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​Part of the Urban Kaleidoscope

This is how you can best describe the hotel building on the Dubininskaya Street. Its architecture is anything but conspicuous – one could even say that it’s making a parade of its unpretentiousness. Upon closer examination, however, interesting details begin to come up.

21 June 2019
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The building of Holiday Inn Express Hotel opened on Moscow’s Dubininskaya Street in the fall of 2017. The three-star hotel belongs to the budget line of the famous brand, which focuses on offering “limited services at a reasonable price”. This is exactly the kind of hotel that you could open in the depth of one of the parts of the Paveletskaya industrial park, a place that has been reconstructed for years. The hotel is situated on the edge of the former territory of Cold Storage Facility #3, hiding behind the 20-floor tower of the Rosneft office, which literally divided in two the 12-story prefab residential building and a couple of two-story Moscow tenements that miraculously survived here from days past. The surroundings are pretty diverse, and the territory is not yet quite organized, the old warehouses alternating with yawning gaps, obviously waiting to be “developed”. Meanwhile, this place is but a ten minutes’ walk away from the Paveletsky Railway Station, the metro station bearing the same name, and the Garden Ring too, which basically means that if you switch to a trot you will reach all these places in five minutes, which, in turn, means that this location is extremely convenient.

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    Holiday Inn Express Hotel on the Dubininskaya Street, Moscow
    Copyright: Photograph © Julia Tarabarina, Archi.ru
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    Holiday Inn Express Hotel on the Dubininskaya Street, Moscow
    Copyright: Photograph © Ginzburg Architects
Holiday Inn Express Hotel on the Dubininskaya Street, Moscow. Location plan
Copyright: Photograph © Ginzburg Architects


What makes this architectural project different in this specific case and considering the diversity of its surroundings (most of which are still in construction) is its unpretentiousness. Here’s what I mean. Oftentimes, 3D visualizations drawn by the architects show glass-and-concrete giants that look as if they were kind of beautifully “dissolving” in the sky. Later on, however, when these projects are actually built, it turns out that they do not dissolve anywhere – the fact that has long since been noticed by the city preservation activists. Here, on the other hand, what we see is what we get: the hotel building is barely visible, delicately glittering against the sky. It is literally dissolved in the architectural context. At the same time, finding it is not hard at all, even for a fatigued traveler, which is also a considerable competitive advantage for a hotel. As for the passers-by, not interested in bed&breakfast, this building passes completely unnoticed. Completely. This quite a unique case by Moscow standards, this approach is something that most architects only dream about, and here they were able to do it. To do what, exactly? To keep within the limits of urban planning decency in a diverse environment.

To do the project justice, let’s admit that the proximity of the Rosneft office made the architect’ task somewhat easier: its nobly brown volume is the first thing that meets the eye, drawing people’s attention away from everything else. However, the new hotel has also been able to engage in a dialogue with this “person of consequence” – the newcomer not just hid behind its back but stood up as an embryo of a new street. Even more than an embryo – there is indeed a street here, and, if they develop it slightly into the depth, they will get a chunk of fully-fledged urban space. One small step has already been made. The hotel also responds to its neighbor: one of its façades, which comes the closest to the wall of the office building, bears a staircase and common-use balconies, whose presence is dictated by the fire safety rules but, on the other hand, one can use them to have a smoke up there.

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    Holiday Inn Express Hotel on the Dubininskaya Street, Moscow
    Copyright: Photograph © Julia Tarabarina, Archi.ru
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    Holiday Inn Express Hotel on the Dubininskaya Street, Moscow
    Copyright: Photograph © Julia Tarabarina, Archi.ru
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    Holiday Inn Express Hotel on the Dubininskaya Street, Moscow
    Copyright: Photograph © Ginzburg Architects


Incidentally, there are two staircases here, the other one situated in the poorly lit corner of the L-shaped building and combined with the elevator block; yet another freight elevator runs on the outer corner – it is convenient for loading and unloading the material needs of the hotel.

