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​New Generation School

How does a school that has no room for boredom look like? This question was answered by UNK project in their project (no pun intended) of the educational complex to be built in Yuzhno-Sakhalinsk, which got a name of “Neskuchnaya Shkola” (“Boredom-free School”).

19 March 2019
Contest Results
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The idea of an educational complex, or, as it is fashionable to say nowadays, “cluster”, is not exactly groundbreaking. As early as in the Soviet times, there were “combined education facilities” that hosted kindergartens, nursery, junior, and senior high schools under one roof. Sometimes such facilities would also include professional education institutions, such as pedagogical colleges. Today, virtually every school offers extracurricular classes giving the children an opportunity for getting well-rounded education, and saving the parents extra time that they would have otherwise spent commuting their children to a separate place of after-school education. However, these specialized classes are usually conducted in the same standard classrooms that are used in the daytime, which lack the equipment and resources for professional education, and it is clear that this is a less-than-ideal situation.

The educational complex that the architects of UNK project proposed for the Yuzhno-Sakhalinsk competition includes not only regular schools of various education degrees but also an art school. Such an approach is extremely relevant because it makes it possible to regard the modern school as a home where children spend most of the day and even most of the year. Another important aspect was the connection between the complex and the city – its people and environment. Setting the goal of the project as creating an open cultural space for the high school students and for the city people as well, the architects proposed a new vision of the modern educational process, realized through volumetric shapes. The concept won in the competition, and it is due to be soon implemented.

Educational cluster in Yuzhno-Sakhalinsk, the competition concept. Copyright: © UNK project
Educational cluster in Yuzhno-Sakhalinsk, the competition concept. Copyright: © UNK project


Learning through Playing

For the architects, the work on the project began with analyzing a typical school and its architecture based on the classic model of a classroom system – a model system when the knowledge is passed on from a teacher to a student: the typical “boxes” of classrooms with a unified rigid structure of classrooms and corridors, which are oftentimes a thing in itself and are pretty easy to detect amidst the city panorama due to their prominent facelessness and the absence of any visual connection with their surroundings. Based on duplicating this model, the old educational system worked pretty well for a long time but it is clear that today it is no longer relevant. Still in the 1930’s, Johan Huizinga proclaimed that a game is indispensable part of culture. His Homo Ludens – the “playing man” – turned out to be the perfect model for the human being of the new age, while the game itself the perfect educational tool in the swiftly changing world.

Educational cluster in Yuzhno-Sakhalinsk, the competition concept. Copyright: © UNK project


What is interesting is the fact that when they were developing their project, the architects proceeded not only from their own, although rather rich, expertise of designing schools – currently, the construction of the “Smart School” in Irkutsk is underway, built by the joint project of Denmark’s Cebra and UNK project – but also on their experience in working with IT clusters.

“In IT clusters, we create conditions, in which the adults can create, learn, grow, and, strange though it may sound, play – Yuliy Borisov says – The educational cluster is created specifically for those people who in the future will be in demand and have value. And in order to achieve that, you need to foster such qualities as creativity, sociability, and the ability for learning and self-development. A game will give these people a chance for self-realization and self-expression. In addition, it is fun to play, and it will give you a chance to feel like a fighter and a winner”.

In the Yuzhno-Sakhalinsk project, the game begins as early on as at the stage of the visual image – the complex is turned to the city with the pair of buildings of the regular school and the art school that are also united by a segment of usable roof. Such composition allowed the architects to make a rather large sports nucleus on a very cramped land site – a task, which, by the way, turned out to be too much of a challenge for some of the contestants. The part of the territory that is the farthest from the street hosts a kindergarten.

Educational cluster in Yuzhno-Sakhalinsk, the competition concept. Copyright: © UNK project


The image of a school that must become an event in its own right is formed thanks to a bright color design solution, each of the buildings getting a color of its own: the school building is orange, the school of fine arts is light blue, and the junior high is violet. The same color code is used in the interior design and navigation. 

