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Seven Hills of Moscow

Seven installations for Moscow Fireworks Festival and a multistory raft in the city of Vyksa – these and other projects were realized by the team of interns of the 4th internship of Wowhaus.

07 December 2017
Overview
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The Wowhaus internship is an educational project that helps young architects to immerse themselves into the profession, not in the routine, but in a creative way – honing, and sometimes implementing their ideas in collaboration with practicing architects of the firm, including its leaders Oleg Shapiro and Dmitry Likin. According to the Wowhaus architects, the fourth internship proved to be the most fruitful one. Over a short period of time, a team of seven young lady architects who came from all over the country was able to design and build the project of a raft for Vyksa’s Art-Ovrag (“Art-Ravine”) Festival, and take part in many large-scale projects of the firm.

The interns recall that they got down to their first task in less than an hour after their initial interview. A schedule just as tight was applied to the whole studying course: workshops, lectures, brainstorming sessions, sleepless nights, participation in construction work and author supervision.

Marina Pakhomova
Intern of the fourth internship;
currently a junior architect of Wowhaus:


“Figuratively speaking, I was lucky to catch the last train on that project, submitting my portfolio an hour before the deadline. After I got back to Moscow from Germany, where I finished graduate school, I dreamed of finding a job that I could really enjoy. Wowhaus seemed to me the most interesting option. But when I was submitting my application I did not expect the competition to be so tough – seven applicants per place. I was lucky enough to become a part of a large team with its own philosophy and its own attitude towards the profession. I was also lucky with the team of interns – we were all thinking in the same lines, and we were able to find common ground very quickly, and do interesting projects together”.

Maybe, due to the fact that the team was a very close-knit one, the Wowhaus leaders made a decision to invite all the interns to work for the firm in the capacity of junior architects. Below, we are covering a few projects that were done with the input from Wowhaus interns 2017.
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The “Paradox” raft in Vyksa

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Oleg Shapiro and the interns at the Art-Ovrag Festival in Vyksa. Photograph © Dmitry Chebanenko
Two-story raft built for the Art-Ovrag Festival in Vyksa. The project was developed by the interns of the fourth internship of Wowhaus. Photograph © Nina Stepina


Rotating one element consisting of two flights of stairs helped the architects to create a tight spatial knot on a small floating island, mastering the whole of it. Although the raft was on the rocky side, and the guests had to duck now and then, it could still take aboard a record number of people and sail them around. After the festival, all the rafts, including “Paradox”, were transferred into the city ownership, and are now used as pleasure boats on a local creek.

Two-story raft built for the Art-Ovrag Festival in Vyksa. The project was developed by the interns of the fourth internship of Wowhaus. Photograph © Dmitry Chebanenko


Two-story raft built for the Art-Ovrag Festival in Vyksa. The project was developed by the interns of the fourth internship of Wowhaus


Two-story raft built for the Art-Ovrag Festival in Vyksa. The project was developed by the interns of the fourth internship of Wowhaus
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Hills for the Fireworks Festival

The International Fireworks Festival took place in Moscow in mid-August. Before the festival, the interns, who by that time already had the status of the architects of the firm, developed, under the guidance of Anastasia Izmakova, concepts for seven art objects that were meant to symbolize the seven hills of the nation’s capital – Borovitsky, Tagansky, Strastnoy, Sretensky, Invanovskaya and Pskovskaya mounts, and the Vorobyevy (“Sparrow”) Hills. Every intern was commissioned with one location. The work of the project began with profound historical studies – a two-hour lecture delivered by the Moscow history expert Philipp Smirnov, which allowed the interns to get a maximum of information not only about the hills but about Moscow in general.
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The Borovitsky Hill 
Sophia Zhukova

The Borovitsky Hill. Author of the project: Sophia Zhukova, Wowhaus Photograph © Dmitry Chebanenko


This installation was presented as a symbolic city square circled by a red wooden fence, in the center of which stands a swing 12 meters tall. Painted red, just as the fence, this swing looked more like a tower. As for the square, in spite of the fact that its coverage was grass, it still put the visitors in the mind of the Red Square with its Kremlin walls, while the material that the author of the project chose for the fence – pieces of timber of different sizes – served as a reminder of a pine-tree forest that used to be here centuries ago. Hence, the name of Borovitsky (which can be loosely translated as “Forest” – translator’s note) Hill.

