, and modern elements do not mimic the authentic ones. Let’s delve into the details of these solutions.
The Paradox of the Temporary
The concept of the Russian pavilion for EXPO 2025 in Osaka, proposed by the Wowhaus architects, is the last of the six projects we gathered from the 2022 competition. It is again worth noting that the results of this competition were not finalized due to the cancellation of Russia’s participation in World Expo 2025. It should be mentioned that Wowhaus created three versions for this competition, but only one is being presented, and it can’t be said that this version is thoroughly developed – rather, it is done in the spirit of a “student assignment”. Nevertheless, the project is interesting in its paradoxical nature: the architects emphasized the temporary character of the pavilion, and in its bubble-like forms sought to reflect the paradoxes of space and time.
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
Mirrors Everywhere
The project by Sergey Nebotov, Anastasia Gritskova, and the architectural company “Novoe” was created for the Russian pavilion at EXPO 2025, but within the framework of another competition, which, as we learned, took place even earlier, in 2021. At that time, the competition theme was “digital twins”, and there was minimal time for work, so the project, according to the architect himself, was more of a “student assignment”. Nevertheless, this project is interesting for its plan bordering on similarity with Baroque projects and the emblem of the exhibition, as well as its diverse and comprehensive reflectiveness.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.
Arch, Pearl, Wing, Wind
In the social media of the governor of the Omsk region, voting was conducted for the best project for the city’s new airport. We asked the finalists to send over their projects and are now showcasing them. The projects are quite interesting: the client requested that the building be visually permeable throughout, and the images that the architects are working with include arches, wings, gusts of wind, and even the “Pearl” painting by Vrubel, who was actually born in Omsk.
Architecture and Leisure Park
For the suburban hotel complex, which envisages various formats of leisure, the architectural company T+T Architects proposed several types of accommodation, ranging from the classic “standard” in a common building to a “cave in the hill” and a “house in a tree”. An additional challenge consisted in integrating a few classic-style residences already existing on this territory into the “architectural forest park”.
The U-House
The Jois complex combines height with terraces, bringing the most expensive apartments from penthouses down to the bottom floors. The powerful iconic image of the U-shaped building is the result of the creative search for a new standard of living in high-rise buildings by the architects of “Genpro”.
Black and White
In this article, we specifically discuss the interiors of the ATOM Pavilion at VDNKh. Interior design is a crucial component of the overall concept in this case, and precision and meticulous execution were highly important for the architects. Julia Tryaskina, head of UNK interiors, shares some of the developments.
The “Snake” Mountain
The competition project for the seaside resort complex “Serpentine” combines several typologies: apartments of different classes, villas, and hotel rooms. For each of these typologies, the KPLN architects employ one of the images that are drawn from the natural environment – a serpentine road, a mountain stream, and rolling waves.
Opal from Anna Mons’ Ring
The project of a small business center located near Tupolev Plaza and Radio Street proclaims the necessity of modern architecture in a specific area of Moscow commonly known as “Nemetskaya Sloboda” or “German settlement”. It substantiates its thesis with the thoroughness of details, a multitude of proposed and rejected form variants, and even a detailed description of the surrounding area. The project is interesting indeed, and it is even more interesting to see what will come of it.
Feed ’Em All
A “House of Russian Cuisine” was designed and built by KROST Group at VDNKh for the “Rossiya” exhibition in record-breaking time. The pavilion is masterfully constructed in terms of the standards of modern public catering industry multiplied by the bustling cultural program of the exhibition, and it interprets the stylistically diverse character of VDNKh just as successfully. At the same time, much of its interior design can be traced back to the prototypes of the 1960s – so much so that even scenes from iconic Soviet movies of those years persistently come to mind.
The Ensemble at the Mosque
OSA prepared a master plan for a district in the southern part of Derbent. The main task of the master plan is to initiate the formation of a modern comfortable environment in this city. The organization of residential areas is subordinated to the city’s spiritual center: depending on the location relative to the cathedral mosque, the houses are distinguished by façade and plastique solutions. The program also includes a “hospitality center”, administrative buildings, an educational cluster, and even an air bridge.
Pargolovo Protestantism
A Protestant church is being built in St. Petersburg by the project of SLOI architects. One of the main features of the building is a wooden roof with 25-meter spans, which, among other things, forms the interior of the prayer hall. Also, there are other interesting details – we are telling you more about them.
The Shape of the Inconceivable
The ATOM Pavilion at VDNKh brings to mind a famous maxim of all architects and critics: “You’ve come up with it? Now build it!” You rarely see such a selfless immersion in implementation of the project, and the formidable structural and engineering tasks set by UNK architects to themselves are presented here as an integral and important part of the architectural idea. The challenge matches the obliging status of the place – after all, it is an “exhibition of achievements”, and the pavilion is dedicated to the nuclear energy industry. Let’s take a closer look: from the outside, from the inside, and from the underside too.
​Rays of the Desert
A school for 1750 students is going to be built in Dubai, designed by IND Architects. The architects took into account the local specifics, and proposed a radial layout and spaces, in which the children will be comfortable throughout the day.
The Dairy Theme
The concept of an office of a cheese-making company, designed for the enclosed area of a dairy factory, at least partially refers to industrial architecture. Perhaps that is why this concept is very simple, which seems the appropriate thing to do here. The building is enlivened by literally a couple of “master strokes”: the turning of the corner accentuates the entrance, and the shade of glass responds to the theme of “milk rivers” from Russian fairy tales.
The Road to the Temple
Under a grant from the Small Towns Competition, the main street and temple area of the village of Nikolo-Berezovka near Neftekamsk has been improved. A consortium of APRELarchitects and Novaya Zemlya is turning the village into an open-air museum and integrating ruined buildings into public life.