Educational cluster in Yuzhno-Sakhalinsk, the competition concept. Copyright: © UNK project


The sports nucleus, consisting of a football field, a few zones for track and field activities, a jogging track, spectator stalls, and rock climbing wall, becomes the key link that connects the school and city. Turned in the direction of the river and park, it can be used not only by the school but by the local residents as well.

The park is a place that deserves special attention; it is not just a place for meditation but also for active recreation – it will include a skate park, as well as meditation and yoga zones.

Educational cluster in Yuzhno-Sakhalinsk, the competition concept. Copyright: © UNK project


School as a Home and School as a Town

Giving up the conventional approach to design, the one that boils down to the formula “function / façades / economy of construction”, UNK project first of all paid attention to the processes linked to education – because children learn not only in class but during the entire time of staying within the school walls. Today, high-school education is regarded as a continuous process, one of important constituent parts of which is communication that takes place not only in class but also in the cafeteria, and in the recreation halls. The concept does not go as far as to propose to refrain from using classrooms altogether but it widens the range of educational possibilities: the architects provide mini-classrooms designed for one-on-one instruction, quick transformation of standard classrooms to fit different scenarios, and uniting several classrooms into large audiences for several classes. At the same time, the integrated educational environment is formed not only at the expense of different sizes of the auditoriums, but also the recreational areas. Variability and flexibility in this project are the basis for creative design thinking that is fostered by the very space of the school building.

Educational cluster in Yuzhno-Sakhalinsk, the competition concept. Copyright: © UNK project


Educational cluster in Yuzhno-Sakhalinsk, the competition concept. Copyright: © UNK project


Analyzing a child’s day from the moment he or she arrives at school to the moment he or she leaves, the architects are proposing to look at it from the side. To a certain degree, the organization of the cluster realizes the metaphor of a city with residential areas, squares, green zones, and parks. When they were designing the entrance group, separated from the street by a square, the architects paid special attention to the beginning of the student’s day when he comes to school and changes before classes. This part of the building, very much like the school’s face, must be convenient for people or limited mobility, and capable of giving shelter from the wind and the rain. The lobby – which in most standard schools looks like a checkpoint of some top-secret research facility – is in this case open and double-height; standing in it, one can easily see various functional zones of the school.

Another little detail that says a lot about the architects’ attention to children’s comfort: the lockers are color-coded and are different from class to class.

Educational cluster in Yuzhno-Sakhalinsk, the competition concept. Copyright: © UNK project


The interflowing student lounges are divided into subgroups – transition ones, lounges for quiet recreation, and lounges for playing games: the corridors are designed as landscaped city streets with recreational spaces made in the wall recessions, which eliminates monotony. In addition, the problem of building too many corridors is solved by an atrium with a large staircase. It forms the central square – a place that will host meetings and events. This space will increase the school’s transparency – the architects stress – but, above all, it must foster communication and interaction between students and teachers alike, as a forum of the school of a new type, in which communicative skills are regarded as crucial for achieving success in the future.

Educational cluster in Yuzhno-Sakhalinsk, the competition concept. Copyright: © UNK project


Educational cluster in Yuzhno-Sakhalinsk, the competition concept. Copyright: © UNK project


A Situation of Choice

The architects admit that in their desire for creating a place that a child would want to be, a place where he or she could study, play, learn and grow, and have fun, they borrowed a lot from the best practices of the Northern Europe, specifically, Denmark and Finland, where a school is regarded as a part of urban environment.

Linking the art school to junior and senior high is one of the first steps toward this goal because it creates all the necessary conditions for fostering love for learning and self-educating. On the level of the third floor, the art school is linked to the high school, which allows the children to use both functions without having to go outside at any time of the year. At the same time, its “fifth façade” – the sloping roof – is also integrated with the city fabric. The architects propose different options for using this roof by students and city people alike: in winter, it might be a ski slope – Yuzhno-Sakhalinsk is not particularly known for steady snow coverage – and in summer it may become a movie theater, an educational vegetable garden, or even a model meteorological station. The roof commands beautiful mountain views, and, therefore, one of the functions of the roof, which is directly connected to the art school in particular, is that in summer it will become a platform for en plein air painting and art exhibitions.