The Borovitsky Hill. Author of the project: Sophia Zhukova, Wowhaus Photograph © Dmitry Chebanenko


The Borovitsky Hill. Author of the project: Sophia Zhukova, Wowhaus Photograph © Dmitry Chebanenko


“The Red Square is a steady association, from which we wanted to break away as much as possible – explains the author of the project Sophia Zhukova – The only thing that literally refers to it is the color. Historically, the Red Square has always been the place of people’s gatherings, and this is pretty much why I chose the idea of the people’s unity to base my project upon. Hence, the image of a swing as a universal uniting element that is loved by children and adults alike”.

The Borovitsky Hill. Author of the project: Sophia Zhukova, Wowhaus Photograph © Dmitry Chebanenko


During the whole festival, the swing, in which, in accordance with the old Russian tradition, one could only swing in an upright standing position, did enjoy great popularity. The interns are recalling that even the construction workers who assembled the swing in the park could not resist the temptation to take a swing after their work was done.

The Borovitsky Hill. Author of the project: Sophia Zhukova, Wowhaus Photograph © Dmitry Chebanenko


The Borovitsky Hill. Author of the project: Sophia Zhukova, Wowhaus Photograph © Dmitry Chebanenko


The Borovitsky Hill. Author of the project: Sophia Zhukova, Wowhaus Photograph © Dmitry Chebanenko
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Shvivaya Mount. The Tagansky Hill
Ekaterina Kovbashina

The Tagansky Hill. Author of the project; Ekaterina Kovbashina, Wowhaus. Photograph © Dmitry Chebanenko


The Shvivaya Mount was the place where crafts were developed. For centuries, this part of the city hosted weavers’ workshops, so, creating her installation, Ekaterina Kovbashina proceeded from the image of a weaving loom. The weaving loom, which, according to the author’s idea, was to be used to its direct purpose during the festival, occupied the central position in the installation. What grew up around it looked something like a tower assembled from its individual elements and parts. The visitors could step inside the tower and even try to weave a strip of canvas.

The Tagansky Hill. Author of the project; Ekaterina Kovbashina, Wowhaus


The Tagansky Hill. Author of the project; Ekaterina Kovbashina, Wowhaus


The Tagansky Hill. Project © Ekaterina Kovbashina, Wowhaus


“I originally planned that the construction of the tower would be metallic but it was ultimately made of wood – Ekaterina Kovbashina says – another thing that I wasn’t able to do was have the threads backlit and include the interactive part. But generally, all the elements of the project are there: the object was a big hit with children, while adults would examine it from different angles and play the game of associations – someone compared it with a butterfly’s cocoon, someone – with a penguin. This is my first project implemented on such a grand scale”.

The Tagansky Hill. Author of the project; Ekaterina Kovbashina, Wowhaus. Photograph © Dmitry Chebanenko


The Tagansky Hill. Author of the project; Ekaterina Kovbashina, Wowhaus. Photograph © Dmitry Chebanenko


The Tagansky Hill. Author of the project; Ekaterina Kovbashina, Wowhaus. Photograph © Dmitry Chebanenko


The Tagansky Hill. Author of the project; Ekaterina Kovbashina, Wowhaus. Photograph © Dmitry Chebanenko


The Tagansky Hill. Author of the project; Ekaterina Kovbashina, Wowhaus. Photograph © Dmitry Chebanenko
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Sparrow Hills
Kristina Rykova

The Sparrow Hills. Author of the project: Kristina Rykova, Wowhaus. Photograph © Dmitry Chebanenko


Designing her project, Kristina Rykova drew inspiration from the high-rise building of the Moscow State University – she took the star that crowns the high-rises’s spear as the starting point. Its real size is quite impressive – a whopping 8 meters in diameter. One cannot conceive that fact, however, because we all are used to seeing this star from a distance. What Kristina proposed to do was get this star down from heaven to earth, and she came up with a wooden structure whose plan repeats the contour of the star on a real-size scale. The opening that the structure has in its roof is of the same shape only it is smaller. It was also planned that stars would be used for decorating the walls as well. The idea was that, coming inside, the visitor would see the stars above, below, and even all around him.

