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Cloud of Knowledge

In the end of last year, Vladimir Bindeman's bureau "Arkhitekturium" took part in the open international competition for the project of a new city library "2.0" that will be built in the very heart of Copenhagen.

09 November 2015
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As the architect himself reminisces, it was pure chance that prompted him to take part in this contest. Right about the time when the contest was announced, Vladimir Bindeman found himself in Copenhagen and spent almost a whole day in the area where the new library would be built. The opportunity to see the future construction site with his own eyes and get a detailed idea of what stands behind the laconic address line in the contest specifications seemed to the architect too much of an advantage not to make use of it, and the team of "Arkhitekturium" enthusiastically got down to solving the creative task. 

The new library will be built in the very heart of Denmark's capital, on Larsens Plads Embankment that is situated between Amalienborg Palace and the building of Copenhagen Opera. The future construction site adjoins one of the side facades of a former warehouse, a minimalist laconic structure of dark bricks topped by a gable roof - built in the early XVIII century and later on converted into an apartment building in the 1970's. Today, part of the site is occupied by a small park, part - by a parking lot for the tourist busses, but its central location, its proximity to the new Amaliehaven Park (in fact, it occupies a neighboring site on the embankment), and the direct access to the water area prompted the municipality the idea to find a more dignified application for it. As for the function of the new building, it nearly as much as suggested itself: today's Copenhagen is famous for its advanced libraries - both in intellectual and architectural sense of the word. There are already more than twenty of them in the nation's capital, and for the representatives of all generations they are pretty much like "power spots" - meaning, the places where people meet, communicate, and spend their time with family and friends. It was designing precisely such type of "community center" on Larsens Plads that the whole contest task was about: the traditional archives, book depositories, and places for secluded work alternate here with computer rooms, lounges, cafes, lecture halls, children's playrooms, and bookcrossing areas, so fashionable today.

Library in Copenhagen © "Arkhitekturium"
Master plan © "Arkhitekturium"


As a matter of fact, it was the enumeration of all these functions that constituted the core of the contest specifications. As for the architectural solution of the future library as such, the participants of the contest were given the ultimate freedom of expression. As Vladimir Bindeman shares, the only mandatory requirement to the image of the future building stipulated in the specifications was that it should become a tourist attraction and match the facade line of the embankment. As for the town planning restrictions, it was only about the height of the building - the topmost point of the complex was not to be higher than the gable of the roof of the former warehouse. 

"The architectural image of a building that, on the one hand, is meant to promulgate reading and, on the other hand, serve as the place for the contemporary ways of communication, came to us almost instantly - Vladimir Bindeman recalls - This would be bookshelf gone through the transformation in the spirit of the ideas of Scandinavian design". In fact, the architects came up with a cross between a building and... a piece of furniture - because what we are seeing here is nothing other than a bookcase scaled up to the size of the neighboring historical building. What's more, a bookcase open on both sides, the kind that is used in small-sized apartments to split the room in two zones: on the one hand, it is a partition that separates the conditional "study" from the "living room", and, on the other hand, it is not a traditional wall that would ruin what insolation the apartment has. Same thing here: the new library continues the building front of the embankment without continuing the tradition of the very material and terminally palpable historical facades. The "bookcase" designed by "Arkhitekturium" is formed by one long shelf that bends three times at a right angle taking on a dynamic profile in the shape of a double S. It this particular profile of the building that commands the embankment, the architects turning to the brick volume of the warehouse the rectangular brackets of the shelves of the first and last floors, while the park (situated on the opposite side) is commanded by a dramatic slope of the cantilever of the central level. The ground-level open air terrace that appeared on this side and the terrace on the top floor that works in connection with it helps to better integrate the building into its environment: it looks as if it imbibes the adjacent park. Its "organic" origin is also enhanced by the material chosen by the architects - of course, a bookcase, especially Scandinavian, must be made of wood. 

Library in Copenhagen © "Arkhitekturium"


Library in Copenhagen © "Arkhitekturium"


Library in Copenhagen © "Arkhitekturium"


As for the transparency of the bookcase, it is achieved by using a glass casing, the architects making bay windows of different depth and different tilting angle in respect to the main surface on each of the floors. These are the spaces for recreation, admiring the beauty of the building of Copenhagen Opera (located right across from it), or a friendly conversation - but in the context of the story invented by Arkhitekturium, these elements are unambiguously read as the backbones of books casually placed upon the shelves. Through the cracks between them one can see the street that runs parallel to the embankment, and, in order to keep the library from turning into a completely "see-through" fish bowl, the authors of the project came up with a snow-white staircase of an ostentatiously sculptural shape that runs around the central atrium and serves as the reception desk on the first floor and connects it to all the upper levels. What is interesting is the fact that the plan of the staircase is slightly different on each floor - which brings some sort of a "space" intrigue into the multi-height atrium. Come to think of it, this is also a very "Scandinavian" thing to do: such stairways that serve not as axis but as communication spaces are a hit with the Danish projects of public buildings: one cannot help recalling, for example, the dramatic crossing of the stairways in Black Diamond Library designed by schmidt hammer lassen or the tightly wound spiral of the staircases in the Orestad college 3XN.

