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The Beams of Energy Effectiveness

On August 22, Berlin saw an official opening of the new HQ of the energy company Vattenfall, the office complex named EDGE. One of its buildings is Germany’s biggest wood hybrid building. The term means that its supporting frame is made of glued timber, but in certain places wood cooperates with metal, reinforced concrete and fiberglass. Below, we are sharing about the inner design of this structure, not just environmentally friendly but energy efficient as well.

22 August 2022
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The EDGE complex is situated in the very beginning of the so-called Schöneberger Linse – an area in Berlin’s southeast between Highway A100, the 6-lane Sachsendamm Straße and railroad tracks. Situated between the roadways, this area lay undeveloped for a long time, even though in recent years Linse has been getting some office centers, shopping malls, and residential buildings. The proximity of the two thoroughfares, on the other hand, creates good transport accessibility – a hundred meters away from the EDGE Suedkreuz Berlin, there is the Suedkreuz U-Bahn station, which explains this “addition” to the name of the complex.

EDGE Suedkreuz Berlin consists of two seven-floor buildings separated by a new city plaza – its public space also serves as a pedestrian path to the station. The smaller building, named Solitaire, is essentially a single-cut parallelepiped. The larger four-section building is constructed around a spacious light atrium in a slightly asymmetric triangle with a contour that follows the shape of the site. It also received a “telltale” name of Carré.

Location plan. The EDGE HQ for the energy company Vattenfall
Copyright: © TCHOBAN VOSS Architekten


The facades of both buildings are formed by a regular grid of panels made of fiberglass concrete with a common rhythm: everywhere, the horizontals received a light-sand hue, while the verticals are different from building to building: in Solitaire, they are dark-gray, in Carré crimson terra cotta. Sometimes, the grid is livened up with large stained glass rectangles, recessed balconies and terraces – but on the whole the buildings look very reserved and austere, very much in the spirit of Berlin’s modern office architecture.

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    The EDGE HQ for the energy company Vattenfall
    Copyright: Photograph © Ilia Ivanov / TCHOBAN VOSS Architekten
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    The EDGE HQ for the energy company Vattenfall
    Copyright: Photograph © Ilia Ivanov / TCHOBAN VOSS Architekten
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    The Carre building. The EDGE HQ for the energy company Vattenfall
    Copyright: Photograph © Ilia Ivanov / TCHOBAN VOSS Architekten
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    The Carre building. The EDGE HQ for the energy company Vattenfall
    Copyright: Photograph © Ilia Ivanov / TCHOBAN VOSS Architekten


What really makes EDGE unique is the combination of construction scale and construction method. By the moment of writing this article, Carré is the largest wood hybrid (i.e. combining a wooden framework with other materials) building in Germany and one of the largest in Europe. Its area is about 20,000 sqm (the entire area of the complex is 32,000 sqm).

The client of the project is Vattefall energy company. In 2019, 35% of the company’s total capacity was accounted for by renewable energy sources: solar, wind and water. In the future, this indicator is expected to increase significantly.

EDGE became for Vattenfall not just a new HQ in Europe but also a “trademark” tower: it is largely built using sustainable, climate- and resource-saving technologies of modular construction and, most importantly, it is built of wood – here it is about 60% of the total volume of materials, and it is used everywhere: in load-bearing structures, ceilings and interior decoration. The construction took about 1,300 firs grown in Slovakia. They were used to manufacture 1190 hybrid wooden ceiling elements resting on 1280 glued facade supports and 445 wall sections with a total area of 16,000 square meters.

Meanwhile, wood was used in the construction of this building for a reason:

Sergey Tchoban, TCHOBAN VOSS Architekten

Building a wooden house” has now become one of the popular dreams of a modern architect. But in this case, in addition to working with wood as a renewable resource and generally a very pleasant material, we set ourselves other tasks – specifically, to make the building easier, its construction more accurate, and the construction process faster. To lighten the total mass of materials, to reduce structures in the cross–section, and, as a result, to reduce energy costs both for construction and for subsequent operation and maintenance of the building. This is exactly the kind of almost scientific task that was set for us, including by climate experts.


