По-русски

Next to Foster

About the project of a villa community and a winery in the city of Yalta – built by Sergey Tsytsin architects.

17 November 2016
Object
mainImg

Two years ago on the Yalta shore in the vicinity of Foros opened a new world-class seaside resort called "Mria", designed by Norman Foster. Looking like a giant exotic flower, it became the new centerpiece for this picturesque landscape and the catalyst for its further development.

According to the client's plan, west of the Sports and Concert Complex, the 8.5-hectare adjacent territory was to get a VIP-class villa community with a restaurant, a cosmetology center, a children educational center, and a spa center, while east of the complex the 14-hectare territory was to be occupied by vineyards and a winemaking complex. Raising the bar even higher, the client announced an international competition for both concepts. One of the shortlisted projects was the one by Sergey Tsytsin that we are now bringing to your attention.

The villa complex and a winemaking center in Yalta. The villas. Project, 2016 © Sergey Tsytsin architects
The villa complex and a winemaking center in Yalta. The villas. Project, 2016 © Sergey Tsytsin architects


The villa complex and a winemaking center in Yalta. The master plan and the location of the winery. Project, 2016 © Sergey Tsytsin architects


The author's attention was concentrated on two major tasks: on the one hand, opening up the greatest possible views to the future residents, on the other – to provide them with maximum privacy and visual independence. It was these two factors that first of all defined the inside layouts of the villas and their positions in the outside space. There were a few other important factors that influenced the design solution: a rather significant relief drop, the already-formed system of access driveways, and the task of preserving the unique local flora. But also just as important was the question of style of the future buildings.

By the moment the competition was announced, next to the Sports and Concert Complex "Mria" there were already two government villas and one "family village", both setting quite specific imagery confined to the designers. These two were based on a repeating module in the shape of an elongated two-story parallelepiped, and the planning technique based on the contrast between the smooth outlines of the landscape and the square-corner volumes of the buildings. Sergey Tsytsin took the existing module and created on its basis several new projects: three "doubled" villas with their main volumes shifted in respect to each other, and a children education center where the four modules are "strung" upon a hoof-shaped master plan.

The villa complex and a winemaking center in Yalta. The villas. Project, 2016 © Sergey Tsytsin architects


The villa complex and a winemaking center in Yalta. The villas. Project, 2016 © Sergey Tsytsin architects


The villa complex and a winemaking center in Yalta. The villas. Project, 2016 © Sergey Tsytsin architects


The villa complex and a winemaking center in Yalta. Plans of the villas. Project, 2016 © Sergey Tsytsin architects


In my view, the authors were able to soften somewhat the obtrusively utilitarian character of the original module. Their refraining from using the flat blind walls, the variety of the wall finishes with the use of light-colored stones, and the protruding marquees – all this gave the new villas a more lively and welcoming look, while the fan-shaped twist of the children center, repeating the common technique of the "family village", takes away the slight "barracks" aftertaste that it leaves.

All the three villas are situated at different levels, with driveways leading up to private terraces. Part them runs a serpentine trail that leads down to the beach; in addition, the slope is equipped with an amazing underground elevator that has an exit at a 23-meter height above the sea level.

The villa complex and a winemaking center in Yalta. The villas. Project, 2016 © Sergey Tsytsin architects


The villa complex and a winemaking center in Yalta. The villas. Project, 2016 © Sergey Tsytsin architects


The project provides for creating a public territory for the residents of the new and already-built villas. The mentioned children educational center logically stands next to the already-existing playgrounds. The empty building on the north of the land site is remodeled into a cosmetological center. And finally, in the extreme south part, the authors positioned a spa center. Situated at the foot of the slope and opened to the beach, it is separated from the private cluster, rather belonging, both from the design and architecture standpoint, to the waterfront area. The authors opted out of applying here the common single style, and created quite an independent one-story building with a semicircular veranda standing out.

The villa complex and a winemaking center in Yalta. The villas. Project, 2016 © Sergey Tsytsin architects


The villa complex and a winemaking center in Yalta. The master plan and the location of the winery. Project, 2016 © Sergey Tsytsin architects


On the neighboring hill, surrounded by vineyards, there will be a winemaking complex consisting of a production facility, a wine cellar, a factory store, and a restaurant with a tasting hall. Unlike the villa area, the form of the winemaking complex is all about the dialogue with the surrounding landscape.

The building is situated on a land plot with almost a 10-meter height difference, and is in fact a multilevel volume of a sophisticated faceted shape, with a clear reference to the images of the surrounding landscape. But then again, its architecture is not devoid of some dramatist of its own, different from the idyl of the gently sloping Crimean Mountains.

