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​PRO-apartments: Diversity through Parametrization

The Kiev-based architectural company ARKHIMATIKA has developed a new standard for the apartment floor plans used in housing projects: their “PRO-apartments” make every square meter of the floor space useful and become one of the prerequisites for comfortable housing construction.

11 May 2018
Overview
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The tedious work on designing detailed floor plans scares a lot of architectural firms away, in spite of the fact that these days this task is just as important as designing the façades – i.e. giving identity to the mass housing construction. ARKHIMATIKA was not in the least daunted by the scale of the task, and developed a new standard for apartment floor plans – the PRO-apartments.

The super task that the architects set for themselves could be put in this nutshell: “so many families, so many floor plans”. To achieve that task, ARKHIMATIKA came up with the basic types of apartments that at the expense of optional elements can be fine-tuned indefinitely to fit the needs of a specific buyer. At the same time, the inner space is organized in such an efficient way that every square meter works.



As a starting point, the architects dissected the apartment into “morphemes” – the basic functional zones. It turned out that there were eleven of these: kitchen, dining room, living room, bedroom, study, anteroom, wardrobe, bathroom, utilitarian closet and the washing machine space, fresh air zone (balconies and stanzas), and the FREE-zone – a free space for yoga practice, dancing and kids’ games.

Zoning © ARKHIMATIKA


Then the architects defined what types of households and residents there were out there: single and married, young couples, families with kids, three-generation families, and so on. For each type, they developed several floor plans with a corresponding “scenario”, meaning the ratio of the functional zones. Due to the fact that different families of the same type may have different needs – some may want a spacious children’s room, some may want a large dining room and a comfortable study, and so on – altering these functional zones, the architects came up with floor plan subtypes.

Two-bedroom PRO-apartment of a 2XS size © ARKHIMATIKA


The architects compare this to the experience of buying a new car: “just like we choose the class of the car and its configuration, studying its manual with all the information about all of the car’s parameters – this was the way that we dissected the apartment by its parameters” – they say.

"Faina Town" housing complex, the 1st stage © ARKHIMATIKA


Before getting down to the actual design process, the company conducts an opinion poll among the potential buyers, finding out what specific parameters of the apartment they need, paying particular attention to the family’s lifestyle. Ultimately, the architects get a buyers’ matrix, on the basis of which they decide what kind of apartments, with what parameters, and in what numbers will be there in the new building. Each PRO-apartment – says the director of ARKHIMATIKA Alexander Popov – goes 100% home in terms of the family's demography, budget, and lifestyle.

The square footage of PRO-apartments ranges from 17 to 200 square meters. The apartments are classified not by the number of rooms but by the number of bedrooms: from a studio to a four-bedroom apartment. Further, they are divided into classes. For the sake of convenience, the international classification of clothes size is used: XS, S, M, L, XL and XXL. The higher the class, the more widely the functional zones are represented.

Classification of PRO-apartments © ARKHIMATIKA


For example, in a one-bedroom apartment, as we move from XS to XL (from 28 to 90 square meters), a shower cabin will be at some point replaced by a full-fledged bath; a large dining table, a working place, a wardrobe, and a full-fledged kitchen will appear. The apartments with a larger number of bedrooms are getting such “bonuses” as a large bathroom or a wardrobe with a window, and a master-bedroom, which is essentially a bedroom with a direct access to an individual bathroom, a free zone, and a terrace.

Single-bedroom PRO-apartment of a 1XS size © ARKHIMATIKA


Single-bedroom PRO-apartment of a 1XL size © ARKHIMATIKA


ARKHIMATIKA takes special pride in three-bedroom apartments that are practically not built anywhere else in Kiev now.

Three-bedroom PRO-apartment of a 3L size © ARKHIMATIKA


Also, the architects were able to help the two-level floor plans recover their charm and popularity: these are commonly known as poor sellers because “it’s inconvenient having to go up and down the staircase”. However, in the loving hands of ARKHIMATIKA they turned into “villas” on the top floors, with an area of 100-200 square meters, a panoramic view, and a cozy little yard/terrace of their own upon the roof.

Three-bedroom PRO-apartment of a 3XL size © ARKHIMATIKA


Getting back to the smaller PRO-apartments, one must note that their floor plans also provide for the scenarios of family development: if a baby is on the way, there will be a place for the cot. When the child has grown, it is suggested that he or she moves to the bedroom, while the parents move to the studio space of the living/dining room. But then again, the architects hope that this solution will be temporary and applicable until the entire family moves to a two-bedroom apartment!