The Sparrow Hills. Project © Kristina Rykova, Wowhaus


The Sparrow Hills. Project © Kristina Rykova, Wowhaus


“The project underwent significant changes in the course of the construction – Kristina Rykova explains – Initially, I planned to build my project from wood but this idea turned out to be prohibitively expensive. The wooden parts were ultimately replaced with red ribbons”. Nevertheless, the image of the star is easily readable in the altered project as well.

The Sparrow Hills. Author of the project: Kristina Rykova, Wowhaus. Photograph © Dmitry Chebanenko


The Sparrow Hills. Author of the project: Kristina Rykova, Wowhaus. Photograph © Dmitry Chebanenko


The Sparrow Hills. Author of the project: Kristina Rykova, Wowhaus. Photograph © Dmitry Chebanenko


The Sparrow Hills. Author of the project: Kristina Rykova, Wowhaus. Photograph © Dmitry Chebanenko


The Sparrow Hills. Author of the project: Kristina Rykova, Wowhaus. Photograph © Dmitry Chebanenko
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Ivanovskaya Mount
Alina Malysheva

The Ivanovskaya Mount. Author of the project: Alina Malysheva, Wowhaus. Photograph © Dmitry Chebanenko


The Ivanovskaya Mount is connected with the image of the Saint Peter and Paul Cathedral. However, Alina Malysheva decided to base her project not on the image of the cathedral itself, but on the organ whose sound filled its walls since 1837. The installation explores the bright artistic image of the organ that consists of numerous pipes. In this particular instance, however, the pipes, wrapped in white semitransparent perforated film, are placed in a rather chaotic fashion and have a huge scale – from giant ones, inside of which you can step like you would into a room to tiny decorative ones. In the windy weather, with the air blowing through the pipes of different diameter, the entire installation will be livened up by musical accompaniment.

The Ivanovskaya Mount. Project © Alina Malysheva, Wowhaus


The Ivanovskaya Mount. Project © Alina Malysheva, Wowhaus


The Ivanovskaya Mount. Project © Alina Malysheva, Wowhaus


In addition to the fact that the installation is essentially a musical instrument, Alina proposed to place musical instruments of her original design inside of each of the larger pipes – for example, a makeshift xylophone, a church bell, or a communication tube. She was not able to realize this idea, though, and, instead, came up with a new one: an interactive installation that would allow the visitors to add effects to the sound of their voices. “This playful aspect of the installation was something that our visitors liked very much – Alina Malysheva recalls – People would hit the keys, run from one pipe to another like they would in a labyrinth, they would shout and stomp, creating a constant echo”.

The Ivanovskaya Mount. Author of the project: Alina Malysheva, Wowhaus. Photograph © Dmitry Chebanenko


The Ivanovskaya Mount. Author of the project: Alina Malysheva, Wowhaus. Photograph © Dmitry Chebanenko


The Ivanovskaya Mount. Author of the project: Alina Malysheva, Wowhaus. Photograph © Dmitry Chebanenko


The Ivanovskaya Mount. Author of the project: Alina Malysheva, Wowhaus. Photograph © Dmitry Chebanenko


The Ivanovskaya Mount. Author of the project: Alina Malysheva, Wowhaus. Photograph © Dmitry Chebanenko
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The Sretensky Hill
Alina Rakhmatullina

The Sretensky Hill. Author of the project: Alina Rakhmatullina, Wowhaus. Photograph © Dmitry Chebanenko


The Lubyanka Square once had on it a large water-supplying fountain: people would come here with barrels and buckets to get water from the Mytishchi aqueduct. It was this specific image that constituted the basis for the art object designed by Alina Rakhmatullina. The young architect proposed to make a fountain from numerous intertwining water pipes painted different bright colors. The water flows through the pipes in a cyclic fashion, filling a reservoir at the base of the structure. In order to make the water fill the reservoir, one has to push the button. What makes the whole process more fun is the fact that after one pushes the button the water can issue from any of the pipes, and you never know which pipe it will be next.

The Sretensky Hill. Project © Alina Rakhmatullina, Wowhaus


The Sretensky Hill. Project © Alina Rakhmatullina, Wowhaus


The Sretensky Hill. Project © Alina Rakhmatullina, Wowhaus


During the festival, the fountain occupied its due place in the food court zone, and got yet another functional purpose: Alina Rakhmatullina recalls that people would use it to wash their hands before meals. As for the little guests of the festival, they most of all enjoyed the button pushing game.

