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The Birth of a Crystal

As one takes his first glance at the two residential and office towers of the new complex designed by "Asadov Architectural Bureau" next to the Timiryazevsky park, a flood of associations comes steaming in, one of them being that of primeval earth material, the other - of the crystal that it gave birth to.

09 February 2016
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To do the project justice, one must mention straight away that the park of the Timiryazevskaya Agricultural Academy is only within an arm's reach on the master plan: in actuality, the park and the designed complex are separated by a bunch of railroad tracks. From its opposite side, the hectare-strong land site is propped by a driveway and the residential buildings of the Akademika Ilyushina street, and squeezing into it the required 50 000 square meters of usable space turned out to be quite a tough call. Out of these, 20 thousand square meters fall on the hotel and office function each, the remaining ten occupied by a shopping mall.

Multifunctional complex and shopping mall at the Akademika Ilyushina Street © Asadov Architectural Bureau
Multifunctional complex and shopping mall at the Akademika Ilyushina Street. Location plan © Asadov Architectural Bureau


"As a result, we got a very peculiar kind of "shoulder-yoke", a "dumbbell" building with two weights on its ends - the residential and the office towers - and the connecting bar of the stylobate that hosts a shopping mall" - Andrew Asadov comments on his concept. Probably, yes, the two volumes of equal height (75 meters maximally allowed here, to be precise) could indeed offset each other like buckets of water or barbell weights. 

Not in the case of the Asadovs, though: the spirals, the intertwining bands, the snakes, the scallops, and the stars - this company's projects are almost always about large-scale voluminous figures that are prone to change beyond recognition when seen from different viewing angles. The narrow (in the literal sense of the word) constraints of the construction blueprint made the architects look for alternative ways of expressing their signature "breathtaking" dynamics - and that resulted in this meticulous (and at places even painstaking) work with the plastic of the façades. The close proximity of "Airbus" - the gigantic residential building designed by Vladimir Plotkin against the background of which the new residential complex stops looking all that massive - also left its mark on the Asadovs' project. "What we wanted to do was building, next to "Airbus", something that would be, on the one hand, proportionately large, and, on the other hand, more agile and dramatic in its material" - Andrew Asadov says. If we are to use stone (Flemish ceramics in this particular case) - then we use the rugged untreated type with cavities and concave spots, whose relief character is picked up by the line of the façades. If it's glass - then it's all about facets glittering in the sun". So the towers turned out to be far from identical: they are a family but not of the blood type - rather like husband and wife. As for the stylobate, from the standpoint of the facade materials, it has kept its "link" status: coated with the same Flemish ceramics, it also gets accents of large glass inserts.

Multifunctional complex and shopping mall at the Akademika Ilyushina Street © Asadov Architectural Bureau


Multifunctional complex and shopping mall at the Akademika Ilyushina Street © Asadov Architectural Bureau


Multifunctional complex and shopping mall at the Akademika Ilyushina Street © Asadov Architectural Bureau


Multifunctional complex and shopping mall at the Akademika Ilyushina Street © Asadov Architectural Bureau


So it turns out that the "living" earth material gives birth to a crystal of fine faceting - the architects planted it exactly at the junction of 8th of March and Akademika Ilyushina streets, at the spot where the glass 18-story volumes gets perfectly viewable from distant vantage points. The difference between the facade designs also highlighted the versatility of the complex: the residential tower is a stone "fortress", while the office one is more open and more transparent. Such prominent form of the crystal, by the way - and, as a consequence, the differences in the size and configuration of the floors - became possible thanks to the absence of necessity to zone the office premises all too strictly. Around the functional nucleus that is shifted a bit off-center, the offices are organized in accordance with the free planning principle.

Multifunctional complex and shopping mall at the Akademika Ilyushina Street © Asadov Architectural Bureau


Multifunctional complex and shopping mall at the Akademika Ilyushina Street. Details of the facade © Asadov Architectural Bureau


In the "stone" tower 21 stories high (the number of floors is different because of the difference of the thickness of the intermediate floors), the planning solutions are, on the contrary, strictly regulated. On the bottom floors, there will be a hotel with rooms from 35 to 90 square meters, while on the top floors - apartments (45-250 square meters), these apartments being not the kind that is often marketed as residential stock while in fact it is not but true long-stay apartments. 

And, finally, the retail stores occupy the second, the third, and part of the fourth floor of the stylobate. As for the first floor, it is almost fully occupied by the parking garage. If we are to take a look at the section view, we will be sure to see just what a challenge it was for the architects to squeeze the required number of car stalls here. In spite of the fact that the garage stretched beneath all the units, two of its levels designed as having two sub-floors each, the three underground levels turned out not to be enough to allocate the required number. Ultimately, the architects had to engage some of the first floor for the parking garage needs as well (plus thirty places to the four hundred seventy). 

