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​The Living Growth

The grand-scale housing complex AFI PARK Vorontsovsky in Moscow’s southwest consists of four towers, a “slab” house, and a kindergarten building. Interestingly, the plastique of the residential buildings is quite active – they seem to be growing before your eyes, responding to the natural context, and first of all opening the views of the nearby park. As for the kindergarten building, it is cute and lyrical, like a little sugar house.

06 April 2021
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AFI PARK Vorontsovsky is situated between Leninsky Avenue and Profsoyuznaya Street. Its name unambiguously highlights one of the most attractive features of the complex, the proximity of the famous Vorontsovsky Park, described by Leo Tolstoy in his “War and Peace”, and other works by Russian authors. The park – a historical relic and a popular place for recreation – is situated within a walking distance from the new complex. Another advantage of this location is the fact that Moscow’s southeast is a prestigious and environmentally pure area in itself, having a lot of educational facilities in it, including the country’s top universities, and the famous Gymnasium 1514, which is in Moscow’s top ten schools up to this day. 

The land site is rather large – 3 hectares – and elongated. It stretches diagonally, from northwest to southeast, between the Akademika Chelomeya and Arkhitektora Vlasova streets. On the side of Akademika Chelomeya Street, it is curbed by residential houses with urban infrastructure, cafes and shops in the first floors – partly because of this, the buildings of AFI PARK Vorontsovsky, whose lower tiers also will include shops, cafes, drugstores, and boutiques, gravitate gravitate towards this side of the territory, while from the opposite side, along the southeast border, stretches a green private yard, separated from the Vlasova Street by a fence. The layout idea is supported by an about 4-meter height drop: the northwest part of the territory not only adjoins the busier city street, but is also situated higher relief-wise, while the green strip corresponds to the smooth slope.

The master plan. AFI Park Vorontsovsky residential complex
Copyright: © ADM


Thus, the six volumes – five residential buildings from 12 to 25 stories high, and the kindergarten building – are lined up along Chelomeya Street. The composition of volumes inside the complex and even their very plastique are designed in such a way as to open up as many as possible panoramic views of the Vorontsovsky Park. Nearest to the park are two dark brick houses with bold recognizable silhouettes, looking like sails. This is the topmost quality housing here that provides the best views. Along the street, there is a 12-story “slab” house of light-colored brick. The space between the “sails” and the “slab” is occupied by a three-story kindergarten. The site is completed by two brick towers of a more austere silhouette. In their bottom parts, the “sail” houses are complemented by a stylobate of a complex shape with a zigzagging outline on the plan, which responds to the rounding of the land site. The stylobate will host shops and a restaurant with a terrace on the roof. 

The overview from the side of Arkhitektora Vlasova Street. AFI Park Vorontsovsky residential complex
Copyright: © ADM


The dramatic silhouettes of the “sail” houses have quite a functional rationale. Due to the fact that the Vorontsovsky Park lies not directly beneath the windows but a little diagonally to the left, the houses in their upper parts make a twist, crumbling into bay windows, so as to ensure the maximum amount of panoramic views of the park. The bay windows stand out further and further, forming a dramatic line of the corner that looks as if it had been “pulled aside”. From a distance, it looks like a smooth curve, but from a close range you can see the ledges of individual modules. The relief of these “drawn” bay windows looks particularly interesting when viewed from the ground.

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    AFI Park Vorontsovsky residential complex
    Copyright: © ADM
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    The overview from the park. AFI Park Vorontsovsky residential complex
    Copyright: © ADM


The finish, consisting of brown bricks with multicolored inclusions in combination with wide windows reaching to the floor with dark-gray sashes, gives the houses a certain “loft” look, but the rigorous loft grid is only used in the bottom floors. From the tenth floor up, dynamic twists and turns begin. The form takes on an illusion of agility of a cascade, combined with clear-cut cell structure – the sophisticated design of the whole, where each ledge is different from the preceding one, upon closer inspections turns out to be algorithm-based and predictable, because the main underlying principle is subjugated to consecutive logic.