Both buildings of EDGE Suedkreuz Berlin are constructed in accordance with the technology of modular construction. The wall and the ceiling wooden modules, just as the ceiling modules of fiberglass concrete, were prefabricated and then assembled on the construction site – this ensured an exact schedule and a faster, i.e. more efficient, construction process. Due to the fact that the weight of a wood hybrid building is about a third of a conventional concrete structure of a similar size, the architects were able to make the foundation plate 30% thinner than is usually done for such a volume. The small weight is an advantage – and, at the same time, a weakness – of a wooden framework. Being lightweight, it requires reducing the weight of all the other construction elements as well: first of all, a wooden framework cannot support a stone or a brick facade. And in this case the fiberglass concrete turned out to be a game changer: glass fiber reinforcement makes the plates strong and light, their weight is about 30 kg/m2; in addition, their outer surface is able to absorb CO2 from the atmosphere.

The company often describes the project as “smart”. It is the “smart” ratio of wooden and concrete structures that allowed the architects to save up to 80% of carbon emissions per square meter of the area. Reinforced concrete is only used for the foundation plate, fireproof partitions and stiffness ribs. Metal is only used for columns, staircases, and the roof construction. According to Tchoban Voss Architekten, the carbon emissions constituted just 0.15 ton instead of 0.75 ton, which would have corresponded to a building of similar size constructed in a traditional way. Wood turned out to be unparalleled by this and many other parameters: it is lighter in transportation than mineral building materials, and it has a high heat capacity, which means it cools down more slowly, retains heat better, and requires less heating.

And, finally, timber, unlike other materials, is capable, thanks to sheer exposed beams alone, save office spaces from feeling “sterile”. And, while on the outside the EDGE facades display very little noticeable wood, the imagery and emotional coloring of the interiors is defined by wood and wood alone. It sets their character, adding life and clarity, and being omnipresent: from beams and supports to windows and doors and staircase railings.

The EDGE HQ for the energy company Vattenfall
Copyright: Photograph © Ilia Ivanov / TCHOBAN VOSS Architekten


In this sense, both buildings turn out to be a “box with a secret” of sorts because all the exclusive things in terms of not just construction technology and space but also means of artistic expression are hidden inside. 

Particularly interesting in this sense is the Carré building. Its conceptual and compositional center is a square atrium with ribbed tree-like columns that look like giant mushrooms due to their plated structure, which is also conditioned by the use of wood.

The EDGE HQ for the energy company Vattenfall
Copyright: Photograph © Ilia Ivanov / TCHOBAN VOSS Architekten


The EDGE HQ for the energy company Vattenfall / a sketch by Sergey Tchoban
Copyright: © Sergey Tchoban


On the inside, the columns are made of metal, just as the staircases and bridges – according to Sergey Tchoban, their shapes and constructions grew from the architects’ desire to create an interesting volume and at the same time make the most of the materials used. The columns have two main functions: they support hovering staircases and overpasses, and they serve as places for rest; it is planned that tubs with trees will be installed on them. The staircases rise from the floor up to the top tiers – accordingly, the columns, which support the node platforms of this path, grow gradually, again, like mushrooms: the initial column barely rises with its umbrella head above the floor (height 4.28 m, diameter 7.2 m), while the fourth, final, stretches to its full height (height 14.87 m, diameter 6.2 m).

The EDGE HQ for the energy company Vattenfall
Copyright: Photograph © Ilia Ivanov / TCHOBAN VOSS Architekten


The EDGE HQ for the energy company Vattenfall
Copyright: Photograph © Ilia Ivanov / TCHOBAN VOSS Architekten


The EDGE HQ for the energy company Vattenfall
Copyright: Photograph © Ilia Ivanov / TCHOBAN VOSS Architekten


The atrium is filled with natural light that streams from a height of 26 meters through a transparent roof of three-ply EFTE film, as well as from the windows – in all of the offices, they run from floor to ceiling on both sides – and a panoramic window in the hall. Currently, while tenants have not yet moved in, the offices look particularly transparent.

