По-русски

​An Office for Concentrating Ideas

T+T Architects have designed an office for a French IT company, where the employees in any point of the premises can discuss with their colleagues new ideas or even write them on the wall.

01 March 2021
Overview
mainImg
The IT sector – one of the most creative customers of office space design – still before the pandemic actively tested agile functional and spatial design solutions. The company BNP Paribas Technology, which is a part of the structure of the French bank BNP Paribas, involved in developing banking software, is no exception.  The office of the Moscow branch of BNPP with an area of 1,800 qm, situated in the “Belaya Ploshchad” business center, turned out to be a beautiful-looking multifunctional space, whose distinctive features are “loose” workplaces, and diverse and geometrically sophisticated zoning for the working and social interaction between the employees.

  • zooming
    Moscow office of BNP Paribas Technology
    Copyright: Photograph © Ilia Ivanov
  • zooming
    Moscow office of BNP Paribas Technology
    Copyright: Photograph © Ilia Ivanov


Moscow office of BNP Paribas Technology
Copyright: Photograph © Ilia Ivanov


In the agile offices, often chosen by companies with a powerful creative component, the social and working processes are closely interwoven, and the design space is first of all thought out from the point of view of the capacity of creative potential, and the ability to laugh and maintain the processes of generating new ideas. Ideally, working in such an office, has an opportunity to record their ideas and get them across to their colleagues at any given moment, being at any given spot.

It was important for the client to get a flexible space that helps people feel more comfortable at work, one that would increase their creativity and productivity. Among other solutions, one can single out the specifics of the organization of work, when a person does not have a fixed workplace, and the principle works – whoever came earlier chooses the best place. We were very fortunate as the customers discussed their workflows with us quite a lot, and in the end we seemed to be able to come up with the right solution.


Actually, this became the main idea for the T+T project – to propose such functional zoning that would support the required “concentration of ideas”. In order to do that, the architects, first of all, had to consider the working specifics of the client’s team, which was pretty diverse: the number of people in a team varies from three to several dozen people, and, to satisfy the needs of all of these forms of activity, the architects developed several formats of working space.

  • zooming
    Moscow office of BNP Paribas Technology
    Copyright: Photograph © Ilia Ivanov
  • zooming
    Moscow office of BNP Paribas Technology
    Copyright: Photograph © Ilia Ivanov


  • zooming
    Moscow office of BNP Paribas Technology
    Copyright: Photograph © Ilia Ivanov
  • zooming
    Moscow office of BNP Paribas Technology
    Copyright: Photograph © Ilia Ivanov


In addition, the plan of the office was influenced by the shape of the building of the business center as well – as is known, its buildings are triangle with a whole street running between them, while their rounded “noses” stop at the old-believer St. Nicholas Church. According to the architects, these rounded corners imposed some limitations in terms of space organization. In order to ensure a comprehensive planning structure for the users, the architects tried to use the “complicated” spots for meeting rooms and public spaces, making the most of the plastique and the complex geometry of the premises.

