По-русски

​Hotel at the Palm Island

The house that Karen Saprichyan designed at the man-made island in Dubai boasts all the features of a luxury resort, at the same time remaining quite an urban one, retaining its elegance, and demonstrating the author’s response to the context, both cultural and seaside type.

08 June 2017
Object
mainImg
Architect:
Karen Saprichyan
Firm:
GrandProektCity
Object:
Palm Jumairah Community
United Arab Emirates, Dubai

2016 — 2017

The apartment hotel Palm Jumairah Community will be situated on the outside curve that protects from the waves one of the two famous man-made islands at Dubai’s seaside. The Palm Jumairah island is located in the highly developed and expensive part of the city, close to a marina and golf courses, in the place where prominent towers intersperse with buildings of moderate height and clusters of expensive villas. Currently, GrandProjectCity is already building Crystal Jumerian Hotel here on the mainland next to the marina. The new apartment hotel is but a 20-minutes’ drive away.

The “Palm” islands are constructed in this way: the strips of land belonging to the inner “sheet” have on them private villas, while the elongated island that forms the outside contour includes the hotels. The outer shore facing the Persian Gulf is reinforced with rough stone; there is the Crescent Road Boulevard running through it which is in fact the only automotive artery here. The inner contour is covered with sand that forms the hotels’ beaches. Many of the hotels are already complete, and new ones are being built. Multistory buildings alternate with villas; vast expanses of land with parks and giant swimming pools do with smaller land sites.

The site of Palm Jumairah Community is one of the smallest. Like a narrow pencil case 250x55 meters, it stretches from the Crescent Road in the north to the sand beach in the south. The neighboring hotel on the west side is almost complete; the east neighbor is still in construction.

Palm Jumairah Community project. View from the beach © "GrandProjectCity"
Palm Jumairah Community project. Location plan © "GrandProjectCity"


Due to the fact that the site is fairly small, the house, together with its inner yards, occupies almost the whole of it. The plan of the building looks like a capital E, where the middle stroke, turned to the traverse inner street, serves as the main entrance lobby. The height marks of the 8-story building meet the island’s height restriction of 29 meters; there is a maintenance floor and a parking garage underground. In accordance with the desire of the client, Centurion Real Estate, the apartments are rather large, from 140 to 330 square meters; the smaller ones occupying the bottom floors, the larger ones, according to the penthouse principle, closer to the top.

Palm Jumairah Community project. Masterplan © "GrandProjectCity"


The size of the apartments, just as the very wonder-island location, gives the complex, in spite of the moderate size of its land plot, a fair bit of emirate luxury feel which is supported by a number of architectural solutions - especially noteworthy is the swimming pool that occupies the middle stroke of the E-letter at the third-floor level, stretching into a voluminous cantilevered awning above the entrance. Its length is 30.6 meters, its area is 257 square meters, and the volume of the basin is around 380 cubic meters. The floor of the pool is transparent; it rests on a grid of broad caissons, in the grids of which, if we turn up our heads, we will see the water and the outlines of the swimmers. The same reflection is to be seen in the awning above the entrance which should be quite a beautiful view in itself. Underneath the pool, behind the water-filled entrance awning, there is a double-height entrance lobby; above the pool, there is a 10-meter height of vacant space that flows into the balcony on the roof of the awning. All this is a rather radical thing to do from a technical standpoint but still realistic, given the modern technologies. And, more importantly, rather sci-fi and luxurious, seaside-style, and exactly in the spirit of Dubai and its man-made islands. Not having the luxury (no pun intended) of land enough to make a paradise garden, which is pretty much the custom here, Karen Saprichyan found a solution in the futuristic “hovering” swimming pool, from where the swimmers will be able to cast glances with their neighbors sitting in the hotel lobby.

Palm Jumairah Community project © "GrandProjectCity"


Palm Jumairah Community project. The entrance group © "GrandProjectCity"


The second solution forms the outlines of the building. A simple unit of striped or glass floors, which are abundant here as it is, would have been, probably, all-too-trivial, but, more importantly, devoid of any shade, so, the architects placed the building into a large-cell voluminous grid. Its pattern was devised in accordance with the module that splits the cells in two, so the squares alternate with triangles, and, at some places, with “authentic” or even “metaphysical” Middle East arches. As if we would take the Arcade de Chirico and take it apart bit by bit, inserting some of the resulting fragments into an orthogonal grid. The upper layer of the concrete grid will be covered with aluminum panels decorated with small ornaments, backlighting them with colored LED’s with a few dynamically changing scenarios. The shoulders of the grid will be faced with stone, while the natural wood inserts on the façades are meant to complement the natural textures with the contemporary slit aluminum.

