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From Foundation to Teaspoon

Based on the taste of their friendly clients, the architects Olga Budennaya and Roman Leonidov designed and built a house in the Moscow metropolitan area playing Art Nouveau. At the same time, they enriched the typology of a private house with modern functions of a garage loft and a children’s art studio.

20 August 2020
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Usually, Olga Budennaya and Roman Leonidov – an architectural as well as a family duo – design houses in a modernist style. For their friends, however, they made an exception. The clients of this house are very open-minded people, who are into fine arts and theater. The mistress of the house is also a very creative person in love with Art Nouveau. The style of the house was chosen at the client’s request; she took part in the design process as the decorating coauthor, and, taking into account all of these constructive and creative solutions, the architects finally decided to “play Art Nouveau”, and this is how they defined their creative task. The house does not have any verbatim quotes in it, but it does have a lot of recognizable motifs: arched windows, stained glass windows with characteristic “flattened” tops, a bent roof, and decorative ceramic elements of the facade. Another interesting fact is that alongside the figured stained glass windows the architects also use simple rectangular windows with grid glazing pattern in the spirit of modernist factory architecture. A combination of red brick and white stucco details is not the most frequent technique to be encountered in historical Art Nouveau buildings, yet it does pop up here and there in Riga and Kharkov; or in Shekhtel Mansion in the Ermolaevsky Lane. In other words, when the architects were creating the image for the new house, Art Nouveau was not a dogma for them, but rather a starting point.

The house in the Moscow metropolitan area
Copyright: Photograph © Sophia Leonidova

 
The design process consisted of a few stages. The key event was the fact that the clients got inspired by the interior of the VILLA KÉRYLOS (1902) that is situated in the French Riviera in a small town of Beaulieu-sur-Mer near Nice. This villa was built by the architect Emmanuel Pontremoli for the archaeologist and patron of the arts Theodore Reinach, combining Ancient Greek aesthetics and modernist style. The villa made such a great impression on our architects that they decided to quote some of its elements in their project, such as the chandelier in the hall or some decoration motifs from the bathrooms. Such interpretation of Art-Nouveau and the method of introducing classical elements into it became a technique that the architects made full use of. 
 
The distribution of the creative responsibility areas was traditional: Roman Leonidov did the volumetric composition and the structure of the house. The two tall volumes linked by a single-story overpass did not come around by accident. Originally, the house was designed for two friends and business partners and their families. Then their plans changed, and now the house is occupied by one family, yet it was decided to keep the two individual blocks, each with a character and form-making logic of its own. All the more so, because asymmetry of the volume is one of the characteristic features of Art Nouveau.

The house in the Moscow metropolitan area
Copyright: Photograph © Sophia Leonidova

 
Now the structure with two elevated parts found a new functional rationale. This way, the unit with an Art Nouveau “hat” roof contains the parents’ rooms, while the lower unit, with a less sophisticated top is the children’s half. The tall volume (the one with a “hat”) is placed in the center of the composition; there is a spacious garage to the right of it, whose roof supports an open-air terrace with a wrought-iron barrier and green plants.

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    The house in the Moscow metropolitan area
    Copyright: Photograph © Sophia Leonidova
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    The house in the Moscow metropolitan area
    Copyright: Photograph © Sophia Leonidova

 
The public space of the second floor is designed as a classic enfilade with lateral branches. From the anteroom, situated on the central axis of the house, the visitor gets into the central hall with a staircase that features wrought-iron railings, and the aforementioned chandelier – the kind that is there in the French Kerylos Villa, executed by Saint Petersburg artisans.

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    The house in the Moscow metropolitan area
    Copyright: Photograph © Sophia Leonidova
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    Plan of the 1st floor with furniture.
    Copyright: © Studio of Roman Leonidov
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    The house in the Moscow metropolitan area
    Copyright: Photograph © Sophia Leonidova
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    The house in the Moscow metropolitan area
    Copyright: Photograph © Sophia Leonidova

 
Left of the hall, there is an area that consists of a few zones bleeding into one another: a kitchen, then a dining room, then the room with a fireplace (plays the role of the main living room), and still another, “winter garden” living room, essentially a fully-glazed bay window, decorated by tropical plants.

