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​PRO-apartments: Diversity through Parametrization

The Kiev-based architectural company ARKHIMATIKA has developed a new standard for the apartment floor plans used in housing projects: their “PRO-apartments” make every square meter of the floor space useful and become one of the prerequisites for comfortable housing construction.

11 May 2018
Overview
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The tedious work on designing detailed floor plans scares a lot of architectural firms away, in spite of the fact that these days this task is just as important as designing the façades – i.e. giving identity to the mass housing construction. ARKHIMATIKA was not in the least daunted by the scale of the task, and developed a new standard for apartment floor plans – the PRO-apartments.

The super task that the architects set for themselves could be put in this nutshell: “so many families, so many floor plans”. To achieve that task, ARKHIMATIKA came up with the basic types of apartments that at the expense of optional elements can be fine-tuned indefinitely to fit the needs of a specific buyer. At the same time, the inner space is organized in such an efficient way that every square meter works.



As a starting point, the architects dissected the apartment into “morphemes” – the basic functional zones. It turned out that there were eleven of these: kitchen, dining room, living room, bedroom, study, anteroom, wardrobe, bathroom, utilitarian closet and the washing machine space, fresh air zone (balconies and stanzas), and the FREE-zone – a free space for yoga practice, dancing and kids’ games.

Zoning © ARKHIMATIKA


Then the architects defined what types of households and residents there were out there: single and married, young couples, families with kids, three-generation families, and so on. For each type, they developed several floor plans with a corresponding “scenario”, meaning the ratio of the functional zones. Due to the fact that different families of the same type may have different needs – some may want a spacious children’s room, some may want a large dining room and a comfortable study, and so on – altering these functional zones, the architects came up with floor plan subtypes.

Two-bedroom PRO-apartment of a 2XS size © ARKHIMATIKA


The architects compare this to the experience of buying a new car: “just like we choose the class of the car and its configuration, studying its manual with all the information about all of the car’s parameters – this was the way that we dissected the apartment by its parameters” – they say.

"Faina Town" housing complex, the 1st stage © ARKHIMATIKA


Before getting down to the actual design process, the company conducts an opinion poll among the potential buyers, finding out what specific parameters of the apartment they need, paying particular attention to the family’s lifestyle. Ultimately, the architects get a buyers’ matrix, on the basis of which they decide what kind of apartments, with what parameters, and in what numbers will be there in the new building. Each PRO-apartment – says the director of ARKHIMATIKA Alexander Popov – goes 100% home in terms of the family's demography, budget, and lifestyle.

The square footage of PRO-apartments ranges from 17 to 200 square meters. The apartments are classified not by the number of rooms but by the number of bedrooms: from a studio to a four-bedroom apartment. Further, they are divided into classes. For the sake of convenience, the international classification of clothes size is used: XS, S, M, L, XL and XXL. The higher the class, the more widely the functional zones are represented.

Classification of PRO-apartments © ARKHIMATIKA


For example, in a one-bedroom apartment, as we move from XS to XL (from 28 to 90 square meters), a shower cabin will be at some point replaced by a full-fledged bath; a large dining table, a working place, a wardrobe, and a full-fledged kitchen will appear. The apartments with a larger number of bedrooms are getting such “bonuses” as a large bathroom or a wardrobe with a window, and a master-bedroom, which is essentially a bedroom with a direct access to an individual bathroom, a free zone, and a terrace.

Single-bedroom PRO-apartment of a 1XS size © ARKHIMATIKA


Single-bedroom PRO-apartment of a 1XL size © ARKHIMATIKA


ARKHIMATIKA takes special pride in three-bedroom apartments that are practically not built anywhere else in Kiev now.

Three-bedroom PRO-apartment of a 3L size © ARKHIMATIKA


Also, the architects were able to help the two-level floor plans recover their charm and popularity: these are commonly known as poor sellers because “it’s inconvenient having to go up and down the staircase”. However, in the loving hands of ARKHIMATIKA they turned into “villas” on the top floors, with an area of 100-200 square meters, a panoramic view, and a cozy little yard/terrace of their own upon the roof.

Three-bedroom PRO-apartment of a 3XL size © ARKHIMATIKA


Getting back to the smaller PRO-apartments, one must note that their floor plans also provide for the scenarios of family development: if a baby is on the way, there will be a place for the cot. When the child has grown, it is suggested that he or she moves to the bedroom, while the parents move to the studio space of the living/dining room. But then again, the architects hope that this solution will be temporary and applicable until the entire family moves to a two-bedroom apartment!