The villa complex and a winemaking center in Yalta. The winery. Project, 2016 © Sergey Tsytsin architects


The villa complex and a winemaking center in Yalta. The winery. Project, 2016 © Sergey Tsytsin architects


The villa complex and a winemaking center in Yalta. Plan of the first floor of the winery. Project, 2016 © Sergey Tsytsin architects


The villa complex and a winemaking center in Yalta. Plan of the second floor of the winery. Project, 2016 © Sergey Tsytsin architects


The authors made as much as possible out of the area of the usable roof, placing here the tasting hall and sightseeing platforms. Thanks to the end-to-end gallery of a lobby, one can get inside the building from any side and virtually from any level. The gallery also served as the viewing platform for organizing guided tours with a possible to observe all the key stages of the wine production process. 

The villa complex and a winemaking center in Yalta. The winery. Project, 2016 © Sergey Tsytsin architects


The project also provides for a smooth walking ascent to the winery over the slopes of the hill, from where amazing panoramas open up, with a gradual development of the architectural narrative. "What we were looking to do was use as much of the "architecture of the landscape" as possible, with its mountain ledges, panorama views, and the decorative comb of the vineyards – says Sergey Tsytsin – this is why the tourist bus stop is situated a slight distance away from the facility. Here the visitors find themselves in a small garden surrounding the winemaking center. From here, they will need to walk around a hundred and fifty meters up the trail enjoying the great views and the architecture in motion".  

The villa complex and a winemaking center in Yalta. The winery. Project, 2016 © Sergey Tsytsin architects


Between the two hills and above the motor road running between them, the architects throw a sixty-meter pedestrian bridge. Connecting the two complexes, it harmoniously entwined in the overall exotic picture becoming an interest part of the winemaking center.