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    The house in the Moscow metropolitan area
    Copyright: Photograph © Sophia Leonidova
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    The house in the Moscow metropolitan area
    Copyright: Photograph © Sophia Leonidova


Right of the hall, there is the mistress’s study with a library, a desk, and a sofa area, adorned by a designer magazine table, executed by a Moscow-area artisan by the authors’ drafts. From the study, one can exit into a garage loft. This special space – with high ceilings and an area of 60 Sqm, one of whose walls is slit by seven tall windows with a very characteristic glazing pattern – looks like an old factory workshop. Strictly speaking, this is not just a garage but an atmospheric loft that can be used for taking guests in and for giving parties.

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    The house in the Moscow metropolitan area
    Copyright: Photograph © Sophia Leonidova
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    The house in the Moscow metropolitan area
    Copyright: Photograph © Sophia Leonidova
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    The house in the Moscow metropolitan area
    Copyright: Photograph © Sophia Leonidova

 
From the “loft” garage, we get down to the basement with a home theater, and further on – to the workroom. The latter is equipped with a large work table, where children and adults get together to make artistic things with their hands. It is a curious chain of creative spaces: mistress’s study – loft – home cinema – workroom.

Plan of the basement floor. The house in the Moscow metropolitan area
Copyright: © Studio of Roman Leonidov

 
The second floor and the attic contain private rooms of the members of the family: a parents’ block and two children’s rooms. They all consist of two levels: the lower one is occupied by little living rooms and working areas, the attic floor has two bedrooms in it; two of them are accessed by spiral staircases. The parents’ living room exits to a large terrace with a garden, which is formed by an alley of ball-trimmed maples, planted into a “vase” on the roof, specially designed for growing large trees in it. This detail brings up associations with a “hanging garden”, certainly adding to the beauty of the architectural composition. One of the children’s rooms also has a balcony of its own, while a large recessed balcony, situated in the center of the house, between the two main volumes, joins them both visually and functionally. In the children’s rooms, color is extensively used – they are painted green and yellow, while the walls of the mistress’s bedroom are decorated with designer ornament panels. The vaulted ceilings are made from wood.

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    The house in the Moscow metropolitan area
    Copyright: Photograph © Sophia Leonidova
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    The house in the Moscow metropolitan area
    Copyright: © Studio of Roman Leonidov
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    Plan of the 2nd floor with furniture. The house in the Moscow metropolitan area
    Copyright: © Studio of Roman Leonidov
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    Plan of the attic floor. The house in the Moscow metropolitan area
    Copyright: © Studio of Roman Leonidov

 
The bedrooms, just as many other things here, are inspired by the interior design of Kerylos Villa: they are adorned with exquisite mosaic with a fish-scale pattern, and stenciled ornaments, filled with colors and aesthetic-looking metalwork. In the bathrooms, just like in many other places around the house, many things are custom-designed.

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    The house in the Moscow metropolitan area
    Copyright: Photograph © Sophia Leonidova
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    The house in the Moscow metropolitan area
    Copyright: Photograph © Sophia Leonidova
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    The house in the Moscow metropolitan area
    Copyright: Photograph © Sophia Leonidova
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    The house in the Moscow metropolitan area
    Copyright: Photograph © Sophia Leonidova

 
As we already said, the mistress took an active part in the creative process, proposing her own insights, coming up with interesting solutions, and selecting the decor: sculptures and antique vases, chandeliers, and door handles. Many of these things were bought at European antique shops; others were made to order by the analogs of things from days past. Thanks to the mistress’s ideas, the house got romantic details like inner balconies on intricate custom-designed beams, and a hamam with Morocco mosaic.

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    The house in the Moscow metropolitan area
    Copyright: Photograph © Sophia Leonidova
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    The house in the Moscow metropolitan area
    Copyright: Photograph © Sophia Leonidova
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    The house in the Moscow metropolitan area
    Copyright: Photograph © Sophia Leonidova

 
The modern customers from many countries, including Russia and the US, quite often have a soft spot for Art Nouveau. I will even venture a guess why: out of all modern styles, Art Nouveau is probably the most emotional one. The architects, on the other hand, have a more controversial attitude to it. When asked about the reasons for the popularity of Art Nouveau, Olga Budennaya and Roman Leonidov described the features of that style that appealed specifically to them. Olga Budennaya said that people loved Art Nouveau for really beautiful things, for the possibility to decorate and present them in a subtle manner, and at the same time for being highly contemporary and functional. Roman Leonidov believes that “the main characteristic feature of Art Nouveau is total control over the entire life of the house: from the foundation and down to the last teaspoon. This trend is also observed in Art-Deco. Both Mackintosh and Wright did everything in their products: architecture, furniture, and object design.” In this specific case one could say that total control was executed by the authors: Olga Budennaya, Roman Leonidov, Xenia Volkova, and the mistress of the house, Nadezhda Fomenko. The result turned out to be quite stunning, up to the owners’ creative message and public temperament. 

