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Eco Solution

Designed by "Arkhitecturium" studio headed by Vladimir Bindeman, the family sports and recreation center resembles a scout camp in its structure, while its composition adheres to the ideals of green architecture.

05 February 2016
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The residential complex "Zolotye Peski" ("Golden Sands") occupies an area of some 24 hectares and is located practically on the shore of the Mozhaisk Sea. It is only separated from the beach by a narrow strip of woodland and by the territory of an incomplete villa community. Actually, it was this project, only a third of which has been presently completed, that became the starting point for the whole affair. As Vladimir Bindeman reminisces, early last year he was approached by a representative of one of Moscow financial companies that bought out an incomplete villa community in Moscow area's Mozhaisk District with an intention of turning it into something more than just a trivial string of standard townhouses. The ambitions of the new investor stretched far beyond the boundaries of the housing project - the territory that one has every reason to call a resort type was going to get a unique sports and recreation center capable of accepting children alone (as in a summer camp) or whole families coming down for a vacation together. In other words, the architects had a task of, first of all, zoning the incomplete settlement, singling out the center territory, and, second of all, actually developing from scratch a recreation complex of a new type. 

One must mention at this point that originally the settlement used to have a terminally rational, not to say trivial, planning grid: it was supposed that two trapezes would stretch from the road to the lake, cut through with the parallels of the inner driveways, on each of which two lines of land plots were to be strung. The townhouses were designed just as unassuming, although even in such form they were not all implemented - because of the economic crisis, most of the land plots were sold without the construction commission because the owner wanted to sell them at any rate. Still, the builders were able to fix the framework of one of the trapezes, flanking it with houses standing along its perimeter, and the architects, of course, could not ignore the already-formed residential nucleus. The obvious solution in this situation would be developing the other half of the land site in a crucially different system of coordinates. At the same time, the authors of the project did not have an opportunity to organize a dedicated driveway to the territory of the future center, and this is why it stretches away from the settlement and along the highway: along its entire length, the architects placed parking lots and maintenance buildings, marking the turn towards the complex itself by an entrance group. Embracing the roundabout in a smooth half-arch, it looks as though it were prompting: from this point on, you will see a territory of a crucially different geometry and architecture.

Sports and Recreation Center at the Mozhaisk Sea © Arkhitecturium
Sports and Recreation Center at the Mozhaisk Sea. Location plan © Arkhitecturium


Sports and Recreation Center at the Mozhaisk Sea © Arkhitecturium


From the settlement, as well as from the highway, the complex is separated by two buffer zones: the residential area is overlooked by the stitches of the twin-houses, while the territory stretching along the highway is taken up by soccer fields, an eco-farm, and a mini-zoo. In the structure of both groups of buildings one can still trace linearity, while the plan of the center itself is ostentatiously irregular. The main building where all the public functions are concentrated (from the gyms and the swimming pool to the clubs, the conference hall, and the hotel) on the plan resembles the "G" letter, whose "tail" stroke is the head of the roofed gallery connecting the "headquarters" with the other units. This gallery then stretches, winding, along most of the land site, serving as a thread of sorts upon which the residential units are strung. As for the latter, the architects gave their plans the shape of elongated pointed triangles: some of them are oriented toward the highway, and some, on the other hand, toward the water - which makes the composition all the more dynamic.

Sports and Recreation Center at the Mozhaisk Sea © Arkhitecturium


Sports and Recreation Center at the Mozhaisk Sea. Plan © Arkhitecturium


As Vladimir Bindeman shares, he decided from the very start to design the buildings of this center out of wood, and of the untreated kind, too. "The complex is located more than a hundred kilometers away from Moscow, and I thought it made sense that the people coming down here would want to find themselves in an environment drastically different from the "concrete jungle" - the architect explains - The customer agreed with that at once but he put forward the condition that we streamline as much as possible the impeding expenses and that we find the most cost-efficient solution possible". As Vladimir Bindeman explains, it was all about the most rank-and-file timber one could possibly think of: no glued wood, nothing that underwent special machinery treatment - just the uncut timber with its characteristic rough texture and cracks and crevices. "We were not even going to paint them - just cover them with bio-protection solution and leave them to age naturally, so that they would gradually fade and take on that silver gray hue". 

Also important is the fact that the use of the "framework-insulant-sheeting" algorithm provides an opportunity for making the basements lighter and avoid using the lifting cranes altogether - yet another way to save a significant sum of money. Ultimately, the only thing that the architects were not going to cut the costs on was the high-quality stained-glass - the large amount of glazing in combination with the ostentatiously rugged surfaces of the wooden façades and their expressive geometry is something that primarily forms the image of the complex. It is augmented by the green, fully usable, roofs - actually, the roof of each unit is "pulled down to the ground" on one side, which turns the building into a gently sloping hill inviting to walks and outdoor games. 

