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​Part of the Urban Kaleidoscope

This is how you can best describe the hotel building on the Dubininskaya Street. Its architecture is anything but conspicuous – one could even say that it’s making a parade of its unpretentiousness. Upon closer examination, however, interesting details begin to come up.

21 June 2019
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The building of Holiday Inn Express Hotel opened on Moscow’s Dubininskaya Street in the fall of 2017. The three-star hotel belongs to the budget line of the famous brand, which focuses on offering “limited services at a reasonable price”. This is exactly the kind of hotel that you could open in the depth of one of the parts of the Paveletskaya industrial park, a place that has been reconstructed for years. The hotel is situated on the edge of the former territory of Cold Storage Facility #3, hiding behind the 20-floor tower of the Rosneft office, which literally divided in two the 12-story prefab residential building and a couple of two-story Moscow tenements that miraculously survived here from days past. The surroundings are pretty diverse, and the territory is not yet quite organized, the old warehouses alternating with yawning gaps, obviously waiting to be “developed”. Meanwhile, this place is but a ten minutes’ walk away from the Paveletsky Railway Station, the metro station bearing the same name, and the Garden Ring too, which basically means that if you switch to a trot you will reach all these places in five minutes, which, in turn, means that this location is extremely convenient.

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    Holiday Inn Express Hotel on the Dubininskaya Street, Moscow
    Copyright: Photograph © Julia Tarabarina, Archi.ru
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    Holiday Inn Express Hotel on the Dubininskaya Street, Moscow
    Copyright: Photograph © Ginzburg Architects
Holiday Inn Express Hotel on the Dubininskaya Street, Moscow. Location plan
Copyright: Photograph © Ginzburg Architects


What makes this architectural project different in this specific case and considering the diversity of its surroundings (most of which are still in construction) is its unpretentiousness. Here’s what I mean. Oftentimes, 3D visualizations drawn by the architects show glass-and-concrete giants that look as if they were kind of beautifully “dissolving” in the sky. Later on, however, when these projects are actually built, it turns out that they do not dissolve anywhere – the fact that has long since been noticed by the city preservation activists. Here, on the other hand, what we see is what we get: the hotel building is barely visible, delicately glittering against the sky. It is literally dissolved in the architectural context. At the same time, finding it is not hard at all, even for a fatigued traveler, which is also a considerable competitive advantage for a hotel. As for the passers-by, not interested in bed&breakfast, this building passes completely unnoticed. Completely. This quite a unique case by Moscow standards, this approach is something that most architects only dream about, and here they were able to do it. To do what, exactly? To keep within the limits of urban planning decency in a diverse environment.

To do the project justice, let’s admit that the proximity of the Rosneft office made the architect’ task somewhat easier: its nobly brown volume is the first thing that meets the eye, drawing people’s attention away from everything else. However, the new hotel has also been able to engage in a dialogue with this “person of consequence” – the newcomer not just hid behind its back but stood up as an embryo of a new street. Even more than an embryo – there is indeed a street here, and, if they develop it slightly into the depth, they will get a chunk of fully-fledged urban space. One small step has already been made. The hotel also responds to its neighbor: one of its façades, which comes the closest to the wall of the office building, bears a staircase and common-use balconies, whose presence is dictated by the fire safety rules but, on the other hand, one can use them to have a smoke up there.

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    Holiday Inn Express Hotel on the Dubininskaya Street, Moscow
    Copyright: Photograph © Julia Tarabarina, Archi.ru
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    Holiday Inn Express Hotel on the Dubininskaya Street, Moscow
    Copyright: Photograph © Julia Tarabarina, Archi.ru
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    Holiday Inn Express Hotel on the Dubininskaya Street, Moscow
    Copyright: Photograph © Ginzburg Architects


Incidentally, there are two staircases here, the other one situated in the poorly lit corner of the L-shaped building and combined with the elevator block; yet another freight elevator runs on the outer corner – it is convenient for loading and unloading the material needs of the hotel.

The main floors of the hotel are standard, three meters high. The bottom floor of the lobby is quite tall – 5 meters high. Beneath it, there are two tiers that are just as high, one semi-underground, intended for commercial use, and the other meant to be an underground parking garage (hopefully, equipped with an elevator). The underground floors continue eastward, into the depth of the land site, forming a paved yard/podium. It was planned to light the entire top floor with rooflights (this solution doesn’t seem to have been implemented? I’m seeing the paved section buy I’m not seeing any rooflights. The reason for such a decision? Building up was prohibited here?)

