По-русски

Julius Borisov: “The “Island” housing complex is a unique project – we took it on with interest and excitement”

One of the largest housing projects of today’s Moscow – the “Ostrov” (“Island”) housing complex built by Donstroy – is now being actively built in the Mnevniky Floodplain. They are planning to build about 1.5M square meters of housing on an area of almost 40 hectares. We are beginning to examine this project– first of all, we are talking to Julius Borisov, the head of the architectural company UNK, which works with most of the residential blocks in this grand-scale project, as well as with the landscaping part; the company even proposed a single design code for the entire territory.

12 May 2023
Interview
mainImg
The residential complex “Ostrov” in Mnevnikovskaya Floodplain is a giant project of Donstroy Invest company. However, the floodplain itself is even bigger – the future residential complex does not occupy it entirely, but is located in the middle part of the drop-shaped territory surrounded by a bend of the Moskva River. There are overgrown green areas on the sides, future parks and several construction sites. The “Island” is adjacent to the river in the northern part, where two blocks, 1 and 4, are located near the water; to the west of the territory several sports facilities have either already been built or are under construction, including the Tatiana Navka Ice Palace, a building with an artificial wave and an outdoor stadium. In the northeastern part of the floodplain, near the Mnevniki subway station, plans for the Parliamentary Center, which has been talked about since 2015, seem to still be lukewarm; but little is known.

The residential complex, however, is not just famous – it is developing very rapidly around another new metro station, Terekhovo. Construction and design are underway here. The area of the territory of the complex is 36.6 hectares, the total area of everything that is planned to be built is about 1.5 million square meters, which is a lot – in fact, it is the size of a whole city. The location of the complex is positioned like this: the developer doesn’t hide the closed nature of the territory and considers it an advantage – an “island” separated from the city (even though it is a peninsula, of course) surrounded by the river and greenery. Everyone has probably seen the ad displaying the water “bagel”; we'll come back to it later. Another repeatedly marketed feature of the project is the attention to modern technology and energy efficiency – there are planned drone stations, G5 Internet and other technical innovations.

Ostrov housing complex
Copyright: © UNK


In 2020, the British company LDA+ proposed a master plan for the development of the area (we will remind you at this point that in 2015 they also worked with the original plan of “Serp i Molot”). Then, however, the economic performance indicators of the future residential complex grew significantly, and the master plan was no longer relevant. The development of the area began with two blocks: number 1 in the northwestern part near the river (it was designed by APEX) and number 2 in the center (authored by Gorproekt and Filip Nikandrov). Then, around the end of 2021, Julius Borisov’s UNK was invited to comprehend the area as a whole and to design the next five blocks. The task was a large-scale one, and they had only nine months to complete it.

At first, the project was developing in secrecy, with only individual pictures “leaking out” through the mailing lists of industry agencies. Now we can talk about it relatively freely, sales are open, presentations have been made. Since the project is very big and UNK worked not only on the architecture of the districts, but also proposed the entire public landscape and the concept of evening lighting – we decided to talk about it in a mixed format. We will start with an interview with Julius Borisov and talk about the individual projects, one of which covers the landscape solutions and the other one the whole complex lighting – they were developed by UNK Landscape and UNK Lighting respectively; we also plan to cover some of the city blocks individually. 

Archi.ru
What was the hardest part?

Julius Borisov, UNK:
The hardest part was the rate of our work, which required self-organization skills we never thought we possessed. Another difficulty was the gigantic scale – this is a city area the size of an average European city. In a word, this was a unique task, and we love any unconventional tasks, so we took it on with interest and even with excitement.

In addition, I have to say that I’m a fan of the Khamovniki and Luzhniki districts. I live there, I grew up there, I worked on the Aquatics and Martial Arts Center... It seems to me that the Khamovniki floodplain is similar in many ways to the place that we worked with, of course, with the significant difference that it is not built up yet. It is a bend of the Moskva River, from here there is a splendid view of the other side, one bank is flat, the other is steep. I studied the development history of Khamovniki, there are a lot of interesting coincidences. On the other hand, Mnevniki is a natural area – there are not many of them left in Moscow. It required a very careful approach, and that is also a unique task.

What is the main idea of your project?