Educational cluster in Yuzhno-Sakhalinsk, the competition concept. Copyright: © UNK project


The kindergarten, which stands a little distance apart from the school complex, also has a usable roof. Its image was designed with a different audience in mind – the little ones – and that’s why it was engineered proportionally to its little inhabitants and in a playful style: windows of different sizes and multicolored façade panels immediately immerse you into the world of childhood. “This cluster has in it places for both sports and arts: the children themselves can choose what to do; this implies greater freedom, as a consequence, greater responsibility – Yuliy Borisov says – this is a very important aspect of forming one’s personality, and the city government showed a lot of enthusiasm and readiness to experiment in that direction. Essentially, the cluster becomes the community center where people can spend their free time, and this goes a long way to better people’s lives in the entire surrounding area, while the new functions that it offers breed healthy competition”.

Educational cluster in Yuzhno-Sakhalinsk, the competition concept. Copyright: © UNK project


Unconventional ideas for school buildings, capable of transforming their space and composition and thus address the new trends in modern education – attention to communication, flexible processes, wide range of options, and freedom of choice – are as relevant today as never before. At a first glance, it seems that you just cannot implement within one and the same building such incorporeal values as psychology and pedagogy. But it turns out that you can, and the results end up being creative and diverse, gradually forming in our minds and in this country an image of a new progressive school that is essentially the place that children want to come to. Of course, the right building alone will not ensure the right and professional teachers capable of turning the teaching process into an exciting game that would be really fun to play. Anyway, people to buildings or buildings to people, any steps in the right direction are good, especially if they are consistent. This experiment looks particularly impressive if we take into account the very geographical location of the new school – this is virtually the edge of the world.

