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Cloud of Knowledge

In the end of last year, Vladimir Bindeman's bureau "Arkhitekturium" took part in the open international competition for the project of a new city library "2.0" that will be built in the very heart of Copenhagen.

09 November 2015
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As the architect himself reminisces, it was pure chance that prompted him to take part in this contest. Right about the time when the contest was announced, Vladimir Bindeman found himself in Copenhagen and spent almost a whole day in the area where the new library would be built. The opportunity to see the future construction site with his own eyes and get a detailed idea of what stands behind the laconic address line in the contest specifications seemed to the architect too much of an advantage not to make use of it, and the team of "Arkhitekturium" enthusiastically got down to solving the creative task. 

The new library will be built in the very heart of Denmark's capital, on Larsens Plads Embankment that is situated between Amalienborg Palace and the building of Copenhagen Opera. The future construction site adjoins one of the side facades of a former warehouse, a minimalist laconic structure of dark bricks topped by a gable roof - built in the early XVIII century and later on converted into an apartment building in the 1970's. Today, part of the site is occupied by a small park, part - by a parking lot for the tourist busses, but its central location, its proximity to the new Amaliehaven Park (in fact, it occupies a neighboring site on the embankment), and the direct access to the water area prompted the municipality the idea to find a more dignified application for it. As for the function of the new building, it nearly as much as suggested itself: today's Copenhagen is famous for its advanced libraries - both in intellectual and architectural sense of the word. There are already more than twenty of them in the nation's capital, and for the representatives of all generations they are pretty much like "power spots" - meaning, the places where people meet, communicate, and spend their time with family and friends. It was designing precisely such type of "community center" on Larsens Plads that the whole contest task was about: the traditional archives, book depositories, and places for secluded work alternate here with computer rooms, lounges, cafes, lecture halls, children's playrooms, and bookcrossing areas, so fashionable today.

Library in Copenhagen © "Arkhitekturium"
Master plan © "Arkhitekturium"


As a matter of fact, it was the enumeration of all these functions that constituted the core of the contest specifications. As for the architectural solution of the future library as such, the participants of the contest were given the ultimate freedom of expression. As Vladimir Bindeman shares, the only mandatory requirement to the image of the future building stipulated in the specifications was that it should become a tourist attraction and match the facade line of the embankment. As for the town planning restrictions, it was only about the height of the building - the topmost point of the complex was not to be higher than the gable of the roof of the former warehouse. 

"The architectural image of a building that, on the one hand, is meant to promulgate reading and, on the other hand, serve as the place for the contemporary ways of communication, came to us almost instantly - Vladimir Bindeman recalls - This would be bookshelf gone through the transformation in the spirit of the ideas of Scandinavian design". In fact, the architects came up with a cross between a building and... a piece of furniture - because what we are seeing here is nothing other than a bookcase scaled up to the size of the neighboring historical building. What's more, a bookcase open on both sides, the kind that is used in small-sized apartments to split the room in two zones: on the one hand, it is a partition that separates the conditional "study" from the "living room", and, on the other hand, it is not a traditional wall that would ruin what insolation the apartment has. Same thing here: the new library continues the building front of the embankment without continuing the tradition of the very material and terminally palpable historical facades. The "bookcase" designed by "Arkhitekturium" is formed by one long shelf that bends three times at a right angle taking on a dynamic profile in the shape of a double S. It this particular profile of the building that commands the embankment, the architects turning to the brick volume of the warehouse the rectangular brackets of the shelves of the first and last floors, while the park (situated on the opposite side) is commanded by a dramatic slope of the cantilever of the central level. The ground-level open air terrace that appeared on this side and the terrace on the top floor that works in connection with it helps to better integrate the building into its environment: it looks as if it imbibes the adjacent park. Its "organic" origin is also enhanced by the material chosen by the architects - of course, a bookcase, especially Scandinavian, must be made of wood. 

Library in Copenhagen © "Arkhitekturium"


Library in Copenhagen © "Arkhitekturium"


Library in Copenhagen © "Arkhitekturium"


As for the transparency of the bookcase, it is achieved by using a glass casing, the architects making bay windows of different depth and different tilting angle in respect to the main surface on each of the floors. These are the spaces for recreation, admiring the beauty of the building of Copenhagen Opera (located right across from it), or a friendly conversation - but in the context of the story invented by Arkhitekturium, these elements are unambiguously read as the backbones of books casually placed upon the shelves. Through the cracks between them one can see the street that runs parallel to the embankment, and, in order to keep the library from turning into a completely "see-through" fish bowl, the authors of the project came up with a snow-white staircase of an ostentatiously sculptural shape that runs around the central atrium and serves as the reception desk on the first floor and connects it to all the upper levels. What is interesting is the fact that the plan of the staircase is slightly different on each floor - which brings some sort of a "space" intrigue into the multi-height atrium. Come to think of it, this is also a very "Scandinavian" thing to do: such stairways that serve not as axis but as communication spaces are a hit with the Danish projects of public buildings: one cannot help recalling, for example, the dramatic crossing of the stairways in Black Diamond Library designed by schmidt hammer lassen or the tightly wound spiral of the staircases in the Orestad college 3XN.