The EDGE HQ for the energy company Vattenfall
Copyright: Photograph © Ilia Ivanov / TCHOBAN VOSS Architekten


The construction of the atrium coverage, to a large extent due to the small weight of the EFTE film, is light and transparent: two levels of elegant-looking wooden beams are supported by a network of seemingly even more fragile metallic structures of white color – for them, for the sake of better precision and strength, special nodes were developed. The top beams are arched, which gives the coverage a sail-like look; we will emphasize that the film is laid not in rhombuses but in bands running from one wall to the other. Its layers are capable of coming together and going apart under the pressure of the air, thus regulating the tension of the roof that is designed to withstand very significant wind loads.

The EDGE HQ for the energy company Vattenfall
Copyright: Photograph © Ilia Ivanov / TCHOBAN VOSS Architekten


Meanwhile, the film was chosen to make the translucent coverage not just for its lightness and transparency: it also provides protection from the sunlight and absorbs sounds – there is virtually no echo in the atrium. In the event of a fire, the film simply melts down, and it is not as dangerous as glass. By the way, there are no sprinklers in the building at all – they were made redundant due to the fact that the modern wooden structures were specially treated to become totally fireproof. 

The EDGE HQ for the energy company Vattenfall
Copyright: Photograph © Ilia Ivanov / TCHOBAN VOSS Architekten


The “cobweb” of pedestrian connections – the authors call it “architectural network of communications” – hovering in the wide space of the atrium, is connected by bridges to each of its four walls, forming alternative and free ways of getting to various floors of the building, from second to sixth, where a sky lounge commanding the view of north Berlin is situated – Alexanderplatz, the TV tower, and the cathedral. This end-to-end recessed balcony, organized in the two upper floors of the entrance volume, is very interesting composition-wise. Its integral see-through space unites the two top floors just as the two bottom floors are united by the bottom lobby; between them, the three “office” tiers are hovering.

The EDGE HQ for the energy company Vattenfall
Copyright: Photograph © Ilia Ivanov / TCHOBAN VOSS Architekten


The stained glass window of the warm contour divides the upper recessed balcony into two spacious terraces: one of them is open to the city, its walls painted white (and this is the only place from the city sides where the wooden beams are exposed), and the other one, which is deeper, overlooks the atrium, its walls painted light-gray, like everything else inside.

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    The EDGE HQ for the energy company Vattenfall
    Copyright: Photograph © Ilia Ivanov / TCHOBAN VOSS Architekten
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    The EDGE HQ for the energy company Vattenfall
    Copyright: Photograph © Ilia Ivanov / TCHOBAN VOSS Architekten
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    The EDGE HQ for the energy company Vattenfall
    Copyright: Photograph © Ilia Ivanov / TCHOBAN VOSS Architekten
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    The EDGE HQ for the energy company Vattenfall
    Copyright: Photograph © Ilia Ivanov / TCHOBAN VOSS Architekten
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    The Carre building. The EDGE HQ for the energy company Vattenfall
    Copyright: Photograph © Ilia Ivanov / TCHOBAN VOSS Architekten



***

Sergey Tchoban speaks about EDGE Seudkreuz Berlin as a “pioneer” project that develops the progressive European trends of energy-effective modular smart construction, and is essentially “the next big thing”. Meanwhile, on the other hand, the project is an experimental one: we cannot tell for sure how these wooden buildings will “behave” in a few decades’ time – the architect stresses. But then again, misgivings are an inevitable companion of any innovation. The number of buildings like this will probably grow in proportion to the use of renewable energy – and the technique that has been fully tested here has every chance of becoming a given for many other projects. In any case, for Sergey Tchoban, the work on the complex marked a certain turn in his professional thinking.