17 November 2016

Headlines now
Living in the Architecture of One’s Own Making
Do architects design houses for themselves? You bet! In this article, we are examining a new book by TATLIN publishing house. This book – unprecedented for Russia – features 52 private homes designed and built by contemporary architects for themselves. It includes houses that are famous, even iconic, as well as lesser-known ones; large and small, stylish and eccentric. To some extent, the book reflects the history of Russian architecture over the past 30 years.
A City Block Isoline
Another competition project for a residential complex on the banks of the Volga in Nizhny Novgorod has been prepared by Studio 44. A team of architects led by Ivan Kozhin concluded that using a regular block layout in such a location would be inappropriate and developed a “custom design” approach: a chain of parceled multi-section buildings stretching along the entire embankment. Let’s explore the features and advantages of this unconventional method.
Competition: The Price of Creativity?
Any day now, we’re expecting the results of a competition held by the “Samolet” development group for a plot in Kommunarka. In the meantime, we share the impressions of Editor-in-Chief Julia Tarabarina, who managed to conduct a public talk. Though technically focused on the interaction between developers and architects, the public talk turned into a discussion about the pros and cons of architectural competitions.
Terraced Design
The “River Park” residential complex has confidently and securely shaped the Nagatinsky Backwater shoreline. Featuring a public embankment, elevated courtyards connected by pedestrian bridges, and brick façades, the development invites exploration of its nuanced response to the surrounding context, as well as hints of the architects’ megalithic design thinking.
A Kremlin’s Core and Meteorite Fragments
We continue our coverage of the competition projects for the residential district that the development company GloraX plans to build along the embankment of the Rowing Channel in Nizhny Novgorod. ASADOV Architects approached the concept through a deep dive into local identity, using storytelling to pinpoint a central idea for the design: the master plan and composition are imagined as if a meteorite had struck a “proto-Kremlin”. Sounds weird? Find more details below!
The Volga Regatta
GloraX plans to develop a residential complex spanning 14 hectares along the Volga River in Nizhny Novgorod. The winning design in a closed-door competition, created by GORA Architects, features housing typologies ranging from townhouses to terraced high-rise slabs, a balance of functions, diverse ways of engaging with the water, and even a dedicated island (no less!) for the city residents.
Life Plans
The master plan for the residential district “Prityazheniye” (“Gravity”) in Naberezhnye Chelny was developed by the architectural company A.Len, taking into account the specific urban planning context and partially implemented solutions of the first phase. However, the master plan prioritized its own values: a green framework, a system of focal points, a hierarchy of spaces, and pedestrian priority. After this, the question of what residents will do in their neighborhood simply doesn’t arise.
A New Track
We took a thorough look at D_Station, a railcar repair depot dating back to 1906, recently reconstructed while preserving its century-old industrial structure, upon the project by Sergey Trukhanov and T+T Architects. Though work on the interiors – set to house restaurants and public spaces – is still underway, the building’s exterior already offers plenty to see. Visitors can explore the blend of old and new brickwork, appreciate the architect’s unique interpretation of ruin aesthetics, and enjoy the newly built pedestrian route that connects the Citydel Business Center’s arches to Kazakova Street.
Four Different Surveys
The “Explore the City” competition, organized this year by the Genplan Institute of Moscow, stands out as a pretty unconventional one for the architectural field but aligns perfectly well with the character of urban planning work. The winning project analyzed contemporary residential complexes, combining urban planning insights with a realtor’s perspective to propose a hybrid approach. Other entries explored public centers, motivations for car ownership, and housing vacancy rates. A fifth participant withdrew. Here’s a closer look at the four completed works.
Scheduled Evolution
ASADOV Architects unveiled the EvyCenter pavilion, a microcultural hub for fostering personal growth, organizing workshops, and doing gymnastics. Additionally, this pavilion serves as a prototype for a scalable country house, drawing inspiration from the “Loskutok” project, and constructed from CLT panels in a factory. This marks the beginning of a developer project initiated by the architectural firm (sic!), which is seeking partners to expand both small Evy settlements and even larger Evy cities, which are, according to Andrey Asadov, aimed at fostering the “evolutionary” development of the people who will inhabit them.
The Golden Crown
The concept for a dental clinic in Yekaterinburg, developed by CNTR Studio, revolves around the idea of a “mouth full of gold”: pristine white porcelain stoneware walls are complemented by matte brass details. To avoid an overly literal interpretation, the architects focused on the building’s proportions, skillfully navigating between sunlight requirements and fire safety regulations.
Flexibility and Integration
Not long ago, we covered the project for the fourth phase of the ÁLIA residential complex, designed by APEX. Now, we’ve been shown different fence concepts they developed to enclose the complex’s private courtyards, incorporating a variety of public functions. We believe that the sheer fact that the complex’s architects were involved in such a detail as fencing speaks volumes.
A Step Forward
The HIDE residential complex represents a major milestone for ADM architects and their leaders Andrey Romanov and Ekaterina Kuznetsova in their quest for a fresh high-rise aesthetic – one that is flexible and layered, capable of bringing vibrancy to mass and silhouette while shaping form. Over recent years, this approach has become ADM’s “signature style”, with the golden HIDE tower playing a pivotal role in its evolution. Here, we delve into the project’s story, explore the details of the complex’s design, and uncover its core essence.
Gold in the Sands
A new office for a transcontinental company specializing in resource extraction and processing has opened in Dubai. Designed by T+T Architects, masters of creating spaces that are contemporary, diverse, flexible, and original, this project exemplifies their expertise. On the executive floor, a massive brass-clad partition dominates, while layered textures of compressed earth create a contextually resonant backdrop.
Layers and Levels of Flight
This project goes way back – Reserve Union won this architectural competition at the end of 2011, and the building was completed in 2018, so it’s practically “archival”. However, despite being relatively unknown, the building can hardly be considered “dated” and remains a prime example of architectural expression, particularly in the headquarters genre. And it’s especially fitting for an aviation company office. In some ways, it resembles the Aeroflot headquarters at Sheremetyevo but with its own unique identity, following the signature style of Vladimir Plotkin. In this article, we take an in-depth look at the United Aircraft Corporation (UAC) headquarters in the Moscow agglomeration town of Zhukovsky, supplemented by recent photographs from Alexey Naroditsky – a shoot that became only recently possible due to the fact that improvements were finally made in the surrounding area.