Multifunctional complex and shopping mall at the Akademika Ilyushina Street. Plans of the first and second floors © Asadov Architectural Bureau


Multifunctional complex and shopping mall at the Akademika Ilyushina Street. Plans of the second and third floors © Asadov Architectural Bureau


Considering just how little was left of the land site after the complex was built upon it, the architects designed for all the vacant street territories some or other landscaping solution. At some places, this is just asphalt or concrete pavement. Along the northeast border of the building, however, from the side of the designed driveway and the other complex entrances, the architects designed a green parkway, rows of benches, and streetlights. And, next to the hotel building, on the mini-"piazza" formed by the corner cutaway, there is a curvilinear cotoneaster hedgerow. 

The main "oasis", however, is situated not on the ground but on the green roof on the fourth floor of the shopping center. In the conditions of the densely packed buildings and the investors' understandable desire to extract profits from each square meter of this expensive ground, such green roofs become all but the cure-all solution. In our case, the office workers and the hotel guests get a fully-fledged green territory. And the district overbuilt with predominantly rank-and-file typical buildings gets a new interesting architectural centerpiece. 
Multifunctional complex and shopping mall at the Akademika Ilyushina Street. General layout © Asadov Architectural Bureau
Multifunctional complex and shopping mall at the Akademika Ilyushina Street. Master plan © Asadov Architectural Bureau
Multifunctional complex and shopping mall at the Akademika Ilyushina Street. Plans of 4-9 floors © Asadov Architectural Bureau
Multifunctional complex and shopping mall at the Akademika Ilyushina Street. Section view © Asadov Architectural Bureau
Multifunctional complex and shopping mall at the Akademika Ilyushina Street. Facades © Asadov Architectural Bureau


