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​Asimov’s Dream

A project by DNK ag won in a competition for the science campus of the National Center for Physics and Mathematics in the city of Sarov, conducted by ROSATOM corporation in collaboration with the Moscow State University, Russian Academy of Sciences, and the Kurchatov Institute.

03 September 2021
Contest Results
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The idea of creating the National City for Physics and Mathematics in the science city of Sarov was proposed by the president of the Russian Federation in November 2020. It is understood as a “new type science campus” situated beyond the confines of the Sarov nuclear station, its task being fundamental and applied research in the above-mentioned areas, as well as in the field of information technology. The result that is ultimately expected is “getting world-class results, training top-class scientists, strengthening the human resources of the nuclear weapons complex”.

The PM Mikhail Mishustin signed the decree on the creation of the NCFM on August 30, and the competition for the architectural and urban planning of the campus was held starting in the spring of 2021. The operator of the competition was Citymakers. The contestants were required to propose “an innovative sustainable architectural solution of space for future residents, combining opportunities for effective science and a comfortable life”. It was necessary to think through the layout of the territory, the organization of public spaces and the architecture of the buildings of the center.

The projects were developed by 6 architectural companies that reached the final: Timur Bashkaev, KAMEN Architects, Buromoscow, Kleinewelt Architekten, Studio 44, and DNK. The results were announced September 2, and the winner was the project submitted by DNK ag, developed by Natalia Sidorova, Daniel Lorentz, and Konstantin Khodnev. 

The center will be built on the territory of the Sarov technology park, north of Satis settlement. From the south side, both the settlement, and Sarov, located a little more to the east, are surrounded by the forests of the Mordovsky Natural Reserve – but then again, there is a forest stepping up to the very future center, and even now there is a rectangular strip of forestland on the future campus grounds, which the architects are planning to preserve, surrounding it with campus buildings.

Architectural and urban planning of the National Center for Physics and Mathematics in Sarov, the winning project September 9, 2021
Copyright: © DNK ag


The forest fragment, the natural environment, and the parallels with the wooden houses of the employees of the restricted-entrance town Arzamas-16 became the main conceptual basis of the winning project developed by DNK ag.

The low-rise buildings: the science and educational complex, the library, the dormitory, and the residents of the teachers and researchers, as well as the hotel and the cultural center – are grouped along the contour of the preserved forest rectangle, a peculiar “forest plaza” of sorts, then continue down south, sprouting a small branch in the southwest part. According to the authors, what appears on the inside is a walking-distance space with a string of interconnected public sub-spaces, designed for pedestrians and cyclists. The cyclists will be able to move around both inside the complex and reach the city of Sarov, which is about 5 kilometers away.

Architectural and urban planning of the National Center for Physics and Mathematics in Sarov, the winning project September 9, 2021
Copyright: © DNK ag


The main building – the research center – is located to the north of the forest area and was designed in a very curious way: on the one hand, it is spread out with a clear preference for horizontal, which is very suitable for the style of any modern scientific campus – it is customary to build them without obvious centerpieces. On the other hand, its silhouette is pyramidal, which, according to the authors of the project, is intended to remind of the famous skyscraper of Moscow University, one of the founders of the new center in Sarov.

The pyramid is formed because the building consists of two three-story square volumes with large courtyards that accommodate auditoriums and laboratories, and one more, one-story square of the library, also with a hole in the center, installed on their “shoulders” along the central axis.

Architectural and urban planning of the National Center for Physics and Mathematics in Sarov, the winning project September 9, 2021
Copyright: © DNK ag


What it ends up being is a spectacular transparent link – a bridge floating in space between the two units of the main building. Below it, there is an amphitheater facing the forest – a place of communication, an almost indispensable element of modern educational and research spaces, welcoming, at the same time, to contemplate nature.

Architectural and urban planning of the National Center for Physics and Mathematics in Sarov, the winning project September 9, 2021
Copyright: © DNK ag


The building, transparent and light, rhymes with the natural environment and seems to even accentuate it, strives to be its continuation.

Architectural and urban planning of the National Center for Physics and Mathematics in Sarov, the winning project September 9, 2021
Copyright: © DNK ag


The facades of other buildings are also made of natural materials.

Architectural and urban planning of the National Center for Physics and Mathematics in Sarov, the winning project September 9, 2021
Copyright: © DNK ag


DNK ag architects define their project of the National Center for Physics and Mathematics as “a working model of the city of the future”. One can definitely agree with them: in the proposed imagery one can read an example of a campus that has been repeatedly described in fantastic literature: it is so high-tech that it can afford harmonious coexistence with nature, its preservation, admiration, contemplation, walks to “clear the registers” in front of the next brain by storm. A campus from the books of Isaac Asimov – when you go straight out of a transparent wall to the lawn or into the forest and start jogging – which has many examples of its embodiment in post-war modernist architecture, but in this case, adjusted for the relevance of the 21st century.

The project is scheduled to be implemented in 2024.