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    A section view. AFI Park Vorontsovsky residential complex
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    A section view. AFI Park Vorontsovsky residential complex
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    AFI Park Vorontsovsky residential complex
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The relatively small height of the “slab” house is determined by the insulation requirements of the neighboring buildings, while its elongated configuration called for a livelier plastique. Eventually, the 12-story house ended up being the most dynamic element in the complex: from the side of the yard, it is based on a spiral motion, and the facade looks as if it was rocking – one upper corner reaches out to the right, and the “antagonist” corner on the other end reaches out to the left. The resulting shape is slightly reminiscent of a propeller blade, and, it must be noted, that the whole of it, just as the plastique of the towers, is formed by the bay windows and the protruding cells of the apartments. Wherever their steps get wider at the bottom and narrower at the top, each apartment gets a small open-air balcony with a glass barrier; there is a cantilevered structure above the first floor. From the side of the yard, the house becomes a plastique event, a visual “hub” of sorts, which connects the two north towers with the two south ones. However, its outer facade, which faces the city, unlike the yard one, is rigorous and pristine, because it “holds” the street line.

View from the yard to the low-rise building. AFI Park Vorontsovsky residential complex
Copyright: © ADM


The sails and the slab essentially present two different typologies. Still another variant is presented by the towers that close the site from the opposite side. They are faced with the same dark brick as the “sails”, thus flanking the light-colored slab. Due to the fact that the tower do not directly contact any bright accents in the surrounding city space, their silhouette is more reserved, yet the facades still have some certain dynamics about them. In the top part of the facades, the windows are larger, glass is more abundant, and the brick grid is finer, while in the bottom part, on the other hand, the piers are thicker and more numerous. Curiously, this effect picks up momentum gradually, the houses opening up smoothly, a little bit like treetops. Accordingly, the floor space of the apartments gets bigger as well – I have an urge to call it “penthouse gradient”, carefully drawn by the architects in the plans, reflected in the facade patterns. Since the silhouettes of the towers gradually grow wider towards the top, the architects jokingly call them “wineglass” houses.

A front view of the “Wineglass” house. AFI Park Vorontsovsky residential complex
Copyright: © ADM


There are plans for equipping all of the houses with smart electronic systems that will be available for the residents via a mobile application from any point on the globe.

The complex also includes a kindergarten, whose imagery is significantly different from that of the residential houses. Its three-story building faces the Akademika Chelomeya Street, standing between the group of “sail” houses and the “slab” house. The asymmetric and differently sized square windows are reminiscent of Swiss cheese; the light-cream color of the walls brings up associations with a lump of sugar, and the pitched roofs bring in a note of North-European coziness, and a game element, which is just the thing for a kindergarten. To some extent, the volume of the kindergarten looks like the antipode of the “moving” and “growing in front of our eyes” plastique of the residential houses, as if it were one of the “old” houses that survived into the present amidst the new development. Partially, this is the effect that the architects wanted to create, based on the conviction that city space looks better when it is diverse scale- and typology-wise, looking a bit like a historical town that was naturally formed over different historical epochs. Without historical stylization, of course.

The welcoming glass lobby and the perspective portal of the entrance demonstrate transparency, unusual for such a facility. The first floor from the side of the yard is still more transparent: a broad stained glass window underneath the cantilever provides an opportunity for looking out to the yard from the inside, up to complete immersion.

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    The kindergarten. AFI Park Vorontsovsky residential complex
    Copyright: © ADM
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    The kindergarten yard. AFI Park Vorontsovsky residential complex
    Copyright: © ADM


The landscaping project is based on the specifics of the site, and is aimed at providing the residents with two main things that are deemed necessary in a modern housing complex: safety and diversity.

Top view of the yard. AFI Park Vorontsovsky residential complex
Copyright: © ADM


The spiral path winds among workout spaces, playgrounds, and pergolas, “quiet” and “noisy” places, connecting the elements of the elongated yard into a single whole and creates diversity of viewing angles and impressions. Jogging and cycling infrastructure is also provided.

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    AFI Park Vorontsovsky residential complex
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    Overview of the playground. A detail. AFI Park Vorontsovsky residential complex
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    AFI Park Vorontsovsky residential complex
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    AFI Park Vorontsovsky residential complex
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The outdoor furniture, which forms cozy little corners for talking and contemplation, the quaint paths of round stones, and the thought-out lighting are meant to make the yard attractive at any time of the year, and suitable for the recreation of residents of all ages. The “club” atmosphere, set by the architecture, is observed in all parts of the complex.

