По-русски

Cloud of Knowledge

In the end of last year, Vladimir Bindeman's bureau "Arkhitekturium" took part in the open international competition for the project of a new city library "2.0" that will be built in the very heart of Copenhagen.

09 November 2015
Object
mainImg

As the architect himself reminisces, it was pure chance that prompted him to take part in this contest. Right about the time when the contest was announced, Vladimir Bindeman found himself in Copenhagen and spent almost a whole day in the area where the new library would be built. The opportunity to see the future construction site with his own eyes and get a detailed idea of what stands behind the laconic address line in the contest specifications seemed to the architect too much of an advantage not to make use of it, and the team of "Arkhitekturium" enthusiastically got down to solving the creative task. 

The new library will be built in the very heart of Denmark's capital, on Larsens Plads Embankment that is situated between Amalienborg Palace and the building of Copenhagen Opera. The future construction site adjoins one of the side facades of a former warehouse, a minimalist laconic structure of dark bricks topped by a gable roof - built in the early XVIII century and later on converted into an apartment building in the 1970's. Today, part of the site is occupied by a small park, part - by a parking lot for the tourist busses, but its central location, its proximity to the new Amaliehaven Park (in fact, it occupies a neighboring site on the embankment), and the direct access to the water area prompted the municipality the idea to find a more dignified application for it. As for the function of the new building, it nearly as much as suggested itself: today's Copenhagen is famous for its advanced libraries - both in intellectual and architectural sense of the word. There are already more than twenty of them in the nation's capital, and for the representatives of all generations they are pretty much like "power spots" - meaning, the places where people meet, communicate, and spend their time with family and friends. It was designing precisely such type of "community center" on Larsens Plads that the whole contest task was about: the traditional archives, book depositories, and places for secluded work alternate here with computer rooms, lounges, cafes, lecture halls, children's playrooms, and bookcrossing areas, so fashionable today.

Library in Copenhagen © "Arkhitekturium"
Master plan © "Arkhitekturium"


As a matter of fact, it was the enumeration of all these functions that constituted the core of the contest specifications. As for the architectural solution of the future library as such, the participants of the contest were given the ultimate freedom of expression. As Vladimir Bindeman shares, the only mandatory requirement to the image of the future building stipulated in the specifications was that it should become a tourist attraction and match the facade line of the embankment. As for the town planning restrictions, it was only about the height of the building - the topmost point of the complex was not to be higher than the gable of the roof of the former warehouse. 

"The architectural image of a building that, on the one hand, is meant to promulgate reading and, on the other hand, serve as the place for the contemporary ways of communication, came to us almost instantly - Vladimir Bindeman recalls - This would be bookshelf gone through the transformation in the spirit of the ideas of Scandinavian design". In fact, the architects came up with a cross between a building and... a piece of furniture - because what we are seeing here is nothing other than a bookcase scaled up to the size of the neighboring historical building. What's more, a bookcase open on both sides, the kind that is used in small-sized apartments to split the room in two zones: on the one hand, it is a partition that separates the conditional "study" from the "living room", and, on the other hand, it is not a traditional wall that would ruin what insolation the apartment has. Same thing here: the new library continues the building front of the embankment without continuing the tradition of the very material and terminally palpable historical facades. The "bookcase" designed by "Arkhitekturium" is formed by one long shelf that bends three times at a right angle taking on a dynamic profile in the shape of a double S. It this particular profile of the building that commands the embankment, the architects turning to the brick volume of the warehouse the rectangular brackets of the shelves of the first and last floors, while the park (situated on the opposite side) is commanded by a dramatic slope of the cantilever of the central level. The ground-level open air terrace that appeared on this side and the terrace on the top floor that works in connection with it helps to better integrate the building into its environment: it looks as if it imbibes the adjacent park. Its "organic" origin is also enhanced by the material chosen by the architects - of course, a bookcase, especially Scandinavian, must be made of wood. 

