По-русски

​Steamer at the Pier

An apartment hotel that looks like a ship with wide decks has been designed for a land plot on a lake shore in Moscow’s South Tushino. This “steamer” house, overlooking the lake and the river port, does indeed look as if it were ready to sail away.

25 December 2020
Object
mainImg
The apartment hotel will be built on the left bank of the Moscow Canal, alongside the Dosflot Drive. The land site is situated on the first line, with an access to the city beach, and is separated from the water only by a broad parkland strip. The L-shaped land site stretches along the bank. Formerly, it was occupied by a brick hotel building, long derelict, and now to be torn down.

The “Steamer” house
Copyright: © Mezonproekt


The surrounding context is of the “micro-district” kind: housing projects, two schools, and a kindergarten – all enshrouded in an abundance of deciduous trees. It is expected that all the construction will be done on the other side of the Dosflot Drive. The new house, however, will be least connected to it; what it will interact with is the Moscow Canal and opposite bank, upon which one can see the dominant-looking spire of the recently-renovated North River Port. From May to October, tens of cruise ships sail away from it – a mesmerizing sight. Probably, this what became the primary source of inspiration for the new project – a “ship” house.

The “Steamer” house. The simplified location plan
Copyright: © Mezonproekt


The project was developed by Mezonproekt at the commission of Capital Invest in 2017. One of the tasks that the architects set for themselves was to preserve the existing trees, tightly surrounding the site from all sides, but at the same time to maximize the view of the water and the opposite bank of the canal. Hence the clear and crisp composition that follows the outline of the land site and the house that stood here before. A small indent from the borders was made only from the side of the courtyard in order to organize a landscaped area in front of the entrance to the hotel lobby.

The “Steamer” house. Planning organization of the land plot
Copyright: © Mezonproekt


The complex consists of two individual buildings that stand perpendicular to one another and are connected by a single podium on the level of the first floor. As the leader of the company, Ilia Mashkov, shares, originally the architects considered the option that included a single building that traced the shape of the land site, but later on an idea appeared to divide the single whole into two independent sections in order to lighten up the visual perception. One building, elongated and five stories high, marks the boundary from the side of the Dosflot Drive, yet it overlooks the water area. It also creates the artistic and the conceptual image of the entire complex. 

The “Steamer” house
Copyright: © Mezonproekt


The outline of the complex – if we are to look at it en face – is rather simple, without a noticeable height difference, with a broad clearance between the two buildings. However, if we look at it at an angle, we will at once see a chamfers in the silhouette – the “decks” of the terraces, the masts, and the chimneys, the “ladders” of the staircases, which look as if sailors are about to climb them. The chimneys, large and tall, like on the very first steamers, are in fact the ventilation shafts; while commonly hidden in most projects, here they are accentuated as if ready to sport a “Jolly Roger”. The terraces, provided on every floor, are also quite functional – from them the guests of the hotel will be able to admire the sweeping views of the Khimki Lake.

  • zooming
    1 / 9
    The “Steamer” house
    Copyright: © Mezonproekt
  • zooming
    2 / 9
    The “Steamer” house
    Copyright: © Mezonproekt
  • zooming
    3 / 9
    The “Steamer” house
    Copyright: © Mezonproekt
  • zooming
    4 / 9
    The “Steamer” house.
    Copyright: © Mezonproekt
  • zooming
    5 / 9
    The “Steamer” house
    Copyright: © Mezonproekt
  • zooming
    6 / 9
    The “Steamer” house
    Copyright: © Mezonproekt
  • zooming
    7 / 9
    The “Steamer” house
    Copyright: © Mezonproekt
  • zooming
    8 / 9
    The “Steamer” house.
    Copyright: © Mezonproekt
  • zooming
    9 / 9
    The “Steamer” house
    Copyright: © Mezonproekt


Moreover, this is not quite a “ship” house in the sense of the modernist cliché – even though the chimneys of the ventilation system proceed from that idea – but in the sense that here the “ship” has been subjected to deconstruction: it can be a ship or it can be a pier. In any case, we do not see here any hint at an aerodynamic shape, stern and bow, or a feeling that the ship is about to sail: rather, the architects show us a set of elements of a steamboat, offering us to appreciate the somewhat brutal plastique of the deck terraces that look like shoreline sprouts of some wandering Titanic. But only in a fragment or a decoration, a claim for a discourse, and not direct likeness.

