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The Town in the Snuff-box

The new academic building of Cooperation School in Moscow’s Taganka, designed and built by ASADOV Architects, is a compact volume, at the same time filled with functions and impressions. It easily combines classrooms, a theater, a cafeteria, a gym, and a double-height atrium with an open library and an exit to the terrace – virtually everything that you expect to see in a modern school.

13 October 2021
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Cooperation School” has been in existence since 1990; since 1993 it has been functioning as a private one. Its main building – a school building four stories high, constructed in 1936 – is situated on Alexander Solzhenitsyn Street, directly behind an office and shopping center that is being built right now by the project of Aleksey Ginzburg, across the Garden Ring opposite the Taganka Theater, and next to a fitness center built in 2007-2009 by a SPEECH project – and the school students are using the fitness center’s swimming pool. In a word, the architectural context around the school, located next to one of Moscow’s central squares, is quite decent, and one can only be happy about the fact that, looking to expand its premises, the school commissioned the project of its new building to ASADOV Architects – but then again, a few years ago, in 2016, this architectural company already completed the construction of a kindergarten, belonging to Cooperation School, in the Maly Poluyaroslavsky Alley, not far away from the Kurskaya metro station. 

The new school building was completed in the fall of 2020, and recently it won a Grand Prix of the BuildSchool special award of the Union of Architects. The new educational center increased the capacity of the school by about half: if the old building could barely accommodate four hundred and fifty students, now it is possible to comfortably teach about seven hundred. The new building hosts: a large cafeteria, a second gym and specialized classrooms for the junior and senior high, both large ones and smaller ones for dividing classes into groups. The school is private, the classes are for 16 students, and language groups are for 3-4 kids.

The location plan. The academic building of the “Cooperation School” on Taganka
Copyright: © ASADOV Architects


The 1936 school building is located deep in the block between two streets: Alexander Solzhenitsyn and Bolshoy Drovyanoy Alley, with its side wall facing the Garden Ring. The other side wall (the eastern one) gives a start to the school yard – in this sense, the school has been lucky again because not always the school students get such a big schoolyard in the center of the city. The new building is located near the north corner of the old building, at the beginning of the yard; the architects were also able to preserve much of the green space. In addition, Taganka is widely known for its hilly terrain – there are staircases and slopes all around – and the new building is also partially “buried” in the slope, the height difference being about 7 meters, so in its northern part it has four floors, and in the southern part three. There are several ramps on the western corner, which use the height drop, and entrances and exits at different levels.

The main entrance to the new building, however, is made in the hanging glass passage situated on the level of the 2nd floor of the old building.

The academic building of the “Cooperation School” on Taganka
Copyright: Photograph: provided by ASADOV Architects


The passage connects the corners of the two buildings diagonally and leads the students into a small double-height atrium, very well lit, since its right part (counting from the entrance) faces southeast. As is known, the atrium is one of the key parts of modern school buildings: it serves both for relaxation and for communication /socialization of the students. The atrium also noticeably lifts your spirits when you enter – thanks to the sun glares and a significant height, it just makes you take a deep breath and somehow take a look around.

The academic building of the “Cooperation School” on Taganka
Copyright: Photograph: provided by ASADOV Architects


The atrium is not exactly large but it nevertheless has enough room for four steps of the amphitheater, a string of ring lights, enhancing the height of the space, and a balcony with a few bookcases of the open library. The second tier running along the glass façade is accessed by a staircase, which also leads to the terrace balcony that stretches along the east façade above the school yard. It is fenced by an impost-less glass barrier, and it will be used for both walks and school events. 

The connection of the atrium with the external space, in addition to the exit to the balcony and stained glass windows, is also marked through the use of fiberglass concrete slabs with relief vertical stripes similar to the ones on the façade – they decorate the western wall in the interior, emphasizing that a volume is “docked” on this side, the external texture of which is exactly the same.

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    The atrium. The academic building of the “Cooperation School” on Taganka
    Copyright: Photograph: provided by ASADOV Architects
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    The atrium. The academic building of the “Cooperation School” on Taganka
    Copyright: Photograph: Archi.ru
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    The atrium. The academic building of the “Cooperation School” on Taganka
    Copyright: Photograph: Archi.ru
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    The academic building of the “Cooperation School” on Taganka
    Copyright: Photograph: provided by ASADOV Architects


Since the building faces the entrance at an angle, the paths diverge from the atrium in a fan-like manner; to the right, there is a corridor that runs along the doors of small classrooms, to the left, there are laboratory rooms. The ceilings of the corridors are quite high; the exposed ventilation structures are painted in their own color for each floor, which, like the general difference in tone in the interiors, facilitates intuitive navigation.