Library in Copenhagen © "Arkhitekturium"


Library in Copenhagen © "Arkhitekturium"


Plan of the 3rd floor © "Arkhitekturium"


Totally, the library designed by Arkhitekturium has four levels in it: one underground and three above-ground ones. On the -1st floor, the authors hid a media room, a server room, a small book depository, staff-only rooms, and traditional shelve stands with books - together with reading desks. The first floor level includes the entrance hall, the reception desk, a store, a security office, toilets, the visitors' lockers, as well as an open air terrace with bookcrossing shelves, reading benches, and tub plants. The second floor performs the main library function - it contains a reading hall with an attic, a lecture zone, and places for individual and group work - while the upper level is occupied by the children's playroom, as well as another open-air terrace, the latter exhibiting the works of modern art. "What makes our project different is the fact that the library's work can be performed by the electronic management of the archives and the information can be accessed via the internal server - Vladimir Bindeman explains - The information can be accessed from any point in the building, the workspaces being organized on all the levels behind separate tables, tables for collective work, cafe tables, and relax zones equipped with soft furniture". 

Library in Copenhagen © "Arkhitekturium"


Library in Copenhagen © "Arkhitekturium"


Plan of the underground floor © "Arkhitekturium"


Plan of the 1st floor © "Arkhitekturium"


Plan of the 2nd floor © "Arkhitekturium"


The interior decoration of the library uses the same material as the facades - the wooden plank (in fact, this is the inside surface of the bookshelves), while the part of the atrium's main light is played by a robust installation put together from numbers and Latin characters. Equipped with LED lights, the letters and figures form a peculiar cloud that symbolizes both the traditional notion of "knowledge" and the contemporary notion of "cloud" as an online resource for storing and processing large amounts of information. According to the architects' plan, the ascent of the stairway through the "cloud" will become an interesting "amusement ride" for the visitors of the library, while the scattered letters and numbers "readable" from the outside will unambiguously point to the function of the building to the passers-by. Thus, the "image" part of this project is closely connected with the functionality - just as it should be the case with a true sample of Scandinavian design.
Library in Copenhagen © "Arkhitekturium"
Section view © "Arkhitekturium"