Single-bedroom PRO-apartment of a 1S size © ARKHIMATIKA


"Faina Town" housing complex, the 1st stage © ARKHIMATIKA


If the buyer is baffled by this variety, the developer’s sales department will help him or her make sense of the numerous floor plans with the manual named “Passport of the Functional Use of the Apartment”, which the architects created. It includes a slip with the floor plan and the functional zones of the apartment, which are color-marked. Also, the technical passport contains two characteristic parameters:

1. Functional front – the total length of the furniture that stands in a conditional horizontal line. It visually shows such linear zones as wardrobe and the kitchen front, as well as other zones, which allows the buyer to compare them with one another.

2. Functional space – the floor space of the furniture and other equipment necessary for a certain function, as well as the floor space necessary for its usage. The total functional area of all of the apartment’s zones may exceed the actual physical floor space – due to the fact that one and the same space can be used for different functions. It must be noted at this point that the arrangement of the furniture in the PRO-apartments is not “carved in stone” – the buyers are also given several options to choose from. Due to the fact that the architects use furniture of standard dimensions, the absolute majority of the floor plans are rectangular, and changes can be made without any significant damage to the efficiency.

Zoning of the PRO-apartments © ARKHIMATIKA


The sales department performs yet another function – it gets the customer feedback, thus making the whole selling process truly interactive. The ARKHIMATIKA catalogues currently include about two hundred planning options, this number growing with each new project. When a new option comes around, the architects compare it to the closest-in-the-line PRO-apartment of a smaller square footage. If the extra meters do indeed yield some extra comfort, this planning option gets a PRO status; if not, it is subject to revision.

Such diversity of planning options makes the design process more complex and expensive but, as Alexander Popov claims, this does not affect the price of the PRO-apartments. ARKHIMATIKA is able to keep up its standards even with economy class housing construction. For instance, the “Pasechny” housing project in the city of Lviv (where the real property prices are almost exactly half again as little as they are in Kiev) nevertheless consists of PRO-apartments.

"Pasechny" housing complex © ARKHIMATIKA


Still, building a house with such an insane number of floor planning options is much more difficult than duplicating one standard section: the framework is growing much more complex, and you need to install doors and windows of different sizes. Implementing such a project would be impossible without a highly organized and professional building contractor. ARKHIMATIKA was the first to implement its approach with the building company KAN, with which the architects have been working for more than twelve years now, and with which they have built a dozen of projects.

The architects of ARKHIMATIKA came to the idea of optimizing the floor plans in 2015 when they developed for KAN a small series of SMART-apartments in the housing project named “Comfort Town”; these were optimally planned but small apartments. Then, developing this idea, the architects came to a conclusion that the principle of functional usage of each square meter is also relevant for large areas of residential property – and this is how the PRO-apartments came about.

Today, in addition to the 40-hectare super-city-block “Faina Town” (KAN), in which he architects had the opportunity for presenting virtually the entire line of PRO-apartments, 7 more housing projects are being built, in which the floor plans were developed on the basis of the PRO concept, in collaboration with KAN: “Respublika” and the last stage of “Comfort Town”, in collaboration with bUd development: “Slavutich 2.0” and “Time” in Kiev, and, last but not least, in Lviv, in collaboration with the company “Vash Dom” (“Your Home”), the housing complex “Pasechny”.

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"Slavutich" housing complex © ARKHIMATIKA


"Time" housing complex © ARKHIMATIKA


The PRO-apartments are but one of the components of the PRO-housing concept, which, as the architects believe, must one day replace what they call “the discomfort class”: the faceless, inconvenient, and human-incompatible housing. Here are other principles that ARKHIMATIKA sticks to while creating the “new generation” housing:
  • PRO-façades
The housing architecture, in addition to solving all the utilitarian tasks, from sewage disposal and heat retention to installing air conditioning units, must express the identity of each house and each city block in such a way that the residents could proudly post selfies made against the background of their house, and the tourist would include walks through these residential areas into their tourist routes.
  • PRO-parking lots
In a multimillion city, there will always be a lack of space, and, therefore, a car that occupies a lot of space is too much of a luxury. This is why parking space – a part of the city territory eaten up by an immobile car – must always be paid for, both on the municipal land and on the territory of the housing complex.
  • PRO-semiprivate
The public space of an urban multi-apartment house must be much larger than just the entrance to the hallway and the corridor with apartment doors; it must also provide all of the functions that are otherwise financially inefficient being placed inside the apartment, from a coworking area for the adults and a playground for children to a swimming pool and a spa center. 
  • PRO-city blocks
Strewn with residential buildings, the windswept field of a “micro-district” (a soviet term) must remain in the XX century where it belongs. The XXI century is reviving as its main urban planning unit the “good old” city block. However, this will not be the literal replica of the city block of the XIX century: it will not have the “dungeon” yards and the contrast between the grand splendor of the street façade and the utilitarian bleakness or the inside yard side. This is the new quality of open and semi-open spaces, public and semiprivate alike, which create the optimum building conditions both for apartments and public functions.