  • zooming
    1 / 17
    Moscow office of BNP Paribas Technology
    Copyright: Photograph © Ilia Ivanov
  • zooming
    2 / 17
    Moscow office of BNP Paribas Technology
    Copyright: Photograph © Ilia Ivanov
  • zooming
    3 / 17
    Moscow office of BNP Paribas Technology
    Copyright: Photograph © Ilia Ivanov
  • zooming
    4 / 17
    Moscow office of BNP Paribas Technology
    Copyright: Photograph © Ilia Ivanov
  • zooming
    5 / 17
    Moscow office of BNP Paribas Technology
    Copyright: Photograph © Ilia Ivanov
  • zooming
    6 / 17
    Moscow office of BNP Paribas Technology
    Copyright: Photograph © Ilia Ivanov
  • zooming
    7 / 17
    Moscow office of BNP Paribas Technology
    Copyright: Photograph © Ilia Ivanov
  • zooming
    8 / 17
    Moscow office of BNP Paribas Technology
    Copyright: Photograph © Ilia Ivanov
  • zooming
    9 / 17
    Moscow office of BNP Paribas Technology
    Copyright: Photograph © Ilia Ivanov
  • zooming
    10 / 17
    Moscow office of BNP Paribas Technology
    Copyright: Photograph © Ilia Ivanov
  • zooming
    11 / 17
    Moscow office of BNP Paribas Technology
    Copyright: Photograph © Ilia Ivanov
  • zooming
    12 / 17
    Moscow office of BNP Paribas Technology
    Copyright: Photograph © Ilia Ivanov
  • zooming
    13 / 17
    Moscow office of BNP Paribas Technology
    Copyright: Photograph © Ilia Ivanov
  • zooming
    14 / 17
    Moscow office of BNP Paribas Technology
    Copyright: Photograph © Ilia Ivanov
  • zooming
    15 / 17
    Moscow office of BNP Paribas Technology
    Copyright: Photograph © Ilia Ivanov
  • zooming
    16 / 17
    Moscow office of BNP Paribas Technology
    Copyright: Photograph © Ilia Ivanov
  • zooming
    17 / 17
    Moscow office of BNP Paribas Technology
    Copyright: Photograph © Ilia Ivanov


As was already mentioned earlier, the employees do not have any fixed workplaces, but they can freely occupy either combined open-space workstations or closed cabinets, if they need concentration. A considerable amount of time is spent by IT specialists in conferences and other kinds of interaction, and because of that the project provides as many as possible places for meetings and joint work – the so-called standup zones of various sizes: these are placed after every 3 or 4 rows, at an equal distance from the workplaces.

  • zooming
    Moscow office of BNP Paribas Technology
    Copyright: Photograph © Ilia Ivanov
  • zooming
    Moscow office of BNP Paribas Technology
    Copyright: Photograph © Ilia Ivanov


On the plan, the workstations are placed along the facade of the building, catching as much of natural light as possible, and alternating with the “aquariums” of the meeting rooms – these are designed with the use of curvilinear tinted glass, and are ranked by size: from small ones for 4 to 6 people to large ones up to 14 employees. In the center of the premises, there is a triangular “island” with a kitchen, whose outlines are reminiscent of the smooth curves of the business center.

Wherever workplaces are located, the architects provided marker walls and mobile interactive boards so that the employees could faster put down their ideas and conduct quick meetings without ever leaving their workplaces. The office has many walls in it, coated with milky glass, easy to write on.

Moscow office of BNP Paribas Technology
Copyright: Photograph © Ilia Ivanov


Moscow office of BNP Paribas Technology
Copyright: Photograph © Ilia Ivanov


The grey and white colors prevail in the decoration of workstations, which allows people to concentrate for long periods of time without getting tired, as well as add colorful accents – these are executed in blue and green colors in accordance with the company’s brand book. For example, against the background of monochrome walls and floor appear bright-colored counterpoints of corrugated inserts of “patinated copper” with the use of folded metal, blue “cabins” for communication, and the green “waffle” kitchen ceiling. Another textured highlight is presented by the surfaces of the exposed concrete of the columns and the reception desk: in combination with open utility lines on the ceiling, they “remind” about the company’s technological bias.  

Georgy Tyugaev, T+T Architects

“The choice of colors and materials was, on the one hand, determined by the client’s corporate colors, which we used in common-use and recreation areas. On the other hand, we aimed to create a space that would allow us to work comfortably for as long as possible – for this, the neutral white-gray scale was a good fit. Patinated copper, shades of green and turquoise patina, which successfully correlate with BNPP's signature colors, were chosen as the accent material.”


On the whole, the colorful accents are grouped in the premises with recreational functions – and these are rather numerous here, because it is commonly accepted that interaction between the employees must not be limited to working processes alone: these are the transparent green kitchen, the navy blue coffee points, the splendid white lounges with large sofas and panoramic views of the district around the Belorusskaya metro station, and a special room for doing sports. There is also yet another, “image” recreation area, called “town hall” – with an amphitheater of its own and backlit steps. Here, the deep blue of the corrugated ceiling and the walls is enriched by warm woodwork, and a very cozy space appears where you can sit down and read a book, have a chat with your colleagues or play table tennis.