Sergey Tchoban, TCHOBAN VOSS Architekten

Personally for me, this is a whole new story. Until recently, I supported and defended the fundamental values of architecture, such as materiality, tectonic nature of the building, and the depth of detailing. But any massive elements are by definition very resource-consuming. And the current prices for construction and energy, as well as the general state of the climate, do not fall in with this trend. Therefore, it makes perfect sense that architects, although they remain the organizers and catalysts of project activities, are increasingly working with specialists whose efforts are not aimed at making the building more complex and sculptural. Rather, on the contrary, buildings designed for fast and efficient construction, convenient maintenance and even, if necessary, for dismantling and recycling with minimal energy consumption are becoming more and more relevant today.


EDGE is Germany’s first project to be awarded the golden WELL Core & Shell certificate. This certificate is awarded by the International construction institute WELL (IWBI), the world leader in the field of evaluating the influence of architecture on people’s health and well-being. The building was also awarded the golden certificate of DGNB (Deutsche Gesellschaft für Nachhaltiges Bauen, the German Council for Sustainable Development), a voluntary certification system designed to support green construction, and assessment of environmentally friendly, economically and energy efficient buildings. Now EDGE Suedkreuz Berlin has been shortlisted for the WAF 2022 award.

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    The Carre building, cross-section by the atrium. The EDGE HQ for the energy company Vattenfall
    Copyright: © TCHOBAN VOSS Architekten
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    The Carre building, the northeast facade. The EDGE HQ for the energy company Vattenfall
    Copyright: © TCHOBAN VOSS Architekten
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    The Carre building, the west facade. The EDGE HQ for the energy company Vattenfall
    Copyright: © TCHOBAN VOSS Architekten
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    The plan of the first floor. The EDGE HQ for the energy company Vattenfall
    Copyright: © TCHOBAN VOSS Architekten
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    The Solitaire building, the east facade. The EDGE HQ for the energy company Vattenfall
    Copyright: © TCHOBAN VOSS Architekten
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    The Solitaire building, the north and south facade. The EDGE HQ for the energy company Vattenfall
    Copyright: © TCHOBAN VOSS Architekten
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    The Solitaire building, longitudinal cross-section. The EDGE HQ for the energy company Vattenfall
    Copyright: © TCHOBAN VOSS Architekten
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    The plan of the standard floor. The EDGE HQ for the energy company Vattenfall
    Copyright: © TCHOBAN VOSS Architekten