Library in Copenhagen © "Arkhitekturium"


Library in Copenhagen © "Arkhitekturium"


Plan of the 3rd floor © "Arkhitekturium"


Totally, the library designed by Arkhitekturium has four levels in it: one underground and three above-ground ones. On the -1st floor, the authors hid a media room, a server room, a small book depository, staff-only rooms, and traditional shelve stands with books - together with reading desks. The first floor level includes the entrance hall, the reception desk, a store, a security office, toilets, the visitors' lockers, as well as an open air terrace with bookcrossing shelves, reading benches, and tub plants. The second floor performs the main library function - it contains a reading hall with an attic, a lecture zone, and places for individual and group work - while the upper level is occupied by the children's playroom, as well as another open-air terrace, the latter exhibiting the works of modern art. "What makes our project different is the fact that the library's work can be performed by the electronic management of the archives and the information can be accessed via the internal server - Vladimir Bindeman explains - The information can be accessed from any point in the building, the workspaces being organized on all the levels behind separate tables, tables for collective work, cafe tables, and relax zones equipped with soft furniture". 

Library in Copenhagen © "Arkhitekturium"


Library in Copenhagen © "Arkhitekturium"


Plan of the underground floor © "Arkhitekturium"


Plan of the 1st floor © "Arkhitekturium"


Plan of the 2nd floor © "Arkhitekturium"


The interior decoration of the library uses the same material as the facades - the wooden plank (in fact, this is the inside surface of the bookshelves), while the part of the atrium's main light is played by a robust installation put together from numbers and Latin characters. Equipped with LED lights, the letters and figures form a peculiar cloud that symbolizes both the traditional notion of "knowledge" and the contemporary notion of "cloud" as an online resource for storing and processing large amounts of information. According to the architects' plan, the ascent of the stairway through the "cloud" will become an interesting "amusement ride" for the visitors of the library, while the scattered letters and numbers "readable" from the outside will unambiguously point to the function of the building to the passers-by. Thus, the "image" part of this project is closely connected with the functionality - just as it should be the case with a true sample of Scandinavian design.
Library in Copenhagen © "Arkhitekturium"
Section view © "Arkhitekturium"