20 August 2020

Headlines now
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.
Architecture and Leisure Park
For the suburban hotel complex, which envisages various formats of leisure, the architectural company T+T Architects proposed several types of accommodation, ranging from the classic “standard” in a common building to a “cave in the hill” and a “house in a tree”. An additional challenge consisted in integrating a few classic-style residences already existing on this territory into the “architectural forest park”.
The U-House
The Jois complex combines height with terraces, bringing the most expensive apartments from penthouses down to the bottom floors. The powerful iconic image of the U-shaped building is the result of the creative search for a new standard of living in high-rise buildings by the architects of “Genpro”.
Black and White
In this article, we specifically discuss the interiors of the ATOM Pavilion at VDNKh. Interior design is a crucial component of the overall concept in this case, and precision and meticulous execution were highly important for the architects. Julia Tryaskina, head of UNK interiors, shares some of the developments.
The “Snake” Mountain
The competition project for the seaside resort complex “Serpentine” combines several typologies: apartments of different classes, villas, and hotel rooms. For each of these typologies, the KPLN architects employ one of the images that are drawn from the natural environment – a serpentine road, a mountain stream, and rolling waves.
Opal from Anna Mons’ Ring
The project of a small business center located near Tupolev Plaza and Radio Street proclaims the necessity of modern architecture in a specific area of Moscow commonly known as “Nemetskaya Sloboda” or “German settlement”. It substantiates its thesis with the thoroughness of details, a multitude of proposed and rejected form variants, and even a detailed description of the surrounding area. The project is interesting indeed, and it is even more interesting to see what will come of it.
Feed ’Em All
A “House of Russian Cuisine” was designed and built by KROST Group at VDNKh for the “Rossiya” exhibition in record-breaking time. The pavilion is masterfully constructed in terms of the standards of modern public catering industry multiplied by the bustling cultural program of the exhibition, and it interprets the stylistically diverse character of VDNKh just as successfully. At the same time, much of its interior design can be traced back to the prototypes of the 1960s – so much so that even scenes from iconic Soviet movies of those years persistently come to mind.
The Ensemble at the Mosque
OSA prepared a master plan for a district in the southern part of Derbent. The main task of the master plan is to initiate the formation of a modern comfortable environment in this city. The organization of residential areas is subordinated to the city’s spiritual center: depending on the location relative to the cathedral mosque, the houses are distinguished by façade and plastique solutions. The program also includes a “hospitality center”, administrative buildings, an educational cluster, and even an air bridge.
Pargolovo Protestantism
A Protestant church is being built in St. Petersburg by the project of SLOI architects. One of the main features of the building is a wooden roof with 25-meter spans, which, among other things, forms the interior of the prayer hall. Also, there are other interesting details – we are telling you more about them.
The Shape of the Inconceivable
The ATOM Pavilion at VDNKh brings to mind a famous maxim of all architects and critics: “You’ve come up with it? Now build it!” You rarely see such a selfless immersion in implementation of the project, and the formidable structural and engineering tasks set by UNK architects to themselves are presented here as an integral and important part of the architectural idea. The challenge matches the obliging status of the place – after all, it is an “exhibition of achievements”, and the pavilion is dedicated to the nuclear energy industry. Let’s take a closer look: from the outside, from the inside, and from the underside too.
​Rays of the Desert
A school for 1750 students is going to be built in Dubai, designed by IND Architects. The architects took into account the local specifics, and proposed a radial layout and spaces, in which the children will be comfortable throughout the day.
The Dairy Theme
The concept of an office of a cheese-making company, designed for the enclosed area of a dairy factory, at least partially refers to industrial architecture. Perhaps that is why this concept is very simple, which seems the appropriate thing to do here. The building is enlivened by literally a couple of “master strokes”: the turning of the corner accentuates the entrance, and the shade of glass responds to the theme of “milk rivers” from Russian fairy tales.
The Road to the Temple
