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The Town in the Snuff-box

The new academic building of Cooperation School in Moscow’s Taganka, designed and built by ASADOV Architects, is a compact volume, at the same time filled with functions and impressions. It easily combines classrooms, a theater, a cafeteria, a gym, and a double-height atrium with an open library and an exit to the terrace – virtually everything that you expect to see in a modern school.

13 October 2021
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Cooperation School” has been in existence since 1990; since 1993 it has been functioning as a private one. Its main building – a school building four stories high, constructed in 1936 – is situated on Alexander Solzhenitsyn Street, directly behind an office and shopping center that is being built right now by the project of Aleksey Ginzburg, across the Garden Ring opposite the Taganka Theater, and next to a fitness center built in 2007-2009 by a SPEECH project – and the school students are using the fitness center’s swimming pool. In a word, the architectural context around the school, located next to one of Moscow’s central squares, is quite decent, and one can only be happy about the fact that, looking to expand its premises, the school commissioned the project of its new building to ASADOV Architects – but then again, a few years ago, in 2016, this architectural company already completed the construction of a kindergarten, belonging to Cooperation School, in the Maly Poluyaroslavsky Alley, not far away from the Kurskaya metro station. 

The new school building was completed in the fall of 2020, and recently it won a Grand Prix of the BuildSchool special award of the Union of Architects. The new educational center increased the capacity of the school by about half: if the old building could barely accommodate four hundred and fifty students, now it is possible to comfortably teach about seven hundred. The new building hosts: a large cafeteria, a second gym and specialized classrooms for the junior and senior high, both large ones and smaller ones for dividing classes into groups. The school is private, the classes are for 16 students, and language groups are for 3-4 kids.

The location plan. The academic building of the “Cooperation School” on Taganka
Copyright: © ASADOV Architects


The 1936 school building is located deep in the block between two streets: Alexander Solzhenitsyn and Bolshoy Drovyanoy Alley, with its side wall facing the Garden Ring. The other side wall (the eastern one) gives a start to the school yard – in this sense, the school has been lucky again because not always the school students get such a big schoolyard in the center of the city. The new building is located near the north corner of the old building, at the beginning of the yard; the architects were also able to preserve much of the green space. In addition, Taganka is widely known for its hilly terrain – there are staircases and slopes all around – and the new building is also partially “buried” in the slope, the height difference being about 7 meters, so in its northern part it has four floors, and in the southern part three. There are several ramps on the western corner, which use the height drop, and entrances and exits at different levels.

The main entrance to the new building, however, is made in the hanging glass passage situated on the level of the 2nd floor of the old building.

The academic building of the “Cooperation School” on Taganka
Copyright: Photograph: provided by ASADOV Architects


The passage connects the corners of the two buildings diagonally and leads the students into a small double-height atrium, very well lit, since its right part (counting from the entrance) faces southeast. As is known, the atrium is one of the key parts of modern school buildings: it serves both for relaxation and for communication /socialization of the students. The atrium also noticeably lifts your spirits when you enter – thanks to the sun glares and a significant height, it just makes you take a deep breath and somehow take a look around.

The academic building of the “Cooperation School” on Taganka
Copyright: Photograph: provided by ASADOV Architects


The atrium is not exactly large but it nevertheless has enough room for four steps of the amphitheater, a string of ring lights, enhancing the height of the space, and a balcony with a few bookcases of the open library. The second tier running along the glass façade is accessed by a staircase, which also leads to the terrace balcony that stretches along the east façade above the school yard. It is fenced by an impost-less glass barrier, and it will be used for both walks and school events. 

The connection of the atrium with the external space, in addition to the exit to the balcony and stained glass windows, is also marked through the use of fiberglass concrete slabs with relief vertical stripes similar to the ones on the façade – they decorate the western wall in the interior, emphasizing that a volume is “docked” on this side, the external texture of which is exactly the same.

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    The atrium. The academic building of the “Cooperation School” on Taganka
    Copyright: Photograph: provided by ASADOV Architects
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    The atrium. The academic building of the “Cooperation School” on Taganka
    Copyright: Photograph: Archi.ru
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    The atrium. The academic building of the “Cooperation School” on Taganka
    Copyright: Photograph: Archi.ru
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    The academic building of the “Cooperation School” on Taganka
    Copyright: Photograph: provided by ASADOV Architects


Since the building faces the entrance at an angle, the paths diverge from the atrium in a fan-like manner; to the right, there is a corridor that runs along the doors of small classrooms, to the left, there are laboratory rooms. The ceilings of the corridors are quite high; the exposed ventilation structures are painted in their own color for each floor, which, like the general difference in tone in the interiors, facilitates intuitive navigation.