The Sretensky Hill. Author of the project: Alina Rakhmatullina, Wowhaus. Photograph © Dmitry Chebanenko


The Sretensky Hill. Author of the project: Alina Rakhmatullina, Wowhaus. Photograph © Dmitry Chebanenko


The Sretensky Hill. Author of the project: Alina Rakhmatullina, Wowhaus. Photograph © Dmitry Chebanenko
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The Strastnoy Hill
Nina Stepina

The Strastnoy Hill. Author of the project: Nina Stepina, Wowhaus. Photograph © Dmitry Chebanenko


The Strastnoy Hill and the Tverskaya Street situated on it are all about locomotion. This street has always been the city’s main artery: this road was ridden upon by the first horse-drawn streetcar, diligences, and the first tramway. However, the most interesting thing that ever happened to this place was the widening of this street in the 1930’s. This was the time when whole buildings came in motion – they were moved over to the new red line on rails.

The Strastnoy Hill. Project © Nina Stepina, Wowhaus


The Strastnoy Hill. Project © Nina Stepina, Wowhaus


The Strastnoy Hill. Project © Nina Stepina, Wowhaus


The Nina Stepina installation also has rails in it, upon which trolleys run. A peculiar 25-meter railway is decorated by a lightweight structure of numerous rectangular arches. Viewed in perspective, they resemble a portal which looks particularly mind-blowing at night thanks to its backlights. The portal ends in a large screen which plays nonstop historical movies about Moscow and the Tverskaya Street.

The Strastnoy Hill. Author of the project: Nina Stepina, Wowhaus. Photograph © Dmitry Chebanenko


The Strastnoy Hill. Author of the project: Nina Stepina, Wowhaus. Photograph © Dmitry Chebanenko


The Strastnoy Hill. Author of the project: Nina Stepina, Wowhaus. Photograph © Dmitry Chebanenko


The Strastnoy Hill. Author of the project: Nina Stepina, Wowhaus. Photograph © Dmitry Chebanenko


The Strastnoy Hill. Author of the project: Nina Stepina, Wowhaus. Photograph © Dmitry Chebanenko
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Pskovskaya Mount
Ekaterina Sporykhina

The Pskovskaya Mount. Author of the project: Ekaterina Sporykhina, Wowhaus. Photograph © Dmitry Chebanenko


The Pskovskaya Mount used to be situated in the east part of the Zaryadye area, and today there is little left of it – a memory in the park buildings and a high position of the Saint George Church. Rich history of this district of Moscow yielded a lot of images for the creation of an installation: at different times, this place was a commercial and a residential area, a Jewish ghetto, and an English estate. Then all of the buildings were taken down to make room for the construction of the eighth Stalin high-rise, and this was the time when the mount disappeared – the terrain was leveled out.

The Pskovskaya Mount. Author of the project: Ekaterina Sporykhina, Wowhaus. Photograph © Dmitry Chebanenko


The Pskovskaya Mount. Author of the project: Ekaterina Sporykhina, Wowhaus. Photograph © Dmitry Chebanenko


Ekaterina Sporykhina, an architect of Wowhaus, who had to replace one of her interns on this project, decided to recreate in her installation the “Rossiya” hotel on a 1:10 scale in order to remind about this undisputed milestone in the development not only of the Pskovskaya Mount but of the whole city as well. The light wooden installation of thin planks accurately repeats the dimensions and the structure of the torn-down hotel with a large inner yard and a tower in the middle. The author even kept up the hotel function of the project, organizing inside something in the way of hotel rooms with hammocks and soft poufs.

The Pskovskaya Mount. Author of the project: Ekaterina Sporykhina, Wowhaus. Photograph © Dmitry Chebanenko


The Pskovskaya Mount. Author of the project: Ekaterina Sporykhina, Wowhaus. Photograph © Dmitry Chebanenko


The Pskovskaya Mount. Author of the project: Ekaterina Sporykhina, Wowhaus. Photograph © Dmitry Chebanenko
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Wowhaus takes in new interns several times a year, make sure to follow the updates and announcements.
The Pskovskaya Mount. Author of the project: Ekaterina Sporykhina, Wowhaus. Photograph © Dmitry Chebanenko