Moscow office of BNP Paribas Technology
Copyright: Photograph © Ilia Ivanov


Moscow office of BNP Paribas Technology
Copyright: Photograph © Ilia Ivanov


As a result, with a rather limited floor space, further “cut down” by the complex outline of the building itself, T+T Architects managed to place as many working areas of the most varied formats as possible.  Spatial and functional diversity, which is fundamental for creative spheres, such as the IT sector, was achieved by using verified geometry and flexible zoning, dynamic lines of rooms and furniture, and a combination of carefully selected textures and shades of materials.
  • zooming
    1 / 17
    Moscow office of BNP Paribas Technology
    Copyright: Photograph © Ilia Ivanov
  • zooming
    2 / 17
    Moscow office of BNP Paribas Technology
    Copyright: Photograph © Ilia Ivanov
  • zooming
    3 / 17
    Moscow office of BNP Paribas Technology
    Copyright: Photograph © Ilia Ivanov
  • zooming
    4 / 17
    Moscow office of BNP Paribas Technology
    Copyright: Photograph © Ilia Ivanov
  • zooming
    5 / 17
    Moscow office of BNP Paribas Technology
    Copyright: Photograph © Ilia Ivanov
  • zooming
    6 / 17
    Moscow office of BNP Paribas Technology
    Copyright: Photograph © Ilia Ivanov
  • zooming
    7 / 17
    Moscow office of BNP Paribas Technology
    Copyright: Photograph © Ilia Ivanov
  • zooming
    8 / 17
    Moscow office of BNP Paribas Technology
    Copyright: Photograph © Ilia Ivanov
  • zooming
    9 / 17
    Moscow office of BNP Paribas Technology
    Copyright: Photograph © Ilia Ivanov
  • zooming
    10 / 17
    Moscow office of BNP Paribas Technology
    Copyright: Photograph © Ilia Ivanov
  • zooming
    11 / 17
    Moscow office of BNP Paribas Technology
    Copyright: Photograph © Ilia Ivanov
  • zooming
    12 / 17
    Moscow office of BNP Paribas Technology
    Copyright: Photograph © Ilia Ivanov
  • zooming
    13 / 17
    Moscow office of BNP Paribas Technology
    Copyright: Photograph © Ilia Ivanov
  • zooming
    14 / 17
    Moscow office of BNP Paribas Technology
    Copyright: Photograph © Ilia Ivanov
  • zooming
    15 / 17
    Moscow office of BNP Paribas Technology
    Copyright: Photograph © Ilia Ivanov
  • zooming
    16 / 17
    Moscow office of BNP Paribas Technology
    Copyright: Photograph © Ilia Ivanov
  • zooming
    17 / 17
    Moscow office of BNP Paribas Technology
    Copyright: Photograph © Ilia Ivanov