The academic building of the “Cooperation School” on Taganka
Copyright: Photograph: provided by ASADOV Architects


The most interesting of the specialized classrooms is the biology study with a tall double-height space, a stained glass window, a skylight, and yet another internal window that allows you to look down from the school space into the study from above. Its white walls are decorated with volumetric semblances of DNA spirals, and inside the school is planning, using a well-lit double-height space, to make a winter garden (some of the plants in the tubs are already there).

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    The biology study. The academic building of the “Cooperation School” on Taganka
    Copyright: Photograph: provided by ASADOV Architects
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    The physics study. The academic building of the “Cooperation School” on Taganka
    Copyright: Photograph: provided by ASADOV Architects
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    The chemistry study. The academic building of the “Cooperation School” on Taganka
    Copyright: Photograph: Archi.ru
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    The chemistry study. The academic building of the “Cooperation School” on Taganka
    Copyright: Photograph: Archi.ru
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    The biology study. The academic building of the “Cooperation School” on Taganka
    Copyright: Photograph: Archi.ru


The northern part of the building includes: (at the bottom) a tall gym with a balcony, and (at the top) a canteen with a thin slit of the skylight, and a small theater hall above its western part. The eastern walls of both the gym and cafeteria are made of glass and overlook the garden. The theater hall is darkened by curtains, but when the curtains are open, you can look from it to the east into the canteen, and to the north towards the Bolshoy Drovyanoy Lane – it should be noted that there are generally quite a lot of opportunities to look from one space to another, starting from the glass doors of all the classrooms and ending with stained glass windows of all large rooms and several skylights.

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    The academic building of the “Cooperation School” on Taganka
    Copyright: Photograph: provided by ASADOV Architects
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    The academic building of the “Cooperation School” on Taganka
    Copyright: Photograph: provided by ASADOV Architects
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    The academic building of the “Cooperation School” on Taganka
    Copyright: Photograph: provided by ASADOV Architects


All these functions are “packed” in a compact volume, which, as we remember, is inscribed into a slope. This volume, however, is far from simple; it is livened up by two, not excessively big, but rather expressive cantilevers and designed on the outside as composed of three parts made of different materials. The simplest one of them is made up of golden-red aluminum panels in its bottom part, another, the most volumetric one, is made of striped fiberglass concrete: it appears on the northwest corner, where the biology study stands out in a two-level cantilever, as well as on the southern and eastern facades, also in a cantilever but with a rounded corner, where it marks the main mass of the small to midsize classrooms, and neighbors on the glass wall of the gym and the cafeteria.

The academic building of the “Cooperation School” on Taganka
Copyright: Photograph: provided by ASADOV Architects


The academic building of the “Cooperation School” on Taganka
Copyright: Photograph: provided by ASADOV Architects


The most spectacular part of the facade – a kind of “lace” – forms the entrance corner and atrium, from which we began our story, emphasizing, already from the outside, the entrance from the building. Fiberglass is also used here, not grayish-brown, as in the main part, but bright-white, with an openwork pattern, see-through in the windows, and with relief on the outside. The pattern combines stylized diagonal geometry of tree branches, letters and numbers. In the corner recess of the floor under the atrium there is another entrance with an open two-step staircase.

The academic building of the “Cooperation School” on Taganka
Copyright: Photograph: provided by ASADOV Architects


The academic building of the “Cooperation School” on Taganka
Copyright: Photograph: provided by ASADOV Architects


The academic building of the “Cooperation School” on Taganka
Copyright: Photograph: provided by ASADOV Architects


Thus, the building is perceived differently from the outside: it looks like a construction set of several parts joined together, and the “entrance” part adjacent to the passage turns out to be the most solemn – although this “representativeness” of the entrance is solved by atypical means, it is felt due to the abundance of glass, whiteness, openwork, the height of the atrium – and probably puts the students in a positive mood when they move from one building to another, serving not only as a compositional/spatial, but also as an emotional “hinge”. Or at least it looked to me that way. 

Needless to say, the new school building reflects many of the design principles of modern schools – which is not surprising, since school buildings have become one of ASADOV’s specializations in recent years: public space with an open library and an amphitheater, access to the terrace, skylights and stained glass windows, compact “packaging” of volumes for optimal use of space and variously planned “rays of vision”, the ability to peek somewhere, for example, in the gym or the biology room, from above – all these are signs of an unconventional and cutting-edge approach. In this case, these design solutions are applied not to a giant, but to a relatively small – 2060 m2 – school building, which both inside and outside seems to be a kind of “treasure box”, in which a lot of effort, time and love have been invested, both by designers and the management of this private school.

