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​A House in a Port

This housing complex on the Dvinskaya Street is the first case of modern architecture on the Gutuevsky Island. The architectural bureau “A-Len” thoroughly explores the context and creates a landmark for further transformations of this area of Saint Petersburg.

02 April 2020
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Each island of Saint Petersburg, just as any island should, for that matter, has a unique character of its own. If we are to simplify this down to a single word, then the Zayachiy Island is historical, the Krestovsky Island is the one with high-end housing, Elagin is the green one, Kamenny is neoclassical, and Petrovsky is business class. There are also “industrial” islands – blind spots on the map of the city because either it takes a long time to get there or these are restricted areas because there is still some production going on behind the red-brick walls of the factory buildings. These islands seem to live a life of their own; year after year they figure in architectural students’ diploma projects, and make the lists of nontrivial tourist places of interest. However, it was only after the Western High-speed Diameter was built that the chance for successful gentrification of the Gutuevsky Island became a realistic prospect. Which, sadly, cannot be said about the neighboring Kanonersky Island – the new traffic artery only added to its entropy.

At a glance, the Gutuevsky Island looks like it is unfit for housing construction, yet, the deeper you delve into its toponymical history, the more your imagination unfolds. For years, the island lay empty, which is evidenced by its first historical names: Nezaselenniy (literally “Desert”), Kustarnikoviy (literally “Bushy”). In the middle of the XVIII century, it was bought out by the shipbuilder Conon Hugtunen; they moved over a whole trade port from Kronstadt to this place, still active today, and life started bustling. Hotels and restaurants were opening, as well the Merchant Eliseevs Warehouses, a sewing mill, a cotton-spinning factory, a brewery – all these were fine specimens of red-brick architecture, recognized as cultural heritage sites, authored, among other architects, by Julius Benoît and Konstantin Niman, who built the famous Pel Drugstore.

Housing project on the Dvinskaya Street
Copyright: © Architectural Bureau A-Len


The romantic “port” context of this place was also influenced by the Soviet construction. Standing along the most “lived-in” Dvinskaya Street, there are the University or Sea and River Fleet, the constructivist “House of Culture of Seamen”, and the Empire architecture of “Seamen’s Wives Dormitory”. The spaces between them are occupied by Khrushchev-architecture houses and high-rises of the 1990’s. The centerpiece of this part of the island is the Epiphany Church, situated at the crossing of the Dvinskaya Street and the embankment of the Ekaterinhofka River. Its author, architect Vasily Kosyakov, was famed for his Sea Cathedral in Kronstadt.

Development drawing on the Dvinskaya Street. Facade 2. Housing project on the Dvinskaya Street
Copyright: © Architectural Bureau A-Len


The question of dimensions in the historical part of Saint Petersburg is one of the main issues when it comes to evaluating new projects. The forecast for the Gutuevsky Island is almost inevitable densification and upward growth – the house needs to meet the customer’s requirements and the height restrictions. And, because the land site leaves some room for the “maneuver”, “A-Len” could produce for the city council three versions of the new project, different in their volumetric solutions and their facade plastique. The experts opted for the version that was the most “tactful” in respect to the Epiphany Cathedral. According to Sergey Oreshkin, the company will be doing some extra research and drone shooting to take into account all of the important vantage points.

Out of the whole contextual diversity, the architects chose as their basis the “layer” of the Soviet utilitarian period, trying to stay within the limits of “background” architecture and keeping the integrity of the surroundings.

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    Facade 3. Housing project on the Dvinskaya Street
    Copyright: © Architectural Bureau A-Len
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    Facade 1. Housing project on the Dvinskaya Street
    Copyright: © Architectural Bureau A-Len
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    Facade 2. Housing project on the Dvinskaya Street
    Copyright: © Architectural Bureau A-Len
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    The yard facade. Housing project on the Dvinskaya Street
    Copyright: © Architectural Bureau A-Len


The structure of the house is tripartite. The basis is the darker first floor with a gallery of inbuilt premises. The next six residential floors, designed in light-gray tones that is meant to soften the deep shadows of the counter ligh, are perceived from the Dvinskaya Street as a simple rectangular volume. The eighth floor with terraces and apartments commanding beautiful views is shifted to the edges of the “flanks”, the farthest from the street, which leaves the space for seeing the church. The orientation of the terraces is still being considered: from the south side, there is more light, and from the north, the panorama is more picturesque.

The facade grid, very plastique due to small ledges and recessions, is made more sophisticated by a slight shift of some of the windows, which divides the main volume of the building into two three-story parts, as well as by colorful fills that feature different textures. The house refers to the “comfort” class, which once again testifies to the client’s faith in the potential of this place. There are plans for using expensive materials: for the basement floor, the project will use rock-face ceramic panels with wood-imitating fills; the upper floors light-beige tiles will be used, and the windows and stained glass panels will be made of aluminum painted graphite. The balcony railings will be pristine metallic grate.