09 February 2016

Headlines now
Office on Trubnaya
We continue publishing projects by Valery Kanyashin. A building once described, a quarter century ago, as an example of “quiet modernism” has remained just that in some people’s memory. According to Anatoly Belov, its main quality is its unobtrusiveness. The architects from Ostozhenka say the leading role here is played by context and landscape – the change in elevation. Yet is it really so inconspicuous?
In Memory of Valery Kanyashin
On Friday, February 27, architect Valery Kanyashin passed away – co-founder of Ostozhenka Architects and the author of many significant buildings in Moscow. We publish a text by Anatoly Belov in memory of Valery Kanyashin.
Hypertext in Space
As part of the exhibition “What We Have We (Do Not) Keep”, Sergey Tchoban, the Museum of Architecture, and the CHART studio experiment with an eco-conscious approach to exhibition design, with thematic cross-references and even with publicistic reflections on the necessity of preserving modernism, the roots of contemporary architecture, and the birth of ideas. All of this makes the exhibition, with its light and transparent design, look quite innovative. The elements – both “material” and conceptual – are familiar, yet their combination is far from conventional.
The Outline of “Foundation”
In their competition proposal for the Fili transport hub, the consortium led by Alexey Ilyin proposed an “inhabited arch” – a form that is simple yet complex. The architects emphasize that even at the competition stage, the project’s feasibility was fully calculated, taking into account the minimal nighttime closures of Bagration Avenue. How was this achieved? With what functions? Let us take a closer look. In our view, the building would have suited the heroes of Isaac Asimov’s Foundation novels perfectly.
The Flying Horizontal
“A house in the spirit of Wright”, as architect Roman Leonidov describes it, pointing to his source of inspiration, was built on a challenging wedge-shaped site. To achieve a sense of intimacy and secure good views from the windows, the entire volume had to be shifted toward the far boundary, turning the house “back” to the neighboring mansions. The main façade demonstrates time-tested techniques often employed by the company: articulated horizontals, a weightless roofline, and a triad of materials – light plaster, dark slate, and warm wood.
Needles of Horizon Contemplation
The “House of Horizons”, designed by Kleinewelt Architekten in Krylatskoye, is carefully thought out at the stereometric level – from the logic of how the volumes interlock (and, conversely, how gaps are articulated between them) to the triangular balconies that give the building its striking, slightly bristling silhouette.
The Red Thread
A linear park project prepared by Alexey Ilyin studio for the improvement of a riverbank in one of the residential districts seeks to reconnect people with nature. Two levels of the embankment invite visitors to contemplate the landscape while at the same time protecting the riverbank from excessive human impact. The “aerial street” links functional zones and the opposite banks, creating new points of attraction along the way: balconies, bridges, and even a “grotto”.
Spindle and Thread
The concept of the Waver residential complex in Yekaterinburg draws inspiration from the past of the Parkovy district. In order to preserve the memory of the late-19th-century flax spinning mill once located here, the architectural company KPLN turns to the theme of textiles and weaving. The project’s main expressive device is a system of ribbons made of perforated weathering steel – a material that, in such volumes, has arguably not yet been used in Russian residential projects.
Woven Into Sokolniki
Over the past few years, high-rise residential construction in former industrial zones has become the main theme of Moscow architecture. Towers are springing up here and there – but the question is what kind of towers they are. The residential complex CODE Sokolniki, designed by Ostozhenka Architects, is a project where every detail has been taken care of. The authors are attentive to the history of the site, the continuity of the urban fabric, the skyline, and visual corridors. They also proposed a motif with the lyrical name “scarf”. We take a closer look at the volumetric composition and the large-scale décor “woven”, in this case, out of terraces and balconies.
Stepan Liphart and Yuri Gerth: “Our Program Is Aesthetic”
The studio of Stepan Liphart, an architect known for his distinctive signature style and one-off projects, now has a partner. Yuri Khitrov, a specialist with a broad range of competencies, will take on the part of the work that distracts one from creativity but drives the business forward. One of the aims of this partnership is to improve the urban environment through dialogue with clients and officials. We spoke with both sides about their ambitions, the firm’s development strategy, shared values, and the need for pragmatism. And why the studio is called “Liphart & Gerth” only became clear at the very end of the interview.
The Copper Mirror
The varied-toned sheen of “unsealed” copper, painterly streaks and fingerprints, exposed concrete, and the unusual proportions – when you study the ZILART Museum building by Sergei Tchoban and SPEECH architects, there is plenty to talk about. However, it seems to us that the most interesting thing is how the museum’s composition responds to the realities of the district itself. The residential district has been realized as an open-air exhibition of façade statements by contemporary architects – but without public access to the inner courtyards of the blocks. This building – that is, the museum – is exactly the opposite: on the outside, it is deliberately restrained, while inside it shines spectacularly, creating its own sunbeams in any weather.
“Strangers” in the City
We asked Alexander Skokan for a comment on the results of 2025 – and he sent us a whole article, moreover one devoted to the discussion we recently began on the “appropriateness of high-rises” – or, more broadly speaking, “contrasting insertions into the urban fabric”. The result is a text that is essentially a question: why here? Why like this?
Dmitry Ostroumov: “To use the language of alchemy, we are involved in the process of “transmutation...
What we ended up having was an extremely unusual conversation with Dmitry Ostroumov. Why? At the very least, because he is not just an architect specializing in the construction of Orthodox churches. And not just – which is an extreme rarity – a proponent of developing contemporary stylistics within this still highly conservative field. Dmitry Ostroumov is a Master of Theology. So in addition to the history and specifics of the company, we speak about the very concept of the temple, about canon and tradition, about the living and the eternal, and even about the Russian Logos.
A Glazed Figurine
In searching for an image for a residential building near the Novodevichy Convent, GAFA architects turned to their own perception of the place: it evoked associations with antiquity, plein-air painting, and vintage artifacts. The two towers will be entirely clad in volumetric glazed ceramic – at present, there are no other buildings like this in Russia. The complex will also stand out thanks to its metabolic bay-window cells, streamlined surfaces, a ceremonial “hotel-style” driveway, and a lobby overlooking a lush garden.