The main floors of the hotel are standard, three meters high. The bottom floor of the lobby is quite tall – 5 meters high. Beneath it, there are two tiers that are just as high, one semi-underground, intended for commercial use, and the other meant to be an underground parking garage (hopefully, equipped with an elevator). The underground floors continue eastward, into the depth of the land site, forming a paved yard/podium. It was planned to light the entire top floor with rooflights (this solution doesn’t seem to have been implemented? I’m seeing the paved section buy I’m not seeing any rooflights. The reason for such a decision? Building up was prohibited here?)

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    Holiday Inn Express Hotel on the Dubininskaya Street, Moscow
    Copyright: Photograph © Ginzburg Architects
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    Holiday Inn Express Hotel on the Dubininskaya Street, Moscow
    Copyright: Photograph © Ginzburg Architects
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    Holiday Inn Express Hotel on the Dubininskaya Street, Moscow
    Copyright: Photograph © Julia Tarabarina, Archi.ru
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    Holiday Inn Express Hotel on the Dubininskaya Street, Moscow
    Copyright: Photograph © Ginzburg Architects
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    Holiday Inn Express Hotel on the Dubininskaya Street, Moscow
    Copyright: Photograph © Ginzburg Architects
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    Holiday Inn Express Hotel on the Dubininskaya Street, Moscow
    Copyright: Photograph © Ginzburg Architects


One of the most interesting solutions of the project is the semi-underground floor. The ambient light gets here through a deep areaway on the street side. One can get down by the two-flight staircase running parallel to the façade (19 stairs), and the metallic semi-columns of the first floor also continue here: the space before the main façade also takes on an intrigue and a volumetric character. It is livened up by the naive graffiti on the wall and life-affirming quotes on the stairs; you can have a different attitude towards such “adornment” but in any case such things are a sure sign that the city life is already going on here.

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    Holiday Inn Express Hotel on the Dubininskaya Street, Moscow
    Copyright: Photograph © Ginzburg Architects
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    Holiday Inn Express Hotel on the Dubininskaya Street, Moscow
    Copyright: Photograph © Julia Tarabarina, Archi.ru
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    Holiday Inn Express Hotel on the Dubininskaya Street, Moscow
    Copyright: Photograph © Julia Tarabarina, Archi.ru
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    Copyright: Photograph © Ginzburg Architects
    Copyright: Photograph © Ginzburg Architects
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    Holiday Inn Express Hotel on the Dubininskaya Street, Moscow
    Copyright: Photograph © Julia Tarabarina, Archi.ru


On the flat glass façade, the windows are surrounded by panels of autumn colors: the light tone of faded skies, orange, terra-cotta, and dark-gray stripes. The façade uses the mosaic screen technique that was introduced in Moscow fifteen years ago by the Ostozhenka Architects, a very convenient way to turn a flat façade – given the fact that you do not have the budget to show the depth of the window jambs – into a glittering pattern that reacts to the surroundings, at the same time having a color and a character of its own. But then again, here the composition is simpler because it is defined by the tasks and the modern trends of pristine façade grids. The colored bands unite the floors in pairs, their width and colors alternating. In addition, in a couple of floors the windows are shifted by one iteration, and, if you look a little harder, it will seem as if the façade is slightly turning left and right. The surface is also livened up by the operable transoms of the hotel windows that look like the keys of some sci-fi musical instrument pressed in a random order. One of the tasks of this composition of transparent spots on the façade – to cover up the square proportions of the windows and the large width between them – has been fulfilled: one will have to look real hard to tell between the windows and the walls – everything bleeds into crosses of lines and soft spots of color.

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    Holiday Inn Express Hotel on the Dubininskaya Street, Moscow
    Copyright: Photograph © Julia Tarabarina, Archi.ru
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    Holiday Inn Express Hotel on the Dubininskaya Street, Moscow
    Copyright: Photograph © Julia Tarabarina, Archi.ru
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    Holiday Inn Express Hotel on the Dubininskaya Street, Moscow
    Copyright: Photograph © Ginzburg Architects
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    Holiday Inn Express Hotel on the Dubininskaya Street, Moscow
    Copyright: Photograph © Ginzburg Architects
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    Holiday Inn Express Hotel on the Dubininskaya Street, Moscow
    Copyright: Photograph © Ginzburg Architects
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    Holiday Inn Express Hotel on the Dubininskaya Street, Moscow
    Copyright: Photograph © Ginzburg Architects
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    Holiday Inn Express Hotel on the Dubininskaya Street, Moscow
    Copyright: Photograph © Ginzburg Architects
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    Holiday Inn Express Hotel on the Dubininskaya Street, Moscow
    Copyright: Photograph © Ginzburg Architects
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    Copyright: Photograph © Ginzburg Architects
    Copyright: Photograph © Ginzburg Architects
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    Holiday Inn Express Hotel on the Dubininskaya Street, Moscow
    Copyright: Photograph © Ginzburg Architects
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    Holiday Inn Express Hotel on the Dubininskaya Street, Moscow
    Copyright: Photograph © Ginzburg Architects