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    AFI Park Vorontsovsky residential complex
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    AFI Park Vorontsovsky residential complex
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    AFI Park Vorontsovsky residential complex
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In 2020, the architects completed the P stage – the complex is already in construction.


06 April 2021

Headlines now
“Strangers” in the City
We asked Alexander Skokan for a comment on the results of 2025 – and he sent us a whole article, moreover one devoted to the discussion we recently began on the “appropriateness of high-rises” – or, more broadly speaking, “contrasting insertions into the urban fabric”. The result is a text that is essentially a question: why here? Why like this?
Dmitry Ostroumov: “To use the language of alchemy, we are involved in the process of “transmutation...
What we ended up having was an extremely unusual conversation with Dmitry Ostroumov. Why? At the very least, because he is not just an architect specializing in the construction of Orthodox churches. And not just – which is an extreme rarity – a proponent of developing contemporary stylistics within this still highly conservative field. Dmitry Ostroumov is a Master of Theology. So in addition to the history and specifics of the company, we speak about the very concept of the temple, about canon and tradition, about the living and the eternal, and even about the Russian Logos.
A Glazed Figurine
In searching for an image for a residential building near the Novodevichy Convent, GAFA architects turned to their own perception of the place: it evoked associations with antiquity, plein-air painting, and vintage artifacts. The two towers will be entirely clad in volumetric glazed ceramic – at present, there are no other buildings like this in Russia. The complex will also stand out thanks to its metabolic bay-window cells, streamlined surfaces, a ceremonial “hotel-style” driveway, and a lobby overlooking a lush garden.
A Knight’s Move via the Cour d’Honneur
Intercolumnium Architects presented to the City Planning Council a residential complex project that is set to replace the Aquatoria business center on Vyborgskaya Embankment. Experts praised the overall quality of the work, but expressed reservations about the three cour d’honneurs and suggested softening the contrast between the facades facing the embankment and the Kantemirovsky Bridge.
A Small Country
Mezonproekt is developing a long-term master plan for the MEPhI campus in Obninsk. Over the next ten years, an enclave territory of about 100 hectares, located in a forest on the northern edge of the city, is set to transform into a modern center for the development of the nuclear energy sector. The plan envisions attracting international students and specialists, as well as comprehensive territorial development: both through the contemporary realization of “frozen” plans from the 1980s and through the introduction of new trends – public spaces, an aquapark, a food court, a school, and even a nuclear medicine center. Public and sports facilities are intended to be accessible to city residents as well, and the campus is to be physically and functionally connected to Obninsk.
Pearl Divers
GAFA has designed an apartment complex for Derbent intended to switch people from a work mode to a resort mindset – and to give the surrounding area a much-needed jolt. The building offers two distinct faces: restrained and laconic on the city side, and a lushly ornate façade facing the sea. At the heart of the complex, a hidden pearl lies – an open-air pool with an arch, offering views of a starry sky, and providing direct access to the beach.
A Satellite Island
The Genplan Institute of Moscow has prepared a master plan for the development of the Sarpinsky and Golodny island system, located within the administrative boundaries of Volgograd and considered among the largest river islands in Russia. By 2045, the plan envisions the implementation of 15 large-scale investment projects, including sports and educational clusters, a congress center with a “Volgonarium”, a film production cluster, and twenty-one theme parks. We explain which engineering, environmental, and transportation challenges must be addressed to turn this vision into reality. The master plan solutions have already been approved and incorporated into the city’s general development plan.
The Amber Gate
The Amber City residential complex is one of the redevelopment projects in the former industrial area located beyond Moscow’s Third Ring Road near Begovaya metro station. Alexey Ilyin’s studio proposed an original master plan that transformed two clusters of towers into ceremonial propylaea, gave the complex a recognizable silhouette, and established visual connections with new high-rise developments on both right and left – thus integrating it into the scale of the growing metropolis. It is also marked by its own futuristic stylistic language, based on a reinterpreted streamline aesthetic.
A Theater Triangle