09 November 2015

Headlines now
The Big Twelve
Yesterday, the winners of the Moscow Mayor’s Architecture Award were announced and honored. Let’s take a look at what was awarded and, in some cases, even critique this esteemed award. After all, there is always room for improvement, right?
Above the Golden Horn
The residential complex “Philosophy” designed by T+T architects in Vladivostok, is one of the new projects in the “Golubinaya Pad” area, changing its development philosophy (pun intended) from single houses to a comprehensive approach. The buildings are organized along public streets, varying in height and format, with one house even executed in gallery typology, featuring a cantilever leaning on an art object.
Nuanced Alternative
How can you rhyme a square and space? Easily! But to do so, you need to rhyme everything you can possibly think of: weave everything together, like in a tensegrity structure, and find your own optics too. The new exhibition at GES-2 does just that, offering its visitor a new perspective on the history of art spanning 150 years, infused with the hope for endless multiplicity of worlds and art histories. Read on to see how this is achieved and how the exhibition design by Evgeny Ace contributes to it.
Blinds for Ice
An ice arena has been constructed in Domodedovo based on a project by Yuri Vissarionov Architects. To prevent the long façade, a technical requirement for winter sports facilities, from appearing monotonous, the architects proposed the use of suspended structures with multidirectional slats. This design protects the ice from direct sunlight while giving the wall texture and detail.
Campus within a Day
In this article, we talk about what the participants of Genplan Institute of Moscow’s hackathon were doing at the MosComArchitecture booth at the “ArchMoscow” exhibition. We also discuss who won the prize and why, and what can be done with the territory of a small university on the outskirts of Moscow.
Vertical Civilization
Genpro considered the development of the vertical city concept and made it the theme of their pavilion at the “ArchMoscow” exhibition.
Marina Yegorova: “We think in terms of hectares, not square meters”
The career path of architect Marina Yegorova is quite impressive: MARHI, SPEECH, MosComArchitectura, the Genplan Institute of Moscow, and then her own architectural company. Its name Empate, which refers to the words “to draw” in Portuguese and “to empathize” in English, should not be misleading with its softness, as the firm freely works on different scales, including Integrated Territorial Development projects. We talked with Marina about various topics: urban planning experience, female leadership style, and even the love of architects for yachting.
Andrey Chuikov: “Optimum balance is achieved through economics”
The Yekaterinburg-based architectural company CNTR is in its mature stage: crystallization of principles, systematization, and standardization helped it make a qualitative leap, enhance competencies, and secure large contracts without sacrificing the aesthetic component. The head of the company, Andrey Chuikov, told us about building a business model and the bonuses that additional education in financial management provides for an architect.
The Fulcrum
Ostozhenka Architects have designed two astonishing towers practically on the edge of a slope above the Oka River in Nizhny Novgorod. These towers stand on 10-meter-tall weathered steel “legs”, with each floor offering panoramic views of the river and the city; all public spaces, including corridors, receive plenty of natural light. Here, we see a multitude of solutions that are unconventional for the residential routine of our day and age. Meanwhile, although these towers hark back to the typological explorations of the seventies, they are completely reinvented in a contemporary key. We admire Veren Group as the client – this is exactly how a “unique product” should be made – and we tell you exactly how our towers are arranged.
Crystal is Watching You
Right now, Museum Night has kicked off at the Museum of Architecture, featuring a fresh new addition – the “Crystal of Perception”, an installation by Sergey Kuznetsov, Ivan Grekov, and the KROST company, set up in the courtyard. It shimmers with light, it sings, it reacts to the approach of people, and who knows what else it can do.
The Secret Briton
The house is called “Little France”. Its composition follows the classical St. Petersburg style, with a palace-like courtyard. The decor is on the brink of Egyptian lotuses, neo-Greek acroteria, and classic 1930s “gears”; the recessed piers are Gothic, while the silhouette of the central part of the house is British. It’s quite interesting to examine all these details, attempting to understand which architectural direction they belong to. At the same time, however, the house fits like a glove in the context of the 20th line of St. Petersburg’s Vasilievsky Island; its elongated wings hold up the façade quite well.
The Wrap-Up
The competition project proposed by Treivas for the first 2021 competition for the Russian pavilion at EXPO 2025 concludes our series of publications on pavilion projects that will not be implemented. This particular proposal stands out for its detailed explanations and the idea of ecological responsibility: both the facades and the exhibition inside were intended to utilize recycled materials.
Birds and Streams
For the competition to design the Omsk airport, DNK ag formed a consortium, inviting VOX architects and Sila Sveta. Their project focuses on intersections, journeys, and flights – both of people and birds – as Omsk is known as a “transfer point” for bird migrations. The educational component is also carefully considered, and the building itself is filled with light, which seems to deconstruct the copper circle of the central entrance portal, spreading it into fantastic hyper-spatial “slices”.
Faraday Grid
The project of the Omsk airport by ASADOV Architects is another concept among the 14 finalists of a recent competition. It is called “The Bridge” and is inspired by both the West Siberian Exhibition of 1911 and the Trans-Siberian Railway bridge over the Irtysh River, built in 1896. On one hand, it carries a steampunk vibe, while on the other, there’s almost a sense of nostalgia for the heyday of 1913. However, the concept offers two variants, the second one devoid of nostalgia but featuring a parabola.
Midway upon the Journey of Our Life
Recently, Tatlin Publishing House released a book entitled “Architect Sergey Oreshkin. Selected Projects”. This book is not just a traditional book of the architectural company’s achievements, but rather a monograph of a more personal nature. The book includes 43 buildings as well as a section with architectural drawings. In this article, we reflect on the book as a way to take stock of an architect’s accomplishments.
Inverted Fortress
This year, there has been no shortage of intriguing architectural ideas around the Omsk airport. The project developed by the architectural company KPLN appeals to Omsk’s history as a wooden fortress that it was back in the day, but transforms the concept of a fortress beyond recognition: it “shaves off” the conical ends of “wooden logs”, then enlarges them, and then flips them over. The result is a hypostyle – a forest of conical columns on point supports, with skylights on top.
Transformation of Annenkirche
For Annenkirche (St. Anna Lutheran Church in St. Petersburg), Sergey Kuznetsov and the Kamen bureau have prepared a project that relies on the principles of the Venice Charter: the building is not restored to a specific date, historical layers are preserved, and modern elements do not mimic the authentic ones. Let’s delve into the details of these solutions.
The Paradox of the Temporary
The concept of the Russian pavilion for EXPO 2025 in Osaka, proposed by the Wowhaus architects, is the last of the six projects we gathered from the 2022 competition. It is again worth noting that the results of this competition were not finalized due to the cancellation of Russia’s participation in World Expo 2025. It should be mentioned that Wowhaus created three versions for this competition, but only one is being presented, and it can’t be said that this version is thoroughly developed – rather, it is done in the spirit of a “student assignment”. Nevertheless, the project is interesting in its paradoxical nature: the architects emphasized the temporary character of the pavilion, and in its bubble-like forms sought to reflect the paradoxes of space and time.
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
Mirrors Everywhere
The project by Sergey Nebotov, Anastasia Gritskova, and the architectural company “Novoe” was created for the Russian pavilion at EXPO 2025, but within the framework of another competition, which, as we learned, took place even earlier, in 2021. At that time, the competition theme was “digital twins”, and there was minimal time for work, so the project, according to the architect himself, was more of a “student assignment”. Nevertheless, this project is interesting for its plan bordering on similarity with Baroque projects and the emblem of the exhibition, as well as its diverse and comprehensive reflectiveness.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.