09 November 2015

Headlines now
Inverted Fortress
This year, there has been no shortage of intriguing architectural ideas around the Omsk airport. The project developed by the architectural company KPLN appeals to Omsk’s history as a wooden fortress that it was back in the day, but transforms the concept of a fortress beyond recognition: it “shaves off” the conical ends of “wooden logs”, then enlarges them, and then flips them over. The result is a hypostyle – a forest of conical columns on point supports, with skylights on top.
The Paradox of the Temporary
The concept of the Russian pavilion for EXPO 2025 in Osaka, proposed by the Wowhaus architects, is the last of the six projects we gathered from the 2022 competition. It is again worth noting that the results of this competition were not finalized due to the cancellation of Russia’s participation in World Expo 2025. It should be mentioned that Wowhaus created three versions for this competition, but only one is being presented, and it can’t be said that this version is thoroughly developed – rather, it is done in the spirit of a “student assignment”. Nevertheless, the project is interesting in its paradoxical nature: the architects emphasized the temporary character of the pavilion, and in its bubble-like forms sought to reflect the paradoxes of space and time.
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
Mirrors Everywhere
The project by Sergey Nebotov, Anastasia Gritskova, and the architectural company “Novoe” was created for the Russian pavilion at EXPO 2025, but within the framework of another competition, which, as we learned, took place even earlier, in 2021. At that time, the competition theme was “digital twins”, and there was minimal time for work, so the project, according to the architect himself, was more of a “student assignment”. Nevertheless, this project is interesting for its plan bordering on similarity with Baroque projects and the emblem of the exhibition, as well as its diverse and comprehensive reflectiveness.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.
Architecture and Leisure Park
For the suburban hotel complex, which envisages various formats of leisure, the architectural company T+T Architects proposed several types of accommodation, ranging from the classic “standard” in a common building to a “cave in the hill” and a “house in a tree”. An additional challenge consisted in integrating a few classic-style residences already existing on this territory into the “architectural forest park”.
The U-House
The Jois complex combines height with terraces, bringing the most expensive apartments from penthouses down to the bottom floors. The powerful iconic image of the U-shaped building is the result of the creative search for a new standard of living in high-rise buildings by the architects of “Genpro”.
Black and White
In this article, we specifically discuss the interiors of the ATOM Pavilion at VDNKh. Interior design is a crucial component of the overall concept in this case, and precision and meticulous execution were highly important for the architects. Julia Tryaskina, head of UNK interiors, shares some of the developments.
The “Snake” Mountain
The competition project for the seaside resort complex “Serpentine” combines several typologies: apartments of different classes, villas, and hotel rooms. For each of these typologies, the KPLN architects employ one of the images that are drawn from the natural environment – a serpentine road, a mountain stream, and rolling waves.
Opal from Anna Mons’ Ring
The project of a small business center located near Tupolev Plaza and Radio Street proclaims the necessity of modern architecture in a specific area of Moscow commonly known as “Nemetskaya Sloboda” or “German settlement”. It substantiates its thesis with the thoroughness of details, a multitude of proposed and rejected form variants, and even a detailed description of the surrounding area. The project is interesting indeed, and it is even more interesting to see what will come of it.
Feed ’Em All
A “House of Russian Cuisine” was designed and built by KROST Group at VDNKh for the “Rossiya” exhibition in record-breaking time. The pavilion is masterfully constructed in terms of the standards of modern public catering industry multiplied by the bustling cultural program of the exhibition, and it interprets the stylistically diverse character of VDNKh just as successfully. At the same time, much of its interior design can be traced back to the prototypes of the 1960s – so much so that even scenes from iconic Soviet movies of those years persistently come to mind.
The Ensemble at the Mosque
OSA prepared a master plan for a district in the southern part of Derbent. The main task of the master plan is to initiate the formation of a modern comfortable environment in this city. The organization of residential areas is subordinated to the city’s spiritual center: depending on the location relative to the cathedral mosque, the houses are distinguished by façade and plastique solutions. The program also includes a “hospitality center”, administrative buildings, an educational cluster, and even an air bridge.
Pargolovo Protestantism
A Protestant church is being built in St. Petersburg by the project of SLOI architects. One of the main features of the building is a wooden roof with 25-meter spans, which, among other things, forms the interior of the prayer hall. Also, there are other interesting details – we are telling you more about them.
The Shape of the Inconceivable
The ATOM Pavilion at VDNKh brings to mind a famous maxim of all architects and critics: “You’ve come up with it? Now build it!” You rarely see such a selfless immersion in implementation of the project, and the formidable structural and engineering tasks set by UNK architects to themselves are presented here as an integral and important part of the architectural idea. The challenge matches the obliging status of the place – after all, it is an “exhibition of achievements”, and the pavilion is dedicated to the nuclear energy industry. Let’s take a closer look: from the outside, from the inside, and from the underside too.
​Rays of the Desert
A school for 1750 students is going to be built in Dubai, designed by IND Architects. The architects took into account the local specifics, and proposed a radial layout and spaces, in which the children will be comfortable throughout the day.
The Dairy Theme
The concept of an office of a cheese-making company, designed for the enclosed area of a dairy factory, at least partially refers to industrial architecture. Perhaps that is why this concept is very simple, which seems the appropriate thing to do here. The building is enlivened by literally a couple of “master strokes”: the turning of the corner accentuates the entrance, and the shade of glass responds to the theme of “milk rivers” from Russian fairy tales.
The Road to the Temple
Under a grant from the Small Towns Competition, the main street and temple area of the village of Nikolo-Berezovka near Neftekamsk has been improved. A consortium of APRELarchitects and Novaya Zemlya is turning the village into an open-air museum and integrating ruined buildings into public life.
​Towers Leaning Towards the Sun
The three towers of the residential complex “Novodanilovskaya 8” are new and the tallest neighbors of the Danilovsky Manufactory, “Fort”, and “Plaza”, complementing a whole cluster of modern buildings designed by renowned masters. At the same time, the towers are unique for this setting – they are residential, they are the tallest ones here, and they are located on a challenging site. In this article, we explore how architects Andrey Romanov and Ekaterina Kuznetsova tackled this far-from-trivial task.
In the spirit of ROSTA posters
The new Rostselmash tractor factory, conceptualized by ASADOV Architects, is currently being completed in Rostov-on-Don. References to the Soviet architecture of the 1920’s and 1960’s resonate with the mission and strategic importance of the enterprise, and are also in line with the client’s wish: to pay homage to Rostov’s constructivism.
The Northern Thebaid
The central part of Ferapontovo village, adjacent to the famous monastery with frescoes by Dionisy, has been improved according to the project by APRELarchitects. Now the place offers basic services for tourists, as well as a place for the villagers’ leisure.
Brilliant Production
The architects from London-based MOST Architecture have designed the space for the high-tech production of Charge Cars, a high-performance production facility for high-speed electric cars that are assembled in the shell of legendary Ford Mustangs. The founders of both the company and the car assembly startup are Russians who were educated in their home country.