Under a grant from the Small Towns Competition, the main street and temple area of the village of Nikolo-Berezovka near Neftekamsk has been improved. A consortium of APRELarchitects and Novaya Zemlya is turning the village into an open-air museum and integrating ruined buildings into public life.
​Towers Leaning Towards the Sun
The three towers of the residential complex “Novodanilovskaya 8” are new and the tallest neighbors of the Danilovsky Manufactory, “Fort”, and “Plaza”, complementing a whole cluster of modern buildings designed by renowned masters. At the same time, the towers are unique for this setting – they are residential, they are the tallest ones here, and they are located on a challenging site. In this article, we explore how architects Andrey Romanov and Ekaterina Kuznetsova tackled this far-from-trivial task.
In the spirit of ROSTA posters
The new Rostselmash tractor factory, conceptualized by ASADOV Architects, is currently being completed in Rostov-on-Don. References to the Soviet architecture of the 1920’s and 1960’s resonate with the mission and strategic importance of the enterprise, and are also in line with the client’s wish: to pay homage to Rostov’s constructivism.
The Northern Thebaid
The central part of Ferapontovo village, adjacent to the famous monastery with frescoes by Dionisy, has been improved according to the project by APRELarchitects. Now the place offers basic services for tourists, as well as a place for the villagers’ leisure.
Brilliant Production
The architects from London-based MOST Architecture have designed the space for the high-tech production of Charge Cars, a high-performance production facility for high-speed electric cars that are assembled in the shell of legendary Ford Mustangs. The founders of both the company and the car assembly startup are Russians who were educated in their home country.
Three-Part Task: St. Petersburg’s Mytny Dvor
The so-called “Mytny Dvor” area lying just behind Moscow Railway Station – the market rows with a complex history – will be transformed into a premium residential complex by Studio 44. The project consists of three parts: the restoration of historical buildings, the reconstruction of the lost part of the historical contour, and new houses. All of them are harmonized with each other and with the city; axes and “beams of light” were found, cozy corners and scenic viewpoints were carefully thought out. We had a chat with the authors of the historical buildings’ restoration project, and we are telling you about all the different tasks that have been solved here.
The Color of the City, or Reflections on the Slope of an Urban Settlement
In 2022, Ostozhenka Architects won a competition, and in 2023, they developed and received all the necessary approvals for a master plan for the development of Chernigovskaya Street for the developer GloraX. The project takes into account a 10-year history of previous developments; it was done in collaboration with architects from Nizhny Novgorod, and it continues to evolve now. We carefully examined it, talked to everyone, and learned a lot of interesting things.
A Single-Industry Town
Kola MMC and Nornickel are building a residential neighborhood in Monchegorsk for their future employees. It is based on a project by an international team that won the 2021 competition. The project offers a number of solutions meant to combat the main “demons” of any northern city: wind, grayness and boredom.
A New Age Portico
At the beginning of the year, Novosibirsk Tolmachevo Airport opened Terminal C. The large-scale and transparent entrance hall with luminous columns inside successfully combines laconism with a bright and photogenic WOW-effect. The terminal is both the new façade of the whole complex and the starting point of the planned reconstruction, upon completion of which Tolmachevo will become the largest regional airport in Russia. In this article, we are examining the building in the context of modernist prototypes of both Novosibirsk and Leningrad: like puzzle pieces, they come together to form their individual history, not devoid of curious nuances and details.
A New Starting Point
We’ve been wanting to examine the RuArts Foundation space, designed by ATRIUM for quite a long time, and we finally got round to it. This building looks appropriate and impressive; it amazingly combines tradition – represented in our case by galleries – and innovation. In this article, we delve into details and study the building’s historical background as well.
Molding Perspectives
Stepan Liphart introduces “schematic Art Deco” on the outskirts of Kazan – his houses are executed in green color, with a glassy “iced” finish on the facades. The main merits of the project lie in his meticulous arrangement of viewing angles – the architect is striving to create in a challenging environment the embryo of a city not only in terms of pedestrian accessibility but also in a sculptural sense. He works with silhouettes, proposing intriguing triangular terraces. The entire project is structured like a crystal, following two grids, orthogonal and diagonal. In this article, we are examining what worked, and what eventually didn’t.