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From Kaliningrad to London

An article about two contest projects done by Anatoly Stolyarchuk architectural studio, his work during the time of economic recession, and his attitude towards stylization.

15 March 2016
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During the economic crisis, different people behave differently. Some people just turn on the "economy mode" and lie low, trying to make ends meet. Some, on the other hand, use the void to excel and grow. 

For example, the leader of his company Anatoly Stolyarchuk successfully combines his "put-food-on-the-table" work with contest initiatives of his young creative talent. And, although it is always a great risk of getting a negative return on investment, you can by no means describe this work as detrimental: this is exactly where your young talent base grows and matures. In this article, we are bringing to your attention two contest projects done by Anatoliy Stolyarchuk studio in the recent months. 

One of them was prepared for Kaliningrad, the city that in September of 2015 hosted an open architectural competition named "Heart of the City" for the best concept of the historical, cultural, and governmental complex. The contest was organized by the non-profit partnership «Town-planning Bureau "Heart of the City"» that acted upon the commission of the government of the Kaliningrad region supported by the city administration. 

The other contest - London Nursery a School - took place in December in London. It was organized by a privately owned Italian company "AWR Competetions". 
 
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The project of the governmental, historical, and cultural complex in Kaliningrad

The designed land site is located next to Kaliningrad's historical center, the contest for the best development project of which was won in 2014 by "Studio-44". The status of the land site in question is still more "high-responsibility" because it is exactly here that the old Koenigsberg Castle of the XIII-XIX centuries used to be situated. In other words, it is indeed the heart of the city. During the World War II, the castle suffered a lot of damage, although its walls and towers survived. Nevertheless, in the sixties, the city council made a decision to take them down, in spite of the protests of the city conservation activists. Next to the wasteland that conceals the basements of the castle, in the seventies, the construction of the "House of Soviets" was started - this building was to become the city's new centerpiece instead of the lost castle. As it turned out in the long run, however, the building became for the city people a symbol of delayed construction, incomplete up to the present day, and without any clear prospects for the future. 

According to the contest task, it was up to the contestants to decide on the fate of the "House of Soviets", as well as on the question of recreating/not recreating the castle in its original form. One way or another, this place was supposed to get a residence of the city council, plus a historical and cultural complex. From the very start, Anatoliy Stolyarchuk Studio decisively discarded the idea of a "mock-up" recreation of the castle: instead, the authors proposed a building that follows the irregular outline of the inside perimeter of the castle but on the outside takes on an aspect of a regular square. 

A project of historical and cultural center in Kaliningrad. Location plan. Project, 2015 © Anatoly Stolyarchuk Architectural Studio


A project of historical and cultural center in Kaliningrad. Bird's eye view. Project, 2015 © Anatoly Stolyarchuk Architectural Studio


A massive rectangle is cut off on top in a slanted line in the direction of the south terrace and the Island of Kant; into its bottommost part, exactly along the central axis, the architects cut a monumental cylindrical volume with a conference hall and an open-air amphitheater on the roof. 

A project of historical and cultural center in Kaliningrad. Bird's eye view. Project, 2015 © Anatoly Stolyarchuk Architectural Studio


A project of historical and cultural center in Kaliningrad. Project, 2015 © Anatoly Stolyarchuk Architectural Studio


A project of historical and cultural center in Kaliningrad. View of the South Terrace. Project, 2015 © Anatoly Stolyarchuk Architectural Studio


The main entrance to the complex (executed in the form of a broad arch) is located on one of Kaliningrad's key streets - Ulitsa Shevchenko. Entering it, the visitor finds himself in a sunken-in space of the museum lobby, getting immediately involved in the live contact with the artifacts of the Teutonic Order castle. From this point, one can get up to each of the four floors, as well as to the green landscaped roof. Ascending to the "mark zero", the visitor can get inside the "Heart of the City" pavilion, an open-air museum where one can get acquainted with the archeological findings of the castle, as well as get to the tourist information center, souvenir stores, restaurants and cafes. This place also includes the management office of the complex and the municipal hybrid library. All the functional zones have independent entrances either from the outside or from the inside yard. 

A project of historical and cultural center in Kaliningrad. Interior of the museum. Project, 2015 © Anatoly Stolyarchuk Architectural Studio


The second floor (+6.000) will be predominantly occupied by the governor's residence. This place will include his office, an official negotiations room, a conference hall, an awarding hall, administrative premises, as well as the educational center and the Museum of the history of the king's castle.