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    The western facade. The academic building of the “Cooperation School” on Taganka
    Copyright: © ASADOV Architects
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    Plan of the 4th floor. The academic building of the “Cooperation School” on Taganka
    Copyright: © ASADOV Architects
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    Plan of the 3rd floor. The academic building of the “Cooperation School” on Taganka
    Copyright: © ASADOV Architects
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    Plan of the 2nd floor. The academic building of the “Cooperation School” on Taganka
    Copyright: © ASADOV Architects
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    Plan of the 1st floor. The academic building of the “Cooperation School” on Taganka
    Copyright: © ASADOV Architects
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    The cross-section view. The academic building of the “Cooperation School” on Taganka
    Copyright: © ASADOV Architects


13 October 2021

Headlines now
Home Base
Working on the new building for Letovo Junior School – opened to students in autumn 2025 in the MSU Valley – the architects of UNK, following the client’s vision, subordinated both façades and interiors to the theme of “home”. Multiple variations of pitched roofs, a city skyline traced across glass balustrades, wooden textures, and a whole series of micro-spaces for retreat within public areas are all at the disposal of primary and middle school students. We take a closer look at the new school building – and at how it interprets current trends in educational environments.
Doubles Match
The architecture of the Tennis Palace built in Luzhniki Olympic Complex, designed by Arena Design Institute, was shaped by three factors: the proximity of the brutalist Druzhba Arena, the closeness of the Moskva River and the metro bridge overpass, as well as the specifics of the function – tennis courts require large spans, abundant light, yet at the same time protection from direct sunlight. The architects divided the building into several blocks, playing on contrast, which is further emphasized by the façades developed in collaboration with TPO Reserve and Vladimir Plotkin.
Microdynamics of Macroprocesses
Given the proximity of the multifunctional complex SOLOS to Sokolniki Park and to a major transport hub, Kleinewelt Architekten embedded in the design of the two high-rise towers a sense of dynamism more characteristic of natural phenomena than of man-made objects. Without the authors’ diagrams, this logic is not easy to decipher, although the eye immediately detects a pattern and tries to grasp it. It seems to us that one tower contains the impulse of a bud about to open, while the other evokes the movement of a lithospheric plate. Let us try to unravel it together.
The Space of Post-Cubism
Sergei Tchoban and Alexandra Sheiner, of Studio CHART, created for the exhibition of “post-cubist” sculpture by Beatrice Sandomirskaya – a talented and even “mainstream” artist, yet almost unknown even to art historians – a space akin to her sculptural language: solidly built, confidently stereometric, and subtly expressive. It curves, emphasizing the mass of the sculpture, envelops the viewer, and guides them from one perspective to another, from a generic “shrine” to a “Madonna”.
The Value of Open Space
For the site near the Barrikadnaya Metro Station, Sergey Skuratov developed five projects between 2020 and 2025. Two of them were ones that won the client’s invitation-only competitions. The fifth was recently selected by the Mayor of Moscow for implementation. The project is vivid and sculptural, expressive, eye-catching, and engaging – very much in line with the spirit of our time. And yet, this project is mid-rise rather than tall. In its northwestern part, near the metro and Druzhinnikovskaya Street, it shapes a comfortable urban environment. On the opposite side, it opens up, allowing sunlight into the courtyard and creating a spatial pause within the dense city fabric. How it is organized, what geometric principles underlie it, and why it takes this form – all this is explored in our article.
Coming From the Cold
The ArchBukhta Festival remains one of the few events in Russia where participants go through the entire process of creating an architectural object – from concept to construction. And they do so on the shores of Lake Baikal, in dedication to it. This year, GAFA took part and shared its experience: a local legend, a team-specific design code, friendship, as well as ice skating and endurance in freezing temperatures all contributed to gaining something more than just an award.
Symphony of Water and Brick
The Alter residential complex, designed by Stepan Liphart and built on a bend of the Okhta River, is an example of a “drawn house”: the number of original architectural details is virtually immeasurable. As a result, ribs, projections, and recesses create a picturesque silhouette even without a significant variation in height. Both composition and material respond to the proximity of the river and to the red-brick factory building dating back to the early 20th century. The project was also significantly shaped by recommendations from the city’s chief architect. More details in our article.
The Penguin House
The building with a curved façade on Brestskaya Street is one of the manifestos of Russian neomodernism of the early 2000s, a sculpture – this is how Anatoly Belov interprets it, speaking of “breaking from the modernist canon and the contextual approach”. We do not fully agree with the author, but his perspective is an interesting one.