Library in Copenhagen © "Arkhitekturium"


Library in Copenhagen © "Arkhitekturium"


Library in Copenhagen © "Arkhitekturium"


As for the transparency of the bookcase, it is achieved by using a glass casing, the architects making bay windows of different depth and different tilting angle in respect to the main surface on each of the floors. These are the spaces for recreation, admiring the beauty of the building of Copenhagen Opera (located right across from it), or a friendly conversation - but in the context of the story invented by Arkhitekturium, these elements are unambiguously read as the backbones of books casually placed upon the shelves. Through the cracks between them one can see the street that runs parallel to the embankment, and, in order to keep the library from turning into a completely "see-through" fish bowl, the authors of the project came up with a snow-white staircase of an ostentatiously sculptural shape that runs around the central atrium and serves as the reception desk on the first floor and connects it to all the upper levels. What is interesting is the fact that the plan of the staircase is slightly different on each floor - which brings some sort of a "space" intrigue into the multi-height atrium. Come to think of it, this is also a very "Scandinavian" thing to do: such stairways that serve not as axis but as communication spaces are a hit with the Danish projects of public buildings: one cannot help recalling, for example, the dramatic crossing of the stairways in Black Diamond Library designed by schmidt hammer lassen or the tightly wound spiral of the staircases in the Orestad college 3XN.

Library in Copenhagen © "Arkhitekturium"


Library in Copenhagen © "Arkhitekturium"


Plan of the 3rd floor © "Arkhitekturium"


Totally, the library designed by Arkhitekturium has four levels in it: one underground and three above-ground ones. On the -1st floor, the authors hid a media room, a server room, a small book depository, staff-only rooms, and traditional shelve stands with books - together with reading desks. The first floor level includes the entrance hall, the reception desk, a store, a security office, toilets, the visitors' lockers, as well as an open air terrace with bookcrossing shelves, reading benches, and tub plants. The second floor performs the main library function - it contains a reading hall with an attic, a lecture zone, and places for individual and group work - while the upper level is occupied by the children's playroom, as well as another open-air terrace, the latter exhibiting the works of modern art. "What makes our project different is the fact that the library's work can be performed by the electronic management of the archives and the information can be accessed via the internal server - Vladimir Bindeman explains - The information can be accessed from any point in the building, the workspaces being organized on all the levels behind separate tables, tables for collective work, cafe tables, and relax zones equipped with soft furniture". 

Library in Copenhagen © "Arkhitekturium"


Library in Copenhagen © "Arkhitekturium"


Plan of the underground floor © "Arkhitekturium"


Plan of the 1st floor © "Arkhitekturium"


Plan of the 2nd floor © "Arkhitekturium"


The interior decoration of the library uses the same material as the facades - the wooden plank (in fact, this is the inside surface of the bookshelves), while the part of the atrium's main light is played by a robust installation put together from numbers and Latin characters. Equipped with LED lights, the letters and figures form a peculiar cloud that symbolizes both the traditional notion of "knowledge" and the contemporary notion of "cloud" as an online resource for storing and processing large amounts of information. According to the architects' plan, the ascent of the stairway through the "cloud" will become an interesting "amusement ride" for the visitors of the library, while the scattered letters and numbers "readable" from the outside will unambiguously point to the function of the building to the passers-by. Thus, the "image" part of this project is closely connected with the functionality - just as it should be the case with a true sample of Scandinavian design.
Library in Copenhagen © "Arkhitekturium"
Section view © "Arkhitekturium"