Sports and Recreation Center at the Mozhaisk Sea © Arkhitecturium


Sports and Recreation Center at the Mozhaisk Sea © Arkhitecturium


Sports and Recreation Center at the Mozhaisk Sea © Arkhitecturium


Sports and Recreation Center at the Mozhaisk Sea © Arkhitecturium


Sports and Recreation Center at the Mozhaisk Sea. Bird's eye view © Arkhitecturium


The green roofs also play an important metaphorical part - they serve as that "visible connection to nature" that became the central part of the whole project. Out of these same reasons, by the way, the architects discarded the idea of organizing the territory of the complex in a standard way: instead of paving the trails with paving stones or using asphalt, they came up with a system of planked footbridges, through which grass is shooting up, gravel envelopes, and curbs made of logs. The roof of the administrative building is also green: at the expense of the varying number of floors, the architects were also able to execute it in the shape of a gently sloping hill, some kind of a green ramp that one can ascend directly from the entrance gate and then walk upon, thus crossing the entire complex from end to end. This exciting journey, by the way, is but one of the numerous activities that the architects came up with for the young guests of the sports center. Also, it was planned to create here a children's yacht club, a rope park, a swimming center, the already-mentioned eco-farm and the mini-zoo where children themselves could take care of the animals. And, although this project is still in the concept stage as yet, its "green" part got high critical acclaim from the experts: at last year's Zodchestvo festival, it was awarded the honorary award for its architecture of humane environment in "Sustainable Architecture" nomination.
Sports and Recreation Center at the Mozhaisk Sea © Arkhitecturium
Sports and Recreation Center at the Mozhaisk Sea © Arkhitecturium
Sports and Recreation Center at the Mozhaisk Sea. Plans and section drawings © Arkhitecturium