07 December 2017

Headlines now
Living in the Architecture of One’s Own Making
Do architects design houses for themselves? You bet! In this article, we are examining a new book by TATLIN publishing house. This book – unprecedented for Russia – features 52 private homes designed and built by contemporary architects for themselves. It includes houses that are famous, even iconic, as well as lesser-known ones; large and small, stylish and eccentric. To some extent, the book reflects the history of Russian architecture over the past 30 years.
A City Block Isoline
Another competition project for a residential complex on the banks of the Volga in Nizhny Novgorod has been prepared by Studio 44. A team of architects led by Ivan Kozhin concluded that using a regular block layout in such a location would be inappropriate and developed a “custom design” approach: a chain of parceled multi-section buildings stretching along the entire embankment. Let’s explore the features and advantages of this unconventional method.
Competition: The Price of Creativity?
Any day now, we’re expecting the results of a competition held by the “Samolet” development group for a plot in Kommunarka. In the meantime, we share the impressions of Editor-in-Chief Julia Tarabarina, who managed to conduct a public talk. Though technically focused on the interaction between developers and architects, the public talk turned into a discussion about the pros and cons of architectural competitions.
Terraced Design
The “River Park” residential complex has confidently and securely shaped the Nagatinsky Backwater shoreline. Featuring a public embankment, elevated courtyards connected by pedestrian bridges, and brick façades, the development invites exploration of its nuanced response to the surrounding context, as well as hints of the architects’ megalithic design thinking.
A Kremlin’s Core and Meteorite Fragments
We continue our coverage of the competition projects for the residential district that the development company GloraX plans to build along the embankment of the Rowing Channel in Nizhny Novgorod. ASADOV Architects approached the concept through a deep dive into local identity, using storytelling to pinpoint a central idea for the design: the master plan and composition are imagined as if a meteorite had struck a “proto-Kremlin”. Sounds weird? Find more details below!
The Volga Regatta
GloraX plans to develop a residential complex spanning 14 hectares along the Volga River in Nizhny Novgorod. The winning design in a closed-door competition, created by GORA Architects, features housing typologies ranging from townhouses to terraced high-rise slabs, a balance of functions, diverse ways of engaging with the water, and even a dedicated island (no less!) for the city residents.
A New Track
We took a thorough look at D_Station, a railcar repair depot dating back to 1906, recently reconstructed while preserving its century-old industrial structure, upon the project by Sergey Trukhanov and T+T Architects. Though work on the interiors – set to house restaurants and public spaces – is still underway, the building’s exterior already offers plenty to see. Visitors can explore the blend of old and new brickwork, appreciate the architect’s unique interpretation of ruin aesthetics, and enjoy the newly built pedestrian route that connects the Citydel Business Center’s arches to Kazakova Street.
Four Different Surveys
The “Explore the City” competition, organized this year by the Genplan Institute of Moscow, stands out as a pretty unconventional one for the architectural field but aligns perfectly well with the character of urban planning work. The winning project analyzed contemporary residential complexes, combining urban planning insights with a realtor’s perspective to propose a hybrid approach. Other entries explored public centers, motivations for car ownership, and housing vacancy rates. A fifth participant withdrew. Here’s a closer look at the four completed works.
Scheduled Evolution
ASADOV Architects unveiled the EvyCenter pavilion, a microcultural hub for fostering personal growth, organizing workshops, and doing gymnastics. Additionally, this pavilion serves as a prototype for a scalable country house, drawing inspiration from the “Loskutok” project, and constructed from CLT panels in a factory. This marks the beginning of a developer project initiated by the architectural firm (sic!), which is seeking partners to expand both small Evy settlements and even larger Evy cities, which are, according to Andrey Asadov, aimed at fostering the “evolutionary” development of the people who will inhabit them.
The Golden Crown
The concept for a dental clinic in Yekaterinburg, developed by CNTR Studio, revolves around the idea of a “mouth full of gold”: pristine white porcelain stoneware walls are complemented by matte brass details. To avoid an overly literal interpretation, the architects focused on the building’s proportions, skillfully navigating between sunlight requirements and fire safety regulations.
Flexibility and Integration
Not long ago, we covered the project for the fourth phase of the ÁLIA residential complex, designed by APEX. Now, we’ve been shown different fence concepts they developed to enclose the complex’s private courtyards, incorporating a variety of public functions. We believe that the sheer fact that the complex’s architects were involved in such a detail as fencing speaks volumes.