Housing project on the Dvinskaya Street
Copyright: © Architectural Bureau A-Len


The facade reflects the logic of the inner construction: almost all of the floor plans for this house were developed in accordance with the “Ideal Homes” program, and the range of apartments turned out to be quite diverse. Wide window apertures only appear where it is really necessary – in common rooms or in dining rooms. The corner windows, a rare technique for the modern houses, seriously influence the zoning of the premises, at the same time yielding a lot of natural light and panoramic views.

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    The masterplan. Housing project on the Dvinskaya Street
    Copyright: © Architectural Bureau A-Len
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    Plan of the 1st floor. Housing project on the Dvinskaya Street
    Copyright: © Architectural Bureau A-Len
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    Plan of the 6th floor. Facade 2. Housing project on the Dvinskaya Street
    Copyright: © Architectural Bureau A-Len
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    Plan of the 8th floor. Facade 2. Housing project on the Dvinskaya Street
    Copyright: © Architectural Bureau A-Len


The yard opens up southward, which makes it possible to fill as many apartments as possible with natural light. In addition, there is a possibility that with time a green zone, common with the neighboring houses, will be formed. There is an underground parking garage; the developer also drew up a contact with the city for the construction of a school or a kindergarten.

Housing project on the Dvinskaya Street
Copyright: © Architectural Bureau A-Len



02 April 2020

Headlines now
“Strangers” in the City
We asked Alexander Skokan for a comment on the results of 2025 – and he sent us a whole article, moreover one devoted to the discussion we recently began on the “appropriateness of high-rises” – or, more broadly speaking, “contrasting insertions into the urban fabric”. The result is a text that is essentially a question: why here? Why like this?
Dmitry Ostroumov: “To use the language of alchemy, we are involved in the process of “transmutation...
What we ended up having was an extremely unusual conversation with Dmitry Ostroumov. Why? At the very least, because he is not just an architect specializing in the construction of Orthodox churches. And not just – which is an extreme rarity – a proponent of developing contemporary stylistics within this still highly conservative field. Dmitry Ostroumov is a Master of Theology. So in addition to the history and specifics of the company, we speak about the very concept of the temple, about canon and tradition, about the living and the eternal, and even about the Russian Logos.
A Glazed Figurine
In searching for an image for a residential building near the Novodevichy Convent, GAFA architects turned to their own perception of the place: it evoked associations with antiquity, plein-air painting, and vintage artifacts. The two towers will be entirely clad in volumetric glazed ceramic – at present, there are no other buildings like this in Russia. The complex will also stand out thanks to its metabolic bay-window cells, streamlined surfaces, a ceremonial “hotel-style” driveway, and a lobby overlooking a lush garden.
A Knight’s Move via the Cour d’Honneur
Intercolumnium Architects presented to the City Planning Council a residential complex project that is set to replace the Aquatoria business center on Vyborgskaya Embankment. Experts praised the overall quality of the work, but expressed reservations about the three cour d’honneurs and suggested softening the contrast between the facades facing the embankment and the Kantemirovsky Bridge.
A Small Country
Mezonproekt is developing a long-term master plan for the MEPhI campus in Obninsk. Over the next ten years, an enclave territory of about 100 hectares, located in a forest on the northern edge of the city, is set to transform into a modern center for the development of the nuclear energy sector. The plan envisions attracting international students and specialists, as well as comprehensive territorial development: both through the contemporary realization of “frozen” plans from the 1980s and through the introduction of new trends – public spaces, an aquapark, a food court, a school, and even a nuclear medicine center. Public and sports facilities are intended to be accessible to city residents as well, and the campus is to be physically and functionally connected to Obninsk.
Pearl Divers
GAFA has designed an apartment complex for Derbent intended to switch people from a work mode to a resort mindset – and to give the surrounding area a much-needed jolt. The building offers two distinct faces: restrained and laconic on the city side, and a lushly ornate façade facing the sea. At the heart of the complex, a hidden pearl lies – an open-air pool with an arch, offering views of a starry sky, and providing direct access to the beach.
A Satellite Island
The Genplan Institute of Moscow has prepared a master plan for the development of the Sarpinsky and Golodny island system, located within the administrative boundaries of Volgograd and considered among the largest river islands in Russia. By 2045, the plan envisions the implementation of 15 large-scale investment projects, including sports and educational clusters, a congress center with a “Volgonarium”, a film production cluster, and twenty-one theme parks. We explain which engineering, environmental, and transportation challenges must be addressed to turn this vision into reality. The master plan solutions have already been approved and incorporated into the city’s general development plan.