01 March 2021

Headlines now
A Roadside Picnic of Urban Planning Theorists
Marina Egorova, head of Empate Architectural Bureau, brought together urban planning theorists – the successors of Alexey Gutnov and Vyacheslav Glazychev – to revive the substance and depth of professional discourse. At the first meeting, much ground was covered: the participants revisited the theoretical foundations, aligned their values, examined a cutting-edge case of the Kazan agglomeration, and concluded with the unfathomable intricacies of Russian land demarcation. Below, we present key takeaways from all the presentations.
Perspective View
CNTR Architects has designed a business center for a new district in Yekaterinburg, aiming to reduce the need for commuting and make the residential environment more diverse. The architectural solutions are equally focused on creating spatial flexibility, comfortable working conditions, and a memorable image that could allow the building to become a spatial landmark of the district.
Malevich and Bathhouses, Nature and High-Tech
The Malevich Bathhouse complex is scheduled to open in the fall of 2025 on the Rublyovo-Uspenskoye Highway. The project, designed by DBA-GROUP under the leadership of Vladislav Andreev, is an example of an unconventional approach to the image of a spa in general and of a bathhouse in particular. Deliberately avoiding any kind of allusion, the architects opted for streamlined forms with characteristic rounded corners, a combination of wood with bent glass, and restrained contemporary shapes – both inside and out. Let’s take a closer look at the project.
Rather, a Tablecloth and a Glass!
After many years, the long-abandoned Horse Guards Department building in St. Petersburg has finally received the attention it deserves: according to a design by Studio 44, the first restoration and adaptation works are scheduled to begin this year. Both the intended function and the general scope of works imply minimal alteration to the complex, which has preserved traces of its three-century history. All solutions are reversible and aimed, above all, at opening the monument to the city and immersing it in a lively social scene – hence the choice of a cultural center scenario with a strong gastronomic component.
The City as a Narrative
Sergey Skuratov’s approach to large urban plots could best be described as a “total design code”. The architect pays equal attention to the overall composition and the smallest of details, striving to ensure that every aspect is thoroughly thought out and subordinated to the original vision. It’s a Renaissance-like approach, really – a titanic effort demanding remarkable willpower and perseverance. The results are likewise grand – architecture that makes a statement. This article looks at the revived concept for the central section of the Seventh Heaven residential district in Kazan, a composition so thoroughly considered that even the “gradient of visual emphasis” (sic!) across the facades has been carefully worked out. It also touches on the narrative idea behind the project – and even the architect’s own doubts about it.
A Laconic Image of Time
The Time Square residential complex, built on the northern edge of St. Petersburg, appears more concise and efficient than its neighbor and predecessor, the New Time complex. Nevertheless, the architect’s hand is clearly felt: themes of “black and white”, “inside and outside”, and most notably, the “lamellar” quality of the facades that seems to visibly “eat away” at the buildings’ mass – everything is played out like a well-written score. One is reminded of both classical modernism and the so-called “post-constructivism”.
The Flower of the Lake
The prototype for the building of the Kamal Theater in Kazan is an ice flower: a rare and fragile natural phenomenon of Lake Kaban “froze” in the large, soaring outlines of the glass screens enclosing the main volume, shaping its silhouette and shielding the stained-glass windows from the sun. The project, led by the Wowhaus consortium and including global architecture “star” Kengo Kuma, won the 2021/2022 competition and was realized close to the original concept in a short – very short – period of time. The theater opened in early 2025. It was Kengo Kuma who proposed the image of an ice flower and the contraposition of cold on the outside and warmth on the inside. Between 2022 and 2024, Wowhaus did everything possible to bring this vision to life, practically living on-site. Now we are taking a closer look at this landmark building and its captivating story.
Peaceful Integration on Mira Avenue
The MIRA residential complex (the word mir means “peace” in Russian), perched above the steep banks of the Yauza River and Mira Avenue, lives up to its name not only technically, but also visually and conceptually. Sleek, high-rise, and glass-clad, it responds both to Zholtovsky’s classicism and to the modernism of the nearby “House on Stilts”. Drawing on features from its neighbors, it reconciles them within a shared architectural language rooted in contemporary façade design. Let’s take a closer look at how this is done.
An Interior for a New Format of Education
The design of the new building for Tyumen State University (TyumSU) was initially developed before the pandemic but later revised to meet new educational requirements. The university has adopted a “2+2+2” system, which eliminates traditional divisions into groups and academic streams in favor of individualized study programs. These changes were implemented swiftly – right at the start of construction. Now that the building is complete, we are taking a closer look.