The ARKHIMATIKA projects prove that the mass housing construction can indeed be humanize as early as today, in spite of all the norms and limitations, and without much apprehension about the “harsh market realities”, and even increasing the sales – because the diverse line of offers also works great as a marketing technique, adding “extra points” to the housing project and extra popularity to the architects that designed it.

11 May 2018

Headlines now
The Big Twelve
Yesterday, the winners of the Moscow Mayor’s Architecture Award were announced and honored. Let’s take a look at what was awarded and, in some cases, even critique this esteemed award. After all, there is always room for improvement, right?
Above the Golden Horn
The residential complex “Philosophy” designed by T+T architects in Vladivostok, is one of the new projects in the “Golubinaya Pad” area, changing its development philosophy (pun intended) from single houses to a comprehensive approach. The buildings are organized along public streets, varying in height and format, with one house even executed in gallery typology, featuring a cantilever leaning on an art object.
Nuanced Alternative
How can you rhyme a square and space? Easily! But to do so, you need to rhyme everything you can possibly think of: weave everything together, like in a tensegrity structure, and find your own optics too. The new exhibition at GES-2 does just that, offering its visitor a new perspective on the history of art spanning 150 years, infused with the hope for endless multiplicity of worlds and art histories. Read on to see how this is achieved and how the exhibition design by Evgeny Ace contributes to it.
Blinds for Ice
An ice arena has been constructed in Domodedovo based on a project by Yuri Vissarionov Architects. To prevent the long façade, a technical requirement for winter sports facilities, from appearing monotonous, the architects proposed the use of suspended structures with multidirectional slats. This design protects the ice from direct sunlight while giving the wall texture and detail.
Campus within a Day
In this article, we talk about what the participants of Genplan Institute of Moscow’s hackathon were doing at the MosComArchitecture booth at the “ArchMoscow” exhibition. We also discuss who won the prize and why, and what can be done with the territory of a small university on the outskirts of Moscow.
Vertical Civilization
Genpro considered the development of the vertical city concept and made it the theme of their pavilion at the “ArchMoscow” exhibition.
Marina Yegorova: “We think in terms of hectares, not square meters”
The career path of architect Marina Yegorova is quite impressive: MARHI, SPEECH, MosComArchitectura, the Genplan Institute of Moscow, and then her own architectural company. Its name Empate, which refers to the words “to draw” in Portuguese and “to empathize” in English, should not be misleading with its softness, as the firm freely works on different scales, including Integrated Territorial Development projects. We talked with Marina about various topics: urban planning experience, female leadership style, and even the love of architects for yachting.
Andrey Chuikov: “Optimum balance is achieved through economics”
The Yekaterinburg-based architectural company CNTR is in its mature stage: crystallization of principles, systematization, and standardization helped it make a qualitative leap, enhance competencies, and secure large contracts without sacrificing the aesthetic component. The head of the company, Andrey Chuikov, told us about building a business model and the bonuses that additional education in financial management provides for an architect.
The Fulcrum
Ostozhenka Architects have designed two astonishing towers practically on the edge of a slope above the Oka River in Nizhny Novgorod. These towers stand on 10-meter-tall weathered steel “legs”, with each floor offering panoramic views of the river and the city; all public spaces, including corridors, receive plenty of natural light. Here, we see a multitude of solutions that are unconventional for the residential routine of our day and age. Meanwhile, although these towers hark back to the typological explorations of the seventies, they are completely reinvented in a contemporary key. We admire Veren Group as the client – this is exactly how a “unique product” should be made – and we tell you exactly how our towers are arranged.
Crystal is Watching You
Right now, Museum Night has kicked off at the Museum of Architecture, featuring a fresh new addition – the “Crystal of Perception”, an installation by Sergey Kuznetsov, Ivan Grekov, and the KROST company, set up in the courtyard. It shimmers with light, it sings, it reacts to the approach of people, and who knows what else it can do.
The Secret Briton