The academic building of the “Cooperation School” on Taganka
Copyright: Photograph: provided by ASADOV Architects


The most interesting of the specialized classrooms is the biology study with a tall double-height space, a stained glass window, a skylight, and yet another internal window that allows you to look down from the school space into the study from above. Its white walls are decorated with volumetric semblances of DNA spirals, and inside the school is planning, using a well-lit double-height space, to make a winter garden (some of the plants in the tubs are already there).

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    The biology study. The academic building of the “Cooperation School” on Taganka
    Copyright: Photograph: provided by ASADOV Architects
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    The physics study. The academic building of the “Cooperation School” on Taganka
    Copyright: Photograph: provided by ASADOV Architects
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    The chemistry study. The academic building of the “Cooperation School” on Taganka
    Copyright: Photograph: Archi.ru
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    The chemistry study. The academic building of the “Cooperation School” on Taganka
    Copyright: Photograph: Archi.ru
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    The biology study. The academic building of the “Cooperation School” on Taganka
    Copyright: Photograph: Archi.ru


The northern part of the building includes: (at the bottom) a tall gym with a balcony, and (at the top) a canteen with a thin slit of the skylight, and a small theater hall above its western part. The eastern walls of both the gym and cafeteria are made of glass and overlook the garden. The theater hall is darkened by curtains, but when the curtains are open, you can look from it to the east into the canteen, and to the north towards the Bolshoy Drovyanoy Lane – it should be noted that there are generally quite a lot of opportunities to look from one space to another, starting from the glass doors of all the classrooms and ending with stained glass windows of all large rooms and several skylights.

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    The academic building of the “Cooperation School” on Taganka
    Copyright: Photograph: provided by ASADOV Architects
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    The academic building of the “Cooperation School” on Taganka
    Copyright: Photograph: provided by ASADOV Architects
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    The academic building of the “Cooperation School” on Taganka
    Copyright: Photograph: provided by ASADOV Architects


All these functions are “packed” in a compact volume, which, as we remember, is inscribed into a slope. This volume, however, is far from simple; it is livened up by two, not excessively big, but rather expressive cantilevers and designed on the outside as composed of three parts made of different materials. The simplest one of them is made up of golden-red aluminum panels in its bottom part, another, the most volumetric one, is made of striped fiberglass concrete: it appears on the northwest corner, where the biology study stands out in a two-level cantilever, as well as on the southern and eastern facades, also in a cantilever but with a rounded corner, where it marks the main mass of the small to midsize classrooms, and neighbors on the glass wall of the gym and the cafeteria.

The academic building of the “Cooperation School” on Taganka
Copyright: Photograph: provided by ASADOV Architects


The academic building of the “Cooperation School” on Taganka
Copyright: Photograph: provided by ASADOV Architects


The most spectacular part of the facade – a kind of “lace” – forms the entrance corner and atrium, from which we began our story, emphasizing, already from the outside, the entrance from the building. Fiberglass is also used here, not grayish-brown, as in the main part, but bright-white, with an openwork pattern, see-through in the windows, and with relief on the outside. The pattern combines stylized diagonal geometry of tree branches, letters and numbers. In the corner recess of the floor under the atrium there is another entrance with an open two-step staircase.

The academic building of the “Cooperation School” on Taganka
Copyright: Photograph: provided by ASADOV Architects


The academic building of the “Cooperation School” on Taganka
Copyright: Photograph: provided by ASADOV Architects


The academic building of the “Cooperation School” on Taganka
Copyright: Photograph: provided by ASADOV Architects


Thus, the building is perceived differently from the outside: it looks like a construction set of several parts joined together, and the “entrance” part adjacent to the passage turns out to be the most solemn – although this “representativeness” of the entrance is solved by atypical means, it is felt due to the abundance of glass, whiteness, openwork, the height of the atrium – and probably puts the students in a positive mood when they move from one building to another, serving not only as a compositional/spatial, but also as an emotional “hinge”. Or at least it looked to me that way. 

Needless to say, the new school building reflects many of the design principles of modern schools – which is not surprising, since school buildings have become one of ASADOV’s specializations in recent years: public space with an open library and an amphitheater, access to the terrace, skylights and stained glass windows, compact “packaging” of volumes for optimal use of space and variously planned “rays of vision”, the ability to peek somewhere, for example, in the gym or the biology room, from above – all these are signs of an unconventional and cutting-edge approach. In this case, these design solutions are applied not to a giant, but to a relatively small – 2060 m2 – school building, which both inside and outside seems to be a kind of “treasure box”, in which a lot of effort, time and love have been invested, both by designers and the management of this private school.