Palm Jumairah Community project © "GrandProjectCity"


Palm Jumairah Community project. Facade fragment © "GrandProjectCity"


Palm Jumairah Community project. Facade fragment © "GrandProjectCity"


Palm Jumairah Community project. View from the beach © "GrandProjectCity"


The grid shell encases the whole building, and, when viewed from the outside, it will produce an impression of a single elongated volume with a concave arch of the main façade. On the west wall and on the side ends the shell will mask the rows of deep balconies, while on the grand east side, besides the entrance, there are also two small inner yards, which is also very much in the spirit of the local tradition. When viewed from this side, this totally independent structure puts one in the mind of deconstructionist techniques of the 1990’s but, as an offset to this comparison, its edges do not hang in the air, and the picture is quite complete and self-sufficient. The grid casts a laced shadow on the yards and façades - exactly the kind that sunbathers love. “Our project is one of its kind – on the Palm Island you will not find a single one like it because all the other buildings are of the terrace southern type. And, as for our building, it is clad in a grid shell. It is rather decorative than functional – explains the leader or GrandProjectCity, Karen Saprichyan – in the course of our work, our team proposed as many as seven versions of architectural solutions. So, it comes as no surprise that ultimately the client opted for the grid version which was curated by the chief architect of the project, Vladimir Berezin”. The resulting architecture responds to the modern ornamental trends, and the same time combining urban and resort features. It even brings into the context of the palm “paradise” surroundings an element of structural integrity or even cultural background without losing, nonetheless, its "luxury" feel. Such a building will be noticeable both by day – because of the graphic pattern of the light grid with deep shadows – and by night – when its large-cell grid will shine different colors supporting the upbeat seaside resort atmosphere.
Palm Jumairah Community project. Plan of the underground floor © "GrandProjectCity"
Palm Jumairah Community project. Plan of the first floor © "GrandProjectCity"
Palm Jumairah Community project. Plan of the third floor © "GrandProjectCity"
Palm Jumairah Community project. Plan of the fourth floor © "GrandProjectCity"


Architect:
Karen Saprichyan
Firm:
GrandProektCity
Object:
Palm Jumairah Community
United Arab Emirates, Dubai