A project of historical and cultural center in Kaliningrad. The inside of the multifuctional hall. Project, 2015 © Anatoly Stolyarchuk Architectural Studio


The third floor (+12.000) hosts the temporary expositions and the Museum of Rarities. The fourth level (+18.000) is in fact a usable roof with restaurants and a public recreation area that includes sightseeing platforms from which "cyberspace" guided tours into the past will be organized. Here the visitors will see a virtual 3D model of the Koenigsberg Castle, recreated by the drawings of the German architect Friedrich Lars - it will be possible to examine this model from various points on the roof by using special optical devices. 

A project of historical and cultural center in Kaliningrad. Project, 2015 © Anatoly Stolyarchuk Architectural Studio


The square-shaped composition, the central "citadel tower", the red-brick colors - all this refers us to a generalized image of a medieval castle. At the same time, because it was decided that the House of Soviets would not be taken down, the "Post-Castle" also got some features of the late-soviet style: the grand monumentality, rigorous symmetry, and austere laconism. Finally, a "friendly contemporary" level stands towering above all this - the green roof turned into a sightseeing platform, the laser shows in the yard, the glass walls and the inserts in the yard pavement that open the remains of the old basements that are now part of the museum exposition. 

This contest project made the top-ten list. It must be said that most of the finalists took the path or more or less accurate recreation of the historical castle. Of course, both of the approaches have the right to exist but, as Nina Landysheva, the chief architect of the project, stressed, the author team is completely unanimous on this point: the studio has been looking for ways to start a dialogue with the past without copying it verbatim.

A project of historical and cultural center in Kaliningrad. Plans of the floors. Project, 2015 © Anatoly Stolyarchuk Architectural Studio


A project of historical and cultural center in Kaliningrad. Plan of functional zones. Project, 2015 © Anatoly Stolyarchuk Architectural Studio


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A project of historical and cultural center in Kaliningrad. Facades. Project, 2015 © Anatoly Stolyarchuk Architectural Studio


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A project of historical and cultural center in Kaliningrad. Facades. Project, 2015 © Anatoly Stolyarchuk Architectural Studio
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Nursery school on the bank of the Deptford Canal in London

Yet another contest project was developed for a picturesque place in a former industrial park in London. The construction site looks a bit like a cape, bordering on one side on a flyover, and on the other side - on the Deptford Canal. Fragments of high-quality living environment alternate here with wastelands, garages, and squatter parking lots.

Nursery school in London. The current situation. Project, 2015 © 2010-2015 AWR – Architecture Workshop in Rome


Right next to it is the modern apartment complex "Creekside Village" and the dance and music college "Trinity Laban", a work of Herzog & de Meuron that won its authors a Pritzker Prize in 2001. Not far away the Greenwich Park with its famous observatory is situated. This place is an interesting and promising one, related to history but at the same time devoid of any historical architectural context of its own. 

Nursery school in London. The current situation. Project, 2015 © 2010-2015 AWR – Architecture Workshop in Rome


In these conditions, the authors set before themselves a task of tying in the principles of green architecture with their own vision of how a modern playground should look like in a large modern city. As Nina Landysheva shares, the prime vision was that of a bunch of Lego cubes scattered around in the grass. This is how the idea came about of five independent differently colored pavilions with upper-tier lights for the children of all ages to play in. The playground that connects them is cut by straight trails crossing at various angles. But this playground is not just any playground - it is a green roof that covers the zero level of the complex. 

Nursery school in London. Location plan. Project, 2015 © Anatoly Stolyarchuk Architectural Studio


Nursery school in London. Location plan. Project, 2015 © Anatoly Stolyarchuk Architectural Studio


Nursery school in London. The plan of locating the units. Project, 2015 © Anatoly Stolyarchuk Architectural Studio


The latter is in fact a large public zone that includes a lobby, administration offices, a medical service room, a conference hall, bedrooms, and a large multifunctional space of the cafeteria that also includes a kitchen, a laundromat, a storage facility, and a staff room. 