19 March 2019

Headlines now
Domus Aurea
In this issue, we examine the “Tessinsky-1” house, designed by Sergey Skuratov and completed in 2023. Located in the middle of the Serebryanicheskaya Embankment district, at the intersection of its main streets, this house assumes a sort of “nodal” role: it not only responds to everything around it and preserves many memories of the former EMA factory within itself, but it weaves all this into a newly directed pattern, reconciling bright “gold” and dark-colored brick, largely with the help of the new, modern-yet-archaic Columba brick, which, come to think about it, is the most precious element here.
​Periscope by the Bay
The jury awarded the second place in the competition for a public and cultural center in Petropavlovsk-Kamchatsky to the companies GORA (“Mountain”) and M4. In the consortium’s proposal, the building resembles a sperm whale with a calf swimming next to it or a periscope, whose lenses capture the most spectacular views from the surrounding landscape.
From Arcs to Dolmens
While working on the competition project for Petropavlovsk-Kamchatsky, ASADOV Architects prioritized the value of the natural and urban environment, aiming to preserve the balance of the location while minimizing the resemblance of the volume that they designed to a “traditional building”. The task was challenging, and the architects created three versions, one of which having been developed after the competition, where their main proposal took third place. However, the point of interest here is not the competition result but the continuity of creative thinking.
Hide and Seek
The ID Moskovskiy house, designed by Stepan Liphart in St. Petersburg, in the courtyards near Moskovskiy Avenue beyond the Obvodny Canal and recently completed, is notable for several reasons. Firstly, it has been realized with considerable accuracy, which is particularly significant as this is the first building where the architect was responsible not only for the facades but also for the layouts, allowing for better integration between the two. On the other hand, this building is interesting as an example of the “germination” of new architecture in the city: it draws on the best examples from the neighborhood and becomes an improved and developed sum of ideas found by the architect in the surrounding context.
The Big Twelve
Yesterday, the winners of the Moscow Mayor’s Architecture Award were announced and honored. Let’s take a look at what was awarded and, in some cases, even critique this esteemed award. After all, there is always room for improvement, right?
Above the Golden Horn
The residential complex “Philosophy” designed by T+T architects in Vladivostok, is one of the new projects in the “Golubinaya Pad” area, changing its development philosophy (pun intended) from single houses to a comprehensive approach. The buildings are organized along public streets, varying in height and format, with one house even executed in gallery typology, featuring a cantilever leaning on an art object.
Nuanced Alternative
How can you rhyme a square and space? Easily! But to do so, you need to rhyme everything you can possibly think of: weave everything together, like in a tensegrity structure, and find your own optics too. The new exhibition at GES-2 does just that, offering its visitor a new perspective on the history of art spanning 150 years, infused with the hope for endless multiplicity of worlds and art histories. Read on to see how this is achieved and how the exhibition design by Evgeny Ace contributes to it.
Blinds for Ice
An ice arena has been constructed in Domodedovo based on a project by Yuri Vissarionov Architects. To prevent the long façade, a technical requirement for winter sports facilities, from appearing monotonous, the architects proposed the use of suspended structures with multidirectional slats. This design protects the ice from direct sunlight while giving the wall texture and detail.
Frozen Magma
A competition for the creation of a public and cultural center was held in Petropavlovsk-Kamchatsky. Three architectural companies made it to the final, and we consider it important to share about the work of each. Let’s start with the winner – the consortium led by Wowhaus.
Campus within a Day
In this article, we talk about what the participants of Genplan Institute of Moscow’s hackathon were doing at the MosComArchitecture booth at the “ArchMoscow” exhibition. We also discuss who won the prize and why, and what can be done with the territory of a small university on the outskirts of Moscow.
Vertical Civilization
Genpro considered the development of the vertical city concept and made it the theme of their pavilion at the “ArchMoscow” exhibition.
Marina Yegorova: “We think in terms of hectares, not square meters”
The career path of architect Marina Yegorova is quite impressive: MARHI, SPEECH, MosComArchitectura, the Genplan Institute of Moscow, and then her own architectural company. Its name Empate, which refers to the words “to draw” in Portuguese and “to empathize” in English, should not be misleading with its softness, as the firm freely works on different scales, including Integrated Territorial Development projects. We talked with Marina about various topics: urban planning experience, female leadership style, and even the love of architects for yachting.
Andrey Chuikov: “Optimum balance is achieved through economics”
The Yekaterinburg-based architectural company CNTR is in its mature stage: crystallization of principles, systematization, and standardization helped it make a qualitative leap, enhance competencies, and secure large contracts without sacrificing the aesthetic component. The head of the company, Andrey Chuikov, told us about building a business model and the bonuses that additional education in financial management provides for an architect.
The Fulcrum