A Step Forward
The HIDE residential complex represents a major milestone for ADM architects and their leaders Andrey Romanov and Ekaterina Kuznetsova in their quest for a fresh high-rise aesthetic – one that is flexible and layered, capable of bringing vibrancy to mass and silhouette while shaping form. Over recent years, this approach has become ADM’s “signature style”, with the golden HIDE tower playing a pivotal role in its evolution. Here, we delve into the project’s story, explore the details of the complex’s design, and uncover its core essence.
Gold in the Sands
A new office for a transcontinental company specializing in resource extraction and processing has opened in Dubai. Designed by T+T Architects, masters of creating spaces that are contemporary, diverse, flexible, and original, this project exemplifies their expertise. On the executive floor, a massive brass-clad partition dominates, while layered textures of compressed earth create a contextually resonant backdrop.
Layers and Levels of Flight
This project goes way back – Reserve Union won this architectural competition at the end of 2011, and the building was completed in 2018, so it’s practically “archival”. However, despite being relatively unknown, the building can hardly be considered “dated” and remains a prime example of architectural expression, particularly in the headquarters genre. And it’s especially fitting for an aviation company office. In some ways, it resembles the Aeroflot headquarters at Sheremetyevo but with its own unique identity, following the signature style of Vladimir Plotkin. In this article, we take an in-depth look at the United Aircraft Corporation (UAC) headquarters in the Moscow agglomeration town of Zhukovsky, supplemented by recent photographs from Alexey Naroditsky – a shoot that became only recently possible due to the fact that improvements were finally made in the surrounding area.
Light and Shadow
In this article, we delve into the architectural design of the “Chaika” house by DNK ag architects, which was recently completed in 2023 as part of the collection of signature designs at ZILArt. As is well-known, all the buildings in this complex follow a design code, yet each one is distinct. This particular building stands out not only for its whiteness and minimalism but also for the refined use of a limited number of techniques that, together, create what can confidently be called synergy.
Casus Novae
A master plan was developed for a large residential area with a name of “DNS City”, but now that its implementation began, the plan has been arbitrarily reformatted and replaced with something that, while similar on the surface, is actually quite different. This is not the first time such a thing happens, but it’s always frustrating. With permission from the author, we are sharing Maria Elkina’s post.
Treasure Hunting
The GAFA bureau, in collaboration with Tegola and Arkhitail, organized an expedition to the island of Kilpola in Karelia as part of Moskomarkhitektura’s “Open City” festival. There, amidst moss and rocks, the students sought answers to questions like: what is the sacred, where does it dwell, and what sustains it? Assisting the participants in this quest were landscape engineer Evgeny Levin, artist Nicholas Roerich, a moose, and the lack of cellular connection. Here’s how the story unfolded.
Depths of the Earth, Streams of Water
In the Malaya Okhta district, the Akzent building, designed by Stepan Liphart, was constructed. It follows a classic tripartite structure, yet it’s what you might call “hand-drawn”: each façade is unique in its form and details, some of which aren’t immediately noticeable. In this article, we explore the context and, together with the architect, delve into how the form was developed.
Fir Tree Dynamics
The “Airports of Region” holding is planning to build an airport in Karachay-Cherkessia, aiming to make the Arkhyz and Dombay resorts more accessible to travelers. The project that won in an invitation-only competition, submitted by Sergey Nikeshkin’s KPLN, blends natural imagery inspired by the shape of a conifer seed, open-air waiting spaces, majestic large trees, and a green roof elevated on needle-like columns. The result is both nature-inspired and WOW.
​A Brick Shell
In the process of designing a clubhouse situated among pine trees in a prestigious suburban area near Moscow, the architectural firm “A.Len” did the façade design part. The combination of different types of brick and masonry correlates with the volumetric and plastique solutions, further enhanced by the inclusion of wood-painted fragments and metal “glazing”.
Word Forms
ATRIUM architects love ambitious challenges, and for the firm’s thirtieth anniversary, they boldly play a game of words with an exhibition that dives deep into a self-created vocabulary. They immerse their projects – especially art installations – into this glossary, as if plunging into a current of their own. You feel as if you’re flowing through the veins of pure art, immersed in a universe of vertical cities, educational spaces – of which the architects are true masters – and the cultural codes of various locations. But what truly captivates is the bold statement that Vera Butko and Anton Nadtochy make, both through their work and this exhibition: architecture, above all, is art – the art of working with form and space.