Nursery school in London. View of the playground. Project, 2015 © Anatoly Stolyarchuk Architectural Studio


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Nursery school in London. Open-air park zones. Project, 2015 © Anatoly Stolyarchuk Architectural Studio


Nursery school in London. Plan. Project, 2015 © Anatoly Stolyarchuk Architectural Studio


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Nursery school in London. Section view. Project, 2015 © Anatoly Stolyarchuk Architectural Studio


The large multicolored window of the children's cafeteria commands a fine view of the Deptford Canal. In the very heart of the complex, there is a common-access playroom with a glass roof where kids from all the groups can play together. The main entrance is situated on the side of the college and Laban Walk Road - which also continues the theme of upbringing and education. This project did not get shortlisted as the prize-winning one but it still gave its young authors a European contest experience that we hope will be useful for them in the future. 


15 March 2016

Headlines now
A Glazed Figurine
In searching for an image for a residential building near the Novodevichy Convent, GAFA architects turned to their own perception of the place: it evoked associations with antiquity, plein-air painting, and vintage artifacts. The two towers will be entirely clad in volumetric glazed ceramic – at present, there are no other buildings like this in Russia. The complex will also stand out thanks to its metabolic bay-window cells, streamlined surfaces, a ceremonial “hotel-style” driveway, and a lobby overlooking a lush garden.
A Knight’s Move via the Cour d’Honneur
Intercolumnium Architects presented to the City Planning Council a residential complex project that is set to replace the Aquatoria business center on Vyborgskaya Embankment. Experts praised the overall quality of the work, but expressed reservations about the three cour d’honneurs and suggested softening the contrast between the facades facing the embankment and the Kantemirovsky Bridge.
A Small Country
Mezonproekt is developing a long-term master plan for the MEPhI campus in Obninsk. Over the next ten years, an enclave territory of about 100 hectares, located in a forest on the northern edge of the city, is set to transform into a modern center for the development of the nuclear energy sector. The plan envisions attracting international students and specialists, as well as comprehensive territorial development: both through the contemporary realization of “frozen” plans from the 1980s and through the introduction of new trends – public spaces, an aquapark, a food court, a school, and even a nuclear medicine center. Public and sports facilities are intended to be accessible to city residents as well, and the campus is to be physically and functionally connected to Obninsk.
Pearl Divers
GAFA has designed an apartment complex for Derbent intended to switch people from a work mode to a resort mindset – and to give the surrounding area a much-needed jolt. The building offers two distinct faces: restrained and laconic on the city side, and a lushly ornate façade facing the sea. At the heart of the complex, a hidden pearl lies – an open-air pool with an arch, offering views of a starry sky, and providing direct access to the beach.
A Satellite Island
The Genplan Institute of Moscow has prepared a master plan for the development of the Sarpinsky and Golodny island system, located within the administrative boundaries of Volgograd and considered among the largest river islands in Russia. By 2045, the plan envisions the implementation of 15 large-scale investment projects, including sports and educational clusters, a congress center with a “Volgonarium”, a film production cluster, and twenty-one theme parks. We explain which engineering, environmental, and transportation challenges must be addressed to turn this vision into reality. The master plan solutions have already been approved and incorporated into the city’s general development plan.
The Amber Gate
The Amber City residential complex is one of the redevelopment projects in the former industrial area located beyond Moscow’s Third Ring Road near Begovaya metro station. Alexey Ilyin’s studio proposed an original master plan that transformed two clusters of towers into ceremonial propylaea, gave the complex a recognizable silhouette, and established visual connections with new high-rise developments on both right and left – thus integrating it into the scale of the growing metropolis. It is also marked by its own futuristic stylistic language, based on a reinterpreted streamline aesthetic.
A Theater Triangle
The architectural company “Chetvertoe Izmerenie” (“Fourth Dimension”) has developed the design for a new stage of the Magnitogorsk Musical Theater, rethinking not only theater architecture but also the role of the theater in the contemporary city.
Aleksei Ilyin: “I approach every task with genuine interest”
Aleksei Ilyin has been working on major urban projects for more than 30 years. He has all the necessary skills for high-rise construction in Moscow – yet he believes it’s essential to maintain variety in the typologies and scales represented in his portfolio. He is passionate about drawing – but only from life, and also in the process of working on a project. We talk about the structure and optimal size of an office, about his past and current projects, large and small tasks, and about creative priorities.