Ostozhenka Architects have designed two astonishing towers practically on the edge of a slope above the Oka River in Nizhny Novgorod. These towers stand on 10-meter-tall weathered steel “legs”, with each floor offering panoramic views of the river and the city; all public spaces, including corridors, receive plenty of natural light. Here, we see a multitude of solutions that are unconventional for the residential routine of our day and age. Meanwhile, although these towers hark back to the typological explorations of the seventies, they are completely reinvented in a contemporary key. We admire Veren Group as the client – this is exactly how a “unique product” should be made – and we tell you exactly how our towers are arranged.
Crystal is Watching You
Right now, Museum Night has kicked off at the Museum of Architecture, featuring a fresh new addition – the “Crystal of Perception”, an installation by Sergey Kuznetsov, Ivan Grekov, and the KROST company, set up in the courtyard. It shimmers with light, it sings, it reacts to the approach of people, and who knows what else it can do.
The Secret Briton
The house is called “Little France”. Its composition follows the classical St. Petersburg style, with a palace-like courtyard. The decor is on the brink of Egyptian lotuses, neo-Greek acroteria, and classic 1930s “gears”; the recessed piers are Gothic, while the silhouette of the central part of the house is British. It’s quite interesting to examine all these details, attempting to understand which architectural direction they belong to. At the same time, however, the house fits like a glove in the context of the 20th line of St. Petersburg’s Vasilievsky Island; its elongated wings hold up the façade quite well.
The Wrap-Up
The competition project proposed by Treivas for the first 2021 competition for the Russian pavilion at EXPO 2025 concludes our series of publications on pavilion projects that will not be implemented. This particular proposal stands out for its detailed explanations and the idea of ecological responsibility: both the facades and the exhibition inside were intended to utilize recycled materials.
Birds and Streams
For the competition to design the Omsk airport, DNK ag formed a consortium, inviting VOX architects and Sila Sveta. Their project focuses on intersections, journeys, and flights – both of people and birds – as Omsk is known as a “transfer point” for bird migrations. The educational component is also carefully considered, and the building itself is filled with light, which seems to deconstruct the copper circle of the central entrance portal, spreading it into fantastic hyper-spatial “slices”.
Faraday Grid
The project of the Omsk airport by ASADOV Architects is another concept among the 14 finalists of a recent competition. It is called “The Bridge” and is inspired by both the West Siberian Exhibition of 1911 and the Trans-Siberian Railway bridge over the Irtysh River, built in 1896. On one hand, it carries a steampunk vibe, while on the other, there’s almost a sense of nostalgia for the heyday of 1913. However, the concept offers two variants, the second one devoid of nostalgia but featuring a parabola.
Midway upon the Journey of Our Life
Recently, Tatlin Publishing House released a book entitled “Architect Sergey Oreshkin. Selected Projects”. This book is not just a traditional book of the architectural company’s achievements, but rather a monograph of a more personal nature. The book includes 43 buildings as well as a section with architectural drawings. In this article, we reflect on the book as a way to take stock of an architect’s accomplishments.
Inverted Fortress
This year, there has been no shortage of intriguing architectural ideas around the Omsk airport. The project developed by the architectural company KPLN appeals to Omsk’s history as a wooden fortress that it was back in the day, but transforms the concept of a fortress beyond recognition: it “shaves off” the conical ends of “wooden logs”, then enlarges them, and then flips them over. The result is a hypostyle – a forest of conical columns on point supports, with skylights on top.
Transformation of Annenkirche
For Annenkirche (St. Anna Lutheran Church in St. Petersburg), Sergey Kuznetsov and the Kamen bureau have prepared a project that relies on the principles of the Venice Charter: the building is not restored to a specific date, historical layers are preserved, and modern elements do not mimic the authentic ones. Let’s delve into the details of these solutions.
The Paradox of the Temporary
The concept of the Russian pavilion for EXPO 2025 in Osaka, proposed by the Wowhaus architects, is the last of the six projects we gathered from the 2022 competition. It is again worth noting that the results of this competition were not finalized due to the cancellation of Russia’s participation in World Expo 2025. It should be mentioned that Wowhaus created three versions for this competition, but only one is being presented, and it can’t be said that this version is thoroughly developed – rather, it is done in the spirit of a “student assignment”. Nevertheless, the project is interesting in its paradoxical nature: the architects emphasized the temporary character of the pavilion, and in its bubble-like forms sought to reflect the paradoxes of space and time.
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
Mirrors Everywhere
The project by Sergey Nebotov, Anastasia Gritskova, and the architectural company “Novoe” was created for the Russian pavilion at EXPO 2025, but within the framework of another competition, which, as we learned, took place even earlier, in 2021. At that time, the competition theme was “digital twins”, and there was minimal time for work, so the project, according to the architect himself, was more of a “student assignment”. Nevertheless, this project is interesting for its plan bordering on similarity with Baroque projects and the emblem of the exhibition, as well as its diverse and comprehensive reflectiveness.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.