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    The western facade. The academic building of the “Cooperation School” on Taganka
    Copyright: © ASADOV Architects
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    Plan of the 4th floor. The academic building of the “Cooperation School” on Taganka
    Copyright: © ASADOV Architects
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    Plan of the 3rd floor. The academic building of the “Cooperation School” on Taganka
    Copyright: © ASADOV Architects
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    Plan of the 2nd floor. The academic building of the “Cooperation School” on Taganka
    Copyright: © ASADOV Architects
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    Plan of the 1st floor. The academic building of the “Cooperation School” on Taganka
    Copyright: © ASADOV Architects
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    The cross-section view. The academic building of the “Cooperation School” on Taganka
    Copyright: © ASADOV Architects


13 October 2021

Headlines now
Elevation 5642
The Genplan Institute of Moscow has developed a comprehensive development project for three ski resorts in the Caucasus, which have been designated as special economic zones of the tourism and recreation type. The first of these zones is Elbrus. The project includes the construction of new ski runs, cable cars, and hotels, as well as the modernization of stations and improvements to the Azau tourist meadow. To expand the audience and enhance year-round appeal, a network of eco-trails is also being developed. In this article, we provide a detailed breakdown of each stage.
The IT Town
Taking the example of the first completed phase of the “U” district, we examine how the new neighborhood in Innopolis will be organized. T+T Architects and HADAA formed a well-balanced and ingenious master plan with different types of housing, a green artery, a system of squares, and a park in the town’s central part.
The Heart Lies Within
The second-phase building of the Evgeny Primakov School already won multiple awards while still in the design stage. Now that it’s completed, some unfinished nuances remain – most notably, the exposed ceiling structures, which ideally should have been concealed. However, given the priority placed on the building’s volumetric composition, this does not seem critical. What matters more is the “Wow!” effect created by the space itself.
Magnetic Forces
“Krylatskaya 33” is the first large-scale residential complex to appear amidst the 1980s “micro-districts” that harmoniously coexist with the forests, the river, the slopes, and the sports infrastructure. Despite its imposing scale, the architects of Ostozhenka managed to turn the complex into something that can be best described as a “graceful dominant”. First, they designed the complex with consideration for the style and height of the surrounding micro-districts. Second, by introducing a pause in its tallest section, they created compositional tension – right along the urban planning axis of the area.
Orion’s Belt
The Stone Khodynka 2 office complex, designed by Kleinewelt Architekten for the company Stone, is built with an ergonomic layout following “healthy building” principles: natural light, ventilation, and all the necessary features for an efficient office environment. On the outside, it resembles – like many contemporary buildings – an iPhone: sleek, glowing, glass-and-metal, edges elegantly rounded. Yet, it responds sensitively to the Khodynka context, where the main theme is the contrast between vertical and horizontal lines. The key intrigue lies in the design of the “stylobate” as a suspended passage, leaving the space beneath it open for free pedestrian movement.
Grigory Revzin: “It Was a Bold Statement Made on the Sly. Something Won”
In this article, we discuss the debates surrounding the circus competition and the demolition of the CMEA building with the most renowned architectural critic of our time. A paradox emerges in the process: while nostalgia for the Brezhnev era seems to be in vogue in Russia, a landmark building – the “axis” of the Warsaw Pact – has been sentenced to demolition. Isn’t that strange? We also find out that wow-architecture has made a comeback as a post-COVID trend. However, to make a truly powerful statement, professionals still remain indispensable.
Exposed Concrete
One of the stages of improving a small square in the town of Lermontov was the construction of a skatepark. Entrusting this part of the project to the XSA team, the city gained a 250-meter trick track whose features resemble those of land art objects – unparalleled in Russia in both scale and design. Here’s a look at how the experimental snake run in the foothills of the Caucasus was built.
One Step Closer To the Dream
The challenges of getting all the mandatory approvals, an insufficient budget, and construction site difficulties did not prevent ASADOV Bureau from achieving its main goal in the realization of the school project in the town of Troitsk – taking another step away from outdated notions of educational spaces toward creating a fundamentally new academic environment.
Chalet on the Rock
An Accor hotel in Arkhyz, designed by A.Len, will be situated at the gateway to the resort’s main tourist hubs. The architects reinterpreted the widely popular chalet style while adding an unexpected twist – an unfinished structure preserved on the site. The design team transformed this remnant into an exciting space featuring an open-air pool and a restaurant with panoramic views of the region’s highest mountain ridges.