Single-bedroom PRO-apartment of a 1S size © ARKHIMATIKA


"Faina Town" housing complex, the 1st stage © ARKHIMATIKA


If the buyer is baffled by this variety, the developer’s sales department will help him or her make sense of the numerous floor plans with the manual named “Passport of the Functional Use of the Apartment”, which the architects created. It includes a slip with the floor plan and the functional zones of the apartment, which are color-marked. Also, the technical passport contains two characteristic parameters:

1. Functional front – the total length of the furniture that stands in a conditional horizontal line. It visually shows such linear zones as wardrobe and the kitchen front, as well as other zones, which allows the buyer to compare them with one another.

2. Functional space – the floor space of the furniture and other equipment necessary for a certain function, as well as the floor space necessary for its usage. The total functional area of all of the apartment’s zones may exceed the actual physical floor space – due to the fact that one and the same space can be used for different functions. It must be noted at this point that the arrangement of the furniture in the PRO-apartments is not “carved in stone” – the buyers are also given several options to choose from. Due to the fact that the architects use furniture of standard dimensions, the absolute majority of the floor plans are rectangular, and changes can be made without any significant damage to the efficiency.

Zoning of the PRO-apartments © ARKHIMATIKA


The sales department performs yet another function – it gets the customer feedback, thus making the whole selling process truly interactive. The ARKHIMATIKA catalogues currently include about two hundred planning options, this number growing with each new project. When a new option comes around, the architects compare it to the closest-in-the-line PRO-apartment of a smaller square footage. If the extra meters do indeed yield some extra comfort, this planning option gets a PRO status; if not, it is subject to revision.

Such diversity of planning options makes the design process more complex and expensive but, as Alexander Popov claims, this does not affect the price of the PRO-apartments. ARKHIMATIKA is able to keep up its standards even with economy class housing construction. For instance, the “Pasechny” housing project in the city of Lviv (where the real property prices are almost exactly half again as little as they are in Kiev) nevertheless consists of PRO-apartments.

"Pasechny" housing complex © ARKHIMATIKA


Still, building a house with such an insane number of floor planning options is much more difficult than duplicating one standard section: the framework is growing much more complex, and you need to install doors and windows of different sizes. Implementing such a project would be impossible without a highly organized and professional building contractor. ARKHIMATIKA was the first to implement its approach with the building company KAN, with which the architects have been working for more than twelve years now, and with which they have built a dozen of projects.

The architects of ARKHIMATIKA came to the idea of optimizing the floor plans in 2015 when they developed for KAN a small series of SMART-apartments in the housing project named “Comfort Town”; these were optimally planned but small apartments. Then, developing this idea, the architects came to a conclusion that the principle of functional usage of each square meter is also relevant for large areas of residential property – and this is how the PRO-apartments came about.

Today, in addition to the 40-hectare super-city-block “Faina Town” (KAN), in which he architects had the opportunity for presenting virtually the entire line of PRO-apartments, 7 more housing projects are being built, in which the floor plans were developed on the basis of the PRO concept, in collaboration with KAN: “Respublika” and the last stage of “Comfort Town”, in collaboration with bUd development: “Slavutich 2.0” and “Time” in Kiev, and, last but not least, in Lviv, in collaboration with the company “Vash Dom” (“Your Home”), the housing complex “Pasechny”.

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"Slavutich" housing complex © ARKHIMATIKA


"Time" housing complex © ARKHIMATIKA


The PRO-apartments are but one of the components of the PRO-housing concept, which, as the architects believe, must one day replace what they call “the discomfort class”: the faceless, inconvenient, and human-incompatible housing. Here are other principles that ARKHIMATIKA sticks to while creating the “new generation” housing:
  • PRO-façades
The housing architecture, in addition to solving all the utilitarian tasks, from sewage disposal and heat retention to installing air conditioning units, must express the identity of each house and each city block in such a way that the residents could proudly post selfies made against the background of their house, and the tourist would include walks through these residential areas into their tourist routes.
  • PRO-parking lots
In a multimillion city, there will always be a lack of space, and, therefore, a car that occupies a lot of space is too much of a luxury. This is why parking space – a part of the city territory eaten up by an immobile car – must always be paid for, both on the municipal land and on the territory of the housing complex.
  • PRO-semiprivate
The public space of an urban multi-apartment house must be much larger than just the entrance to the hallway and the corridor with apartment doors; it must also provide all of the functions that are otherwise financially inefficient being placed inside the apartment, from a coworking area for the adults and a playground for children to a swimming pool and a spa center. 
  • PRO-city blocks
Strewn with residential buildings, the windswept field of a “micro-district” (a soviet term) must remain in the XX century where it belongs. The XXI century is reviving as its main urban planning unit the “good old” city block. However, this will not be the literal replica of the city block of the XIX century: it will not have the “dungeon” yards and the contrast between the grand splendor of the street façade and the utilitarian bleakness or the inside yard side. This is the new quality of open and semi-open spaces, public and semiprivate alike, which create the optimum building conditions both for apartments and public functions.