The judging panel:
Alexey Likhachev, General Director of the State Atomic Energy Corporation ROSATOM;
Victor Sadovnichy, President of Moscow State University;
Alexander Sergeev, President of the Russian Academy of Sciences;
Sergey Kuznetsov, Chief Architect of Moscow;
Anton Finogenov, Deputy General Director of the DOM.RF Foundation;
Andrey Gnezdilov, partner of the Ostozhenka architects;
Oleg Shapiro, co-founder of the WOWHAUS architects;
Alexey Novikov, President of Habidatum;
Sergey Zuev, President of the Moscow Higher School of Social and Economic Sciences;
Elena Bunina, General Director of Yandex Russia

03 September 2021

Headlines now
Inverted Fortress
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Transformation of Annenkirche
For Annenkirche (St. Anna Lutheran Church in St. Petersburg), Sergey Kuznetsov and the Kamen bureau have prepared a project that relies on the principles of the Venice Charter: the building is not restored to a specific date, historical layers are preserved, and modern elements do not mimic the authentic ones. Let’s delve into the details of these solutions.
The Paradox of the Temporary
The concept of the Russian pavilion for EXPO 2025 in Osaka, proposed by the Wowhaus architects, is the last of the six projects we gathered from the 2022 competition. It is again worth noting that the results of this competition were not finalized due to the cancellation of Russia’s participation in World Expo 2025. It should be mentioned that Wowhaus created three versions for this competition, but only one is being presented, and it can’t be said that this version is thoroughly developed – rather, it is done in the spirit of a “student assignment”. Nevertheless, the project is interesting in its paradoxical nature: the architects emphasized the temporary character of the pavilion, and in its bubble-like forms sought to reflect the paradoxes of space and time.
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
Mirrors Everywhere
The project by Sergey Nebotov, Anastasia Gritskova, and the architectural company “Novoe” was created for the Russian pavilion at EXPO 2025, but within the framework of another competition, which, as we learned, took place even earlier, in 2021. At that time, the competition theme was “digital twins”, and there was minimal time for work, so the project, according to the architect himself, was more of a “student assignment”. Nevertheless, this project is interesting for its plan bordering on similarity with Baroque projects and the emblem of the exhibition, as well as its diverse and comprehensive reflectiveness.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
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The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.
Architecture and Leisure Park
For the suburban hotel complex, which envisages various formats of leisure, the architectural company T+T Architects proposed several types of accommodation, ranging from the classic “standard” in a common building to a “cave in the hill” and a “house in a tree”. An additional challenge consisted in integrating a few classic-style residences already existing on this territory into the “architectural forest park”.
The U-House
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Black and White
In this article, we specifically discuss the interiors of the ATOM Pavilion at VDNKh. Interior design is a crucial component of the overall concept in this case, and precision and meticulous execution were highly important for the architects. Julia Tryaskina, head of UNK interiors, shares some of the developments.
The “Snake” Mountain
The competition project for the seaside resort complex “Serpentine” combines several typologies: apartments of different classes, villas, and hotel rooms. For each of these typologies, the KPLN architects employ one of the images that are drawn from the natural environment – a serpentine road, a mountain stream, and rolling waves.
Opal from Anna Mons’ Ring
The project of a small business center located near Tupolev Plaza and Radio Street proclaims the necessity of modern architecture in a specific area of Moscow commonly known as “Nemetskaya Sloboda” or “German settlement”. It substantiates its thesis with the thoroughness of details, a multitude of proposed and rejected form variants, and even a detailed description of the surrounding area. The project is interesting indeed, and it is even more interesting to see what will come of it.
Feed ’Em All
A “House of Russian Cuisine” was designed and built by KROST Group at VDNKh for the “Rossiya” exhibition in record-breaking time. The pavilion is masterfully constructed in terms of the standards of modern public catering industry multiplied by the bustling cultural program of the exhibition, and it interprets the stylistically diverse character of VDNKh just as successfully. At the same time, much of its interior design can be traced back to the prototypes of the 1960s – so much so that even scenes from iconic Soviet movies of those years persistently come to mind.
The Ensemble at the Mosque
OSA prepared a master plan for a district in the southern part of Derbent. The main task of the master plan is to initiate the formation of a modern comfortable environment in this city. The organization of residential areas is subordinated to the city’s spiritual center: depending on the location relative to the cathedral mosque, the houses are distinguished by façade and plastique solutions. The program also includes a “hospitality center”, administrative buildings, an educational cluster, and even an air bridge.
Pargolovo Protestantism
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The Shape of the Inconceivable
The ATOM Pavilion at VDNKh brings to mind a famous maxim of all architects and critics: “You’ve come up with it? Now build it!” You rarely see such a selfless immersion in implementation of the project, and the formidable structural and engineering tasks set by UNK architects to themselves are presented here as an integral and important part of the architectural idea. The challenge matches the obliging status of the place – after all, it is an “exhibition of achievements”, and the pavilion is dedicated to the nuclear energy industry. Let’s take a closer look: from the outside, from the inside, and from the underside too.
​Rays of the Desert
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The Dairy Theme
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The Road to the Temple
Under a grant from the Small Towns Competition, the main street and temple area of the village of Nikolo-Berezovka near Neftekamsk has been improved. A consortium of APRELarchitects and Novaya Zemlya is turning the village into an open-air museum and integrating ruined buildings into public life.
​Towers Leaning Towards the Sun
The three towers of the residential complex “Novodanilovskaya 8” are new and the tallest neighbors of the Danilovsky Manufactory, “Fort”, and “Plaza”, complementing a whole cluster of modern buildings designed by renowned masters. At the same time, the towers are unique for this setting – they are residential, they are the tallest ones here, and they are located on a challenging site. In this article, we explore how architects Andrey Romanov and Ekaterina Kuznetsova tackled this far-from-trivial task.
In the spirit of ROSTA posters
The new Rostselmash tractor factory, conceptualized by ASADOV Architects, is currently being completed in Rostov-on-Don. References to the Soviet architecture of the 1920’s and 1960’s resonate with the mission and strategic importance of the enterprise, and are also in line with the client’s wish: to pay homage to Rostov’s constructivism.
The Northern Thebaid
The central part of Ferapontovo village, adjacent to the famous monastery with frescoes by Dionisy, has been improved according to the project by APRELarchitects. Now the place offers basic services for tourists, as well as a place for the villagers’ leisure.