​A Golden Sunbeam
A compact brick-and-metal building in the growing Shukhov Park in Vyksa seems to absorb sunlight, transform it into yellow accents inside, and in the evening “give it back” as a warm golden glow streaming from its windows. It is, frankly, a very attractive building: both material and lightweight at the same time, with lightness inside and materiality outside. Its form is shaped by function – laconic, yet far from simple. Let’s take a closer look.
Architecton Awards
In 2025, the jury of the Architecton festival reviewed the finalist projects through live, open presentations held right in the exhibition hall – a rather engaging performance, and something rarely seen among Russian awards. It would be great if “Zodchestvo” adopted this format. Below, we present all the winning projects, including four special nominations.
Garden of Knowledge
UNK architects and UNK design created the interiors of the Letovo Junior campus, working together with NF Studio, which was responsible for developing the educational technology that takes into account the needs and perception of younger and middle school children.
The Silver Skates
The STONE Kaluzhskaya office quarter is accompanied by two residential towers, making the complex – for it is indeed a single ensemble – well balanced in functional terms. The architects at Kleinewelt gave the residential buildings a silvery finish to match the office blocks. How they are similar, how they differ, and what “Silver Skates” has to do with it – we explore in this article.
On the Dynastic Trail
The houses and townhouses of the “Tsarskaya Tropа” (“Czar’s Trail”) complex are being built in the village of Gaspra in Crimea – to the west and east of the palaces of the former grand-ducal residence “Ai-Todor”. One of the main challenges for the architects at KPLN, who developed the project, was to respond appropriately to this significant neighboring heritage. How this influenced the massing, the façades, and the way the authors work with the terrain is explored in our article.
A New Path
The main feature of the Yar Park project, designed by Sergey Skuratov for Kazan, is that it is organized along the “spine” of a multifunctional mall with an impressive multi-height atrium space in its middle. The entire site, both on the city side and the Kazanka River embankment, is open to the public. The complex is intended not to become “yet another fenced enclave” but, as urban planners say, a “polycenter” – a new point of attraction for the whole of Kazan, especially its northern part, made up of residential districts that until now have lacked such a vibrant public space. It represents a new urban planning approach to a high-density mixed-use development situated in the city center – in a sense, an “anti-quarter”. Even Moscow, one might say, doesn’t yet have anything quite like it. Well, lucky Kazan!
Beneath the Azure Sky
A depository designed by Studio 44 will soon be built in Kenozersky National Park to preserve and display the so-called “heavens” – ceiling structures characteristic of wooden churches in the Russian North, painted with biblical scenes. For each of these “heavens”, the architects created a volume corresponding in scale and dimensions to the original church interior. The result is a honeycomb-like composition, with modules derived directly from the historic monuments themselves, allowing visitors to view the icons from the historically accurate angle – from below, looking upward. How exactly this works is the subject of our story.
​The Power of Lines
The building at the very beginning of New Arbat is the result of long deliberations over how to replace the former House of Communication. Contemporary, dynamic, and even somewhat zoomorphic in character, it is structured around a large diagonal grid. The building has become a striking accent both in the perspective of the former Kalinin Avenue and in the panorama of Arbat Square. Yet, unfortunately, the original concept was not fully realized. In 2020, the Moscow ArchCouncil approved a design featuring an exoskeleton – an external load-bearing structure, which eventually turned into a purely decorative element. Still, the power of the supergraphic “holds” the building, giving it the qualities of a new urban landmark with iconic potential. How this concept took shape, what unexpected associations might underlie the grid’s form, and why the exoskeleton was never built – all this is explored in our article.
Resort on the Kama River
Wowhaus has developed a project for the reconstruction of Korabelnaya Roshcha (“Mast Grove”), a wellness resort located on the banks of the Kama River.
Nests in Primorye
The eco-park project “Nests”, designed by Aleksey Polishchuk and the company Power Technologies, received first prize at the Eco-Coast 2025 festival, organized by the Union of Architects of Russia. For a glamping site in Filinskaya Bay, the authors proposed bird-shaped houses, treehouses, and a nest-shaped observation platform, topping it all with an entrance pavilion executed in the shape of an owl.
The Angle of String Tension