Our main message is that we left nothing to chance, no part of our project is accidental. Our other message is partially opposite to the main one: you cannot come down to standardization and standardized solutions. We tried to balance on the verge between variations and a common design code – we did not look to create a semblance of a historical city, which has developed consistently and for a long time, we do very well realize that in our case this is not practicable – but we did want to avoid monotony and create a recognizable “face” of this area.

The idea to invite other architectural companies to work on the project – was it yours or was it your client’s? Who selected coauthors? Did you get along well?

The idea was ours, and the client supported it. I think this is the right approach globally, we are in line with the right trends, and we know a lot of such joint projects. I chose the partners; we have known each other for a long time; besides, we proceeded from the current availability of our colleagues. I must say that because we had to work very quickly and also because we all know each other well, the interaction was not particularly formalized; we worked as a team and there was not much difference between “external” and “internal”.

"Ostrov« (»Island") housing complex. Block #4
Copyright: © Laptev and partners / provided by UNK


"Ostrov« (»Island") housing complex. Block #5
Copyright: © ASADOV Architects / provided by the press service of Moskomarkhitektura

 
Ultimately, however, it was us who was responsible for the end result; we defined the main parameters, the massing, the general principles, and interacted closely and constantly. There were, of course, improvisations, but my “dictatorship” was quite rigid.

What other means did you use to achieve diversity, and how did you implement common features?

One thing that was helpful was the diversity of typology; each block had its own parameters in terms of height and density. For example, Block 3 is a high-end residential development: it is low-rise and it has a higher class of housing.

"Ostrov« (»Island") housing complex. Block #3
Copyright: © UNK


Here, in response to a request from potential customers and our client, we chose the theme of a conditional “Versailles in a modern London version”: the house is symmetrical, its facades are distinguished by a great deal of complexity, although without direct stylization, it has an attic floor with terraces, it combines fiber concrete of limestone color with cladding of copper shade – it is not a powder coating, we went through about 80 samples, and we selected the shade and texture so that the surface resembles natural copper and was durable; I purposefully flew to London, and looked at the Foster building…

  • zooming
    1 / 6
    "Ostrov« (»Island") housing complex. Block #3
    Copyright: © UNK
  • zooming
    2 / 6
    "Ostrov« (»Island") housing complex. Block #3
    Copyright: © UNK
  • zooming
    3 / 6
    "Ostrov« (»Island") housing complex. Block #3
    Copyright: © UNK
  • zooming
    4 / 6
    "Ostrov« (»Island") housing complex. Block #3
    Copyright: © UNK
  • zooming
    5 / 6
    "Ostrov« (»Island") housing complex. Block #3
    Copyright: © UNK
  • zooming
    6 / 6
    "Ostrov« (»Island") housing complex. Block #3
    Copyright: © UNK

 
The house allowed us to diversify the palette of the complex as a whole, it served as a kind of starting point. In all the other neighborhoods, both relatively reserved and futuristic, we used light beige, white, black and copper tones throughout. We wanted a kind of “musical theme” within which each block develops a story of its own.

For example, Block 6, which is located near Block 3, yet is closer to the city center and the metro station, is very dense, and the housing in it is less expensive than in the neighboring high-end house; you could say that this is designed for young people and young families. In addition, it has a kindergarten in it. We decided to develop the “gameplay” theme – this is how these large cutaways appeared, very much in the spirit of LEGO or Minecraft. These cutaways are situated on the “sight beams”, and they help to reveal a few beautiful views. The silhouette becomes more sophisticated, this helps to avoid excessive simplicity and the “crate” effect. I don’t like crates – a building must have a recognizable image.