The Amber Gate
The Amber City residential complex is one of the redevelopment projects in the former industrial area located beyond Moscow’s Third Ring Road near Begovaya metro station. Alexey Ilyin’s studio proposed an original master plan that transformed two clusters of towers into ceremonial propylaea, gave the complex a recognizable silhouette, and established visual connections with new high-rise developments on both right and left – thus integrating it into the scale of the growing metropolis. It is also marked by its own futuristic stylistic language, based on a reinterpreted streamline aesthetic.
A Theater Triangle
The architectural company “Chetvertoe Izmerenie” (“Fourth Dimension”) has developed the design for a new stage of the Magnitogorsk Musical Theater, rethinking not only theater architecture but also the role of the theater in the contemporary city.
Aleksei Ilyin: “I approach every task with genuine interest”
Aleksei Ilyin has been working on major urban projects for more than 30 years. He has all the necessary skills for high-rise construction in Moscow – yet he believes it’s essential to maintain variety in the typologies and scales represented in his portfolio. He is passionate about drawing – but only from life, and also in the process of working on a project. We talk about the structure and optimal size of an office, about his past and current projects, large and small tasks, and about creative priorities.
​A Golden Sunbeam
A compact brick-and-metal building in the growing Shukhov Park in Vyksa seems to absorb sunlight, transform it into yellow accents inside, and in the evening “give it back” as a warm golden glow streaming from its windows. It is, frankly, a very attractive building: both material and lightweight at the same time, with lightness inside and materiality outside. Its form is shaped by function – laconic, yet far from simple. Let’s take a closer look.
Architecton Awards
In 2025, the jury of the Architecton festival reviewed the finalist projects through live, open presentations held right in the exhibition hall – a rather engaging performance, and something rarely seen among Russian awards. It would be great if “Zodchestvo” adopted this format. Below, we present all the winning projects, including four special nominations.
Garden of Knowledge
UNK architects and UNK design created the interiors of the Letovo Junior campus, working together with NF Studio, which was responsible for developing the educational technology that takes into account the needs and perception of younger and middle school children.
The Silver Skates
The STONE Kaluzhskaya office quarter is accompanied by two residential towers, making the complex – for it is indeed a single ensemble – well balanced in functional terms. The architects at Kleinewelt gave the residential buildings a silvery finish to match the office blocks. How they are similar, how they differ, and what “Silver Skates” has to do with it – we explore in this article.
On the Dynastic Trail
The houses and townhouses of the “Tsarskaya Tropа” (“Czar’s Trail”) complex are being built in the village of Gaspra in Crimea – to the west and east of the palaces of the former grand-ducal residence “Ai-Todor”. One of the main challenges for the architects at KPLN, who developed the project, was to respond appropriately to this significant neighboring heritage. How this influenced the massing, the façades, and the way the authors work with the terrain is explored in our article.
A New Path
The main feature of the Yar Park project, designed by Sergey Skuratov for Kazan, is that it is organized along the “spine” of a multifunctional mall with an impressive multi-height atrium space in its middle. The entire site, both on the city side and the Kazanka River embankment, is open to the public. The complex is intended not to become “yet another fenced enclave” but, as urban planners say, a “polycenter” – a new point of attraction for the whole of Kazan, especially its northern part, made up of residential districts that until now have lacked such a vibrant public space. It represents a new urban planning approach to a high-density mixed-use development situated in the city center – in a sense, an “anti-quarter”. Even Moscow, one might say, doesn’t yet have anything quite like it. Well, lucky Kazan!
Beneath the Azure Sky
A depository designed by Studio 44 will soon be built in Kenozersky National Park to preserve and display the so-called “heavens” – ceiling structures characteristic of wooden churches in the Russian North, painted with biblical scenes. For each of these “heavens”, the architects created a volume corresponding in scale and dimensions to the original church interior. The result is a honeycomb-like composition, with modules derived directly from the historic monuments themselves, allowing visitors to view the icons from the historically accurate angle – from below, looking upward. How exactly this works is the subject of our story.
​The Power of Lines
The building at the very beginning of New Arbat is the result of long deliberations over how to replace the former House of Communication. Contemporary, dynamic, and even somewhat zoomorphic in character, it is structured around a large diagonal grid. The building has become a striking accent both in the perspective of the former Kalinin Avenue and in the panorama of Arbat Square. Yet, unfortunately, the original concept was not fully realized. In 2020, the Moscow ArchCouncil approved a design featuring an exoskeleton – an external load-bearing structure, which eventually turned into a purely decorative element. Still, the power of the supergraphic “holds” the building, giving it the qualities of a new urban landmark with iconic potential. How this concept took shape, what unexpected associations might underlie the grid’s form, and why the exoskeleton was never built – all this is explored in our article.
