По-русски

​New Generation School

How does a school that has no room for boredom look like? This question was answered by UNK project in their project (no pun intended) of the educational complex to be built in Yuzhno-Sakhalinsk, which got a name of “Neskuchnaya Shkola” (“Boredom-free School”).

19 March 2019
Contest Results
mainImg

The idea of an educational complex, or, as it is fashionable to say nowadays, “cluster”, is not exactly groundbreaking. As early as in the Soviet times, there were “combined education facilities” that hosted kindergartens, nursery, junior, and senior high schools under one roof. Sometimes such facilities would also include professional education institutions, such as pedagogical colleges. Today, virtually every school offers extracurricular classes giving the children an opportunity for getting well-rounded education, and saving the parents extra time that they would have otherwise spent commuting their children to a separate place of after-school education. However, these specialized classes are usually conducted in the same standard classrooms that are used in the daytime, which lack the equipment and resources for professional education, and it is clear that this is a less-than-ideal situation.

The educational complex that the architects of UNK project proposed for the Yuzhno-Sakhalinsk competition includes not only regular schools of various education degrees but also an art school. Such an approach is extremely relevant because it makes it possible to regard the modern school as a home where children spend most of the day and even most of the year. Another important aspect was the connection between the complex and the city – its people and environment. Setting the goal of the project as creating an open cultural space for the high school students and for the city people as well, the architects proposed a new vision of the modern educational process, realized through volumetric shapes. The concept won in the competition, and it is due to be soon implemented.

Educational cluster in Yuzhno-Sakhalinsk, the competition concept. Copyright: © UNK project
Educational cluster in Yuzhno-Sakhalinsk, the competition concept. Copyright: © UNK project


Learning through Playing

For the architects, the work on the project began with analyzing a typical school and its architecture based on the classic model of a classroom system – a model system when the knowledge is passed on from a teacher to a student: the typical “boxes” of classrooms with a unified rigid structure of classrooms and corridors, which are oftentimes a thing in itself and are pretty easy to detect amidst the city panorama due to their prominent facelessness and the absence of any visual connection with their surroundings. Based on duplicating this model, the old educational system worked pretty well for a long time but it is clear that today it is no longer relevant. Still in the 1930’s, Johan Huizinga proclaimed that a game is indispensable part of culture. His Homo Ludens – the “playing man” – turned out to be the perfect model for the human being of the new age, while the game itself the perfect educational tool in the swiftly changing world.

Educational cluster in Yuzhno-Sakhalinsk, the competition concept. Copyright: © UNK project


What is interesting is the fact that when they were developing their project, the architects proceeded not only from their own, although rather rich, expertise of designing schools – currently, the construction of the “Smart School” in Irkutsk is underway, built by the joint project of Denmark’s Cebra and UNK project – but also on their experience in working with IT clusters.

“In IT clusters, we create conditions, in which the adults can create, learn, grow, and, strange though it may sound, play – Yuliy Borisov says – The educational cluster is created specifically for those people who in the future will be in demand and have value. And in order to achieve that, you need to foster such qualities as creativity, sociability, and the ability for learning and self-development. A game will give these people a chance for self-realization and self-expression. In addition, it is fun to play, and it will give you a chance to feel like a fighter and a winner”.

In the Yuzhno-Sakhalinsk project, the game begins as early on as at the stage of the visual image – the complex is turned to the city with the pair of buildings of the regular school and the art school that are also united by a segment of usable roof. Such composition allowed the architects to make a rather large sports nucleus on a very cramped land site – a task, which, by the way, turned out to be too much of a challenge for some of the contestants. The part of the territory that is the farthest from the street hosts a kindergarten.

Educational cluster in Yuzhno-Sakhalinsk, the competition concept. Copyright: © UNK project


The image of a school that must become an event in its own right is formed thanks to a bright color design solution, each of the buildings getting a color of its own: the school building is orange, the school of fine arts is light blue, and the junior high is violet. The same color code is used in the interior design and navigation. 

Educational cluster in Yuzhno-Sakhalinsk, the competition concept. Copyright: © UNK project


The sports nucleus, consisting of a football field, a few zones for track and field activities, a jogging track, spectator stalls, and rock climbing wall, becomes the key link that connects the school and city. Turned in the direction of the river and park, it can be used not only by the school but by the local residents as well.

The park is a place that deserves special attention; it is not just a place for meditation but also for active recreation – it will include a skate park, as well as meditation and yoga zones.