22 August 2022

Headlines now
Living in the Architecture of One’s Own Making
Do architects design houses for themselves? You bet! In this article, we are examining a new book by TATLIN publishing house. This book – unprecedented for Russia – features 52 private homes designed and built by contemporary architects for themselves. It includes houses that are famous, even iconic, as well as lesser-known ones; large and small, stylish and eccentric. To some extent, the book reflects the history of Russian architecture over the past 30 years.
A City Block Isoline
Another competition project for a residential complex on the banks of the Volga in Nizhny Novgorod has been prepared by Studio 44. A team of architects led by Ivan Kozhin concluded that using a regular block layout in such a location would be inappropriate and developed a “custom design” approach: a chain of parceled multi-section buildings stretching along the entire embankment. Let’s explore the features and advantages of this unconventional method.
Competition: The Price of Creativity?
Any day now, we’re expecting the results of a competition held by the “Samolet” development group for a plot in Kommunarka. In the meantime, we share the impressions of Editor-in-Chief Julia Tarabarina, who managed to conduct a public talk. Though technically focused on the interaction between developers and architects, the public talk turned into a discussion about the pros and cons of architectural competitions.
Terraced Design
The “River Park” residential complex has confidently and securely shaped the Nagatinsky Backwater shoreline. Featuring a public embankment, elevated courtyards connected by pedestrian bridges, and brick façades, the development invites exploration of its nuanced response to the surrounding context, as well as hints of the architects’ megalithic design thinking.
A Kremlin’s Core and Meteorite Fragments
We continue our coverage of the competition projects for the residential district that the development company GloraX plans to build along the embankment of the Rowing Channel in Nizhny Novgorod. ASADOV Architects approached the concept through a deep dive into local identity, using storytelling to pinpoint a central idea for the design: the master plan and composition are imagined as if a meteorite had struck a “proto-Kremlin”. Sounds weird? Find more details below!
The Volga Regatta
GloraX plans to develop a residential complex spanning 14 hectares along the Volga River in Nizhny Novgorod. The winning design in a closed-door competition, created by GORA Architects, features housing typologies ranging from townhouses to terraced high-rise slabs, a balance of functions, diverse ways of engaging with the water, and even a dedicated island (no less!) for the city residents.
A New Track
We took a thorough look at D_Station, a railcar repair depot dating back to 1906, recently reconstructed while preserving its century-old industrial structure, upon the project by Sergey Trukhanov and T+T Architects. Though work on the interiors – set to house restaurants and public spaces – is still underway, the building’s exterior already offers plenty to see. Visitors can explore the blend of old and new brickwork, appreciate the architect’s unique interpretation of ruin aesthetics, and enjoy the newly built pedestrian route that connects the Citydel Business Center’s arches to Kazakova Street.
Four Different Surveys
The “Explore the City” competition, organized this year by the Genplan Institute of Moscow, stands out as a pretty unconventional one for the architectural field but aligns perfectly well with the character of urban planning work. The winning project analyzed contemporary residential complexes, combining urban planning insights with a realtor’s perspective to propose a hybrid approach. Other entries explored public centers, motivations for car ownership, and housing vacancy rates. A fifth participant withdrew. Here’s a closer look at the four completed works.
Scheduled Evolution
ASADOV Architects unveiled the EvyCenter pavilion, a microcultural hub for fostering personal growth, organizing workshops, and doing gymnastics. Additionally, this pavilion serves as a prototype for a scalable country house, drawing inspiration from the “Loskutok” project, and constructed from CLT panels in a factory. This marks the beginning of a developer project initiated by the architectural firm (sic!), which is seeking partners to expand both small Evy settlements and even larger Evy cities, which are, according to Andrey Asadov, aimed at fostering the “evolutionary” development of the people who will inhabit them.
The Golden Crown
The concept for a dental clinic in Yekaterinburg, developed by CNTR Studio, revolves around the idea of a “mouth full of gold”: pristine white porcelain stoneware walls are complemented by matte brass details. To avoid an overly literal interpretation, the architects focused on the building’s proportions, skillfully navigating between sunlight requirements and fire safety regulations.
Flexibility and Integration
Not long ago, we covered the project for the fourth phase of the ÁLIA residential complex, designed by APEX. Now, we’ve been shown different fence concepts they developed to enclose the complex’s private courtyards, incorporating a variety of public functions. We believe that the sheer fact that the complex’s architects were involved in such a detail as fencing speaks volumes.