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    Holiday Inn Express Hotel on the Dubininskaya Street, Moscow
    Copyright: Photograph © Ginzburg Architects
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    Holiday Inn Express Hotel on the Dubininskaya Street, Moscow
    Copyright: Photograph © Ginzburg Architects
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    Holiday Inn Express Hotel on the Dubininskaya Street, Moscow
    Copyright: Photograph © Julia Tarabarina, Archi.ru
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    Holiday Inn Express Hotel on the Dubininskaya Street, Moscow
    Copyright: Photograph © Ginzburg Architects
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    Holiday Inn Express Hotel on the Dubininskaya Street, Moscow
    Copyright: Photograph © Ginzburg Architects
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    Holiday Inn Express Hotel on the Dubininskaya Street, Moscow
    Copyright: Photograph © Ginzburg Architects


One of the most interesting solutions of the project is the semi-underground floor. The ambient light gets here through a deep areaway on the street side. One can get down by the two-flight staircase running parallel to the façade (19 stairs), and the metallic semi-columns of the first floor also continue here: the space before the main façade also takes on an intrigue and a volumetric character. It is livened up by the naive graffiti on the wall and life-affirming quotes on the stairs; you can have a different attitude towards such “adornment” but in any case such things are a sure sign that the city life is already going on here.

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    Holiday Inn Express Hotel on the Dubininskaya Street, Moscow
    Copyright: Photograph © Ginzburg Architects
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    Holiday Inn Express Hotel on the Dubininskaya Street, Moscow
    Copyright: Photograph © Julia Tarabarina, Archi.ru
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    Holiday Inn Express Hotel on the Dubininskaya Street, Moscow
    Copyright: Photograph © Julia Tarabarina, Archi.ru
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    Copyright: Photograph © Ginzburg Architects
    Copyright: Photograph © Ginzburg Architects
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    Holiday Inn Express Hotel on the Dubininskaya Street, Moscow
    Copyright: Photograph © Julia Tarabarina, Archi.ru


On the flat glass façade, the windows are surrounded by panels of autumn colors: the light tone of faded skies, orange, terra-cotta, and dark-gray stripes. The façade uses the mosaic screen technique that was introduced in Moscow fifteen years ago by the Ostozhenka Architects, a very convenient way to turn a flat façade – given the fact that you do not have the budget to show the depth of the window jambs – into a glittering pattern that reacts to the surroundings, at the same time having a color and a character of its own. But then again, here the composition is simpler because it is defined by the tasks and the modern trends of pristine façade grids. The colored bands unite the floors in pairs, their width and colors alternating. In addition, in a couple of floors the windows are shifted by one iteration, and, if you look a little harder, it will seem as if the façade is slightly turning left and right. The surface is also livened up by the operable transoms of the hotel windows that look like the keys of some sci-fi musical instrument pressed in a random order. One of the tasks of this composition of transparent spots on the façade – to cover up the square proportions of the windows and the large width between them – has been fulfilled: one will have to look real hard to tell between the windows and the walls – everything bleeds into crosses of lines and soft spots of color.

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    Holiday Inn Express Hotel on the Dubininskaya Street, Moscow
    Copyright: Photograph © Julia Tarabarina, Archi.ru
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    Holiday Inn Express Hotel on the Dubininskaya Street, Moscow
    Copyright: Photograph © Julia Tarabarina, Archi.ru
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    Holiday Inn Express Hotel on the Dubininskaya Street, Moscow
    Copyright: Photograph © Ginzburg Architects
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    Holiday Inn Express Hotel on the Dubininskaya Street, Moscow
    Copyright: Photograph © Ginzburg Architects
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    Holiday Inn Express Hotel on the Dubininskaya Street, Moscow
    Copyright: Photograph © Ginzburg Architects
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    Holiday Inn Express Hotel on the Dubininskaya Street, Moscow
    Copyright: Photograph © Ginzburg Architects
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    Holiday Inn Express Hotel on the Dubininskaya Street, Moscow
    Copyright: Photograph © Ginzburg Architects
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    Holiday Inn Express Hotel on the Dubininskaya Street, Moscow
    Copyright: Photograph © Ginzburg Architects
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    Copyright: Photograph © Ginzburg Architects
    Copyright: Photograph © Ginzburg Architects
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    Holiday Inn Express Hotel on the Dubininskaya Street, Moscow
    Copyright: Photograph © Ginzburg Architects
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    Holiday Inn Express Hotel on the Dubininskaya Street, Moscow
    Copyright: Photograph © Ginzburg Architects


This building is anything but a bold architectural statement, making which was neither in the budget nor in the intended class of this hotel anyway. At the same time, it definitely has some reserved and decent modesty about it, which is important because making a bold statement is something that pretty much everyone wants to do, while making a sober evaluation of one’s task and designing a building that would make the right background is not the most rewarding job in the world but it needs to be done, and it needs to be done a lot. At the same time, standing next to this building, we feel as if we find ourselves in a developed and thoroughly thought out urban space. One feels like dismantling the black fence before the Rosneft office – then a real street will appear here, people will no longer have to cling to the wall, or, what’s worse, step down on the traffic lanes. One should think that sooner or later this is bound to happen and a small embryo of urban space that appeared here thanks to the efforts of Aleksey Ginzburg Architects, will grow and develop. Because this is the way it was meant to be.