  • zooming
    1 / 8
    "Ostrov« (»Island") housing complex. Block #6
    Copyright: © UNK
  • zooming
    2 / 8
    "Ostrov« (»Island") housing complex. Block #6
    Copyright: © UNK
  • zooming
    3 / 8
    "Ostrov« (»Island") housing complex. Block #6. The facades of Building 1 in axes 1.1-1.9, 1.9-1.1, 1.А-1.Г, 1.Г-1.А
    Copyright: © UNK
  • zooming
    4 / 8
    "Ostrov« (»Island") housing complex. Block #6. The facades of Building 1 in axes 2.1-2.8, 2.8-2.1, 2.Г-2.А, 2.А-2.Г
    Copyright: © UNK
  • zooming
    5 / 8
    "Ostrov« (»Island") housing complex. Block #6. The facades of Building 1 in axes 3.1-3.9, 3.9-3.1, 3.Д-3.А, 3.А-3.Д
    Copyright: © UNK
  • zooming
    6 / 8
    "Ostrov« (»Island") housing complex. Block #6. The facades of Building 1 in axes 4.1-4.20, 4.20-4.1
    Copyright: © UNK
  • zooming
    7 / 8
    "Ostrov« (»Island") housing complex. Block #6
    Copyright: © UNK
  • zooming
    8 / 8
    "Ostrov« (»Island") housing complex. Block #6
    Copyright: © UNK


However, the neighboring quarters, the third and sixth, were very different, and I had to tie them together somehow... Then I drew the tallest tower of the sixth quarter myself. Its scale and considerable height “belong” to the sixth quarter, and the detailing of the openwork copper facade, as well as the “crown” in the upper part, line up with the high-end club house I mentioned earlier, its elaboration and its attic. For some, it evokes classical associations, for others oriental ones.

"Ostrov« (»Island") housing complex. Block #6
Copyright: © UNK


"Ostrov« (»Island") housing complex. Block #6
Copyright: © UNK


"Ostrov« (»Island") housing complex. Block #5
Copyright: © ASADOV Architects / provided by the press service of Moskomarkhitektura


Another task was to coordinate the pattern of the openwork copper lattice with the grid of windows – it took some effort, but we did it. And on the opposite side we also managed to build an ensemble, which is not often the case in modern urban development.

How exactly did you achieve that?

According to the brief, the sixth block, which was designed by ASADOV architects, was to have a shopping mall in it. We searched for a solution for quite a long time, but we couldn’t find the right place for it. Help came from Alexander Asadov – he suggested that we rotate the shopping mall, placing it not parallel but perpendicular to the boulevard. Once we did that, everything fell into place: the rectangle of the mall occupied the space between the two central blocks, the sixth and fifth, and we put three towers at the ends of the two sites, facing each other. The result was a three-dimensional coherence, a choreographed urban planning solution, a real center, high-density and symmetrical, next to the subway station.

"Ostrov« (»Island") housing complex. The concept of architectural lighting
Copyright: © UNK


In addition, a very important role in integrating the space of the entire complex was played by the project lighting, the design code which we developed for the entire complex, and the landscape of the public areas – both projects were handled by companies belonging to the system of UNK, UNK Lighting and UNK Landscape. 

"Ostrov« (»Island") housing complex. Block #6
Copyright: © UNK


Speaking about the landscape – is the central boulevard also a part of the housing complex? Why is it so straight?

It is so straight because a subway line runs directly underneath it, and, as you may expect, this land is municipal – there are lots of boundaries there; the land that is closer to the buildings belongs to the complex, but the boulevard is municipal. But we did our best to visually smooth out the borders and make the boulevard an organic part of the complex. And we paid maximum attention to the part of the city that is perceived directly by a person, a pedestrian. We have a lot of galleries in the shopping streets, we have implemented a “dry feet” approach, which allows you to move within a block without getting your shoes wet. It should be easy and pleasant to walk in the city.

"Ostrov« (»Island") housing complex. Block #3
Copyright: © UNK


"Ostrov« (»Island") housing complex. Block #3
Copyright: © UNK




However, the landscaping and lighting projects will best be described and explained by their authors, the leaders of the divisions.

Is the Island housing complex your largest project so far?

If you consider it as a single whole, then it is, especially if you speak about the project stage. We also have large-scale projects in Yuzhno-Sakhalinsk; they have large areas, but the sum of square meters in Ostrov is larger.