The ARKHIMATIKA projects prove that the mass housing construction can indeed be humanize as early as today, in spite of all the norms and limitations, and without much apprehension about the “harsh market realities”, and even increasing the sales – because the diverse line of offers also works great as a marketing technique, adding “extra points” to the housing project and extra popularity to the architects that designed it.

11 May 2018

Headlines now
A New Track
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Four Different Surveys
The “Explore the City” competition, organized this year by the Genplan Institute of Moscow, stands out as a pretty unconventional one for the architectural field but aligns perfectly well with the character of urban planning work. The winning project analyzed contemporary residential complexes, combining urban planning insights with a realtor’s perspective to propose a hybrid approach. Other entries explored public centers, motivations for car ownership, and housing vacancy rates. A fifth participant withdrew. Here’s a closer look at the four completed works.
Scheduled Evolution
ASADOV Architects unveiled the EvyCenter pavilion, a microcultural hub for fostering personal growth, organizing workshops, and doing gymnastics. Additionally, this pavilion serves as a prototype for a scalable country house, drawing inspiration from the “Loskutok” project, and constructed from CLT panels in a factory. This marks the beginning of a developer project initiated by the architectural firm (sic!), which is seeking partners to expand both small Evy settlements and even larger Evy cities, which are, according to Andrey Asadov, aimed at fostering the “evolutionary” development of the people who will inhabit them.
The Golden Crown
The concept for a dental clinic in Yekaterinburg, developed by CNTR Studio, revolves around the idea of a “mouth full of gold”: pristine white porcelain stoneware walls are complemented by matte brass details. To avoid an overly literal interpretation, the architects focused on the building’s proportions, skillfully navigating between sunlight requirements and fire safety regulations.
Flexibility and Integration
Not long ago, we covered the project for the fourth phase of the ÁLIA residential complex, designed by APEX. Now, we’ve been shown different fence concepts they developed to enclose the complex’s private courtyards, incorporating a variety of public functions. We believe that the sheer fact that the complex’s architects were involved in such a detail as fencing speaks volumes.
A Step Forward
The HIDE residential complex represents a major milestone for ADM architects and their leaders Andrey Romanov and Ekaterina Kuznetsova in their quest for a fresh high-rise aesthetic – one that is flexible and layered, capable of bringing vibrancy to mass and silhouette while shaping form. Over recent years, this approach has become ADM’s “signature style”, with the golden HIDE tower playing a pivotal role in its evolution. Here, we delve into the project’s story, explore the details of the complex’s design, and uncover its core essence.
Gold in the Sands
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Layers and Levels of Flight
This project goes way back – Reserve Union won this architectural competition at the end of 2011, and the building was completed in 2018, so it’s practically “archival”. However, despite being relatively unknown, the building can hardly be considered “dated” and remains a prime example of architectural expression, particularly in the headquarters genre. And it’s especially fitting for an aviation company office. In some ways, it resembles the Aeroflot headquarters at Sheremetyevo but with its own unique identity, following the signature style of Vladimir Plotkin. In this article, we take an in-depth look at the United Aircraft Corporation (UAC) headquarters in the Moscow agglomeration town of Zhukovsky, supplemented by recent photographs from Alexey Naroditsky – a shoot that became only recently possible due to the fact that improvements were finally made in the surrounding area.
Light and Shadow
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Casus Novae
A master plan was developed for a large residential area with a name of “DNS City”, but now that its implementation began, the plan has been arbitrarily reformatted and replaced with something that, while similar on the surface, is actually quite different. This is not the first time such a thing happens, but it’s always frustrating. With permission from the author, we are sharing Maria Elkina’s post.
Treasure Hunting
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Depths of the Earth, Streams of Water
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Fir Tree Dynamics
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​A Brick Shell
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Word Forms
ATRIUM architects love ambitious challenges, and for the firm’s thirtieth anniversary, they boldly play a game of words with an exhibition that dives deep into a self-created vocabulary. They immerse their projects – especially art installations – into this glossary, as if plunging into a current of their own. You feel as if you’re flowing through the veins of pure art, immersed in a universe of vertical cities, educational spaces – of which the architects are true masters – and the cultural codes of various locations. But what truly captivates is the bold statement that Vera Butko and Anton Nadtochy make, both through their work and this exhibition: architecture, above all, is art – the art of working with form and space.
