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​The Possibility of Flight

The project of the airport, which ASADOV Architects developed for the city of Tobolsk, and which won in the architectural competition, was not implemented. However, it is interesting as an example of designing an airport building of a very small scale, where the main challenge is the optimal organization of space and infrastructure without compromising the imagery component.

17 January 2022
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Today, Tobolsk is a classic example of a provincial city, small and remote. Among the cities of a similar scale, Tobolsk, the ex-capital of Siberia, from which in the late 16th century Russia began systematic development thereof, is remarkable both for its history and monuments of architecture. Later on, however, the trade routes shifted southward; the city stopped growing, and now its population is a little under a hundred thousand people. Thus, it comes as no surprise that hitherto Tobolsk did not have an airport. Its construction was scheduled within the framework of the new program for developing the city’s infrastructure; an architectural competition was held for the airport project in 2020, it was won by ASADOV Architects. Alas, the building of the Tobolsk terminal, which was opened recently in September, was constructed in accordance with a different, slightly simpler, project. In this article, however, we are going to share about the project that won in the competition but was not implemented.

The Tobolsk airport, a project, 2020
Copyright: © ASADOV Architects


In the project by ASADOV Architects, a small building with a total area of 3,000 square meters comprised the terminal and the offices of the airport services. 

And the driving idea, from which the architects proceeded in their work on the airport’s imagery, was the value of the possibility of flight per se. Indeed, Tobolsk has always, or at least for quite a while, been connected with the center or the main transport arteries only indirectly. This is why the architects took as a basis an airplane as such, or one might even say, the idea of an airplane the way Plato envisaged it.

The graphic silhouette of an airliner was designed and drawn in such a way as to be clearly read both from a birds-eye view, as well as from the ground level. This construction was meant to enrich the basic rectangular volume of the terminal: to create height differences in the roof, thus highlighting the central zones in the interior, to form skylights, as well as to organize entrance groups – one from the side of the city, and one from the side of the airfield.

The Tobolsk airport, a project, 2020
Copyright: © ASADOV Architects


The Tobolsk airport. The original version, a view from the landside area
Copyright: © ASADOV Architects


However, the client asked the architects to revise the project and come up with a simpler version. This is how a second version appeared, in which the architects came up with new imagery – pitched roofs, clad in wooden finish and bringing up associations with northern architecture or log houses that were abundant here when the city was just founded. Thus, the second version refers to the historical past of Tobolsk, and this associative series is much more complex than one may think when a log house was mentioned: the smooth curves of the ridges and pitches of the roof, and the prominent thickness of the roof coverage create an effect of a thick layer of snow that softens all the shapes and inevitably comes to mind as one main attributes of Siberia.

The Tobolsk airport. The original version, a birds-eye view
Copyright: © ASADOV Architects


At the same time, this smoothness makes it possible to make a transition to the modern interpretation of the traditional pitched roof – the entire silvery roof is perceived as a parabolic surface that hovers above the weightless glass base. Its dynamic outline is telling the tale of moving upwards and gaining height. Another interesting fact is that technically the curvilinear roof was designed by the architects in an even more cost-effective way than the faceted shapes of the conditional airplane – the ridge of the roof is taking up the position of the diagonal, yet at the same time it is symmetrical, and therefore it will include metallic beams of just a handful of types and sizes, which will streamline the construction costs.

The Tobolsk airport. A view from the landside area
Copyright: © ASADOV Architects


The Tobolsk airport. A birds-eye view
Copyright: © ASADOV Architects


In the course of working on the project, the inner plan was also changing – after the “Regional Airports” company became the official operator of the Tobolsk airport, the floor plans became even more open, and merging of zones yielded more useful floor space. Such a thought-out floor plan is particularly important for an ultra-small airport. Everything is very compact here, all the modules are positioned on one level, but the terminal contains the full set of the zones that you would expect to see in an airport, including retail, cafes, and an executive lounge.

The interior design solution again refers to the images of Siberia as a harsh northern land – the decoration of the ceiling in its high part with light-colored lamellas imitates a cloudy sky; there are pinpoint lights shimmering between their facets, which create a theatrical effect of falling snow; the lower zones are decorated with warm wood, and by contrast they look particularly cozy.