Educational cluster in Yuzhno-Sakhalinsk, the competition concept. Copyright: © UNK project


School as a Home and School as a Town

Giving up the conventional approach to design, the one that boils down to the formula “function / façades / economy of construction”, UNK project first of all paid attention to the processes linked to education – because children learn not only in class but during the entire time of staying within the school walls. Today, high-school education is regarded as a continuous process, one of important constituent parts of which is communication that takes place not only in class but also in the cafeteria, and in the recreation halls. The concept does not go as far as to propose to refrain from using classrooms altogether but it widens the range of educational possibilities: the architects provide mini-classrooms designed for one-on-one instruction, quick transformation of standard classrooms to fit different scenarios, and uniting several classrooms into large audiences for several classes. At the same time, the integrated educational environment is formed not only at the expense of different sizes of the auditoriums, but also the recreational areas. Variability and flexibility in this project are the basis for creative design thinking that is fostered by the very space of the school building.

Educational cluster in Yuzhno-Sakhalinsk, the competition concept. Copyright: © UNK project


Educational cluster in Yuzhno-Sakhalinsk, the competition concept. Copyright: © UNK project


Analyzing a child’s day from the moment he or she arrives at school to the moment he or she leaves, the architects are proposing to look at it from the side. To a certain degree, the organization of the cluster realizes the metaphor of a city with residential areas, squares, green zones, and parks. When they were designing the entrance group, separated from the street by a square, the architects paid special attention to the beginning of the student’s day when he comes to school and changes before classes. This part of the building, very much like the school’s face, must be convenient for people or limited mobility, and capable of giving shelter from the wind and the rain. The lobby – which in most standard schools looks like a checkpoint of some top-secret research facility – is in this case open and double-height; standing in it, one can easily see various functional zones of the school.

Another little detail that says a lot about the architects’ attention to children’s comfort: the lockers are color-coded and are different from class to class.

Educational cluster in Yuzhno-Sakhalinsk, the competition concept. Copyright: © UNK project


The interflowing student lounges are divided into subgroups – transition ones, lounges for quiet recreation, and lounges for playing games: the corridors are designed as landscaped city streets with recreational spaces made in the wall recessions, which eliminates monotony. In addition, the problem of building too many corridors is solved by an atrium with a large staircase. It forms the central square – a place that will host meetings and events. This space will increase the school’s transparency – the architects stress – but, above all, it must foster communication and interaction between students and teachers alike, as a forum of the school of a new type, in which communicative skills are regarded as crucial for achieving success in the future.

Educational cluster in Yuzhno-Sakhalinsk, the competition concept. Copyright: © UNK project


Educational cluster in Yuzhno-Sakhalinsk, the competition concept. Copyright: © UNK project


A Situation of Choice

The architects admit that in their desire for creating a place that a child would want to be, a place where he or she could study, play, learn and grow, and have fun, they borrowed a lot from the best practices of the Northern Europe, specifically, Denmark and Finland, where a school is regarded as a part of urban environment.

Linking the art school to junior and senior high is one of the first steps toward this goal because it creates all the necessary conditions for fostering love for learning and self-educating. On the level of the third floor, the art school is linked to the high school, which allows the children to use both functions without having to go outside at any time of the year. At the same time, its “fifth façade” – the sloping roof – is also integrated with the city fabric. The architects propose different options for using this roof by students and city people alike: in winter, it might be a ski slope – Yuzhno-Sakhalinsk is not particularly known for steady snow coverage – and in summer it may become a movie theater, an educational vegetable garden, or even a model meteorological station. The roof commands beautiful mountain views, and, therefore, one of the functions of the roof, which is directly connected to the art school in particular, is that in summer it will become a platform for en plein air painting and art exhibitions.

Educational cluster in Yuzhno-Sakhalinsk, the competition concept. Copyright: © UNK project


The kindergarten, which stands a little distance apart from the school complex, also has a usable roof. Its image was designed with a different audience in mind – the little ones – and that’s why it was engineered proportionally to its little inhabitants and in a playful style: windows of different sizes and multicolored façade panels immediately immerse you into the world of childhood. “This cluster has in it places for both sports and arts: the children themselves can choose what to do; this implies greater freedom, as a consequence, greater responsibility – Yuliy Borisov says – this is a very important aspect of forming one’s personality, and the city government showed a lot of enthusiasm and readiness to experiment in that direction. Essentially, the cluster becomes the community center where people can spend their free time, and this goes a long way to better people’s lives in the entire surrounding area, while the new functions that it offers breed healthy competition”.