The architectural company “Chetvertoe Izmerenie” (“Fourth Dimension”) has developed the design for a new stage of the Magnitogorsk Musical Theater, rethinking not only theater architecture but also the role of the theater in the contemporary city.
Aleksei Ilyin: “I approach every task with genuine interest”
Aleksei Ilyin has been working on major urban projects for more than 30 years. He has all the necessary skills for high-rise construction in Moscow – yet he believes it’s essential to maintain variety in the typologies and scales represented in his portfolio. He is passionate about drawing – but only from life, and also in the process of working on a project. We talk about the structure and optimal size of an office, about his past and current projects, large and small tasks, and about creative priorities.
​A Golden Sunbeam
A compact brick-and-metal building in the growing Shukhov Park in Vyksa seems to absorb sunlight, transform it into yellow accents inside, and in the evening “give it back” as a warm golden glow streaming from its windows. It is, frankly, a very attractive building: both material and lightweight at the same time, with lightness inside and materiality outside. Its form is shaped by function – laconic, yet far from simple. Let’s take a closer look.
Architecton Awards
In 2025, the jury of the Architecton festival reviewed the finalist projects through live, open presentations held right in the exhibition hall – a rather engaging performance, and something rarely seen among Russian awards. It would be great if “Zodchestvo” adopted this format. Below, we present all the winning projects, including four special nominations.
Garden of Knowledge
UNK architects and UNK design created the interiors of the Letovo Junior campus, working together with NF Studio, which was responsible for developing the educational technology that takes into account the needs and perception of younger and middle school children.
The Silver Skates
The STONE Kaluzhskaya office quarter is accompanied by two residential towers, making the complex – for it is indeed a single ensemble – well balanced in functional terms. The architects at Kleinewelt gave the residential buildings a silvery finish to match the office blocks. How they are similar, how they differ, and what “Silver Skates” has to do with it – we explore in this article.
On the Dynastic Trail
The houses and townhouses of the “Tsarskaya Tropа” (“Czar’s Trail”) complex are being built in the village of Gaspra in Crimea – to the west and east of the palaces of the former grand-ducal residence “Ai-Todor”. One of the main challenges for the architects at KPLN, who developed the project, was to respond appropriately to this significant neighboring heritage. How this influenced the massing, the façades, and the way the authors work with the terrain is explored in our article.
A New Path
The main feature of the Yar Park project, designed by Sergey Skuratov for Kazan, is that it is organized along the “spine” of a multifunctional mall with an impressive multi-height atrium space in its middle. The entire site, both on the city side and the Kazanka River embankment, is open to the public. The complex is intended not to become “yet another fenced enclave” but, as urban planners say, a “polycenter” – a new point of attraction for the whole of Kazan, especially its northern part, made up of residential districts that until now have lacked such a vibrant public space. It represents a new urban planning approach to a high-density mixed-use development situated in the city center – in a sense, an “anti-quarter”. Even Moscow, one might say, doesn’t yet have anything quite like it. Well, lucky Kazan!
Beneath the Azure Sky
A depository designed by Studio 44 will soon be built in Kenozersky National Park to preserve and display the so-called “heavens” – ceiling structures characteristic of wooden churches in the Russian North, painted with biblical scenes. For each of these “heavens”, the architects created a volume corresponding in scale and dimensions to the original church interior. The result is a honeycomb-like composition, with modules derived directly from the historic monuments themselves, allowing visitors to view the icons from the historically accurate angle – from below, looking upward. How exactly this works is the subject of our story.
​The Power of Lines
The building at the very beginning of New Arbat is the result of long deliberations over how to replace the former House of Communication. Contemporary, dynamic, and even somewhat zoomorphic in character, it is structured around a large diagonal grid. The building has become a striking accent both in the perspective of the former Kalinin Avenue and in the panorama of Arbat Square. Yet, unfortunately, the original concept was not fully realized. In 2020, the Moscow ArchCouncil approved a design featuring an exoskeleton – an external load-bearing structure, which eventually turned into a purely decorative element. Still, the power of the supergraphic “holds” the building, giving it the qualities of a new urban landmark with iconic potential. How this concept took shape, what unexpected associations might underlie the grid’s form, and why the exoskeleton was never built – all this is explored in our article.
Resort on the Kama River