Flexibility and Acuteness of Modernity
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Yuri Vissarionov: “A modular house does not belong to the land”
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​Moscow’s First
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Looking at the Water
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The White Wing
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Urban Dunes
The XSA Ramps team designed and built a three-part sports hub for a park in Rostov-on-Don, welcoming people of all ages and fitness levels. The skate plaza, pump track, and playground are all meticulously crafted with details that attract a diverse range of visitors. The technical execution of the shapes and slopes transforms this space into a kind of sculptural composition.
Proportional Growth
The project for the fourth phase of the ÁLIA residential area has been announced. The buildings are situated on an elongated plot – almost a “ray” that shoots out from the center of the area towards the river. Their layout reflects both a response to Moscow’s architectural preferences over the past 15 years, shifting “from blocks to towers”, and an interpretation of the neighboring business park designed by SOM. Additionally, the best apartments here are not located at the very top but closer to the middle, forming a glowing “waistline”.
The “Staircase” Building
In designing the “Details” residential complex in New Moscow, Rais Baishev spiced up the now-popular Moscow theme of a “courtyard” building with an idea drawn from the surrealist drawings by Maurits Escher. He envisioned the stepped silhouettes and descending slopes as a metaphysical mega-staircase, creating a key void within the courtyard that gave the project an internal “spine”. This concept is felt both in the building’s silhouette and on its façades.
Projection of the Quarter
No one doubted that the building that Vladimir Plotkin designed as part of the “Garden Quarters” would be the most modernist of all. And it turned out just that way: while adhering to the common design code, the building successfully combines brick and white stone, rhythmically responding to the neighboring building designed by Ostozhenka, yet tactfully and persistently making a few statements of its own. This includes the projection of the ideal urban development composition “14–9–6”, which can be found right next door, mathematical calculations, including those for various types of terraces (and perhaps the only reminder of the Soviet past of the Kauchuk rubber factory!), and the white “cross-stitch” pattern of the façade grid.
Domus Aurea
In this issue, we examine the “Tessinsky-1” house, designed by Sergey Skuratov and completed in 2023. Located in the middle of the Serebryanicheskaya Embankment district, at the intersection of its main streets, this house assumes a sort of “nodal” role: it not only responds to everything around it and preserves many memories of the former EMA factory within itself, but it weaves all this into a newly directed pattern, reconciling bright “gold” and dark-colored brick, largely with the help of the new, modern-yet-archaic Columba brick, which, come to think about it, is the most precious element here.
The Chimney of Nikola-Lenivets
In this issue, we are examining the “Obelisk House” designed by KATARSIS and built for the Arkhstoyanie 2023 festival. However, it was only finished later on, and this is why we are examining it now. It seems to us that after the “Obelisk House” appeared in Nikola-Lenivets, a dialogue and a few inner connections appeared between the temporary structures built here. These houses no longer look like “accidental neighbors”, more of which below.
​Periscope by the Bay
The jury awarded the second place in the competition for a public and cultural center in Petropavlovsk-Kamchatsky to the companies GORA (“Mountain”) and M4. In the consortium’s proposal, the building resembles a sperm whale with a calf swimming next to it or a periscope, whose lenses capture the most spectacular views from the surrounding landscape.
From Arcs to Dolmens
While working on the competition project for Petropavlovsk-Kamchatsky, ASADOV Architects prioritized the value of the natural and urban environment, aiming to preserve the balance of the location while minimizing the resemblance of the volume that they designed to a “traditional building”. The task was challenging, and the architects created three versions, one of which having been developed after the competition, where their main proposal took third place. However, the point of interest here is not the competition result but the continuity of creative thinking.
Hide and Seek
The ID Moskovskiy house, designed by Stepan Liphart in St. Petersburg, in the courtyards near Moskovskiy Avenue beyond the Obvodny Canal and recently completed, is notable for several reasons. Firstly, it has been realized with considerable accuracy, which is particularly significant as this is the first building where the architect was responsible not only for the facades but also for the layouts, allowing for better integration between the two. On the other hand, this building is interesting as an example of the “germination” of new architecture in the city: it draws on the best examples from the neighborhood and becomes an improved and developed sum of ideas found by the architect in the surrounding context.
The Big Twelve
Yesterday, the winners of the Moscow Mayor’s Architecture Award were announced and honored. Let’s take a look at what was awarded and, in some cases, even critique this esteemed award. After all, there is always room for improvement, right?