21 June 2019

Headlines now
A Paper Clip above the River
In this article, we talk with Vitaly Lutz from the Genplan Institute of Moscow about the design and unique features of the pedestrian bridge that now links the two banks of the Yauza River in the new cluster of Bauman Moscow State Technical University (MSTU). The bridge’s form and functionality – particularly the inclusion of an amphitheater suspended over the river – were conceived during the planning phase of the territory’s development. Typically, this approach is not standard practice, but the architects advocate for it, referring to this intermediate project phase as the “pre-AGR” stage (AGR stands for Architectural and Urban Planning Approval). Such a practice, they argue, helps define key parameters of future projects and bridge the gap between urban planning and architectural design.
Living in the Architecture of One’s Own Making
Do architects design houses for themselves? You bet! In this article, we are examining a new book by TATLIN publishing house. This book – unprecedented for Russia – features 52 private homes designed and built by contemporary architects for themselves. It includes houses that are famous, even iconic, as well as lesser-known ones; large and small, stylish and eccentric. To some extent, the book reflects the history of Russian architecture over the past 30 years.
A City Block Isoline
Another competition project for a residential complex on the banks of the Volga in Nizhny Novgorod has been prepared by Studio 44. A team of architects led by Ivan Kozhin concluded that using a regular block layout in such a location would be inappropriate and developed a “custom design” approach: a chain of parceled multi-section buildings stretching along the entire embankment. Let’s explore the features and advantages of this unconventional method.
Competition: The Price of Creativity?
Any day now, we’re expecting the results of a competition held by the “Samolet” development group for a plot in Kommunarka. In the meantime, we share the impressions of Editor-in-Chief Julia Tarabarina, who managed to conduct a public talk. Though technically focused on the interaction between developers and architects, the public talk turned into a discussion about the pros and cons of architectural competitions.
Terraced Design
The “River Park” residential complex has confidently and securely shaped the Nagatinsky Backwater shoreline. Featuring a public embankment, elevated courtyards connected by pedestrian bridges, and brick façades, the development invites exploration of its nuanced response to the surrounding context, as well as hints of the architects’ megalithic design thinking.
A Kremlin’s Core and Meteorite Fragments
We continue our coverage of the competition projects for the residential district that the development company GloraX plans to build along the embankment of the Rowing Channel in Nizhny Novgorod. ASADOV Architects approached the concept through a deep dive into local identity, using storytelling to pinpoint a central idea for the design: the master plan and composition are imagined as if a meteorite had struck a “proto-Kremlin”. Sounds weird? Find more details below!
The Volga Regatta
GloraX plans to develop a residential complex spanning 14 hectares along the Volga River in Nizhny Novgorod. The winning design in a closed-door competition, created by GORA Architects, features housing typologies ranging from townhouses to terraced high-rise slabs, a balance of functions, diverse ways of engaging with the water, and even a dedicated island (no less!) for the city residents.
Life Plans
The master plan for the residential district “Prityazheniye” (“Gravity”) in Naberezhnye Chelny was developed by the architectural company A.Len, taking into account the specific urban planning context and partially implemented solutions of the first phase. However, the master plan prioritized its own values: a green framework, a system of focal points, a hierarchy of spaces, and pedestrian priority. After this, the question of what residents will do in their neighborhood simply doesn’t arise.
A New Track
We took a thorough look at D_Station, a railcar repair depot dating back to 1906, recently reconstructed while preserving its century-old industrial structure, upon the project by Sergey Trukhanov and T+T Architects. Though work on the interiors – set to house restaurants and public spaces – is still underway, the building’s exterior already offers plenty to see. Visitors can explore the blend of old and new brickwork, appreciate the architect’s unique interpretation of ruin aesthetics, and enjoy the newly built pedestrian route that connects the Citydel Business Center’s arches to Kazakova Street.
Four Different Surveys
The “Explore the City” competition, organized this year by the Genplan Institute of Moscow, stands out as a pretty unconventional one for the architectural field but aligns perfectly well with the character of urban planning work. The winning project analyzed contemporary residential complexes, combining urban planning insights with a realtor’s perspective to propose a hybrid approach. Other entries explored public centers, motivations for car ownership, and housing vacancy rates. A fifth participant withdrew. Here’s a closer look at the four completed works.