The House of Music, designed by Vladimir Plotkin and the architects of TPO Reserve, resembles a harp, and when seen from above, even a bass clef. But if only it were that simple! The architecture of the complex fuses two distinct expressive languages: the lattice-like, transparent, permeable vocabulary of “classical” modernism and the sculptural, ribbon-like volumes so beloved by today’s neo-modernism. How it all works – where the catharsis lies, which compositional axes underpin the design, where the project resembles Zaryadye Concert Hall and where it does not – read in the article below.
How Historic Tobolsk Becomes a Portal to the Future
Over the past decade, the architectural company Wowhaus has developed urban strategies for several Russian cities – Vyksa, Tula, and Nizhnekamsk, to name but a few. Against this backdrop, the Tobolsk master plan stands out both for its scale – the territory under transformation covers more than 220 square kilometers – and for its complexity.
St. Petersburg vs Rome
The center of St. Petersburg is, as we know, sacred – but few people can say with certainty where this “sacred place” actually begins and ends. It’s not about the formal boundaries, “from the Obvodny Canal to the Bolshaya Nevka”, but about the vibe that feels true to the city center. With the Nevskaya Ratusha complex – built to a design that won an international competition – Evgeny Gerasimov and Sergei Tchoban created an “image of the center” within its territory. And not so much the image of St. Petersburg itself, as that of a global metropolis. This is something new, something that hasn’t appeared in the city for a long time. In this article, we study the atmosphere, recall precedents, and even reflect on who and when first called St. Petersburg the “new Rome”. Clearly, the idea is alive for a reason.
On the Wave
The project of transforming the river port and embankment in the city of Cheboksary, developed by the ATRIUM Architects, involves one of the city’s key areas. The Volga embankment is to be turned into a riverside boulevard – a multifunctional, comfortable, and expressive space for work and leisure activities. The authors propose creating a new link with the city’s main Krasnaya (“Red”) Square, as well as erecting several residential towers inspired by the shape of the traditional national women’s headdress – these towers are likely to become striking accents on the Volga panorama.
Valery Kanyashin: “We Were Given a Free Hand”
The Headliner residential complex, the main part of which was recently completed just across from Moscow City, is a kind of neighbor to the MIBC that doesn’t “play along” with it. On the contrary, the new complex is entirely built on contrast: like a city of differently scaled buildings that seems to have emerged naturally over the past 20 years – which is a hugely popular trend nowadays! And yet here – perhaps only here – such a project has been realized to its full potential. Yes, high-rises dominate, but all these slender, delicate profiles, all these exciting perspectives! And most importantly – how everything is mixed and composed together... We spoke with the project’s leader Valery Kanyashin.
​The Keystone
Until quite recently, premium residential and office complexes in Moscow were seen as the exclusive privilege of the city center. Today the situation is changing: high-quality architecture is moving beyond the confines of the Third Ring Road and appearing on the outskirts. The STONE Kaluzhskaya business center is one such example. Projects like this help decentralize the megalopolis, making life and work prestigious in any part of the city.
Perpetuum Mobile
The interior of the headquarters of Natsproektstroy, created by the IND studio team, vividly and effectively reflects the client’s field of activity – it is one of Russia’s largest infrastructure companies, responsible for logistics and transport communications of every kind you can possibly think of.
Water and Light
Church art is full of symbolism, and part of it is truly canonical, while another part is shaped by tradition and is perceived by some as obligatory. Because of this kind of “false conservatism”, contemporary church architecture develops slowly compared to other genres, and rarely looks contemporary. Nevertheless, there are enthusiasts in this field out there: the cemetery church of Archangel Michael in Apatity, designed by Dmitry Ostroumov and Prokhram bureau, combines tradition and experiment. This is not an experiment for its own sake, however – rather, the considered work of a contemporary architect with the symbolism of space, volume, and, above all, light.
Champions’ Cup
At first glance, the Bell skyscraper on 1st Yamskogo Polya Street, 12, appears strict and laconic – though by no means modest. Its economical stereometry is built on a form close to an oval, one of UNK architects’ favorite themes. The streamlined surface of the main volume, clad in metal louvers, is sliced twice with glass incisions that graphically reveal the essence of the original shape: both its simplicity and its complexity. At the same time, dozens of highly complex engineering puzzles have been solved here.
Semi-Digital Environment
In the town of Innopolis, a satellite of Kazan, the first 4-star hotel designed by MAD Architects has opened. The interiors of the hotel combine elegance with irony, and technology with comfort, evoking the atmosphere of a computer game or maybe a sci-fi movie about the near future.