Wave and Vertical
The premium residential complex designed by GAFA for a site in the Khoroshevsky District responds to multiple constraints – the arc of a planned roadway, the water protection zone of the Khodynka River, and insolation requirements – through inventive massing. The composition is built on the interplay of two spatial layers: an elongated perimeter block and three towers concealed behind it generate the silhouette and key viewpoints, while also adding semantic depth reinforced by the façade solutions. Another defining feature is a large private courtyard, complemented by a citywide linear park.
Office on Trubnaya
We continue publishing projects by Valery Kanyashin. A building once described, a quarter century ago, as an example of “quiet modernism” has remained just that in some people’s memory. According to Anatoly Belov, its main quality is its unobtrusiveness. The architects from Ostozhenka say the leading role here is played by context and landscape – the change in elevation. Yet is it really so inconspicuous?
The First International
With this publication, we begin a series of texts dedicated to works by the late Valery Kanyashin, one of the founders of Ostozhenka Architects. As it happens, the projects he was involved in largely illustrate our understanding of the firm and its history. The first project in this series is the International Moscow Bank on Prechistenskaya Embankment.
In Memory of Valery Kanyashin
On Friday, February 27, architect Valery Kanyashin passed away – co-founder of Ostozhenka Architects and the author of many significant buildings in Moscow. We publish a text by Anatoly Belov in memory of Valery Kanyashin.
Hypertext in Space
As part of the exhibition “What We Have We (Do Not) Keep”, Sergey Tchoban, the Museum of Architecture, and the CHART studio experiment with an eco-conscious approach to exhibition design, with thematic cross-references and even with publicistic reflections on the necessity of preserving modernism, the roots of contemporary architecture, and the birth of ideas. All of this makes the exhibition, with its light and transparent design, look quite innovative. The elements – both “material” and conceptual – are familiar, yet their combination is far from conventional.
The Outline of “Foundation”
In their competition proposal for the Fili transport hub, the consortium led by Alexey Ilyin proposed an “inhabited arch” – a form that is simple yet complex. The architects emphasize that even at the competition stage, the project’s feasibility was fully calculated, taking into account the minimal nighttime closures of Bagration Avenue. How was this achieved? With what functions? Let us take a closer look. In our view, the building would have suited the heroes of Isaac Asimov’s Foundation novels perfectly.
The Flying Horizontal
“A house in the spirit of Wright”, as architect Roman Leonidov describes it, pointing to his source of inspiration, was built on a challenging wedge-shaped site. To achieve a sense of intimacy and secure good views from the windows, the entire volume had to be shifted toward the far boundary, turning the house “back” to the neighboring mansions. The main façade demonstrates time-tested techniques often employed by the company: articulated horizontals, a weightless roofline, and a triad of materials – light plaster, dark slate, and warm wood.
Needles of Horizon Contemplation
The “House of Horizons”, designed by Kleinewelt Architekten in Krylatskoye, is carefully thought out at the stereometric level – from the logic of how the volumes interlock (and, conversely, how gaps are articulated between them) to the triangular balconies that give the building its striking, slightly bristling silhouette.
The Red Thread
A linear park project prepared by Alexey Ilyin studio for the improvement of a riverbank in one of the residential districts seeks to reconnect people with nature. Two levels of the embankment invite visitors to contemplate the landscape while at the same time protecting the riverbank from excessive human impact. The “aerial street” links functional zones and the opposite banks, creating new points of attraction along the way: balconies, bridges, and even a “grotto”.
Spindle and Thread
The concept of the Waver residential complex in Yekaterinburg draws inspiration from the past of the Parkovy district. In order to preserve the memory of the late-19th-century flax spinning mill once located here, the architectural company KPLN turns to the theme of textiles and weaving. The project’s main expressive device is a system of ribbons made of perforated weathering steel – a material that, in such volumes, has arguably not yet been used in Russian residential projects.
From Ski Resorts to Year-Round Recreation Clusters
In mid-December, several architectural firms gathered to discuss a “seasonal” topic: the prospects for the development of domestic ski tourism. Where is modern infrastructure already in place, where do only remnants of the Soviet legacy remain, and where is there still nothing – but projects are underway and soon to be completed? This article explores these questions.
Woven Into Sokolniki
Over the past few years, high-rise residential construction in former industrial zones has become the main theme of Moscow architecture. Towers are springing up here and there – but the question is what kind of towers they are. The residential complex CODE Sokolniki, designed by Ostozhenka Architects, is a project where every detail has been taken care of. The authors are attentive to the history of the site, the continuity of the urban fabric, the skyline, and visual corridors. They also proposed a motif with the lyrical name “scarf”. We take a closer look at the volumetric composition and the large-scale décor “woven”, in this case, out of terraces and balconies.