12 May 2023

Headlines now
Daring Brilliance
In this article, we are exploring “New Vision”, the first school built in the past 25 years in Moscow’s Khamovniki. The building has three main features: it is designed in accordance with the universal principles of modern education, fostering learning through interaction and more; second, the façades combine structural molded glass and metallic glazed ceramics – expensive and technologically advanced materials. Third, this is the school of Garden Quarters, the latest addition to Moscow’s iconic Khamovniki district. Both a costly and, in its way, audacious acquisition, it carries a youthful boldness in its statement. Let’s explore how the school is designed and where the contrasts lie.
A Twist of the Core
A clever and concise sculptural solution – rotating each floor by N degrees – has created an ensemble of “dancing” towers: similar yet different, simple yet complex. The designers meticulously refined a single structural node and spent considerable effort on the column construction – after that, “everything else was easy”. The architects also rotated the core walls on each floor to maximize the efficiency of the office spaces.
The Sculpting of Spring Forest Matter
We’ve been observing this building for a couple of years now: seemingly simple, perhaps even unassuming, it fits in remarkably well with the micro-district context shaped by the Moscow MCD road junctions. This building sticks in the memory of everyone who drives along the highway, even occasionally. In our opinion, Sergey Nikeshkin, by blending popular architectural techniques and approaches of the 2010s, managed to turn a seemingly simple structure into a statement “on the theme of a house as such”. Let’s figure out how this happened.
Water and Wind Whet the Stone
The Arisha Terraces residential complex, designed by Asadov Architects, will be built in a district of Dubai dedicated to film and television production. To create shaded spaces and an intriguing silhouette, the architects opted for a funnel-shaped composition and nature-inspired forms of erosion and weathering. The roofs, podium, and underground spaces extend leisure opportunities within the boundaries of a man-made “oasis”.
Elevation 5642
The Genplan Institute of Moscow has developed a comprehensive development project for three ski resorts in the Caucasus, which have been designated as special economic zones of the tourism and recreation type. The first of these zones is Elbrus. The project includes the construction of new ski runs, cable cars, and hotels, as well as the modernization of stations and improvements to the Azau tourist meadow. To expand the audience and enhance year-round appeal, a network of eco-trails is also being developed. In this article, we provide a detailed breakdown of each stage.
The IT Town
Taking the example of the first completed phase of the “U” district, we examine how the new neighborhood in Innopolis will be organized. T+T Architects and HADAA formed a well-balanced and ingenious master plan with different types of housing, a green artery, a system of squares, and a park in the town’s central part.
The Heart Lies Within
The second-phase building of the Evgeny Primakov School already won multiple awards while still in the design stage. Now that it’s completed, some unfinished nuances remain – most notably, the exposed ceiling structures, which ideally should have been concealed. However, given the priority placed on the building’s volumetric composition, this does not seem critical. What matters more is the “Wow!” effect created by the space itself.
Magnetic Forces
“Krylatskaya 33” is the first large-scale residential complex to appear amidst the 1980s “micro-districts” that harmoniously coexist with the forests, the river, the slopes, and the sports infrastructure. Despite its imposing scale, the architects of Ostozhenka managed to turn the complex into something that can be best described as a “graceful dominant”. First, they designed the complex with consideration for the style and height of the surrounding micro-districts. Second, by introducing a pause in its tallest section, they created compositional tension – right along the urban planning axis of the area.
Orion’s Belt
The Stone Khodynka 2 office complex, designed by Kleinewelt Architekten for the company Stone, is built with an ergonomic layout following “healthy building” principles: natural light, ventilation, and all the necessary features for an efficient office environment. On the outside, it resembles – like many contemporary buildings – an iPhone: sleek, glowing, glass-and-metal, edges elegantly rounded. Yet, it responds sensitively to the Khodynka context, where the main theme is the contrast between vertical and horizontal lines. The key intrigue lies in the design of the “stylobate” as a suspended passage, leaving the space beneath it open for free pedestrian movement.
Grigory Revzin: “It Was a Bold Statement Made on the Sly. Something Won”
In this article, we discuss the debates surrounding the circus competition and the demolition of the CMEA building with the most renowned architectural critic of our time. A paradox emerges in the process: while nostalgia for the Brezhnev era seems to be in vogue in Russia, a landmark building – the “axis” of the Warsaw Pact – has been sentenced to demolition. Isn’t that strange? We also find out that wow-architecture has made a comeback as a post-COVID trend. However, to make a truly powerful statement, professionals still remain indispensable.