Sergey Skuratov: “By and large, the project has been realized in line with the original ideas”
In this issue, we talk to the chief architect of Garden Quarters, looking back at the history and key moments of a project that took 18 years to develop and has now finally been completed. What interests us most are the transformations that the project underwent during construction, and the way the “necessary void” of public space was formed, which turned this remarkable complex into a fragment of a whole new type of urban fabric – not just at the horizontal “street” level but in its vertical structure as well.
A Unique Representative
The recently concluded year 2024 can be considered the year of completion for the “Garden Quarters” residential complex in Moscow’s Khamovniki. This project is well-known and, in many ways, iconic. Rarely does one manage to preserve such a number of original ideas, achieving in the end a kind of urban planning Gesamtkunstwerk. Here is a subjective view from an architecture journalist, with an interview with Sergey Skuratov soon to follow.
Field of Life
The new project by the architectural company PNKB (an acronym for “Design, Research, and Advisory Bureau”), led by Sergey Gnedovsky and Anton Lyubimkin, for the Kulikovo Field Museum is dedicated to the field as a concept in its own right. The field has long been a focus of the museum’s thorough and successful research. Accordingly, the exterior of the new museum building is gentler than that of its predecessor, which was also designed by PNKB and dedicated specifically to the historic battle. Inside, however, the building confidently guides the visitor from a luminous atrium along a spiral path to the field – interpreted here as a field of life.
A Paper Clip above the River
In this article, we talk with Vitaly Lutz from the Genplan Institute of Moscow about the design and unique features of the pedestrian bridge that now links the two banks of the Yauza River in the new cluster of Bauman Moscow State Technical University (MSTU). The bridge’s form and functionality – particularly the inclusion of an amphitheater suspended over the river – were conceived during the planning phase of the territory’s development. Typically, this approach is not standard practice, but the architects advocate for it, referring to this intermediate project phase as the “pre-AGR” stage (AGR stands for Architectural and Urban Planning Approval). Such a practice, they argue, helps define key parameters of future projects and bridge the gap between urban planning and architectural design.
Living in the Architecture of One’s Own Making
Do architects design houses for themselves? You bet! In this article, we are examining a new book by TATLIN publishing house. This book – unprecedented for Russia – features 52 private homes designed and built by contemporary architects for themselves. It includes houses that are famous, even iconic, as well as lesser-known ones; large and small, stylish and eccentric. To some extent, the book reflects the history of Russian architecture over the past 30 years.
A City Block Isoline
Another competition project for a residential complex on the banks of the Volga in Nizhny Novgorod has been prepared by Studio 44. A team of architects led by Ivan Kozhin concluded that using a regular block layout in such a location would be inappropriate and developed a “custom design” approach: a chain of parceled multi-section buildings stretching along the entire embankment. Let’s explore the features and advantages of this unconventional method.
Competition: The Price of Creativity?
Any day now, we’re expecting the results of a competition held by the “Samolet” development group for a plot in Kommunarka. In the meantime, we share the impressions of Editor-in-Chief Julia Tarabarina, who managed to conduct a public talk. Though technically focused on the interaction between developers and architects, the public talk turned into a discussion about the pros and cons of architectural competitions.
Terraced Design
The “River Park” residential complex has confidently and securely shaped the Nagatinsky Backwater shoreline. Featuring a public embankment, elevated courtyards connected by pedestrian bridges, and brick façades, the development invites exploration of its nuanced response to the surrounding context, as well as hints of the architects’ megalithic design thinking.
A Kremlin’s Core and Meteorite Fragments
We continue our coverage of the competition projects for the residential district that the development company GloraX plans to build along the embankment of the Rowing Channel in Nizhny Novgorod. ASADOV Architects approached the concept through a deep dive into local identity, using storytelling to pinpoint a central idea for the design: the master plan and composition are imagined as if a meteorite had struck a “proto-Kremlin”. Sounds weird? Find more details below!
The Volga Regatta
GloraX plans to develop a residential complex spanning 14 hectares along the Volga River in Nizhny Novgorod. The winning design in a closed-door competition, created by GORA Architects, features housing typologies ranging from townhouses to terraced high-rise slabs, a balance of functions, diverse ways of engaging with the water, and even a dedicated island (no less!) for the city residents.
Life Plans
The master plan for the residential district “Prityazheniye” (“Gravity”) in Naberezhnye Chelny was developed by the architectural company A.Len, taking into account the specific urban planning context and partially implemented solutions of the first phase. However, the master plan prioritized its own values: a green framework, a system of focal points, a hierarchy of spaces, and pedestrian priority. After this, the question of what residents will do in their neighborhood simply doesn’t arise.