05 February 2016

Headlines now
The Big Twelve
Yesterday, the winners of the Moscow Mayor’s Architecture Award were announced and honored. Let’s take a look at what was awarded and, in some cases, even critique this esteemed award. After all, there is always room for improvement, right?
Above the Golden Horn
The residential complex “Philosophy” designed by T+T architects in Vladivostok, is one of the new projects in the “Golubinaya Pad” area, changing its development philosophy (pun intended) from single houses to a comprehensive approach. The buildings are organized along public streets, varying in height and format, with one house even executed in gallery typology, featuring a cantilever leaning on an art object.
Nuanced Alternative
How can you rhyme a square and space? Easily! But to do so, you need to rhyme everything you can possibly think of: weave everything together, like in a tensegrity structure, and find your own optics too. The new exhibition at GES-2 does just that, offering its visitor a new perspective on the history of art spanning 150 years, infused with the hope for endless multiplicity of worlds and art histories. Read on to see how this is achieved and how the exhibition design by Evgeny Ace contributes to it.
Blinds for Ice
An ice arena has been constructed in Domodedovo based on a project by Yuri Vissarionov Architects. To prevent the long façade, a technical requirement for winter sports facilities, from appearing monotonous, the architects proposed the use of suspended structures with multidirectional slats. This design protects the ice from direct sunlight while giving the wall texture and detail.
Campus within a Day
In this article, we talk about what the participants of Genplan Institute of Moscow’s hackathon were doing at the MosComArchitecture booth at the “ArchMoscow” exhibition. We also discuss who won the prize and why, and what can be done with the territory of a small university on the outskirts of Moscow.
Vertical Civilization
Genpro considered the development of the vertical city concept and made it the theme of their pavilion at the “ArchMoscow” exhibition.
Marina Yegorova: “We think in terms of hectares, not square meters”
The career path of architect Marina Yegorova is quite impressive: MARHI, SPEECH, MosComArchitectura, the Genplan Institute of Moscow, and then her own architectural company. Its name Empate, which refers to the words “to draw” in Portuguese and “to empathize” in English, should not be misleading with its softness, as the firm freely works on different scales, including Integrated Territorial Development projects. We talked with Marina about various topics: urban planning experience, female leadership style, and even the love of architects for yachting.
Andrey Chuikov: “Optimum balance is achieved through economics”
The Yekaterinburg-based architectural company CNTR is in its mature stage: crystallization of principles, systematization, and standardization helped it make a qualitative leap, enhance competencies, and secure large contracts without sacrificing the aesthetic component. The head of the company, Andrey Chuikov, told us about building a business model and the bonuses that additional education in financial management provides for an architect.
The Fulcrum
Ostozhenka Architects have designed two astonishing towers practically on the edge of a slope above the Oka River in Nizhny Novgorod. These towers stand on 10-meter-tall weathered steel “legs”, with each floor offering panoramic views of the river and the city; all public spaces, including corridors, receive plenty of natural light. Here, we see a multitude of solutions that are unconventional for the residential routine of our day and age. Meanwhile, although these towers hark back to the typological explorations of the seventies, they are completely reinvented in a contemporary key. We admire Veren Group as the client – this is exactly how a “unique product” should be made – and we tell you exactly how our towers are arranged.
Crystal is Watching You
Right now, Museum Night has kicked off at the Museum of Architecture, featuring a fresh new addition – the “Crystal of Perception”, an installation by Sergey Kuznetsov, Ivan Grekov, and the KROST company, set up in the courtyard. It shimmers with light, it sings, it reacts to the approach of people, and who knows what else it can do.
The Secret Briton
The house is called “Little France”. Its composition follows the classical St. Petersburg style, with a palace-like courtyard. The decor is on the brink of Egyptian lotuses, neo-Greek acroteria, and classic 1930s “gears”; the recessed piers are Gothic, while the silhouette of the central part of the house is British. It’s quite interesting to examine all these details, attempting to understand which architectural direction they belong to. At the same time, however, the house fits like a glove in the context of the 20th line of St. Petersburg’s Vasilievsky Island; its elongated wings hold up the façade quite well.
The Wrap-Up
The competition project proposed by Treivas for the first 2021 competition for the Russian pavilion at EXPO 2025 concludes our series of publications on pavilion projects that will not be implemented. This particular proposal stands out for its detailed explanations and the idea of ecological responsibility: both the facades and the exhibition inside were intended to utilize recycled materials.
Birds and Streams
For the competition to design the Omsk airport, DNK ag formed a consortium, inviting VOX architects and Sila Sveta. Their project focuses on intersections, journeys, and flights – both of people and birds – as Omsk is known as a “transfer point” for bird migrations. The educational component is also carefully considered, and the building itself is filled with light, which seems to deconstruct the copper circle of the central entrance portal, spreading it into fantastic hyper-spatial “slices”.
Faraday Grid
The project of the Omsk airport by ASADOV Architects is another concept among the 14 finalists of a recent competition. It is called “The Bridge” and is inspired by both the West Siberian Exhibition of 1911 and the Trans-Siberian Railway bridge over the Irtysh River, built in 1896. On one hand, it carries a steampunk vibe, while on the other, there’s almost a sense of nostalgia for the heyday of 1913. However, the concept offers two variants, the second one devoid of nostalgia but featuring a parabola.
Midway upon the Journey of Our Life
Recently, Tatlin Publishing House released a book entitled “Architect Sergey Oreshkin. Selected Projects”. This book is not just a traditional book of the architectural company’s achievements, but rather a monograph of a more personal nature. The book includes 43 buildings as well as a section with architectural drawings. In this article, we reflect on the book as a way to take stock of an architect’s accomplishments.
Inverted Fortress
This year, there has been no shortage of intriguing architectural ideas around the Omsk airport. The project developed by the architectural company KPLN appeals to Omsk’s history as a wooden fortress that it was back in the day, but transforms the concept of a fortress beyond recognition: it “shaves off” the conical ends of “wooden logs”, then enlarges them, and then flips them over. The result is a hypostyle – a forest of conical columns on point supports, with skylights on top.
Transformation of Annenkirche
For Annenkirche (St. Anna Lutheran Church in St. Petersburg), Sergey Kuznetsov and the Kamen bureau have prepared a project that relies on the principles of the Venice Charter: the building is not restored to a specific date, historical layers are preserved, and modern elements do not mimic the authentic ones. Let’s delve into the details of these solutions.
The Paradox of the Temporary
The concept of the Russian pavilion for EXPO 2025 in Osaka, proposed by the Wowhaus architects, is the last of the six projects we gathered from the 2022 competition. It is again worth noting that the results of this competition were not finalized due to the cancellation of Russia’s participation in World Expo 2025. It should be mentioned that Wowhaus created three versions for this competition, but only one is being presented, and it can’t be said that this version is thoroughly developed – rather, it is done in the spirit of a “student assignment”. Nevertheless, the project is interesting in its paradoxical nature: the architects emphasized the temporary character of the pavilion, and in its bubble-like forms sought to reflect the paradoxes of space and time.
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
Mirrors Everywhere
The project by Sergey Nebotov, Anastasia Gritskova, and the architectural company “Novoe” was created for the Russian pavilion at EXPO 2025, but within the framework of another competition, which, as we learned, took place even earlier, in 2021. At that time, the competition theme was “digital twins”, and there was minimal time for work, so the project, according to the architect himself, was more of a “student assignment”. Nevertheless, this project is interesting for its plan bordering on similarity with Baroque projects and the emblem of the exhibition, as well as its diverse and comprehensive reflectiveness.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.