“The idea of a “steamer” house came about after we drew the terraces and the chimneys.
After that, we decided to enhance the emerging image, adding some recognizable element, and tried to make the pipes sculptural, making the terraces look like the decks of a sea vessel.”


Such a solution with broad stairs of the terraces ascending from the water to the shore is more characteristic of the southern resort architecture. However, even here, in the northwest of Moscow, due to the proximity of water and the picturesque surroundings it looks appropriate. One must say that the association with a seaside resort is fleeting, and is gone completely once you examine the facades in detail. The choice of materials, the proportions of the windows, and the height of the floors – everything refers to industrial architecture. Even the chimneys, which originally reminded us about the steamer, easily become part of the narrative about a factory of the early XX century.

The “Steamer” house
Copyright: © Mezonproekt


Connecting the two seemingly totally different narratives – the steamer and the factory – was something that the architects decided to do in order to “calm down” the facades and make them look more austere and reserved. “The first versions were more “ship-like” – Ilia Mashkov shares – with white buildings and colorful chimneys. Then we decided to depart from such direct interpretation towards the image of a factory. This is how the red brick, tall windows, and metallic decoration elements came about”.

The “Steamer” house
Copyright: © Mezonproekt


As for the main coating material, the architects chose ceramic tiles with a red-brick texture. Brick surfaces are combined with metallic ones. Metal was also used to make the grates of the air conditioning units, decorative panels near the windows, railings of the French balconies, the coating of the ventilation chimneys, as well as the emergency staircases, painted black and running on the facade. The latter technique makes you remember not just the Russian factories of the early XX century but also the residential blocks of New York, for which the steel fire escape stairs became one of the main characteristic features. Oh, and by the way, the brownstone walls and the large windows coupled with openwork stair spans are also the classic of New York architecture.

The “Steamer” house
Copyright: © Mezonproekt


While turning to recognizable and traditional images of the past, the house remembers to pay tribute to modern stylistic devices: hence the syncopated rhythm of the facade grid, which is created by the differently sized windows, and colored inserts from a profiled sheet. As for the latter, the authors form real artistic panels with it, boasting a rainbow of colors, from dark earthy to lavender. All this is spiced with plastique – volumetric and concave vertical panels give rise to an additional play of light and shadows. It looks as though this way the house responds to the sunset colors of the Khimki Lake, because only the facades overlooking the water have these inclusions. 

The “Steamer” house
Copyright: © Mezonproekt


The Dosflot Drive is a quiet and green place; it follows the trajectory of the canal bend, and could easily pass for a path in the wilderness, if it weren’t for the asphalt pavement. The facade of the complex, calm and reserved plastique-wise, also overlooks this place. It maintains the character of the surroundings and matches the context in terms of its gradually lowering towards the water. The biggest highlight of the complex, when viewed from this angle, is the decorative metallic pergola on the roof, painted in the tone of the facade tiles. It is expected that in this part the roof will be an operated one. This landscaped zone with an awning will become yet another recreational place for the residents, which is relevant, considering the lack of yard space. 

The pergola top of the building is echoed by the stylobate part, designed in the same “lattice” style. The bottom floors will host a large lobby for the residents, offices, and cafes. The cafes will overlook the street with large stained glass windows, inviting the residents of the neighboring blocks to look in. There will be a green alley stretching along the entire street facade.

The “Steamer” house
Copyright: © Mezonproekt


On the level of the yard and the river, on the first floor, there are apartments with glazed terraces framed light-colored slender frames.

The building, with an overall area of about 6,000 square meters will offer apartments of various configurations and sizes – from single-room to four-room apartments. Each of the apartments will have a fully-fledged kitchen. The underground floor will be occupied by a 27-place parking garage.