09 November 2015

Headlines now
Health Factory
While working on a wellness and tourist complex on the banks of the Yenisei River, the architects at Vissarionov Studio set out to create healing spaces that would amplify the benefits of nature and medical treatments for both body and soul. The spatial solutions are designed to encourage interaction between the guests and the landscape, as well as each other.
Grace and Unity
Villa “Grace”, designed by Roman Leonidov’s studio and built in the Moscow suburbs, strikes a balance between elegant minimalism and the expansive gestures of the Russian soul. The main house is conceived as a sequence of four self-contained volumes – each could exist independently, yet it chooses to be part of a whole. Unity is achieved through color and a system of shared spaces, while the rich plasticity of the forms – refined throughout the construction process – compensates for the near-total absence of decorative elements.
Daring Brilliance
In this article, we are exploring “New Vision”, the first school built in the past 25 years in Moscow’s Khamovniki. The building has three main features: it is designed in accordance with the universal principles of modern education, fostering learning through interaction and more; second, the façades combine structural molded glass and metallic glazed ceramics – expensive and technologically advanced materials. Third, this is the school of Garden Quarters, the latest addition to Moscow’s iconic Khamovniki district. Both a costly and, in its way, audacious acquisition, it carries a youthful boldness in its statement. Let’s explore how the school is designed and where the contrasts lie.
A Twist of the Core
A clever and concise sculptural solution – rotating each floor by N degrees – has created an ensemble of “dancing” towers: similar yet different, simple yet complex. The designers meticulously refined a single structural node and spent considerable effort on the column construction – after that, “everything else was easy”. The architects also rotated the core walls on each floor to maximize the efficiency of the office spaces.
The Sculpting of Spring Forest Matter
We’ve been observing this building for a couple of years now: seemingly simple, perhaps even unassuming, it fits in remarkably well with the micro-district context shaped by the Moscow MCD road junctions. This building sticks in the memory of everyone who drives along the highway, even occasionally. In our opinion, Sergey Nikeshkin, by blending popular architectural techniques and approaches of the 2010s, managed to turn a seemingly simple structure into a statement “on the theme of a house as such”. Let’s figure out how this happened.
Water and Wind Whet the Stone
The Arisha Terraces residential complex, designed by Asadov Architects, will be built in a district of Dubai dedicated to film and television production. To create shaded spaces and an intriguing silhouette, the architects opted for a funnel-shaped composition and nature-inspired forms of erosion and weathering. The roofs, podium, and underground spaces extend leisure opportunities within the boundaries of a man-made “oasis”.
Elevation 5642
The Genplan Institute of Moscow has developed a comprehensive development project for three ski resorts in the Caucasus, which have been designated as special economic zones of the tourism and recreation type. The first of these zones is Elbrus. The project includes the construction of new ski runs, cable cars, and hotels, as well as the modernization of stations and improvements to the Azau tourist meadow. To expand the audience and enhance year-round appeal, a network of eco-trails is also being developed. In this article, we provide a detailed breakdown of each stage.
The IT Town
Taking the example of the first completed phase of the “U” district, we examine how the new neighborhood in Innopolis will be organized. T+T Architects and HADAA formed a well-balanced and ingenious master plan with different types of housing, a green artery, a system of squares, and a park in the town’s central part.
The Heart Lies Within
The second-phase building of the Evgeny Primakov School already won multiple awards while still in the design stage. Now that it’s completed, some unfinished nuances remain – most notably, the exposed ceiling structures, which ideally should have been concealed. However, given the priority placed on the building’s volumetric composition, this does not seem critical. What matters more is the “Wow!” effect created by the space itself.
Magnetic Forces
“Krylatskaya 33” is the first large-scale residential complex to appear amidst the 1980s “micro-districts” that harmoniously coexist with the forests, the river, the slopes, and the sports infrastructure. Despite its imposing scale, the architects of Ostozhenka managed to turn the complex into something that can be best described as a “graceful dominant”. First, they designed the complex with consideration for the style and height of the surrounding micro-districts. Second, by introducing a pause in its tallest section, they created compositional tension – right along the urban planning axis of the area.
Orion’s Belt