Stepan Liphart and Yuri Gerth: “Our Program Is Aesthetic”
The studio of Stepan Liphart, an architect known for his distinctive signature style and one-off projects, now has a partner. Yuri Khitrov, a specialist with a broad range of competencies, will take on the part of the work that distracts one from creativity but drives the business forward. One of the aims of this partnership is to improve the urban environment through dialogue with clients and officials. We spoke with both sides about their ambitions, the firm’s development strategy, shared values, and the need for pragmatism. And why the studio is called “Liphart & Gerth” only became clear at the very end of the interview.
The Copper Mirror
The varied-toned sheen of “unsealed” copper, painterly streaks and fingerprints, exposed concrete, and the unusual proportions – when you study the ZILART Museum building by Sergei Tchoban and SPEECH architects, there is plenty to talk about. However, it seems to us that the most interesting thing is how the museum’s composition responds to the realities of the district itself. The residential district has been realized as an open-air exhibition of façade statements by contemporary architects – but without public access to the inner courtyards of the blocks. This building – that is, the museum – is exactly the opposite: on the outside, it is deliberately restrained, while inside it shines spectacularly, creating its own sunbeams in any weather.
“Strangers” in the City
We asked Alexander Skokan for a comment on the results of 2025 – and he sent us a whole article, moreover one devoted to the discussion we recently began on the “appropriateness of high-rises” – or, more broadly speaking, “contrasting insertions into the urban fabric”. The result is a text that is essentially a question: why here? Why like this?
Dmitry Ostroumov: “To use the language of alchemy, we are involved in the process of “transmutation...
What we ended up having was an extremely unusual conversation with Dmitry Ostroumov. Why? At the very least, because he is not just an architect specializing in the construction of Orthodox churches. And not just – which is an extreme rarity – a proponent of developing contemporary stylistics within this still highly conservative field. Dmitry Ostroumov is a Master of Theology. So in addition to the history and specifics of the company, we speak about the very concept of the temple, about canon and tradition, about the living and the eternal, and even about the Russian Logos.
A Glazed Figurine
In searching for an image for a residential building near the Novodevichy Convent, GAFA architects turned to their own perception of the place: it evoked associations with antiquity, plein-air painting, and vintage artifacts. The two towers will be entirely clad in volumetric glazed ceramic – at present, there are no other buildings like this in Russia. The complex will also stand out thanks to its metabolic bay-window cells, streamlined surfaces, a ceremonial “hotel-style” driveway, and a lobby overlooking a lush garden.
A Knight’s Move via the Cour d’Honneur
Intercolumnium Architects presented to the City Planning Council a residential complex project that is set to replace the Aquatoria business center on Vyborgskaya Embankment. Experts praised the overall quality of the work, but expressed reservations about the three cour d’honneurs and suggested softening the contrast between the facades facing the embankment and the Kantemirovsky Bridge.
Mountains, Groves, and Ancestral Towers
The year-round mountain resort Armkhi situated in Russia’s Republic of Ingushetia is positioned as a destination for calm family recreation and has well-established traditions shaped by its hundred-year history and the culture of the region. The development program prepared by the Genplan Institute of Moscow preserves the resort’s identity while expanding its offerings and introducing new types of tourist leisure. In the near future, the resort will feature a balneological center, a thermal complex, an interactive museum, an extreme park, and, of course, new ski slopes.
A Small Country
Mezonproekt is developing a long-term master plan for the MEPhI campus in Obninsk. Over the next ten years, an enclave territory of about 100 hectares, located in a forest on the northern edge of the city, is set to transform into a modern center for the development of the nuclear energy sector. The plan envisions attracting international students and specialists, as well as comprehensive territorial development: both through the contemporary realization of “frozen” plans from the 1980s and through the introduction of new trends – public spaces, an aquapark, a food court, a school, and even a nuclear medicine center. Public and sports facilities are intended to be accessible to city residents as well, and the campus is to be physically and functionally connected to Obninsk.
Pearl Divers
GAFA has designed an apartment complex for Derbent intended to switch people from a work mode to a resort mindset – and to give the surrounding area a much-needed jolt. The building offers two distinct faces: restrained and laconic on the city side, and a lushly ornate façade facing the sea. At the heart of the complex, a hidden pearl lies – an open-air pool with an arch, offering views of a starry sky, and providing direct access to the beach.