Penthouses and Kokoshniks
A new residential complex designed by ASADOV Architects for the Krasnaya Roza business district responds to its proximity to 17th-century landmarks – the chambers of the Hamovny Dvor and St. Nicholas Church – as well as to the need to preserve valuable façades of a historic rental house built in the Russian Revival style. The architects proposed a set of buildings of varying heights, whose façades reference ecclesiastical architecture. But we were also able to detect other associations.
Centipede Town
The new school campus designed by ATRIUM Architects, located on the shores of a protected lake in the Imeretian Lowland Ornithological Reserve, represents an important and ambitious undertaking for the team: this is not just a school, but a Presidential Lyceum for the comprehensive development of gifted children – 2,500 students from age 3 through high school. At the same time, it is also envisioned as a new civic hub for the entire Sirius territory. In this article, we unpack the structure and architecture of this “lyceum town”.
Warm Black and White
The second phase of “Quarter 31”, designed by KPLN and built in the Moscow suburb town of Pushkino, reveals a multifaceted character. At first glance, the complex appears to be defined by geometry and a monochrome palette. But a closer look reveals a number of “irregular” details: a gradient of glazing and flared window frames, a hierarchy of façades, volumetric brickwork, and even architectural references to natural phenomena. We explore all the rules – and exceptions – that we were able to discover here.
​Skylights and Staircase
Photos from March show the nearly completed headquarters of FSK Group on Shenogina Street. The building’s exterior is calm and minimalist; the interior is engaging and multi-layered. The conical skylights of the executive office, cast in raw concrete, and the sweeping spiral staircase leading to it, are particularly striking. In fact, there’s more than one spiral staircase here, and the first two floors effectively form a small shopping center. More below.
The Whale of Future Identity
Or is it a veil? Or a snow-covered plain? Vera Butko, Anton Nadtochy, and the architects of ATRIUM faced a complex and momentous task: to propose a design for the “Russia” National Center. It had to be contemporary, yet firmly rooted in cultural codes. Unique, and yet subtly reminiscent of many things at once. It must be said – the task found the right authors. Let’s explore in detail the image they envisioned.
Greater Altai: A Systemic Development Plan
The master plan for tourism development in Greater Altai encompasses three regions: Kuzbass, the Altai Republic, and Altai Krai. It is one of twelve projects developed as part of the large-scale state program bearing the simple name of “Tourism Development”. The project’s slogan reads: “Greater Altai – a place of strength, health, and spirit in the very heart of Siberia”. What are the proposed growth points, and how will the plan help increase the flow of both domestic and international tourists? Read on to find out.
The Colorful City
While working on a large-scale project in Moscow’s Kuntsevo district – one that has yet to be given a name – Kleinewelt Architekten proposed not only a diverse array of tower silhouettes in “Empire-style” hues and a thoughtful mix of building heights, creating a six-story “neo-urbanist” city with a block-based layout at ground level, but also rooted their design in historical and contextual reasoning. The project includes the reconstruction of several Stalin-era residential buildings that remain from the postwar town of Kuntsevo, as well as the reconstruction of a 1953 railway station that was demolished in 2017.
In Orbit of Moscow City
The Orbital business center is both simple and complex. Simple in its minimalist form and optimal office layout solution: a central core, a light-filled façade, plenty of glass; and from the unusual side – a technical floor cleverly placed at the building’s side ends. Complex – well, if only because it resembles a celestial body hovering on metallic legs near Magistralnaya Street. Why this specific shape, what it consists of, and what makes this “boutique” office building (purchased immediately after its completion) so unique – all of this and more is covered in our story.
The Altai Ornament
The architectural company Empate has developed the concept for an eco-settlement located on a remote site in Altai. The master plan, which resembles a traditional ornament or even a utopian city, forms a clear system of public and private spaces. The architects also designed six types of houses for the settlement, drawing inspiration from the region’s culture, folklore, and vernacular building practices.
Pro Forma
Photos have emerged of the newly completed whisky distillery in Chernyakhovsk, designed by TOTEMENT / PAPER – a continuation of their earlier work on the nearby Cognac Museum. From what is, in essence, a merely technical and utilitarian volume and space, the architects have created a fully-fledged theatre of impressions. Let’s take a closer look. We highly recommend a visit to what may look like a factory, but is in fact an experiment in theatricalizing the process of strong spirit production – and not only that, but also of “pure art”, capable of evolving anywhere.