A New Track
We took a thorough look at D_Station, a railcar repair depot dating back to 1906, recently reconstructed while preserving its century-old industrial structure, upon the project by Sergey Trukhanov and T+T Architects. Though work on the interiors – set to house restaurants and public spaces – is still underway, the building’s exterior already offers plenty to see. Visitors can explore the blend of old and new brickwork, appreciate the architect’s unique interpretation of ruin aesthetics, and enjoy the newly built pedestrian route that connects the Citydel Business Center’s arches to Kazakova Street.
Four Different Surveys
The “Explore the City” competition, organized this year by the Genplan Institute of Moscow, stands out as a pretty unconventional one for the architectural field but aligns perfectly well with the character of urban planning work. The winning project analyzed contemporary residential complexes, combining urban planning insights with a realtor’s perspective to propose a hybrid approach. Other entries explored public centers, motivations for car ownership, and housing vacancy rates. A fifth participant withdrew. Here’s a closer look at the four completed works.
Scheduled Evolution
ASADOV Architects unveiled the EvyCenter pavilion, a microcultural hub for fostering personal growth, organizing workshops, and doing gymnastics. Additionally, this pavilion serves as a prototype for a scalable country house, drawing inspiration from the “Loskutok” project, and constructed from CLT panels in a factory. This marks the beginning of a developer project initiated by the architectural firm (sic!), which is seeking partners to expand both small Evy settlements and even larger Evy cities, which are, according to Andrey Asadov, aimed at fostering the “evolutionary” development of the people who will inhabit them.
The Golden Crown
The concept for a dental clinic in Yekaterinburg, developed by CNTR Studio, revolves around the idea of a “mouth full of gold”: pristine white porcelain stoneware walls are complemented by matte brass details. To avoid an overly literal interpretation, the architects focused on the building’s proportions, skillfully navigating between sunlight requirements and fire safety regulations.
Flexibility and Integration
Not long ago, we covered the project for the fourth phase of the ÁLIA residential complex, designed by APEX. Now, we’ve been shown different fence concepts they developed to enclose the complex’s private courtyards, incorporating a variety of public functions. We believe that the sheer fact that the complex’s architects were involved in such a detail as fencing speaks volumes.
A Step Forward
The HIDE residential complex represents a major milestone for ADM architects and their leaders Andrey Romanov and Ekaterina Kuznetsova in their quest for a fresh high-rise aesthetic – one that is flexible and layered, capable of bringing vibrancy to mass and silhouette while shaping form. Over recent years, this approach has become ADM’s “signature style”, with the golden HIDE tower playing a pivotal role in its evolution. Here, we delve into the project’s story, explore the details of the complex’s design, and uncover its core essence.
Gold in the Sands
A new office for a transcontinental company specializing in resource extraction and processing has opened in Dubai. Designed by T+T Architects, masters of creating spaces that are contemporary, diverse, flexible, and original, this project exemplifies their expertise. On the executive floor, a massive brass-clad partition dominates, while layered textures of compressed earth create a contextually resonant backdrop.
Layers and Levels of Flight
This project goes way back – Reserve Union won this architectural competition at the end of 2011, and the building was completed in 2018, so it’s practically “archival”. However, despite being relatively unknown, the building can hardly be considered “dated” and remains a prime example of architectural expression, particularly in the headquarters genre. And it’s especially fitting for an aviation company office. In some ways, it resembles the Aeroflot headquarters at Sheremetyevo but with its own unique identity, following the signature style of Vladimir Plotkin. In this article, we take an in-depth look at the United Aircraft Corporation (UAC) headquarters in the Moscow agglomeration town of Zhukovsky, supplemented by recent photographs from Alexey Naroditsky – a shoot that became only recently possible due to the fact that improvements were finally made in the surrounding area.
Light and Shadow
In this article, we delve into the architectural design of the “Chaika” house by DNK ag architects, which was recently completed in 2023 as part of the collection of signature designs at ZILArt. As is well-known, all the buildings in this complex follow a design code, yet each one is distinct. This particular building stands out not only for its whiteness and minimalism but also for the refined use of a limited number of techniques that, together, create what can confidently be called synergy.
Casus Novae
A master plan was developed for a large residential area with a name of “DNS City”, but now that its implementation began, the plan has been arbitrarily reformatted and replaced with something that, while similar on the surface, is actually quite different. This is not the first time such a thing happens, but it’s always frustrating. With permission from the author, we are sharing Maria Elkina’s post.