Resort on the Kama River
Wowhaus has developed a project for the reconstruction of Korabelnaya Roshcha (“Mast Grove”), a wellness resort located on the banks of the Kama River.
Nests in Primorye
The eco-park project “Nests”, designed by Aleksey Polishchuk and the company Power Technologies, received first prize at the Eco-Coast 2025 festival, organized by the Union of Architects of Russia. For a glamping site in Filinskaya Bay, the authors proposed bird-shaped houses, treehouses, and a nest-shaped observation platform, topping it all with an entrance pavilion executed in the shape of an owl.
The Angle of String Tension
The House of Music, designed by Vladimir Plotkin and the architects of TPO Reserve, resembles a harp, and when seen from above, even a bass clef. But if only it were that simple! The architecture of the complex fuses two distinct expressive languages: the lattice-like, transparent, permeable vocabulary of “classical” modernism and the sculptural, ribbon-like volumes so beloved by today’s neo-modernism. How it all works – where the catharsis lies, which compositional axes underpin the design, where the project resembles Zaryadye Concert Hall and where it does not – read in the article below.
How Historic Tobolsk Becomes a Portal to the Future
Over the past decade, the architectural company Wowhaus has developed urban strategies for several Russian cities – Vyksa, Tula, and Nizhnekamsk, to name but a few. Against this backdrop, the Tobolsk master plan stands out both for its scale – the territory under transformation covers more than 220 square kilometers – and for its complexity.
St. Petersburg vs Rome
The center of St. Petersburg is, as we know, sacred – but few people can say with certainty where this “sacred place” actually begins and ends. It’s not about the formal boundaries, “from the Obvodny Canal to the Bolshaya Nevka”, but about the vibe that feels true to the city center. With the Nevskaya Ratusha complex – built to a design that won an international competition – Evgeny Gerasimov and Sergei Tchoban created an “image of the center” within its territory. And not so much the image of St. Petersburg itself, as that of a global metropolis. This is something new, something that hasn’t appeared in the city for a long time. In this article, we study the atmosphere, recall precedents, and even reflect on who and when first called St. Petersburg the “new Rome”. Clearly, the idea is alive for a reason.
On the Wave
The project of transforming the river port and embankment in the city of Cheboksary, developed by the ATRIUM Architects, involves one of the city’s key areas. The Volga embankment is to be turned into a riverside boulevard – a multifunctional, comfortable, and expressive space for work and leisure activities. The authors propose creating a new link with the city’s main Krasnaya (“Red”) Square, as well as erecting several residential towers inspired by the shape of the traditional national women’s headdress – these towers are likely to become striking accents on the Volga panorama.
Valery Kanyashin: “We Were Given a Free Hand”
The Headliner residential complex, the main part of which was recently completed just across from Moscow City, is a kind of neighbor to the MIBC that doesn’t “play along” with it. On the contrary, the new complex is entirely built on contrast: like a city of differently scaled buildings that seems to have emerged naturally over the past 20 years – which is a hugely popular trend nowadays! And yet here – perhaps only here – such a project has been realized to its full potential. Yes, high-rises dominate, but all these slender, delicate profiles, all these exciting perspectives! And most importantly – how everything is mixed and composed together... We spoke with the project’s leader Valery Kanyashin.
​The Keystone
Until quite recently, premium residential and office complexes in Moscow were seen as the exclusive privilege of the city center. Today the situation is changing: high-quality architecture is moving beyond the confines of the Third Ring Road and appearing on the outskirts. The STONE Kaluzhskaya business center is one such example. Projects like this help decentralize the megalopolis, making life and work prestigious in any part of the city.
Perpetuum Mobile
The interior of the headquarters of Natsproektstroy, created by the IND studio team, vividly and effectively reflects the client’s field of activity – it is one of Russia’s largest infrastructure companies, responsible for logistics and transport communications of every kind you can possibly think of.
Water and Light
Church art is full of symbolism, and part of it is truly canonical, while another part is shaped by tradition and is perceived by some as obligatory. Because of this kind of “false conservatism”, contemporary church architecture develops slowly compared to other genres, and rarely looks contemporary. Nevertheless, there are enthusiasts in this field out there: the cemetery church of Archangel Michael in Apatity, designed by Dmitry Ostroumov and Prokhram bureau, combines tradition and experiment. This is not an experiment for its own sake, however – rather, the considered work of a contemporary architect with the symbolism of space, volume, and, above all, light.