Scheduled Evolution
ASADOV Architects unveiled the EvyCenter pavilion, a microcultural hub for fostering personal growth, organizing workshops, and doing gymnastics. Additionally, this pavilion serves as a prototype for a scalable country house, drawing inspiration from the “Loskutok” project, and constructed from CLT panels in a factory. This marks the beginning of a developer project initiated by the architectural firm (sic!), which is seeking partners to expand both small Evy settlements and even larger Evy cities, which are, according to Andrey Asadov, aimed at fostering the “evolutionary” development of the people who will inhabit them.
The Golden Crown
The concept for a dental clinic in Yekaterinburg, developed by CNTR Studio, revolves around the idea of a “mouth full of gold”: pristine white porcelain stoneware walls are complemented by matte brass details. To avoid an overly literal interpretation, the architects focused on the building’s proportions, skillfully navigating between sunlight requirements and fire safety regulations.
Flexibility and Integration
Not long ago, we covered the project for the fourth phase of the ÁLIA residential complex, designed by APEX. Now, we’ve been shown different fence concepts they developed to enclose the complex’s private courtyards, incorporating a variety of public functions. We believe that the sheer fact that the complex’s architects were involved in such a detail as fencing speaks volumes.
A Step Forward
The HIDE residential complex represents a major milestone for ADM architects and their leaders Andrey Romanov and Ekaterina Kuznetsova in their quest for a fresh high-rise aesthetic – one that is flexible and layered, capable of bringing vibrancy to mass and silhouette while shaping form. Over recent years, this approach has become ADM’s “signature style”, with the golden HIDE tower playing a pivotal role in its evolution. Here, we delve into the project’s story, explore the details of the complex’s design, and uncover its core essence.
Gold in the Sands
A new office for a transcontinental company specializing in resource extraction and processing has opened in Dubai. Designed by T+T Architects, masters of creating spaces that are contemporary, diverse, flexible, and original, this project exemplifies their expertise. On the executive floor, a massive brass-clad partition dominates, while layered textures of compressed earth create a contextually resonant backdrop.
Layers and Levels of Flight
This project goes way back – Reserve Union won this architectural competition at the end of 2011, and the building was completed in 2018, so it’s practically “archival”. However, despite being relatively unknown, the building can hardly be considered “dated” and remains a prime example of architectural expression, particularly in the headquarters genre. And it’s especially fitting for an aviation company office. In some ways, it resembles the Aeroflot headquarters at Sheremetyevo but with its own unique identity, following the signature style of Vladimir Plotkin. In this article, we take an in-depth look at the United Aircraft Corporation (UAC) headquarters in the Moscow agglomeration town of Zhukovsky, supplemented by recent photographs from Alexey Naroditsky – a shoot that became only recently possible due to the fact that improvements were finally made in the surrounding area.
Light and Shadow
In this article, we delve into the architectural design of the “Chaika” house by DNK ag architects, which was recently completed in 2023 as part of the collection of signature designs at ZILArt. As is well-known, all the buildings in this complex follow a design code, yet each one is distinct. This particular building stands out not only for its whiteness and minimalism but also for the refined use of a limited number of techniques that, together, create what can confidently be called synergy.
Casus Novae
A master plan was developed for a large residential area with a name of “DNS City”, but now that its implementation began, the plan has been arbitrarily reformatted and replaced with something that, while similar on the surface, is actually quite different. This is not the first time such a thing happens, but it’s always frustrating. With permission from the author, we are sharing Maria Elkina’s post.
Treasure Hunting
The GAFA bureau, in collaboration with Tegola and Arkhitail, organized an expedition to the island of Kilpola in Karelia as part of Moskomarkhitektura’s “Open City” festival. There, amidst moss and rocks, the students sought answers to questions like: what is the sacred, where does it dwell, and what sustains it? Assisting the participants in this quest were landscape engineer Evgeny Levin, artist Nicholas Roerich, a moose, and the lack of cellular connection. Here’s how the story unfolded.
Depths of the Earth, Streams of Water
In the Malaya Okhta district, the Akzent building, designed by Stepan Liphart, was constructed. It follows a classic tripartite structure, yet it’s what you might call “hand-drawn”: each façade is unique in its form and details, some of which aren’t immediately noticeable. In this article, we explore the context and, together with the architect, delve into how the form was developed.
Fir Tree Dynamics