A Step Forward
The HIDE residential complex represents a major milestone for ADM architects and their leaders Andrey Romanov and Ekaterina Kuznetsova in their quest for a fresh high-rise aesthetic – one that is flexible and layered, capable of bringing vibrancy to mass and silhouette while shaping form. Over recent years, this approach has become ADM’s “signature style”, with the golden HIDE tower playing a pivotal role in its evolution. Here, we delve into the project’s story, explore the details of the complex’s design, and uncover its core essence.
Gold in the Sands
A new office for a transcontinental company specializing in resource extraction and processing has opened in Dubai. Designed by T+T Architects, masters of creating spaces that are contemporary, diverse, flexible, and original, this project exemplifies their expertise. On the executive floor, a massive brass-clad partition dominates, while layered textures of compressed earth create a contextually resonant backdrop.
Layers and Levels of Flight
This project goes way back – Reserve Union won this architectural competition at the end of 2011, and the building was completed in 2018, so it’s practically “archival”. However, despite being relatively unknown, the building can hardly be considered “dated” and remains a prime example of architectural expression, particularly in the headquarters genre. And it’s especially fitting for an aviation company office. In some ways, it resembles the Aeroflot headquarters at Sheremetyevo but with its own unique identity, following the signature style of Vladimir Plotkin. In this article, we take an in-depth look at the United Aircraft Corporation (UAC) headquarters in the Moscow agglomeration town of Zhukovsky, supplemented by recent photographs from Alexey Naroditsky – a shoot that became only recently possible due to the fact that improvements were finally made in the surrounding area.
Light and Shadow
In this article, we delve into the architectural design of the “Chaika” house by DNK ag architects, which was recently completed in 2023 as part of the collection of signature designs at ZILArt. As is well-known, all the buildings in this complex follow a design code, yet each one is distinct. This particular building stands out not only for its whiteness and minimalism but also for the refined use of a limited number of techniques that, together, create what can confidently be called synergy.
Casus Novae
A master plan was developed for a large residential area with a name of “DNS City”, but now that its implementation began, the plan has been arbitrarily reformatted and replaced with something that, while similar on the surface, is actually quite different. This is not the first time such a thing happens, but it’s always frustrating. With permission from the author, we are sharing Maria Elkina’s post.
Treasure Hunting
The GAFA bureau, in collaboration with Tegola and Arkhitail, organized an expedition to the island of Kilpola in Karelia as part of Moskomarkhitektura’s “Open City” festival. There, amidst moss and rocks, the students sought answers to questions like: what is the sacred, where does it dwell, and what sustains it? Assisting the participants in this quest were landscape engineer Evgeny Levin, artist Nicholas Roerich, a moose, and the lack of cellular connection. Here’s how the story unfolded.
Depths of the Earth, Streams of Water
In the Malaya Okhta district, the Akzent building, designed by Stepan Liphart, was constructed. It follows a classic tripartite structure, yet it’s what you might call “hand-drawn”: each façade is unique in its form and details, some of which aren’t immediately noticeable. In this article, we explore the context and, together with the architect, delve into how the form was developed.
Fir Tree Dynamics
The “Airports of Region” holding is planning to build an airport in Karachay-Cherkessia, aiming to make the Arkhyz and Dombay resorts more accessible to travelers. The project that won in an invitation-only competition, submitted by Sergey Nikeshkin’s KPLN, blends natural imagery inspired by the shape of a conifer seed, open-air waiting spaces, majestic large trees, and a green roof elevated on needle-like columns. The result is both nature-inspired and WOW.
​A Brick Shell
In the process of designing a clubhouse situated among pine trees in a prestigious suburban area near Moscow, the architectural firm “A.Len” did the façade design part. The combination of different types of brick and masonry correlates with the volumetric and plastique solutions, further enhanced by the inclusion of wood-painted fragments and metal “glazing”.
Word Forms
ATRIUM architects love ambitious challenges, and for the firm’s thirtieth anniversary, they boldly play a game of words with an exhibition that dives deep into a self-created vocabulary. They immerse their projects – especially art installations – into this glossary, as if plunging into a current of their own. You feel as if you’re flowing through the veins of pure art, immersed in a universe of vertical cities, educational spaces – of which the architects are true masters – and the cultural codes of various locations. But what truly captivates is the bold statement that Vera Butko and Anton Nadtochy make, both through their work and this exhibition: architecture, above all, is art – the art of working with form and space.