Light and Shadow
In this article, we delve into the architectural design of the “Chaika” house by DNK ag architects, which was recently completed in 2023 as part of the collection of signature designs at ZILArt. As is well-known, all the buildings in this complex follow a design code, yet each one is distinct. This particular building stands out not only for its whiteness and minimalism but also for the refined use of a limited number of techniques that, together, create what can confidently be called synergy.
Casus Novae
A master plan was developed for a large residential area with a name of “DNS City”, but now that its implementation began, the plan has been arbitrarily reformatted and replaced with something that, while similar on the surface, is actually quite different. This is not the first time such a thing happens, but it’s always frustrating. With permission from the author, we are sharing Maria Elkina’s post.
Treasure Hunting
The GAFA bureau, in collaboration with Tegola and Arkhitail, organized an expedition to the island of Kilpola in Karelia as part of Moskomarkhitektura’s “Open City” festival. There, amidst moss and rocks, the students sought answers to questions like: what is the sacred, where does it dwell, and what sustains it? Assisting the participants in this quest were landscape engineer Evgeny Levin, artist Nicholas Roerich, a moose, and the lack of cellular connection. Here’s how the story unfolded.
Depths of the Earth, Streams of Water
In the Malaya Okhta district, the Akzent building, designed by Stepan Liphart, was constructed. It follows a classic tripartite structure, yet it’s what you might call “hand-drawn”: each façade is unique in its form and details, some of which aren’t immediately noticeable. In this article, we explore the context and, together with the architect, delve into how the form was developed.
Fir Tree Dynamics
The “Airports of Region” holding is planning to build an airport in Karachay-Cherkessia, aiming to make the Arkhyz and Dombay resorts more accessible to travelers. The project that won in an invitation-only competition, submitted by Sergey Nikeshkin’s KPLN, blends natural imagery inspired by the shape of a conifer seed, open-air waiting spaces, majestic large trees, and a green roof elevated on needle-like columns. The result is both nature-inspired and WOW.
​A Brick Shell
In the process of designing a clubhouse situated among pine trees in a prestigious suburban area near Moscow, the architectural firm “A.Len” did the façade design part. The combination of different types of brick and masonry correlates with the volumetric and plastique solutions, further enhanced by the inclusion of wood-painted fragments and metal “glazing”.
Word Forms
ATRIUM architects love ambitious challenges, and for the firm’s thirtieth anniversary, they boldly play a game of words with an exhibition that dives deep into a self-created vocabulary. They immerse their projects – especially art installations – into this glossary, as if plunging into a current of their own. You feel as if you’re flowing through the veins of pure art, immersed in a universe of vertical cities, educational spaces – of which the architects are true masters – and the cultural codes of various locations. But what truly captivates is the bold statement that Vera Butko and Anton Nadtochy make, both through their work and this exhibition: architecture, above all, is art – the art of working with form and space.
Flexibility and Acuteness of Modernity
Luxurious, fluid, large “kokoshniks” and spiral barrel columns, as if made from colorful chewing gum: there seem to be no other mansion like this in Moscow, designed in the “Neo-Russian-Modern” style. And the “Teremok” on Malaya Kaluzhskaya, previously somewhat obscure, has “come alive with new colors” and gained visibility after its restoration for the office of the “architectural ecosystem” as the architects love to call themselves. It’s evident that Julius Borisov and the architects at UNK put their hearts into finding this new office and bringing it up to date. Let’s delve into the paradoxes of this mansion’s history and its plasticity. Spoiler: two versions of modernity meet here, both balancing on the razor’s edge of “what’s current”.
Yuri Vissarionov: “A modular house does not belong to the land”
It belongs to space, or to the air... It turns out that 3D printing is more effective when combined with a modular approach: the house is built in a workshop and then adapted to the site, including on uneven terrain. Yuri Vissarionov shares his latest experience in designing tourist complexes, both in central Russia and in the south. These include houseboats, homes printed from lightweight concrete using a 3D printer, and, of course, frame houses.
​Moscow’s First
“The quality of education largely depends on the quality of the educational environment”. This principle of the last decade has been realized by Sergey Skuratov in the project for the First Moscow Gymnasium on Rostovskaya Embankment in the Khamovniki district. The building seamlessly integrates into the complex urban landscape, responding both to the pedestrian flow of the city and the quiet alleyways. It skillfully takes advantage of the height differences and aligns with modern trends in educational space design. Let’s take a closer look.
Looking at the Water
The site of Villa Sonata stretches from the road to the water’s edge, offering its own shoreline, pier, and a picturesque river panorama. To reveal these sweeping views, Roman Leonidov “cut” the façade diagonally parallel to the river, thus getting two main axes for the house and, consequently, “two heads”. The internal core – two double-height spaces, a living room and a conservatory, with a “bridge” above them – makes the house both “transparent” and filled with light.
The White Wing
Well, it’s not exactly white. It’s more of a beige, white-stone structure that plays with the color of limestone – smoother surfaces are lighter, while rougher ones are darker. This wing unites various elements: it absorbs and interprets the surrounding themes. It responds to everything, yet maintains a cohesive expression – a challenging task! – while also incorporating recognizable features of its own, such as the dynamic cuts at the bottom, top, and middle.
Urban Dunes
The XSA Ramps team designed and built a three-part sports hub for a park in Rostov-on-Don, welcoming people of all ages and fitness levels. The skate plaza, pump track, and playground are all meticulously crafted with details that attract a diverse range of visitors. The technical execution of the shapes and slopes transforms this space into a kind of sculptural composition.
Proportional Growth
The project for the fourth phase of the ÁLIA residential area has been announced. The buildings are situated on an elongated plot – almost a “ray” that shoots out from the center of the area towards the river. Their layout reflects both a response to Moscow’s architectural preferences over the past 15 years, shifting “from blocks to towers”, and an interpretation of the neighboring business park designed by SOM. Additionally, the best apartments here are not located at the very top but closer to the middle, forming a glowing “waistline”.
The “Staircase” Building
In designing the “Details” residential complex in New Moscow, Rais Baishev spiced up the now-popular Moscow theme of a “courtyard” building with an idea drawn from the surrealist drawings by Maurits Escher. He envisioned the stepped silhouettes and descending slopes as a metaphysical mega-staircase, creating a key void within the courtyard that gave the project an internal “spine”. This concept is felt both in the building’s silhouette and on its façades.