Educational cluster in Yuzhno-Sakhalinsk, the competition concept. Copyright: © UNK project


Unconventional ideas for school buildings, capable of transforming their space and composition and thus address the new trends in modern education – attention to communication, flexible processes, wide range of options, and freedom of choice – are as relevant today as never before. At a first glance, it seems that you just cannot implement within one and the same building such incorporeal values as psychology and pedagogy. But it turns out that you can, and the results end up being creative and diverse, gradually forming in our minds and in this country an image of a new progressive school that is essentially the place that children want to come to. Of course, the right building alone will not ensure the right and professional teachers capable of turning the teaching process into an exciting game that would be really fun to play. Anyway, people to buildings or buildings to people, any steps in the right direction are good, especially if they are consistent. This experiment looks particularly impressive if we take into account the very geographical location of the new school – this is virtually the edge of the world.

19 March 2019

Headlines now
The Golden Crown
The concept for a dental clinic in Yekaterinburg, developed by CNTR Studio, revolves around the idea of a “mouth full of gold”: pristine white porcelain stoneware walls are complemented by matte brass details. To avoid an overly literal interpretation, the architects focused on the building’s proportions, skillfully navigating between sunlight requirements and fire safety regulations.
Flexibility and Integration
Not long ago, we covered the project for the fourth phase of the ÁLIA residential complex, designed by APEX. Now, we’ve been shown different fence concepts they developed to enclose the complex’s private courtyards, incorporating a variety of public functions. We believe that the sheer fact that the complex’s architects were involved in such a detail as fencing speaks volumes.
A Step Forward
The HIDE residential complex represents a major milestone for ADM architects and their leaders Andrey Romanov and Ekaterina Kuznetsova in their quest for a fresh high-rise aesthetic – one that is flexible and layered, capable of bringing vibrancy to mass and silhouette while shaping form. Over recent years, this approach has become ADM’s “signature style”, with the golden HIDE tower playing a pivotal role in its evolution. Here, we delve into the project’s story, explore the details of the complex’s design, and uncover its core essence.
Gold in the Sands
A new office for a transcontinental company specializing in resource extraction and processing has opened in Dubai. Designed by T+T Architects, masters of creating spaces that are contemporary, diverse, flexible, and original, this project exemplifies their expertise. On the executive floor, a massive brass-clad partition dominates, while layered textures of compressed earth create a contextually resonant backdrop.
Layers and Levels of Flight
This project goes way back – Reserve Union won this architectural competition at the end of 2011, and the building was completed in 2018, so it’s practically “archival”. However, despite being relatively unknown, the building can hardly be considered “dated” and remains a prime example of architectural expression, particularly in the headquarters genre. And it’s especially fitting for an aviation company office. In some ways, it resembles the Aeroflot headquarters at Sheremetyevo but with its own unique identity, following the signature style of Vladimir Plotkin. In this article, we take an in-depth look at the United Aircraft Corporation (UAC) headquarters in the Moscow agglomeration town of Zhukovsky, supplemented by recent photographs from Alexey Naroditsky – a shoot that became only recently possible due to the fact that improvements were finally made in the surrounding area.
Light and Shadow
In this article, we delve into the architectural design of the “Chaika” house by DNK ag architects, which was recently completed in 2023 as part of the collection of signature designs at ZILArt. As is well-known, all the buildings in this complex follow a design code, yet each one is distinct. This particular building stands out not only for its whiteness and minimalism but also for the refined use of a limited number of techniques that, together, create what can confidently be called synergy.
Casus Novae
A master plan was developed for a large residential area with a name of “DNS City”, but now that its implementation began, the plan has been arbitrarily reformatted and replaced with something that, while similar on the surface, is actually quite different. This is not the first time such a thing happens, but it’s always frustrating. With permission from the author, we are sharing Maria Elkina’s post.
Treasure Hunting
The GAFA bureau, in collaboration with Tegola and Arkhitail, organized an expedition to the island of Kilpola in Karelia as part of Moskomarkhitektura’s “Open City” festival. There, amidst moss and rocks, the students sought answers to questions like: what is the sacred, where does it dwell, and what sustains it? Assisting the participants in this quest were landscape engineer Evgeny Levin, artist Nicholas Roerich, a moose, and the lack of cellular connection. Here’s how the story unfolded.
Depths of the Earth, Streams of Water