The Tobolsk airport. A birds-eye view
Copyright: © ASADOV Architects


The Tobolsk airport. The interior
Copyright: © ASADOV Architects


The Tobolsk airport. The interior
Copyright: © ASADOV Architects


The Tobolsk airport. The interior
Copyright: © ASADOV Architects


The elongated wing of the curvilinear roof connects the terminal to the office building of airport services, which, again, allows you to save up on the infrastructure – for example, the office coworkers may use the cafes in the terminal. However, the main advantage of combining the two buildings into a single complex is the design of the plaza in front of the terminal. Typologically, the “landside area” has been around for almost 150 years, and, as the architectural styles kept changing, it went through various ways of interpreting its space. And, while in major airports it is designed based solely on the technological and logistics approach, in this small-scale version, in the absence of several levels and the need for large capacity, it retains a few features of previous approaches and styles. In the ASADOV architects project, the plaza comprises several zones: the pedestrian space, the landscape section with greenery, the driveway, and the parking lot – everything sets a “human-friendly” scale instead of a “conveyor belt”. 

The Tobolsk airport. A cross section view
Copyright: © ASADOV Architects


Meanwhile, pursuing the path of cost optimization, the client company ultimately refrained from any architectural imagery and eventually built the airport in accordance with the most simplified project. And still, the appearance of an airport in Tobolsk as such is hard to overestimate. In the earlier versions of the project, one can see the name of the conqueror of Siberia, Ataman Ermak, but ultimately the airport was named after Simon Remezov – the Siberian map-maker, chronicler, icon painter and architect of the Tobolsk Kremlin. This versatile man fully deserves the name of the Siberian Leonardo, and acquaintance with his heritage is part of the cultural program for tourists visiting Tobolsk. Thanks to the airport, their number is expected to increase to seven million per year. However, the airport does not just improve transport links – it boosts the investment attractiveness of the city, and ultimately gives a powerful impetus to its development, which Tobolsk has been waiting for 300 years.
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    The Tobolsk airport. The northern and southern facades
    Copyright: © ASADOV Architects
  • zooming
    The Tobolsk airport. The eastern and western facades
    Copyright: © ASADOV Architects
The Tobolsk airport. Plan of the terminal and the office building of airport services