The house is called “Little France”. Its composition follows the classical St. Petersburg style, with a palace-like courtyard. The decor is on the brink of Egyptian lotuses, neo-Greek acroteria, and classic 1930s “gears”; the recessed piers are Gothic, while the silhouette of the central part of the house is British. It’s quite interesting to examine all these details, attempting to understand which architectural direction they belong to. At the same time, however, the house fits like a glove in the context of the 20th line of St. Petersburg’s Vasilievsky Island; its elongated wings hold up the façade quite well.
The Wrap-Up
The competition project proposed by Treivas for the first 2021 competition for the Russian pavilion at EXPO 2025 concludes our series of publications on pavilion projects that will not be implemented. This particular proposal stands out for its detailed explanations and the idea of ecological responsibility: both the facades and the exhibition inside were intended to utilize recycled materials.
Birds and Streams
For the competition to design the Omsk airport, DNK ag formed a consortium, inviting VOX architects and Sila Sveta. Their project focuses on intersections, journeys, and flights – both of people and birds – as Omsk is known as a “transfer point” for bird migrations. The educational component is also carefully considered, and the building itself is filled with light, which seems to deconstruct the copper circle of the central entrance portal, spreading it into fantastic hyper-spatial “slices”.
Faraday Grid
The project of the Omsk airport by ASADOV Architects is another concept among the 14 finalists of a recent competition. It is called “The Bridge” and is inspired by both the West Siberian Exhibition of 1911 and the Trans-Siberian Railway bridge over the Irtysh River, built in 1896. On one hand, it carries a steampunk vibe, while on the other, there’s almost a sense of nostalgia for the heyday of 1913. However, the concept offers two variants, the second one devoid of nostalgia but featuring a parabola.
Midway upon the Journey of Our Life
Recently, Tatlin Publishing House released a book entitled “Architect Sergey Oreshkin. Selected Projects”. This book is not just a traditional book of the architectural company’s achievements, but rather a monograph of a more personal nature. The book includes 43 buildings as well as a section with architectural drawings. In this article, we reflect on the book as a way to take stock of an architect’s accomplishments.
Inverted Fortress
This year, there has been no shortage of intriguing architectural ideas around the Omsk airport. The project developed by the architectural company KPLN appeals to Omsk’s history as a wooden fortress that it was back in the day, but transforms the concept of a fortress beyond recognition: it “shaves off” the conical ends of “wooden logs”, then enlarges them, and then flips them over. The result is a hypostyle – a forest of conical columns on point supports, with skylights on top.
Transformation of Annenkirche
For Annenkirche (St. Anna Lutheran Church in St. Petersburg), Sergey Kuznetsov and the Kamen bureau have prepared a project that relies on the principles of the Venice Charter: the building is not restored to a specific date, historical layers are preserved, and modern elements do not mimic the authentic ones. Let’s delve into the details of these solutions.
The Paradox of the Temporary
The concept of the Russian pavilion for EXPO 2025 in Osaka, proposed by the Wowhaus architects, is the last of the six projects we gathered from the 2022 competition. It is again worth noting that the results of this competition were not finalized due to the cancellation of Russia’s participation in World Expo 2025. It should be mentioned that Wowhaus created three versions for this competition, but only one is being presented, and it can’t be said that this version is thoroughly developed – rather, it is done in the spirit of a “student assignment”. Nevertheless, the project is interesting in its paradoxical nature: the architects emphasized the temporary character of the pavilion, and in its bubble-like forms sought to reflect the paradoxes of space and time.
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
Mirrors Everywhere
The project by Sergey Nebotov, Anastasia Gritskova, and the architectural company “Novoe” was created for the Russian pavilion at EXPO 2025, but within the framework of another competition, which, as we learned, took place even earlier, in 2021. At that time, the competition theme was “digital twins”, and there was minimal time for work, so the project, according to the architect himself, was more of a “student assignment”. Nevertheless, this project is interesting for its plan bordering on similarity with Baroque projects and the emblem of the exhibition, as well as its diverse and comprehensive reflectiveness.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.