  • zooming
    1 / 9
    The “Steamer” house. Plan of the -1st floor
    Copyright: © Mezonproekt
  • zooming
    2 / 9
    The “Steamer” house. Plan of the 1st floor
    Copyright: © Mezonproekt
  • zooming
    3 / 9
    The “Steamer” house. Plan of the 2nd floor
    Copyright: © Mezonproekt
  • zooming
    4 / 9
    The “Steamer” house. Plan of the 3rd floor
    Copyright: © Mezonproekt
  • zooming
    5 / 9
    The “Steamer” house. Plan of the 4th floor
    Copyright: © Mezonproekt
  • zooming
    6 / 9
    The “Steamer” house. Plan of the 5th floor
    Copyright: © Mezonproekt
  • zooming
    7 / 9
    The “Steamer” house. Plan of the 6th floor
    Copyright: © Mezonproekt
  • zooming
    8 / 9
    The “Steamer” house. Section view 1-1
    Copyright: © Mezonproekt
  • zooming
    9 / 9
    The “Steamer” house. Section views 2-2 and 3-3
    Copyright: © Mezonproekt


In 2020, the apartment hotel project made the shortlist of the Moscow prize in the field of architecture and urban planning. Previously, it received the approval of the state examination and is now waiting to be implemented.

25 December 2020

Headlines now
“Strangers” in the City
We asked Alexander Skokan for a comment on the results of 2025 – and he sent us a whole article, moreover one devoted to the discussion we recently began on the “appropriateness of high-rises” – or, more broadly speaking, “contrasting insertions into the urban fabric”. The result is a text that is essentially a question: why here? Why like this?
Dmitry Ostroumov: “To use the language of alchemy, we are involved in the process of “transmutation...
What we ended up having was an extremely unusual conversation with Dmitry Ostroumov. Why? At the very least, because he is not just an architect specializing in the construction of Orthodox churches. And not just – which is an extreme rarity – a proponent of developing contemporary stylistics within this still highly conservative field. Dmitry Ostroumov is a Master of Theology. So in addition to the history and specifics of the company, we speak about the very concept of the temple, about canon and tradition, about the living and the eternal, and even about the Russian Logos.
A Glazed Figurine
In searching for an image for a residential building near the Novodevichy Convent, GAFA architects turned to their own perception of the place: it evoked associations with antiquity, plein-air painting, and vintage artifacts. The two towers will be entirely clad in volumetric glazed ceramic – at present, there are no other buildings like this in Russia. The complex will also stand out thanks to its metabolic bay-window cells, streamlined surfaces, a ceremonial “hotel-style” driveway, and a lobby overlooking a lush garden.
A Knight’s Move via the Cour d’Honneur
Intercolumnium Architects presented to the City Planning Council a residential complex project that is set to replace the Aquatoria business center on Vyborgskaya Embankment. Experts praised the overall quality of the work, but expressed reservations about the three cour d’honneurs and suggested softening the contrast between the facades facing the embankment and the Kantemirovsky Bridge.
A Small Country
Mezonproekt is developing a long-term master plan for the MEPhI campus in Obninsk. Over the next ten years, an enclave territory of about 100 hectares, located in a forest on the northern edge of the city, is set to transform into a modern center for the development of the nuclear energy sector. The plan envisions attracting international students and specialists, as well as comprehensive territorial development: both through the contemporary realization of “frozen” plans from the 1980s and through the introduction of new trends – public spaces, an aquapark, a food court, a school, and even a nuclear medicine center. Public and sports facilities are intended to be accessible to city residents as well, and the campus is to be physically and functionally connected to Obninsk.
Pearl Divers
GAFA has designed an apartment complex for Derbent intended to switch people from a work mode to a resort mindset – and to give the surrounding area a much-needed jolt. The building offers two distinct faces: restrained and laconic on the city side, and a lushly ornate façade facing the sea. At the heart of the complex, a hidden pearl lies – an open-air pool with an arch, offering views of a starry sky, and providing direct access to the beach.
A Satellite Island
The Genplan Institute of Moscow has prepared a master plan for the development of the Sarpinsky and Golodny island system, located within the administrative boundaries of Volgograd and considered among the largest river islands in Russia. By 2045, the plan envisions the implementation of 15 large-scale investment projects, including sports and educational clusters, a congress center with a “Volgonarium”, a film production cluster, and twenty-one theme parks. We explain which engineering, environmental, and transportation challenges must be addressed to turn this vision into reality. The master plan solutions have already been approved and incorporated into the city’s general development plan.
The Amber Gate