The Arch and the Triangle
The new Stone Mnevniki business center by Kleinewelt Architekten – designed for the same client as their projects in Khodynka – bears certain similarities to those earlier developments, but not entirely. In Mnevniki, there are more angular elements, and the architects themselves describe the project as being built on contrast. Indeed, while the first phase contains subtle references to classical architecture – light touches like arches, both upright and inverted, evoking the spirit of the 1980s – the second phase draws more distantly on the modernism of the 1970s. What unites them is a boldly expressive public space design, a kaleidoscope of rays and triangles.
Health Factory
While working on a wellness and tourist complex on the banks of the Yenisei River, the architects at Vissarionov Studio set out to create healing spaces that would amplify the benefits of nature and medical treatments for both body and soul. The spatial solutions are designed to encourage interaction between the guests and the landscape, as well as each other.
The Blooming Mechanics of a Glass Forest
The Savvinskaya 27 apartment complex built by Level Group, currently nearing completion on an elongated riverfront site next to the Novodevichy Convent, boasts a form that’s daring even by modern Moscow standards. Visually, it resembles the collaborative creation of a glassblower and a sculptor: a kind of glass-and-concrete jungle, rhythmically structured yet growing energetically and vividly. Bringing such an idea to life was by no means an easy task. In this article, we discuss the concept by ODA and the methods used by APEX architects to implement it, along with a look at the building’s main units and detailing.
Grace and Unity
Villa “Grace”, designed by Roman Leonidov’s studio and built in the Moscow suburbs, strikes a balance between elegant minimalism and the expansive gestures of the Russian soul. The main house is conceived as a sequence of four self-contained volumes – each could exist independently, yet it chooses to be part of a whole. Unity is achieved through color and a system of shared spaces, while the rich plasticity of the forms – refined throughout the construction process – compensates for the near-total absence of decorative elements.
Daring Brilliance
In this article, we are exploring “New Vision”, the first school built in the past 25 years in Moscow’s Khamovniki. The building has three main features: it is designed in accordance with the universal principles of modern education, fostering learning through interaction and more; second, the façades combine structural molded glass and metallic glazed ceramics – expensive and technologically advanced materials. Third, this is the school of Garden Quarters, the latest addition to Moscow’s iconic Khamovniki district. Both a costly and, in its way, audacious acquisition, it carries a youthful boldness in its statement. Let’s explore how the school is designed and where the contrasts lie.
A Twist of the Core
A clever and concise sculptural solution – rotating each floor by N degrees – has created an ensemble of “dancing” towers: similar yet different, simple yet complex. The designers meticulously refined a single structural node and spent considerable effort on the column construction – after that, “everything else was easy”. The architects also rotated the core walls on each floor to maximize the efficiency of the office spaces.
The Sculpting of Spring Forest Matter
We’ve been observing this building for a couple of years now: seemingly simple, perhaps even unassuming, it fits in remarkably well with the micro-district context shaped by the Moscow MCD road junctions. This building sticks in the memory of everyone who drives along the highway, even occasionally. In our opinion, Sergey Nikeshkin, by blending popular architectural techniques and approaches of the 2010s, managed to turn a seemingly simple structure into a statement “on the theme of a house as such”. Let’s figure out how this happened.
Water and Wind Whet the Stone
The Arisha Terraces residential complex, designed by Asadov Architects, will be built in a district of Dubai dedicated to film and television production. To create shaded spaces and an intriguing silhouette, the architects opted for a funnel-shaped composition and nature-inspired forms of erosion and weathering. The roofs, podium, and underground spaces extend leisure opportunities within the boundaries of a man-made “oasis”.
Elevation 5642
The Genplan Institute of Moscow has developed a comprehensive development project for three ski resorts in the Caucasus, which have been designated as special economic zones of the tourism and recreation type. The first of these zones is Elbrus. The project includes the construction of new ski runs, cable cars, and hotels, as well as the modernization of stations and improvements to the Azau tourist meadow. To expand the audience and enhance year-round appeal, a network of eco-trails is also being developed. In this article, we provide a detailed breakdown of each stage.
The IT Town
Taking the example of the first completed phase of the “U” district, we examine how the new neighborhood in Innopolis will be organized. T+T Architects and HADAA formed a well-balanced and ingenious master plan with different types of housing, a green artery, a system of squares, and a park in the town’s central part.