2016 — 2017

08 June 2017

Headlines now
The Big Twelve
Yesterday, the winners of the Moscow Mayor’s Architecture Award were announced and honored. Let’s take a look at what was awarded and, in some cases, even critique this esteemed award. After all, there is always room for improvement, right?
Above the Golden Horn
The residential complex “Philosophy” designed by T+T architects in Vladivostok, is one of the new projects in the “Golubinaya Pad” area, changing its development philosophy (pun intended) from single houses to a comprehensive approach. The buildings are organized along public streets, varying in height and format, with one house even executed in gallery typology, featuring a cantilever leaning on an art object.
Nuanced Alternative
How can you rhyme a square and space? Easily! But to do so, you need to rhyme everything you can possibly think of: weave everything together, like in a tensegrity structure, and find your own optics too. The new exhibition at GES-2 does just that, offering its visitor a new perspective on the history of art spanning 150 years, infused with the hope for endless multiplicity of worlds and art histories. Read on to see how this is achieved and how the exhibition design by Evgeny Ace contributes to it.
Blinds for Ice
An ice arena has been constructed in Domodedovo based on a project by Yuri Vissarionov Architects. To prevent the long façade, a technical requirement for winter sports facilities, from appearing monotonous, the architects proposed the use of suspended structures with multidirectional slats. This design protects the ice from direct sunlight while giving the wall texture and detail.
Campus within a Day
In this article, we talk about what the participants of Genplan Institute of Moscow’s hackathon were doing at the MosComArchitecture booth at the “ArchMoscow” exhibition. We also discuss who won the prize and why, and what can be done with the territory of a small university on the outskirts of Moscow.
Vertical Civilization
Genpro considered the development of the vertical city concept and made it the theme of their pavilion at the “ArchMoscow” exhibition.
Marina Yegorova: “We think in terms of hectares, not square meters”
The career path of architect Marina Yegorova is quite impressive: MARHI, SPEECH, MosComArchitectura, the Genplan Institute of Moscow, and then her own architectural company. Its name Empate, which refers to the words “to draw” in Portuguese and “to empathize” in English, should not be misleading with its softness, as the firm freely works on different scales, including Integrated Territorial Development projects. We talked with Marina about various topics: urban planning experience, female leadership style, and even the love of architects for yachting.
Andrey Chuikov: “Optimum balance is achieved through economics”
The Yekaterinburg-based architectural company CNTR is in its mature stage: crystallization of principles, systematization, and standardization helped it make a qualitative leap, enhance competencies, and secure large contracts without sacrificing the aesthetic component. The head of the company, Andrey Chuikov, told us about building a business model and the bonuses that additional education in financial management provides for an architect.
The Fulcrum
Ostozhenka Architects have designed two astonishing towers practically on the edge of a slope above the Oka River in Nizhny Novgorod. These towers stand on 10-meter-tall weathered steel “legs”, with each floor offering panoramic views of the river and the city; all public spaces, including corridors, receive plenty of natural light. Here, we see a multitude of solutions that are unconventional for the residential routine of our day and age. Meanwhile, although these towers hark back to the typological explorations of the seventies, they are completely reinvented in a contemporary key. We admire Veren Group as the client – this is exactly how a “unique product” should be made – and we tell you exactly how our towers are arranged.
Crystal is Watching You
Right now, Museum Night has kicked off at the Museum of Architecture, featuring a fresh new addition – the “Crystal of Perception”, an installation by Sergey Kuznetsov, Ivan Grekov, and the KROST company, set up in the courtyard. It shimmers with light, it sings, it reacts to the approach of people, and who knows what else it can do.
The Secret Briton
The house is called “Little France”. Its composition follows the classical St. Petersburg style, with a palace-like courtyard. The decor is on the brink of Egyptian lotuses, neo-Greek acroteria, and classic 1930s “gears”; the recessed piers are Gothic, while the silhouette of the central part of the house is British. It’s quite interesting to examine all these details, attempting to understand which architectural direction they belong to. At the same time, however, the house fits like a glove in the context of the 20th line of St. Petersburg’s Vasilievsky Island; its elongated wings hold up the façade quite well.
The Wrap-Up
The competition project proposed by Treivas for the first 2021 competition for the Russian pavilion at EXPO 2025 concludes our series of publications on pavilion projects that will not be implemented. This particular proposal stands out for its detailed explanations and the idea of ecological responsibility: both the facades and the exhibition inside were intended to utilize recycled materials.
Birds and Streams
For the competition to design the Omsk airport, DNK ag formed a consortium, inviting VOX architects and Sila Sveta. Their project focuses on intersections, journeys, and flights – both of people and birds – as Omsk is known as a “transfer point” for bird migrations. The educational component is also carefully considered, and the building itself is filled with light, which seems to deconstruct the copper circle of the central entrance portal, spreading it into fantastic hyper-spatial “slices”.
Faraday Grid
The project of the Omsk airport by ASADOV Architects is another concept among the 14 finalists of a recent competition. It is called “The Bridge” and is inspired by both the West Siberian Exhibition of 1911 and the Trans-Siberian Railway bridge over the Irtysh River, built in 1896. On one hand, it carries a steampunk vibe, while on the other, there’s almost a sense of nostalgia for the heyday of 1913. However, the concept offers two variants, the second one devoid of nostalgia but featuring a parabola.
Midway upon the Journey of Our Life
Recently, Tatlin Publishing House released a book entitled “Architect Sergey Oreshkin. Selected Projects”. This book is not just a traditional book of the architectural company’s achievements, but rather a monograph of a more personal nature. The book includes 43 buildings as well as a section with architectural drawings. In this article, we reflect on the book as a way to take stock of an architect’s accomplishments.
Inverted Fortress
This year, there has been no shortage of intriguing architectural ideas around the Omsk airport. The project developed by the architectural company KPLN appeals to Omsk’s history as a wooden fortress that it was back in the day, but transforms the concept of a fortress beyond recognition: it “shaves off” the conical ends of “wooden logs”, then enlarges them, and then flips them over. The result is a hypostyle – a forest of conical columns on point supports, with skylights on top.
Transformation of Annenkirche
For Annenkirche (St. Anna Lutheran Church in St. Petersburg), Sergey Kuznetsov and the Kamen bureau have prepared a project that relies on the principles of the Venice Charter: the building is not restored to a specific date, historical layers are preserved, and modern elements do not mimic the authentic ones. Let’s delve into the details of these solutions.
The Paradox of the Temporary
The concept of the Russian pavilion for EXPO 2025 in Osaka, proposed by the Wowhaus architects, is the last of the six projects we gathered from the 2022 competition. It is again worth noting that the results of this competition were not finalized due to the cancellation of Russia’s participation in World Expo 2025. It should be mentioned that Wowhaus created three versions for this competition, but only one is being presented, and it can’t be said that this version is thoroughly developed – rather, it is done in the spirit of a “student assignment”. Nevertheless, the project is interesting in its paradoxical nature: the architects emphasized the temporary character of the pavilion, and in its bubble-like forms sought to reflect the paradoxes of space and time.
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
Mirrors Everywhere
The project by Sergey Nebotov, Anastasia Gritskova, and the architectural company “Novoe” was created for the Russian pavilion at EXPO 2025, but within the framework of another competition, which, as we learned, took place even earlier, in 2021. At that time, the competition theme was “digital twins”, and there was minimal time for work, so the project, according to the architect himself, was more of a “student assignment”. Nevertheless, this project is interesting for its plan bordering on similarity with Baroque projects and the emblem of the exhibition, as well as its diverse and comprehensive reflectiveness.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.