Wowhaus has developed a project for the reconstruction of Korabelnaya Roshcha (“Mast Grove”), a wellness resort located on the banks of the Kama River.
Nests in Primorye
The eco-park project “Nests”, designed by Aleksey Polishchuk and the company Power Technologies, received first prize at the Eco-Coast 2025 festival, organized by the Union of Architects of Russia. For a glamping site in Filinskaya Bay, the authors proposed bird-shaped houses, treehouses, and a nest-shaped observation platform, topping it all with an entrance pavilion executed in the shape of an owl.
The Angle of String Tension
The House of Music, designed by Vladimir Plotkin and the architects of TPO Reserve, resembles a harp, and when seen from above, even a bass clef. But if only it were that simple! The architecture of the complex fuses two distinct expressive languages: the lattice-like, transparent, permeable vocabulary of “classical” modernism and the sculptural, ribbon-like volumes so beloved by today’s neo-modernism. How it all works – where the catharsis lies, which compositional axes underpin the design, where the project resembles Zaryadye Concert Hall and where it does not – read in the article below.
How Historic Tobolsk Becomes a Portal to the Future
Over the past decade, the architectural company Wowhaus has developed urban strategies for several Russian cities – Vyksa, Tula, and Nizhnekamsk, to name but a few. Against this backdrop, the Tobolsk master plan stands out both for its scale – the territory under transformation covers more than 220 square kilometers – and for its complexity.
St. Petersburg vs Rome
The center of St. Petersburg is, as we know, sacred – but few people can say with certainty where this “sacred place” actually begins and ends. It’s not about the formal boundaries, “from the Obvodny Canal to the Bolshaya Nevka”, but about the vibe that feels true to the city center. With the Nevskaya Ratusha complex – built to a design that won an international competition – Evgeny Gerasimov and Sergei Tchoban created an “image of the center” within its territory. And not so much the image of St. Petersburg itself, as that of a global metropolis. This is something new, something that hasn’t appeared in the city for a long time. In this article, we study the atmosphere, recall precedents, and even reflect on who and when first called St. Petersburg the “new Rome”. Clearly, the idea is alive for a reason.
On the Wave
The project of transforming the river port and embankment in the city of Cheboksary, developed by the ATRIUM Architects, involves one of the city’s key areas. The Volga embankment is to be turned into a riverside boulevard – a multifunctional, comfortable, and expressive space for work and leisure activities. The authors propose creating a new link with the city’s main Krasnaya (“Red”) Square, as well as erecting several residential towers inspired by the shape of the traditional national women’s headdress – these towers are likely to become striking accents on the Volga panorama.
Valery Kanyashin: “We Were Given a Free Hand”
The Headliner residential complex, the main part of which was recently completed just across from Moscow City, is a kind of neighbor to the MIBC that doesn’t “play along” with it. On the contrary, the new complex is entirely built on contrast: like a city of differently scaled buildings that seems to have emerged naturally over the past 20 years – which is a hugely popular trend nowadays! And yet here – perhaps only here – such a project has been realized to its full potential. Yes, high-rises dominate, but all these slender, delicate profiles, all these exciting perspectives! And most importantly – how everything is mixed and composed together... We spoke with the project’s leader Valery Kanyashin.
​The Keystone
Until quite recently, premium residential and office complexes in Moscow were seen as the exclusive privilege of the city center. Today the situation is changing: high-quality architecture is moving beyond the confines of the Third Ring Road and appearing on the outskirts. The STONE Kaluzhskaya business center is one such example. Projects like this help decentralize the megalopolis, making life and work prestigious in any part of the city.
Perpetuum Mobile
The interior of the headquarters of Natsproektstroy, created by the IND studio team, vividly and effectively reflects the client’s field of activity – it is one of Russia’s largest infrastructure companies, responsible for logistics and transport communications of every kind you can possibly think of.
Water and Light
Church art is full of symbolism, and part of it is truly canonical, while another part is shaped by tradition and is perceived by some as obligatory. Because of this kind of “false conservatism”, contemporary church architecture develops slowly compared to other genres, and rarely looks contemporary. Nevertheless, there are enthusiasts in this field out there: the cemetery church of Archangel Michael in Apatity, designed by Dmitry Ostroumov and Prokhram bureau, combines tradition and experiment. This is not an experiment for its own sake, however – rather, the considered work of a contemporary architect with the symbolism of space, volume, and, above all, light.