In the Malaya Okhta district, the Akzent building, designed by Stepan Liphart, was constructed. It follows a classic tripartite structure, yet it’s what you might call “hand-drawn”: each façade is unique in its form and details, some of which aren’t immediately noticeable. In this article, we explore the context and, together with the architect, delve into how the form was developed.
Fir Tree Dynamics
The “Airports of Region” holding is planning to build an airport in Karachay-Cherkessia, aiming to make the Arkhyz and Dombay resorts more accessible to travelers. The project that won in an invitation-only competition, submitted by Sergey Nikeshkin’s KPLN, blends natural imagery inspired by the shape of a conifer seed, open-air waiting spaces, majestic large trees, and a green roof elevated on needle-like columns. The result is both nature-inspired and WOW.
​A Brick Shell
In the process of designing a clubhouse situated among pine trees in a prestigious suburban area near Moscow, the architectural firm “A.Len” did the façade design part. The combination of different types of brick and masonry correlates with the volumetric and plastique solutions, further enhanced by the inclusion of wood-painted fragments and metal “glazing”.
Word Forms
ATRIUM architects love ambitious challenges, and for the firm’s thirtieth anniversary, they boldly play a game of words with an exhibition that dives deep into a self-created vocabulary. They immerse their projects – especially art installations – into this glossary, as if plunging into a current of their own. You feel as if you’re flowing through the veins of pure art, immersed in a universe of vertical cities, educational spaces – of which the architects are true masters – and the cultural codes of various locations. But what truly captivates is the bold statement that Vera Butko and Anton Nadtochy make, both through their work and this exhibition: architecture, above all, is art – the art of working with form and space.
Flexibility and Acuteness of Modernity
Luxurious, fluid, large “kokoshniks” and spiral barrel columns, as if made from colorful chewing gum: there seem to be no other mansion like this in Moscow, designed in the “Neo-Russian-Modern” style. And the “Teremok” on Malaya Kaluzhskaya, previously somewhat obscure, has “come alive with new colors” and gained visibility after its restoration for the office of the “architectural ecosystem” as the architects love to call themselves. It’s evident that Julius Borisov and the architects at UNK put their hearts into finding this new office and bringing it up to date. Let’s delve into the paradoxes of this mansion’s history and its plasticity. Spoiler: two versions of modernity meet here, both balancing on the razor’s edge of “what’s current”.
Yuri Vissarionov: “A modular house does not belong to the land”
It belongs to space, or to the air... It turns out that 3D printing is more effective when combined with a modular approach: the house is built in a workshop and then adapted to the site, including on uneven terrain. Yuri Vissarionov shares his latest experience in designing tourist complexes, both in central Russia and in the south. These include houseboats, homes printed from lightweight concrete using a 3D printer, and, of course, frame houses.
​Moscow’s First
“The quality of education largely depends on the quality of the educational environment”. This principle of the last decade has been realized by Sergey Skuratov in the project for the First Moscow Gymnasium on Rostovskaya Embankment in the Khamovniki district. The building seamlessly integrates into the complex urban landscape, responding both to the pedestrian flow of the city and the quiet alleyways. It skillfully takes advantage of the height differences and aligns with modern trends in educational space design. Let’s take a closer look.
Looking at the Water
The site of Villa Sonata stretches from the road to the water’s edge, offering its own shoreline, pier, and a picturesque river panorama. To reveal these sweeping views, Roman Leonidov “cut” the façade diagonally parallel to the river, thus getting two main axes for the house and, consequently, “two heads”. The internal core – two double-height spaces, a living room and a conservatory, with a “bridge” above them – makes the house both “transparent” and filled with light.
The White Wing
Well, it’s not exactly white. It’s more of a beige, white-stone structure that plays with the color of limestone – smoother surfaces are lighter, while rougher ones are darker. This wing unites various elements: it absorbs and interprets the surrounding themes. It responds to everything, yet maintains a cohesive expression – a challenging task! – while also incorporating recognizable features of its own, such as the dynamic cuts at the bottom, top, and middle.
Urban Dunes
The XSA Ramps team designed and built a three-part sports hub for a park in Rostov-on-Don, welcoming people of all ages and fitness levels. The skate plaza, pump track, and playground are all meticulously crafted with details that attract a diverse range of visitors. The technical execution of the shapes and slopes transforms this space into a kind of sculptural composition.
Proportional Growth
The project for the fourth phase of the ÁLIA residential area has been announced. The buildings are situated on an elongated plot – almost a “ray” that shoots out from the center of the area towards the river. Their layout reflects both a response to Moscow’s architectural preferences over the past 15 years, shifting “from blocks to towers”, and an interpretation of the neighboring business park designed by SOM. Additionally, the best apartments here are not located at the very top but closer to the middle, forming a glowing “waistline”.
The “Staircase” Building