The Stone Khodynka 2 office complex, designed by Kleinewelt Architekten for the company Stone, is built with an ergonomic layout following “healthy building” principles: natural light, ventilation, and all the necessary features for an efficient office environment. On the outside, it resembles – like many contemporary buildings – an iPhone: sleek, glowing, glass-and-metal, edges elegantly rounded. Yet, it responds sensitively to the Khodynka context, where the main theme is the contrast between vertical and horizontal lines. The key intrigue lies in the design of the “stylobate” as a suspended passage, leaving the space beneath it open for free pedestrian movement.
Grigory Revzin: “It Was a Bold Statement Made on the Sly. Something Won”
In this article, we discuss the debates surrounding the circus competition and the demolition of the CMEA building with the most renowned architectural critic of our time. A paradox emerges in the process: while nostalgia for the Brezhnev era seems to be in vogue in Russia, a landmark building – the “axis” of the Warsaw Pact – has been sentenced to demolition. Isn’t that strange? We also find out that wow-architecture has made a comeback as a post-COVID trend. However, to make a truly powerful statement, professionals still remain indispensable.
Exposed Concrete
One of the stages of improving a small square in the town of Lermontov was the construction of a skatepark. Entrusting this part of the project to the XSA team, the city gained a 250-meter trick track whose features resemble those of land art objects – unparalleled in Russia in both scale and design. Here’s a look at how the experimental snake run in the foothills of the Caucasus was built.
One Step Closer To the Dream
The challenges of getting all the mandatory approvals, an insufficient budget, and construction site difficulties did not prevent ASADOV Bureau from achieving its main goal in the realization of the school project in the town of Troitsk – taking another step away from outdated notions of educational spaces toward creating a fundamentally new academic environment.
Chalet on the Rock
An Accor hotel in Arkhyz, designed by A.Len, will be situated at the gateway to the resort’s main tourist hubs. The architects reinterpreted the widely popular chalet style while adding an unexpected twist – an unfinished structure preserved on the site. The design team transformed this remnant into an exciting space featuring an open-air pool and a restaurant with panoramic views of the region’s highest mountain ridges.
Sergey Skuratov: “By and large, the project has been realized in line with the original ideas”
In this issue, we talk to the chief architect of Garden Quarters, looking back at the history and key moments of a project that took 18 years to develop and has now finally been completed. What interests us most are the transformations that the project underwent during construction, and the way the “necessary void” of public space was formed, which turned this remarkable complex into a fragment of a whole new type of urban fabric – not just at the horizontal “street” level but in its vertical structure as well.
A Unique Representative
The recently concluded year 2024 can be considered the year of completion for the “Garden Quarters” residential complex in Moscow’s Khamovniki. This project is well-known and, in many ways, iconic. Rarely does one manage to preserve such a number of original ideas, achieving in the end a kind of urban planning Gesamtkunstwerk. Here is a subjective view from an architecture journalist, with an interview with Sergey Skuratov soon to follow.
Field of Life
The new project by the architectural company PNKB (an acronym for “Design, Research, and Advisory Bureau”), led by Sergey Gnedovsky and Anton Lyubimkin, for the Kulikovo Field Museum is dedicated to the field as a concept in its own right. The field has long been a focus of the museum’s thorough and successful research. Accordingly, the exterior of the new museum building is gentler than that of its predecessor, which was also designed by PNKB and dedicated specifically to the historic battle. Inside, however, the building confidently guides the visitor from a luminous atrium along a spiral path to the field – interpreted here as a field of life.
A Paper Clip above the River
In this article, we talk with Vitaly Lutz from the Genplan Institute of Moscow about the design and unique features of the pedestrian bridge that now links the two banks of the Yauza River in the new cluster of Bauman Moscow State Technical University (MSTU). The bridge’s form and functionality – particularly the inclusion of an amphitheater suspended over the river – were conceived during the planning phase of the territory’s development. Typically, this approach is not standard practice, but the architects advocate for it, referring to this intermediate project phase as the “pre-AGR” stage (AGR stands for Architectural and Urban Planning Approval). Such a practice, they argue, helps define key parameters of future projects and bridge the gap between urban planning and architectural design.
Living in the Architecture of One’s Own Making