The Amber City residential complex is one of the redevelopment projects in the former industrial area located beyond Moscow’s Third Ring Road near Begovaya metro station. Alexey Ilyin’s studio proposed an original master plan that transformed two clusters of towers into ceremonial propylaea, gave the complex a recognizable silhouette, and established visual connections with new high-rise developments on both right and left – thus integrating it into the scale of the growing metropolis. It is also marked by its own futuristic stylistic language, based on a reinterpreted streamline aesthetic.
A Theater Triangle
The architectural company “Chetvertoe Izmerenie” (“Fourth Dimension”) has developed the design for a new stage of the Magnitogorsk Musical Theater, rethinking not only theater architecture but also the role of the theater in the contemporary city.
Aleksei Ilyin: “I approach every task with genuine interest”
Aleksei Ilyin has been working on major urban projects for more than 30 years. He has all the necessary skills for high-rise construction in Moscow – yet he believes it’s essential to maintain variety in the typologies and scales represented in his portfolio. He is passionate about drawing – but only from life, and also in the process of working on a project. We talk about the structure and optimal size of an office, about his past and current projects, large and small tasks, and about creative priorities.
​A Golden Sunbeam
A compact brick-and-metal building in the growing Shukhov Park in Vyksa seems to absorb sunlight, transform it into yellow accents inside, and in the evening “give it back” as a warm golden glow streaming from its windows. It is, frankly, a very attractive building: both material and lightweight at the same time, with lightness inside and materiality outside. Its form is shaped by function – laconic, yet far from simple. Let’s take a closer look.
Architecton Awards
In 2025, the jury of the Architecton festival reviewed the finalist projects through live, open presentations held right in the exhibition hall – a rather engaging performance, and something rarely seen among Russian awards. It would be great if “Zodchestvo” adopted this format. Below, we present all the winning projects, including four special nominations.
Garden of Knowledge
UNK architects and UNK design created the interiors of the Letovo Junior campus, working together with NF Studio, which was responsible for developing the educational technology that takes into account the needs and perception of younger and middle school children.
The Silver Skates
The STONE Kaluzhskaya office quarter is accompanied by two residential towers, making the complex – for it is indeed a single ensemble – well balanced in functional terms. The architects at Kleinewelt gave the residential buildings a silvery finish to match the office blocks. How they are similar, how they differ, and what “Silver Skates” has to do with it – we explore in this article.
On the Dynastic Trail
The houses and townhouses of the “Tsarskaya Tropа” (“Czar’s Trail”) complex are being built in the village of Gaspra in Crimea – to the west and east of the palaces of the former grand-ducal residence “Ai-Todor”. One of the main challenges for the architects at KPLN, who developed the project, was to respond appropriately to this significant neighboring heritage. How this influenced the massing, the façades, and the way the authors work with the terrain is explored in our article.
A New Path
The main feature of the Yar Park project, designed by Sergey Skuratov for Kazan, is that it is organized along the “spine” of a multifunctional mall with an impressive multi-height atrium space in its middle. The entire site, both on the city side and the Kazanka River embankment, is open to the public. The complex is intended not to become “yet another fenced enclave” but, as urban planners say, a “polycenter” – a new point of attraction for the whole of Kazan, especially its northern part, made up of residential districts that until now have lacked such a vibrant public space. It represents a new urban planning approach to a high-density mixed-use development situated in the city center – in a sense, an “anti-quarter”. Even Moscow, one might say, doesn’t yet have anything quite like it. Well, lucky Kazan!
Beneath the Azure Sky
A depository designed by Studio 44 will soon be built in Kenozersky National Park to preserve and display the so-called “heavens” – ceiling structures characteristic of wooden churches in the Russian North, painted with biblical scenes. For each of these “heavens”, the architects created a volume corresponding in scale and dimensions to the original church interior. The result is a honeycomb-like composition, with modules derived directly from the historic monuments themselves, allowing visitors to view the icons from the historically accurate angle – from below, looking upward. How exactly this works is the subject of our story.
​The Power of Lines
The building at the very beginning of New Arbat is the result of long deliberations over how to replace the former House of Communication. Contemporary, dynamic, and even somewhat zoomorphic in character, it is structured around a large diagonal grid. The building has become a striking accent both in the perspective of the former Kalinin Avenue and in the panorama of Arbat Square. Yet, unfortunately, the original concept was not fully realized. In 2020, the Moscow ArchCouncil approved a design featuring an exoskeleton – an external load-bearing structure, which eventually turned into a purely decorative element. Still, the power of the supergraphic “holds” the building, giving it the qualities of a new urban landmark with iconic potential. How this concept took shape, what unexpected associations might underlie the grid’s form, and why the exoskeleton was never built – all this is explored in our article.