This building is anything but a bold architectural statement, making which was neither in the budget nor in the intended class of this hotel anyway. At the same time, it definitely has some reserved and decent modesty about it, which is important because making a bold statement is something that pretty much everyone wants to do, while making a sober evaluation of one’s task and designing a building that would make the right background is not the most rewarding job in the world but it needs to be done, and it needs to be done a lot. At the same time, standing next to this building, we feel as if we find ourselves in a developed and thoroughly thought out urban space. One feels like dismantling the black fence before the Rosneft office – then a real street will appear here, people will no longer have to cling to the wall, or, what’s worse, step down on the traffic lanes. One should think that sooner or later this is bound to happen and a small embryo of urban space that appeared here thanks to the efforts of Aleksey Ginzburg Architects, will grow and develop. Because this is the way it was meant to be.

21 June 2019

Headlines now
Inverted Fortress
This year, there has been no shortage of intriguing architectural ideas around the Omsk airport. The project developed by the architectural company KPLN appeals to Omsk’s history as a wooden fortress that it was back in the day, but transforms the concept of a fortress beyond recognition: it “shaves off” the conical ends of “wooden logs”, then enlarges them, and then flips them over. The result is a hypostyle – a forest of conical columns on point supports, with skylights on top.
The Paradox of the Temporary
The concept of the Russian pavilion for EXPO 2025 in Osaka, proposed by the Wowhaus architects, is the last of the six projects we gathered from the 2022 competition. It is again worth noting that the results of this competition were not finalized due to the cancellation of Russia’s participation in World Expo 2025. It should be mentioned that Wowhaus created three versions for this competition, but only one is being presented, and it can’t be said that this version is thoroughly developed – rather, it is done in the spirit of a “student assignment”. Nevertheless, the project is interesting in its paradoxical nature: the architects emphasized the temporary character of the pavilion, and in its bubble-like forms sought to reflect the paradoxes of space and time.
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
Mirrors Everywhere
The project by Sergey Nebotov, Anastasia Gritskova, and the architectural company “Novoe” was created for the Russian pavilion at EXPO 2025, but within the framework of another competition, which, as we learned, took place even earlier, in 2021. At that time, the competition theme was “digital twins”, and there was minimal time for work, so the project, according to the architect himself, was more of a “student assignment”. Nevertheless, this project is interesting for its plan bordering on similarity with Baroque projects and the emblem of the exhibition, as well as its diverse and comprehensive reflectiveness.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.
Architecture and Leisure Park
For the suburban hotel complex, which envisages various formats of leisure, the architectural company T+T Architects proposed several types of accommodation, ranging from the classic “standard” in a common building to a “cave in the hill” and a “house in a tree”. An additional challenge consisted in integrating a few classic-style residences already existing on this territory into the “architectural forest park”.
The U-House
The Jois complex combines height with terraces, bringing the most expensive apartments from penthouses down to the bottom floors. The powerful iconic image of the U-shaped building is the result of the creative search for a new standard of living in high-rise buildings by the architects of “Genpro”.
Black and White
In this article, we specifically discuss the interiors of the ATOM Pavilion at VDNKh. Interior design is a crucial component of the overall concept in this case, and precision and meticulous execution were highly important for the architects. Julia Tryaskina, head of UNK interiors, shares some of the developments.
The “Snake” Mountain
The competition project for the seaside resort complex “Serpentine” combines several typologies: apartments of different classes, villas, and hotel rooms. For each of these typologies, the KPLN architects employ one of the images that are drawn from the natural environment – a serpentine road, a mountain stream, and rolling waves.
Opal from Anna Mons’ Ring
The project of a small business center located near Tupolev Plaza and Radio Street proclaims the necessity of modern architecture in a specific area of Moscow commonly known as “Nemetskaya Sloboda” or “German settlement”. It substantiates its thesis with the thoroughness of details, a multitude of proposed and rejected form variants, and even a detailed description of the surrounding area. The project is interesting indeed, and it is even more interesting to see what will come of it.