Exposed Concrete
One of the stages of improving a small square in the town of Lermontov was the construction of a skatepark. Entrusting this part of the project to the XSA team, the city gained a 250-meter trick track whose features resemble those of land art objects – unparalleled in Russia in both scale and design. Here’s a look at how the experimental snake run in the foothills of the Caucasus was built.
One Step Closer To the Dream
The challenges of getting all the mandatory approvals, an insufficient budget, and construction site difficulties did not prevent ASADOV Bureau from achieving its main goal in the realization of the school project in the town of Troitsk – taking another step away from outdated notions of educational spaces toward creating a fundamentally new academic environment.
Chalet on the Rock
An Accor hotel in Arkhyz, designed by A.Len, will be situated at the gateway to the resort’s main tourist hubs. The architects reinterpreted the widely popular chalet style while adding an unexpected twist – an unfinished structure preserved on the site. The design team transformed this remnant into an exciting space featuring an open-air pool and a restaurant with panoramic views of the region’s highest mountain ridges.
Sergey Skuratov: “By and large, the project has been realized in line with the original ideas”
In this issue, we talk to the chief architect of Garden Quarters, looking back at the history and key moments of a project that took 18 years to develop and has now finally been completed. What interests us most are the transformations that the project underwent during construction, and the way the “necessary void” of public space was formed, which turned this remarkable complex into a fragment of a whole new type of urban fabric – not just at the horizontal “street” level but in its vertical structure as well.
A Unique Representative
The recently concluded year 2024 can be considered the year of completion for the “Garden Quarters” residential complex in Moscow’s Khamovniki. This project is well-known and, in many ways, iconic. Rarely does one manage to preserve such a number of original ideas, achieving in the end a kind of urban planning Gesamtkunstwerk. Here is a subjective view from an architecture journalist, with an interview with Sergey Skuratov soon to follow.
Field of Life
The new project by the architectural company PNKB (an acronym for “Design, Research, and Advisory Bureau”), led by Sergey Gnedovsky and Anton Lyubimkin, for the Kulikovo Field Museum is dedicated to the field as a concept in its own right. The field has long been a focus of the museum’s thorough and successful research. Accordingly, the exterior of the new museum building is gentler than that of its predecessor, which was also designed by PNKB and dedicated specifically to the historic battle. Inside, however, the building confidently guides the visitor from a luminous atrium along a spiral path to the field – interpreted here as a field of life.
A Paper Clip above the River
In this article, we talk with Vitaly Lutz from the Genplan Institute of Moscow about the design and unique features of the pedestrian bridge that now links the two banks of the Yauza River in the new cluster of Bauman Moscow State Technical University (MSTU). The bridge’s form and functionality – particularly the inclusion of an amphitheater suspended over the river – were conceived during the planning phase of the territory’s development. Typically, this approach is not standard practice, but the architects advocate for it, referring to this intermediate project phase as the “pre-AGR” stage (AGR stands for Architectural and Urban Planning Approval). Such a practice, they argue, helps define key parameters of future projects and bridge the gap between urban planning and architectural design.
Living in the Architecture of One’s Own Making
Do architects design houses for themselves? You bet! In this article, we are examining a new book by TATLIN publishing house. This book – unprecedented for Russia – features 52 private homes designed and built by contemporary architects for themselves. It includes houses that are famous, even iconic, as well as lesser-known ones; large and small, stylish and eccentric. To some extent, the book reflects the history of Russian architecture over the past 30 years.
A City Block Isoline
Another competition project for a residential complex on the banks of the Volga in Nizhny Novgorod has been prepared by Studio 44. A team of architects led by Ivan Kozhin concluded that using a regular block layout in such a location would be inappropriate and developed a “custom design” approach: a chain of parceled multi-section buildings stretching along the entire embankment. Let’s explore the features and advantages of this unconventional method.
Competition: The Price of Creativity?