Resort on the Kama River
Wowhaus has developed a project for the reconstruction of Korabelnaya Roshcha (“Mast Grove”), a wellness resort located on the banks of the Kama River.
Nests in Primorye
The eco-park project “Nests”, designed by Aleksey Polishchuk and the company Power Technologies, received first prize at the Eco-Coast 2025 festival, organized by the Union of Architects of Russia. For a glamping site in Filinskaya Bay, the authors proposed bird-shaped houses, treehouses, and a nest-shaped observation platform, topping it all with an entrance pavilion executed in the shape of an owl.
The Angle of String Tension
The House of Music, designed by Vladimir Plotkin and the architects of TPO Reserve, resembles a harp, and when seen from above, even a bass clef. But if only it were that simple! The architecture of the complex fuses two distinct expressive languages: the lattice-like, transparent, permeable vocabulary of “classical” modernism and the sculptural, ribbon-like volumes so beloved by today’s neo-modernism. How it all works – where the catharsis lies, which compositional axes underpin the design, where the project resembles Zaryadye Concert Hall and where it does not – read in the article below.
How Historic Tobolsk Becomes a Portal to the Future
Over the past decade, the architectural company Wowhaus has developed urban strategies for several Russian cities – Vyksa, Tula, and Nizhnekamsk, to name but a few. Against this backdrop, the Tobolsk master plan stands out both for its scale – the territory under transformation covers more than 220 square kilometers – and for its complexity.
St. Petersburg vs Rome
The center of St. Petersburg is, as we know, sacred – but few people can say with certainty where this “sacred place” actually begins and ends. It’s not about the formal boundaries, “from the Obvodny Canal to the Bolshaya Nevka”, but about the vibe that feels true to the city center. With the Nevskaya Ratusha complex – built to a design that won an international competition – Evgeny Gerasimov and Sergei Tchoban created an “image of the center” within its territory. And not so much the image of St. Petersburg itself, as that of a global metropolis. This is something new, something that hasn’t appeared in the city for a long time. In this article, we study the atmosphere, recall precedents, and even reflect on who and when first called St. Petersburg the “new Rome”. Clearly, the idea is alive for a reason.
On the Wave
The project of transforming the river port and embankment in the city of Cheboksary, developed by the ATRIUM Architects, involves one of the city’s key areas. The Volga embankment is to be turned into a riverside boulevard – a multifunctional, comfortable, and expressive space for work and leisure activities. The authors propose creating a new link with the city’s main Krasnaya (“Red”) Square, as well as erecting several residential towers inspired by the shape of the traditional national women’s headdress – these towers are likely to become striking accents on the Volga panorama.
Valery Kanyashin: “We Were Given a Free Hand”
The Headliner residential complex, the main part of which was recently completed just across from Moscow City, is a kind of neighbor to the MIBC that doesn’t “play along” with it. On the contrary, the new complex is entirely built on contrast: like a city of differently scaled buildings that seems to have emerged naturally over the past 20 years – which is a hugely popular trend nowadays! And yet here – perhaps only here – such a project has been realized to its full potential. Yes, high-rises dominate, but all these slender, delicate profiles, all these exciting perspectives! And most importantly – how everything is mixed and composed together... We spoke with the project’s leader Valery Kanyashin.
​The Keystone
Until quite recently, premium residential and office complexes in Moscow were seen as the exclusive privilege of the city center. Today the situation is changing: high-quality architecture is moving beyond the confines of the Third Ring Road and appearing on the outskirts. The STONE Kaluzhskaya business center is one such example. Projects like this help decentralize the megalopolis, making life and work prestigious in any part of the city.
Perpetuum Mobile
The interior of the headquarters of Natsproektstroy, created by the IND studio team, vividly and effectively reflects the client’s field of activity – it is one of Russia’s largest infrastructure companies, responsible for logistics and transport communications of every kind you can possibly think of.
Water and Light
Church art is full of symbolism, and part of it is truly canonical, while another part is shaped by tradition and is perceived by some as obligatory. Because of this kind of “false conservatism”, contemporary church architecture develops slowly compared to other genres, and rarely looks contemporary. Nevertheless, there are enthusiasts in this field out there: the cemetery church of Archangel Michael in Apatity, designed by Dmitry Ostroumov and Prokhram bureau, combines tradition and experiment. This is not an experiment for its own sake, however – rather, the considered work of a contemporary architect with the symbolism of space, volume, and, above all, light.