A Knight’s Move via the Cour d’Honneur
Intercolumnium Architects presented to the City Planning Council a residential complex project that is set to replace the Aquatoria business center on Vyborgskaya Embankment. Experts praised the overall quality of the work, but expressed reservations about the three cour d’honneurs and suggested softening the contrast between the facades facing the embankment and the Kantemirovsky Bridge.
A Small Country
Mezonproekt is developing a long-term master plan for the MEPhI campus in Obninsk. Over the next ten years, an enclave territory of about 100 hectares, located in a forest on the northern edge of the city, is set to transform into a modern center for the development of the nuclear energy sector. The plan envisions attracting international students and specialists, as well as comprehensive territorial development: both through the contemporary realization of “frozen” plans from the 1980s and through the introduction of new trends – public spaces, an aquapark, a food court, a school, and even a nuclear medicine center. Public and sports facilities are intended to be accessible to city residents as well, and the campus is to be physically and functionally connected to Obninsk.
Pearl Divers
GAFA has designed an apartment complex for Derbent intended to switch people from a work mode to a resort mindset – and to give the surrounding area a much-needed jolt. The building offers two distinct faces: restrained and laconic on the city side, and a lushly ornate façade facing the sea. At the heart of the complex, a hidden pearl lies – an open-air pool with an arch, offering views of a starry sky, and providing direct access to the beach.
A Satellite Island
The Genplan Institute of Moscow has prepared a master plan for the development of the Sarpinsky and Golodny island system, located within the administrative boundaries of Volgograd and considered among the largest river islands in Russia. By 2045, the plan envisions the implementation of 15 large-scale investment projects, including sports and educational clusters, a congress center with a “Volgonarium”, a film production cluster, and twenty-one theme parks. We explain which engineering, environmental, and transportation challenges must be addressed to turn this vision into reality. The master plan solutions have already been approved and incorporated into the city’s general development plan.
The Amber Gate
The Amber City residential complex is one of the redevelopment projects in the former industrial area located beyond Moscow’s Third Ring Road near Begovaya metro station. Alexey Ilyin’s studio proposed an original master plan that transformed two clusters of towers into ceremonial propylaea, gave the complex a recognizable silhouette, and established visual connections with new high-rise developments on both right and left – thus integrating it into the scale of the growing metropolis. It is also marked by its own futuristic stylistic language, based on a reinterpreted streamline aesthetic.
A Theater Triangle
The architectural company “Chetvertoe Izmerenie” (“Fourth Dimension”) has developed the design for a new stage of the Magnitogorsk Musical Theater, rethinking not only theater architecture but also the role of the theater in the contemporary city.
Aleksei Ilyin: “I approach every task with genuine interest”
Aleksei Ilyin has been working on major urban projects for more than 30 years. He has all the necessary skills for high-rise construction in Moscow – yet he believes it’s essential to maintain variety in the typologies and scales represented in his portfolio. He is passionate about drawing – but only from life, and also in the process of working on a project. We talk about the structure and optimal size of an office, about his past and current projects, large and small tasks, and about creative priorities.
​A Golden Sunbeam
A compact brick-and-metal building in the growing Shukhov Park in Vyksa seems to absorb sunlight, transform it into yellow accents inside, and in the evening “give it back” as a warm golden glow streaming from its windows. It is, frankly, a very attractive building: both material and lightweight at the same time, with lightness inside and materiality outside. Its form is shaped by function – laconic, yet far from simple. Let’s take a closer look.
Architecton Awards
In 2025, the jury of the Architecton festival reviewed the finalist projects through live, open presentations held right in the exhibition hall – a rather engaging performance, and something rarely seen among Russian awards. It would be great if “Zodchestvo” adopted this format. Below, we present all the winning projects, including four special nominations.
Garden of Knowledge
UNK architects and UNK design created the interiors of the Letovo Junior campus, working together with NF Studio, which was responsible for developing the educational technology that takes into account the needs and perception of younger and middle school children.
The Silver Skates
The STONE Kaluzhskaya office quarter is accompanied by two residential towers, making the complex – for it is indeed a single ensemble – well balanced in functional terms. The architects at Kleinewelt gave the residential buildings a silvery finish to match the office blocks. How they are similar, how they differ, and what “Silver Skates” has to do with it – we explore in this article.
On the Dynastic Trail
The houses and townhouses of the “Tsarskaya Tropа” (“Czar’s Trail”) complex are being built in the village of Gaspra in Crimea – to the west and east of the palaces of the former grand-ducal residence “Ai-Todor”. One of the main challenges for the architects at KPLN, who developed the project, was to respond appropriately to this significant neighboring heritage. How this influenced the massing, the façades, and the way the authors work with the terrain is explored in our article.
A New Path
The main feature of the Yar Park project, designed by Sergey Skuratov for Kazan, is that it is organized along the “spine” of a multifunctional mall with an impressive multi-height atrium space in its middle. The entire site, both on the city side and the Kazanka River embankment, is open to the public. The complex is intended not to become “yet another fenced enclave” but, as urban planners say, a “polycenter” – a new point of attraction for the whole of Kazan, especially its northern part, made up of residential districts that until now have lacked such a vibrant public space. It represents a new urban planning approach to a high-density mixed-use development situated in the city center – in a sense, an “anti-quarter”. Even Moscow, one might say, doesn’t yet have anything quite like it. Well, lucky Kazan!
Beneath the Azure Sky
A depository designed by Studio 44 will soon be built in Kenozersky National Park to preserve and display the so-called “heavens” – ceiling structures characteristic of wooden churches in the Russian North, painted with biblical scenes. For each of these “heavens”, the architects created a volume corresponding in scale and dimensions to the original church interior. The result is a honeycomb-like composition, with modules derived directly from the historic monuments themselves, allowing visitors to view the icons from the historically accurate angle – from below, looking upward. How exactly this works is the subject of our story.