Any day now, we’re expecting the results of a competition held by the “Samolet” development group for a plot in Kommunarka. In the meantime, we share the impressions of Editor-in-Chief Julia Tarabarina, who managed to conduct a public talk. Though technically focused on the interaction between developers and architects, the public talk turned into a discussion about the pros and cons of architectural competitions.
Terraced Design
The “River Park” residential complex has confidently and securely shaped the Nagatinsky Backwater shoreline. Featuring a public embankment, elevated courtyards connected by pedestrian bridges, and brick façades, the development invites exploration of its nuanced response to the surrounding context, as well as hints of the architects’ megalithic design thinking.
A Kremlin’s Core and Meteorite Fragments
We continue our coverage of the competition projects for the residential district that the development company GloraX plans to build along the embankment of the Rowing Channel in Nizhny Novgorod. ASADOV Architects approached the concept through a deep dive into local identity, using storytelling to pinpoint a central idea for the design: the master plan and composition are imagined as if a meteorite had struck a “proto-Kremlin”. Sounds weird? Find more details below!
The Volga Regatta
GloraX plans to develop a residential complex spanning 14 hectares along the Volga River in Nizhny Novgorod. The winning design in a closed-door competition, created by GORA Architects, features housing typologies ranging from townhouses to terraced high-rise slabs, a balance of functions, diverse ways of engaging with the water, and even a dedicated island (no less!) for the city residents.
Life Plans
The master plan for the residential district “Prityazheniye” (“Gravity”) in Naberezhnye Chelny was developed by the architectural company A.Len, taking into account the specific urban planning context and partially implemented solutions of the first phase. However, the master plan prioritized its own values: a green framework, a system of focal points, a hierarchy of spaces, and pedestrian priority. After this, the question of what residents will do in their neighborhood simply doesn’t arise.
A New Track
We took a thorough look at D_Station, a railcar repair depot dating back to 1906, recently reconstructed while preserving its century-old industrial structure, upon the project by Sergey Trukhanov and T+T Architects. Though work on the interiors – set to house restaurants and public spaces – is still underway, the building’s exterior already offers plenty to see. Visitors can explore the blend of old and new brickwork, appreciate the architect’s unique interpretation of ruin aesthetics, and enjoy the newly built pedestrian route that connects the Citydel Business Center’s arches to Kazakova Street.
Four Different Surveys
The “Explore the City” competition, organized this year by the Genplan Institute of Moscow, stands out as a pretty unconventional one for the architectural field but aligns perfectly well with the character of urban planning work. The winning project analyzed contemporary residential complexes, combining urban planning insights with a realtor’s perspective to propose a hybrid approach. Other entries explored public centers, motivations for car ownership, and housing vacancy rates. A fifth participant withdrew. Here’s a closer look at the four completed works.
Scheduled Evolution
ASADOV Architects unveiled the EvyCenter pavilion, a microcultural hub for fostering personal growth, organizing workshops, and doing gymnastics. Additionally, this pavilion serves as a prototype for a scalable country house, drawing inspiration from the “Loskutok” project, and constructed from CLT panels in a factory. This marks the beginning of a developer project initiated by the architectural firm (sic!), which is seeking partners to expand both small Evy settlements and even larger Evy cities, which are, according to Andrey Asadov, aimed at fostering the “evolutionary” development of the people who will inhabit them.
The Golden Crown
The concept for a dental clinic in Yekaterinburg, developed by CNTR Studio, revolves around the idea of a “mouth full of gold”: pristine white porcelain stoneware walls are complemented by matte brass details. To avoid an overly literal interpretation, the architects focused on the building’s proportions, skillfully navigating between sunlight requirements and fire safety regulations.
Flexibility and Integration
Not long ago, we covered the project for the fourth phase of the ÁLIA residential complex, designed by APEX. Now, we’ve been shown different fence concepts they developed to enclose the complex’s private courtyards, incorporating a variety of public functions. We believe that the sheer fact that the complex’s architects were involved in such a detail as fencing speaks volumes.
A Step Forward
The HIDE residential complex represents a major milestone for ADM architects and their leaders Andrey Romanov and Ekaterina Kuznetsova in their quest for a fresh high-rise aesthetic – one that is flexible and layered, capable of bringing vibrancy to mass and silhouette while shaping form. Over recent years, this approach has become ADM’s “signature style”, with the golden HIDE tower playing a pivotal role in its evolution. Here, we delve into the project’s story, explore the details of the complex’s design, and uncover its core essence.