The “Airports of Region” holding is planning to build an airport in Karachay-Cherkessia, aiming to make the Arkhyz and Dombay resorts more accessible to travelers. The project that won in an invitation-only competition, submitted by Sergey Nikeshkin’s KPLN, blends natural imagery inspired by the shape of a conifer seed, open-air waiting spaces, majestic large trees, and a green roof elevated on needle-like columns. The result is both nature-inspired and WOW.
​A Brick Shell
In the process of designing a clubhouse situated among pine trees in a prestigious suburban area near Moscow, the architectural firm “A.Len” did the façade design part. The combination of different types of brick and masonry correlates with the volumetric and plastique solutions, further enhanced by the inclusion of wood-painted fragments and metal “glazing”.
Word Forms
ATRIUM architects love ambitious challenges, and for the firm’s thirtieth anniversary, they boldly play a game of words with an exhibition that dives deep into a self-created vocabulary. They immerse their projects – especially art installations – into this glossary, as if plunging into a current of their own. You feel as if you’re flowing through the veins of pure art, immersed in a universe of vertical cities, educational spaces – of which the architects are true masters – and the cultural codes of various locations. But what truly captivates is the bold statement that Vera Butko and Anton Nadtochy make, both through their work and this exhibition: architecture, above all, is art – the art of working with form and space.
Flexibility and Acuteness of Modernity
Luxurious, fluid, large “kokoshniks” and spiral barrel columns, as if made from colorful chewing gum: there seem to be no other mansion like this in Moscow, designed in the “Neo-Russian-Modern” style. And the “Teremok” on Malaya Kaluzhskaya, previously somewhat obscure, has “come alive with new colors” and gained visibility after its restoration for the office of the “architectural ecosystem” as the architects love to call themselves. It’s evident that Julius Borisov and the architects at UNK put their hearts into finding this new office and bringing it up to date. Let’s delve into the paradoxes of this mansion’s history and its plasticity. Spoiler: two versions of modernity meet here, both balancing on the razor’s edge of “what’s current”.
Yuri Vissarionov: “A modular house does not belong to the land”
It belongs to space, or to the air... It turns out that 3D printing is more effective when combined with a modular approach: the house is built in a workshop and then adapted to the site, including on uneven terrain. Yuri Vissarionov shares his latest experience in designing tourist complexes, both in central Russia and in the south. These include houseboats, homes printed from lightweight concrete using a 3D printer, and, of course, frame houses.
​Moscow’s First
“The quality of education largely depends on the quality of the educational environment”. This principle of the last decade has been realized by Sergey Skuratov in the project for the First Moscow Gymnasium on Rostovskaya Embankment in the Khamovniki district. The building seamlessly integrates into the complex urban landscape, responding both to the pedestrian flow of the city and the quiet alleyways. It skillfully takes advantage of the height differences and aligns with modern trends in educational space design. Let’s take a closer look.
Looking at the Water
The site of Villa Sonata stretches from the road to the water’s edge, offering its own shoreline, pier, and a picturesque river panorama. To reveal these sweeping views, Roman Leonidov “cut” the façade diagonally parallel to the river, thus getting two main axes for the house and, consequently, “two heads”. The internal core – two double-height spaces, a living room and a conservatory, with a “bridge” above them – makes the house both “transparent” and filled with light.
The White Wing
Well, it’s not exactly white. It’s more of a beige, white-stone structure that plays with the color of limestone – smoother surfaces are lighter, while rougher ones are darker. This wing unites various elements: it absorbs and interprets the surrounding themes. It responds to everything, yet maintains a cohesive expression – a challenging task! – while also incorporating recognizable features of its own, such as the dynamic cuts at the bottom, top, and middle.
Urban Dunes
The XSA Ramps team designed and built a three-part sports hub for a park in Rostov-on-Don, welcoming people of all ages and fitness levels. The skate plaza, pump track, and playground are all meticulously crafted with details that attract a diverse range of visitors. The technical execution of the shapes and slopes transforms this space into a kind of sculptural composition.
Proportional Growth
The project for the fourth phase of the ÁLIA residential area has been announced. The buildings are situated on an elongated plot – almost a “ray” that shoots out from the center of the area towards the river. Their layout reflects both a response to Moscow’s architectural preferences over the past 15 years, shifting “from blocks to towers”, and an interpretation of the neighboring business park designed by SOM. Additionally, the best apartments here are not located at the very top but closer to the middle, forming a glowing “waistline”.