Flexibility and Acuteness of Modernity
Luxurious, fluid, large “kokoshniks” and spiral barrel columns, as if made from colorful chewing gum: there seem to be no other mansion like this in Moscow, designed in the “Neo-Russian-Modern” style. And the “Teremok” on Malaya Kaluzhskaya, previously somewhat obscure, has “come alive with new colors” and gained visibility after its restoration for the office of the “architectural ecosystem” as the architects love to call themselves. It’s evident that Julius Borisov and the architects at UNK put their hearts into finding this new office and bringing it up to date. Let’s delve into the paradoxes of this mansion’s history and its plasticity. Spoiler: two versions of modernity meet here, both balancing on the razor’s edge of “what’s current”.
Yuri Vissarionov: “A modular house does not belong to the land”
It belongs to space, or to the air... It turns out that 3D printing is more effective when combined with a modular approach: the house is built in a workshop and then adapted to the site, including on uneven terrain. Yuri Vissarionov shares his latest experience in designing tourist complexes, both in central Russia and in the south. These include houseboats, homes printed from lightweight concrete using a 3D printer, and, of course, frame houses.
​Moscow’s First
“The quality of education largely depends on the quality of the educational environment”. This principle of the last decade has been realized by Sergey Skuratov in the project for the First Moscow Gymnasium on Rostovskaya Embankment in the Khamovniki district. The building seamlessly integrates into the complex urban landscape, responding both to the pedestrian flow of the city and the quiet alleyways. It skillfully takes advantage of the height differences and aligns with modern trends in educational space design. Let’s take a closer look.
Looking at the Water
The site of Villa Sonata stretches from the road to the water’s edge, offering its own shoreline, pier, and a picturesque river panorama. To reveal these sweeping views, Roman Leonidov “cut” the façade diagonally parallel to the river, thus getting two main axes for the house and, consequently, “two heads”. The internal core – two double-height spaces, a living room and a conservatory, with a “bridge” above them – makes the house both “transparent” and filled with light.
The White Wing
Well, it’s not exactly white. It’s more of a beige, white-stone structure that plays with the color of limestone – smoother surfaces are lighter, while rougher ones are darker. This wing unites various elements: it absorbs and interprets the surrounding themes. It responds to everything, yet maintains a cohesive expression – a challenging task! – while also incorporating recognizable features of its own, such as the dynamic cuts at the bottom, top, and middle.
Urban Dunes
The XSA Ramps team designed and built a three-part sports hub for a park in Rostov-on-Don, welcoming people of all ages and fitness levels. The skate plaza, pump track, and playground are all meticulously crafted with details that attract a diverse range of visitors. The technical execution of the shapes and slopes transforms this space into a kind of sculptural composition.
Proportional Growth
The project for the fourth phase of the ÁLIA residential area has been announced. The buildings are situated on an elongated plot – almost a “ray” that shoots out from the center of the area towards the river. Their layout reflects both a response to Moscow’s architectural preferences over the past 15 years, shifting “from blocks to towers”, and an interpretation of the neighboring business park designed by SOM. Additionally, the best apartments here are not located at the very top but closer to the middle, forming a glowing “waistline”.
The “Staircase” Building
In designing the “Details” residential complex in New Moscow, Rais Baishev spiced up the now-popular Moscow theme of a “courtyard” building with an idea drawn from the surrealist drawings by Maurits Escher. He envisioned the stepped silhouettes and descending slopes as a metaphysical mega-staircase, creating a key void within the courtyard that gave the project an internal “spine”. This concept is felt both in the building’s silhouette and on its façades.
Projection of the Quarter
No one doubted that the building that Vladimir Plotkin designed as part of the “Garden Quarters” would be the most modernist of all. And it turned out just that way: while adhering to the common design code, the building successfully combines brick and white stone, rhythmically responding to the neighboring building designed by Ostozhenka, yet tactfully and persistently making a few statements of its own. This includes the projection of the ideal urban development composition “14–9–6”, which can be found right next door, mathematical calculations, including those for various types of terraces (and perhaps the only reminder of the Soviet past of the Kauchuk rubber factory!), and the white “cross-stitch” pattern of the façade grid.