In designing the “Details” residential complex in New Moscow, Rais Baishev spiced up the now-popular Moscow theme of a “courtyard” building with an idea drawn from the surrealist drawings by Maurits Escher. He envisioned the stepped silhouettes and descending slopes as a metaphysical mega-staircase, creating a key void within the courtyard that gave the project an internal “spine”. This concept is felt both in the building’s silhouette and on its façades.
Projection of the Quarter
No one doubted that the building that Vladimir Plotkin designed as part of the “Garden Quarters” would be the most modernist of all. And it turned out just that way: while adhering to the common design code, the building successfully combines brick and white stone, rhythmically responding to the neighboring building designed by Ostozhenka, yet tactfully and persistently making a few statements of its own. This includes the projection of the ideal urban development composition “14–9–6”, which can be found right next door, mathematical calculations, including those for various types of terraces (and perhaps the only reminder of the Soviet past of the Kauchuk rubber factory!), and the white “cross-stitch” pattern of the façade grid.
Domus Aurea
In this issue, we examine the “Tessinsky-1” house, designed by Sergey Skuratov and completed in 2023. Located in the middle of the Serebryanicheskaya Embankment district, at the intersection of its main streets, this house assumes a sort of “nodal” role: it not only responds to everything around it and preserves many memories of the former EMA factory within itself, but it weaves all this into a newly directed pattern, reconciling bright “gold” and dark-colored brick, largely with the help of the new, modern-yet-archaic Columba brick, which, come to think about it, is the most precious element here.
The Chimney of Nikola-Lenivets
In this issue, we are examining the “Obelisk House” designed by KATARSIS and built for the Arkhstoyanie 2023 festival. However, it was only finished later on, and this is why we are examining it now. It seems to us that after the “Obelisk House” appeared in Nikola-Lenivets, a dialogue and a few inner connections appeared between the temporary structures built here. These houses no longer look like “accidental neighbors”, more of which below.
​Periscope by the Bay
The jury awarded the second place in the competition for a public and cultural center in Petropavlovsk-Kamchatsky to the companies GORA (“Mountain”) and M4. In the consortium’s proposal, the building resembles a sperm whale with a calf swimming next to it or a periscope, whose lenses capture the most spectacular views from the surrounding landscape.
From Arcs to Dolmens
While working on the competition project for Petropavlovsk-Kamchatsky, ASADOV Architects prioritized the value of the natural and urban environment, aiming to preserve the balance of the location while minimizing the resemblance of the volume that they designed to a “traditional building”. The task was challenging, and the architects created three versions, one of which having been developed after the competition, where their main proposal took third place. However, the point of interest here is not the competition result but the continuity of creative thinking.
Hide and Seek
The ID Moskovskiy house, designed by Stepan Liphart in St. Petersburg, in the courtyards near Moskovskiy Avenue beyond the Obvodny Canal and recently completed, is notable for several reasons. Firstly, it has been realized with considerable accuracy, which is particularly significant as this is the first building where the architect was responsible not only for the facades but also for the layouts, allowing for better integration between the two. On the other hand, this building is interesting as an example of the “germination” of new architecture in the city: it draws on the best examples from the neighborhood and becomes an improved and developed sum of ideas found by the architect in the surrounding context.
The Big Twelve
Yesterday, the winners of the Moscow Mayor’s Architecture Award were announced and honored. Let’s take a look at what was awarded and, in some cases, even critique this esteemed award. After all, there is always room for improvement, right?
Above the Golden Horn
The residential complex “Philosophy” designed by T+T architects in Vladivostok, is one of the new projects in the “Golubinaya Pad” area, changing its development philosophy (pun intended) from single houses to a comprehensive approach. The buildings are organized along public streets, varying in height and format, with one house even executed in gallery typology, featuring a cantilever leaning on an art object.
Nuanced Alternative
How can you rhyme a square and space? Easily! But to do so, you need to rhyme everything you can possibly think of: weave everything together, like in a tensegrity structure, and find your own optics too. The new exhibition at GES-2 does just that, offering its visitor a new perspective on the history of art spanning 150 years, infused with the hope for endless multiplicity of worlds and art histories. Read on to see how this is achieved and how the exhibition design by Evgeny Ace contributes to it.
Blinds for Ice
An ice arena has been constructed in Domodedovo based on a project by Yuri Vissarionov Architects. To prevent the long façade, a technical requirement for winter sports facilities, from appearing monotonous, the architects proposed the use of suspended structures with multidirectional slats. This design protects the ice from direct sunlight while giving the wall texture and detail.