17 January 2022

Headlines now
The Big Twelve
Yesterday, the winners of the Moscow Mayor’s Architecture Award were announced and honored. Let’s take a look at what was awarded and, in some cases, even critique this esteemed award. After all, there is always room for improvement, right?
Above the Golden Horn
The residential complex “Philosophy” designed by T+T architects in Vladivostok, is one of the new projects in the “Golubinaya Pad” area, changing its development philosophy (pun intended) from single houses to a comprehensive approach. The buildings are organized along public streets, varying in height and format, with one house even executed in gallery typology, featuring a cantilever leaning on an art object.
Nuanced Alternative
How can you rhyme a square and space? Easily! But to do so, you need to rhyme everything you can possibly think of: weave everything together, like in a tensegrity structure, and find your own optics too. The new exhibition at GES-2 does just that, offering its visitor a new perspective on the history of art spanning 150 years, infused with the hope for endless multiplicity of worlds and art histories. Read on to see how this is achieved and how the exhibition design by Evgeny Ace contributes to it.
Blinds for Ice
An ice arena has been constructed in Domodedovo based on a project by Yuri Vissarionov Architects. To prevent the long façade, a technical requirement for winter sports facilities, from appearing monotonous, the architects proposed the use of suspended structures with multidirectional slats. This design protects the ice from direct sunlight while giving the wall texture and detail.
Campus within a Day
In this article, we talk about what the participants of Genplan Institute of Moscow’s hackathon were doing at the MosComArchitecture booth at the “ArchMoscow” exhibition. We also discuss who won the prize and why, and what can be done with the territory of a small university on the outskirts of Moscow.
Vertical Civilization
Genpro considered the development of the vertical city concept and made it the theme of their pavilion at the “ArchMoscow” exhibition.
Marina Yegorova: “We think in terms of hectares, not square meters”
The career path of architect Marina Yegorova is quite impressive: MARHI, SPEECH, MosComArchitectura, the Genplan Institute of Moscow, and then her own architectural company. Its name Empate, which refers to the words “to draw” in Portuguese and “to empathize” in English, should not be misleading with its softness, as the firm freely works on different scales, including Integrated Territorial Development projects. We talked with Marina about various topics: urban planning experience, female leadership style, and even the love of architects for yachting.
Andrey Chuikov: “Optimum balance is achieved through economics”
The Yekaterinburg-based architectural company CNTR is in its mature stage: crystallization of principles, systematization, and standardization helped it make a qualitative leap, enhance competencies, and secure large contracts without sacrificing the aesthetic component. The head of the company, Andrey Chuikov, told us about building a business model and the bonuses that additional education in financial management provides for an architect.
The Fulcrum
Ostozhenka Architects have designed two astonishing towers practically on the edge of a slope above the Oka River in Nizhny Novgorod. These towers stand on 10-meter-tall weathered steel “legs”, with each floor offering panoramic views of the river and the city; all public spaces, including corridors, receive plenty of natural light. Here, we see a multitude of solutions that are unconventional for the residential routine of our day and age. Meanwhile, although these towers hark back to the typological explorations of the seventies, they are completely reinvented in a contemporary key. We admire Veren Group as the client – this is exactly how a “unique product” should be made – and we tell you exactly how our towers are arranged.
Crystal is Watching You
Right now, Museum Night has kicked off at the Museum of Architecture, featuring a fresh new addition – the “Crystal of Perception”, an installation by Sergey Kuznetsov, Ivan Grekov, and the KROST company, set up in the courtyard. It shimmers with light, it sings, it reacts to the approach of people, and who knows what else it can do.
The Secret Briton
The house is called “Little France”. Its composition follows the classical St. Petersburg style, with a palace-like courtyard. The decor is on the brink of Egyptian lotuses, neo-Greek acroteria, and classic 1930s “gears”; the recessed piers are Gothic, while the silhouette of the central part of the house is British. It’s quite interesting to examine all these details, attempting to understand which architectural direction they belong to. At the same time, however, the house fits like a glove in the context of the 20th line of St. Petersburg’s Vasilievsky Island; its elongated wings hold up the façade quite well.
The Wrap-Up
The competition project proposed by Treivas for the first 2021 competition for the Russian pavilion at EXPO 2025 concludes our series of publications on pavilion projects that will not be implemented. This particular proposal stands out for its detailed explanations and the idea of ecological responsibility: both the facades and the exhibition inside were intended to utilize recycled materials.
Birds and Streams
For the competition to design the Omsk airport, DNK ag formed a consortium, inviting VOX architects and Sila Sveta. Their project focuses on intersections, journeys, and flights – both of people and birds – as Omsk is known as a “transfer point” for bird migrations. The educational component is also carefully considered, and the building itself is filled with light, which seems to deconstruct the copper circle of the central entrance portal, spreading it into fantastic hyper-spatial “slices”.
Faraday Grid
The project of the Omsk airport by ASADOV Architects is another concept among the 14 finalists of a recent competition. It is called “The Bridge” and is inspired by both the West Siberian Exhibition of 1911 and the Trans-Siberian Railway bridge over the Irtysh River, built in 1896. On one hand, it carries a steampunk vibe, while on the other, there’s almost a sense of nostalgia for the heyday of 1913. However, the concept offers two variants, the second one devoid of nostalgia but featuring a parabola.
Midway upon the Journey of Our Life
Recently, Tatlin Publishing House released a book entitled “Architect Sergey Oreshkin. Selected Projects”. This book is not just a traditional book of the architectural company’s achievements, but rather a monograph of a more personal nature. The book includes 43 buildings as well as a section with architectural drawings. In this article, we reflect on the book as a way to take stock of an architect’s accomplishments.
Inverted Fortress
This year, there has been no shortage of intriguing architectural ideas around the Omsk airport. The project developed by the architectural company KPLN appeals to Omsk’s history as a wooden fortress that it was back in the day, but transforms the concept of a fortress beyond recognition: it “shaves off” the conical ends of “wooden logs”, then enlarges them, and then flips them over. The result is a hypostyle – a forest of conical columns on point supports, with skylights on top.
Transformation of Annenkirche
For Annenkirche (St. Anna Lutheran Church in St. Petersburg), Sergey Kuznetsov and the Kamen bureau have prepared a project that relies on the principles of the Venice Charter: the building is not restored to a specific date, historical layers are preserved, and modern elements do not mimic the authentic ones. Let’s delve into the details of these solutions.
The Paradox of the Temporary
The concept of the Russian pavilion for EXPO 2025 in Osaka, proposed by the Wowhaus architects, is the last of the six projects we gathered from the 2022 competition. It is again worth noting that the results of this competition were not finalized due to the cancellation of Russia’s participation in World Expo 2025. It should be mentioned that Wowhaus created three versions for this competition, but only one is being presented, and it can’t be said that this version is thoroughly developed – rather, it is done in the spirit of a “student assignment”. Nevertheless, the project is interesting in its paradoxical nature: the architects emphasized the temporary character of the pavilion, and in its bubble-like forms sought to reflect the paradoxes of space and time.
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
Mirrors Everywhere
The project by Sergey Nebotov, Anastasia Gritskova, and the architectural company “Novoe” was created for the Russian pavilion at EXPO 2025, but within the framework of another competition, which, as we learned, took place even earlier, in 2021. At that time, the competition theme was “digital twins”, and there was minimal time for work, so the project, according to the architect himself, was more of a “student assignment”. Nevertheless, this project is interesting for its plan bordering on similarity with Baroque projects and the emblem of the exhibition, as well as its diverse and comprehensive reflectiveness.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.