Do architects design houses for themselves? You bet! In this article, we are examining a new book by TATLIN publishing house. This book – unprecedented for Russia – features 52 private homes designed and built by contemporary architects for themselves. It includes houses that are famous, even iconic, as well as lesser-known ones; large and small, stylish and eccentric. To some extent, the book reflects the history of Russian architecture over the past 30 years.
A City Block Isoline
Another competition project for a residential complex on the banks of the Volga in Nizhny Novgorod has been prepared by Studio 44. A team of architects led by Ivan Kozhin concluded that using a regular block layout in such a location would be inappropriate and developed a “custom design” approach: a chain of parceled multi-section buildings stretching along the entire embankment. Let’s explore the features and advantages of this unconventional method.
Competition: The Price of Creativity?
Any day now, we’re expecting the results of a competition held by the “Samolet” development group for a plot in Kommunarka. In the meantime, we share the impressions of Editor-in-Chief Julia Tarabarina, who managed to conduct a public talk. Though technically focused on the interaction between developers and architects, the public talk turned into a discussion about the pros and cons of architectural competitions.
Terraced Design
The “River Park” residential complex has confidently and securely shaped the Nagatinsky Backwater shoreline. Featuring a public embankment, elevated courtyards connected by pedestrian bridges, and brick façades, the development invites exploration of its nuanced response to the surrounding context, as well as hints of the architects’ megalithic design thinking.
A Kremlin’s Core and Meteorite Fragments
We continue our coverage of the competition projects for the residential district that the development company GloraX plans to build along the embankment of the Rowing Channel in Nizhny Novgorod. ASADOV Architects approached the concept through a deep dive into local identity, using storytelling to pinpoint a central idea for the design: the master plan and composition are imagined as if a meteorite had struck a “proto-Kremlin”. Sounds weird? Find more details below!
The Volga Regatta
GloraX plans to develop a residential complex spanning 14 hectares along the Volga River in Nizhny Novgorod. The winning design in a closed-door competition, created by GORA Architects, features housing typologies ranging from townhouses to terraced high-rise slabs, a balance of functions, diverse ways of engaging with the water, and even a dedicated island (no less!) for the city residents.
Life Plans
The master plan for the residential district “Prityazheniye” (“Gravity”) in Naberezhnye Chelny was developed by the architectural company A.Len, taking into account the specific urban planning context and partially implemented solutions of the first phase. However, the master plan prioritized its own values: a green framework, a system of focal points, a hierarchy of spaces, and pedestrian priority. After this, the question of what residents will do in their neighborhood simply doesn’t arise.
A New Track
We took a thorough look at D_Station, a railcar repair depot dating back to 1906, recently reconstructed while preserving its century-old industrial structure, upon the project by Sergey Trukhanov and T+T Architects. Though work on the interiors – set to house restaurants and public spaces – is still underway, the building’s exterior already offers plenty to see. Visitors can explore the blend of old and new brickwork, appreciate the architect’s unique interpretation of ruin aesthetics, and enjoy the newly built pedestrian route that connects the Citydel Business Center’s arches to Kazakova Street.
Four Different Surveys
The “Explore the City” competition, organized this year by the Genplan Institute of Moscow, stands out as a pretty unconventional one for the architectural field but aligns perfectly well with the character of urban planning work. The winning project analyzed contemporary residential complexes, combining urban planning insights with a realtor’s perspective to propose a hybrid approach. Other entries explored public centers, motivations for car ownership, and housing vacancy rates. A fifth participant withdrew. Here’s a closer look at the four completed works.
Scheduled Evolution
ASADOV Architects unveiled the EvyCenter pavilion, a microcultural hub for fostering personal growth, organizing workshops, and doing gymnastics. Additionally, this pavilion serves as a prototype for a scalable country house, drawing inspiration from the “Loskutok” project, and constructed from CLT panels in a factory. This marks the beginning of a developer project initiated by the architectural firm (sic!), which is seeking partners to expand both small Evy settlements and even larger Evy cities, which are, according to Andrey Asadov, aimed at fostering the “evolutionary” development of the people who will inhabit them.
The Golden Crown
The concept for a dental clinic in Yekaterinburg, developed by CNTR Studio, revolves around the idea of a “mouth full of gold”: pristine white porcelain stoneware walls are complemented by matte brass details. To avoid an overly literal interpretation, the architects focused on the building’s proportions, skillfully navigating between sunlight requirements and fire safety regulations.