Flexibility and Acuteness of Modernity
Luxurious, fluid, large “kokoshniks” and spiral barrel columns, as if made from colorful chewing gum: there seem to be no other mansion like this in Moscow, designed in the “Neo-Russian-Modern” style. And the “Teremok” on Malaya Kaluzhskaya, previously somewhat obscure, has “come alive with new colors” and gained visibility after its restoration for the office of the “architectural ecosystem” as the architects love to call themselves. It’s evident that Julius Borisov and the architects at UNK put their hearts into finding this new office and bringing it up to date. Let’s delve into the paradoxes of this mansion’s history and its plasticity. Spoiler: two versions of modernity meet here, both balancing on the razor’s edge of “what’s current”.
Yuri Vissarionov: “A modular house does not belong to the land”
It belongs to space, or to the air... It turns out that 3D printing is more effective when combined with a modular approach: the house is built in a workshop and then adapted to the site, including on uneven terrain. Yuri Vissarionov shares his latest experience in designing tourist complexes, both in central Russia and in the south. These include houseboats, homes printed from lightweight concrete using a 3D printer, and, of course, frame houses.
​Moscow’s First
“The quality of education largely depends on the quality of the educational environment”. This principle of the last decade has been realized by Sergey Skuratov in the project for the First Moscow Gymnasium on Rostovskaya Embankment in the Khamovniki district. The building seamlessly integrates into the complex urban landscape, responding both to the pedestrian flow of the city and the quiet alleyways. It skillfully takes advantage of the height differences and aligns with modern trends in educational space design. Let’s take a closer look.
Looking at the Water
The site of Villa Sonata stretches from the road to the water’s edge, offering its own shoreline, pier, and a picturesque river panorama. To reveal these sweeping views, Roman Leonidov “cut” the façade diagonally parallel to the river, thus getting two main axes for the house and, consequently, “two heads”. The internal core – two double-height spaces, a living room and a conservatory, with a “bridge” above them – makes the house both “transparent” and filled with light.
The White Wing
Well, it’s not exactly white. It’s more of a beige, white-stone structure that plays with the color of limestone – smoother surfaces are lighter, while rougher ones are darker. This wing unites various elements: it absorbs and interprets the surrounding themes. It responds to everything, yet maintains a cohesive expression – a challenging task! – while also incorporating recognizable features of its own, such as the dynamic cuts at the bottom, top, and middle.
Urban Dunes
The XSA Ramps team designed and built a three-part sports hub for a park in Rostov-on-Don, welcoming people of all ages and fitness levels. The skate plaza, pump track, and playground are all meticulously crafted with details that attract a diverse range of visitors. The technical execution of the shapes and slopes transforms this space into a kind of sculptural composition.
Proportional Growth
The project for the fourth phase of the ÁLIA residential area has been announced. The buildings are situated on an elongated plot – almost a “ray” that shoots out from the center of the area towards the river. Their layout reflects both a response to Moscow’s architectural preferences over the past 15 years, shifting “from blocks to towers”, and an interpretation of the neighboring business park designed by SOM. Additionally, the best apartments here are not located at the very top but closer to the middle, forming a glowing “waistline”.
The “Staircase” Building
In designing the “Details” residential complex in New Moscow, Rais Baishev spiced up the now-popular Moscow theme of a “courtyard” building with an idea drawn from the surrealist drawings by Maurits Escher. He envisioned the stepped silhouettes and descending slopes as a metaphysical mega-staircase, creating a key void within the courtyard that gave the project an internal “spine”. This concept is felt both in the building’s silhouette and on its façades.
Projection of the Quarter
No one doubted that the building that Vladimir Plotkin designed as part of the “Garden Quarters” would be the most modernist of all. And it turned out just that way: while adhering to the common design code, the building successfully combines brick and white stone, rhythmically responding to the neighboring building designed by Ostozhenka, yet tactfully and persistently making a few statements of its own. This includes the projection of the ideal urban development composition “14–9–6”, which can be found right next door, mathematical calculations, including those for various types of terraces (and perhaps the only reminder of the Soviet past of the Kauchuk rubber factory!), and the white “cross-stitch” pattern of the façade grid.