Feed ’Em All
A “House of Russian Cuisine” was designed and built by KROST Group at VDNKh for the “Rossiya” exhibition in record-breaking time. The pavilion is masterfully constructed in terms of the standards of modern public catering industry multiplied by the bustling cultural program of the exhibition, and it interprets the stylistically diverse character of VDNKh just as successfully. At the same time, much of its interior design can be traced back to the prototypes of the 1960s – so much so that even scenes from iconic Soviet movies of those years persistently come to mind.
The Ensemble at the Mosque
OSA prepared a master plan for a district in the southern part of Derbent. The main task of the master plan is to initiate the formation of a modern comfortable environment in this city. The organization of residential areas is subordinated to the city’s spiritual center: depending on the location relative to the cathedral mosque, the houses are distinguished by façade and plastique solutions. The program also includes a “hospitality center”, administrative buildings, an educational cluster, and even an air bridge.
Pargolovo Protestantism
A Protestant church is being built in St. Petersburg by the project of SLOI architects. One of the main features of the building is a wooden roof with 25-meter spans, which, among other things, forms the interior of the prayer hall. Also, there are other interesting details – we are telling you more about them.
The Shape of the Inconceivable
The ATOM Pavilion at VDNKh brings to mind a famous maxim of all architects and critics: “You’ve come up with it? Now build it!” You rarely see such a selfless immersion in implementation of the project, and the formidable structural and engineering tasks set by UNK architects to themselves are presented here as an integral and important part of the architectural idea. The challenge matches the obliging status of the place – after all, it is an “exhibition of achievements”, and the pavilion is dedicated to the nuclear energy industry. Let’s take a closer look: from the outside, from the inside, and from the underside too.
​Rays of the Desert
A school for 1750 students is going to be built in Dubai, designed by IND Architects. The architects took into account the local specifics, and proposed a radial layout and spaces, in which the children will be comfortable throughout the day.
The Dairy Theme
The concept of an office of a cheese-making company, designed for the enclosed area of a dairy factory, at least partially refers to industrial architecture. Perhaps that is why this concept is very simple, which seems the appropriate thing to do here. The building is enlivened by literally a couple of “master strokes”: the turning of the corner accentuates the entrance, and the shade of glass responds to the theme of “milk rivers” from Russian fairy tales.
The Road to the Temple
Under a grant from the Small Towns Competition, the main street and temple area of the village of Nikolo-Berezovka near Neftekamsk has been improved. A consortium of APRELarchitects and Novaya Zemlya is turning the village into an open-air museum and integrating ruined buildings into public life.
​Towers Leaning Towards the Sun
The three towers of the residential complex “Novodanilovskaya 8” are new and the tallest neighbors of the Danilovsky Manufactory, “Fort”, and “Plaza”, complementing a whole cluster of modern buildings designed by renowned masters. At the same time, the towers are unique for this setting – they are residential, they are the tallest ones here, and they are located on a challenging site. In this article, we explore how architects Andrey Romanov and Ekaterina Kuznetsova tackled this far-from-trivial task.
In the spirit of ROSTA posters
The new Rostselmash tractor factory, conceptualized by ASADOV Architects, is currently being completed in Rostov-on-Don. References to the Soviet architecture of the 1920’s and 1960’s resonate with the mission and strategic importance of the enterprise, and are also in line with the client’s wish: to pay homage to Rostov’s constructivism.
The Northern Thebaid
The central part of Ferapontovo village, adjacent to the famous monastery with frescoes by Dionisy, has been improved according to the project by APRELarchitects. Now the place offers basic services for tourists, as well as a place for the villagers’ leisure.
Brilliant Production
The architects from London-based MOST Architecture have designed the space for the high-tech production of Charge Cars, a high-performance production facility for high-speed electric cars that are assembled in the shell of legendary Ford Mustangs. The founders of both the company and the car assembly startup are Russians who were educated in their home country.