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In the Rhythm of Verticals

On Moscow's Sparrow Hills, the construction of a new residential complex is in progress: exquisitely modern and at the same time reasonably conservative, it sports, as is always the case with ADM, a really thought-out yard space.

08 July 2015
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In one of Moscow's most green districts, near Sparrow Hills, behind the dense screen of trees that fence off this land site from the Vorobyevskoe Highway, in the stead of a former brick office center "with turrets" - the classic example of the nineties architecture now to be demolished - ADM has begun the construction of a multifunctional residential complex. From the east, the site borders on a park, and a little bit more to the north, in the lowland, the Setun' River bends in a smooth curve. The virtually countryside landscape and the complex terrain with a steep precipice over the river - all this makes up for the natural intrigue, a landscape in which the ADM architects created a fragment of absolutely "big city" housing stock but with a cozy yard and a rhythm of life of its very own. 

The park and the river are all great and fine but on its north side the complex immediately borders on a set of standard residential houses that dictate their height restrictions. Besides, the architects had to consider the boundaries of the conservation zone that diagonally cuts the northeast corner of the site. As a result, the architects, almost by default, got a rather simple and clear-cut composition of three volumes of different height - from 5 to 16 floors - standing around a common "inside" yard. At the same time, one will not see here either the classic quarter or the rectangular planning or the courtyard where the buildings themselves form the yard territory. At the same time, one gets the impression that all the three volumes stand separately: two large elongated blocks stand parallel with a little shift to one another. The third - five-floor one - closes the southwest corner of the composition. 

Multifunctional residential complex on the Vorobyevskoe Highway © ADM
Multifunctional residential complex on the Vorobyevskoe Highway © ADM


All the houses stand separately but they all are interconnected: there is a two-level parking garage underground; and above the ground there is a large easily recognizable awning drawn in a single line belting the buildings from all sides. Such awnings, from which the laconic rational buildings spring, just as the inevitably high-quality landscaping work, are to be seen in many ADM projects. Referring to the name of the company - Architectural Dialogue with the Megalopolis, one can almost certainly state that this is their trademark manner of speaking with the city, their voice, clearly articulating the understanding of the unity of the volumes within a single composition. Generally, the possibility of a correct undistorted perception of the building from a close range by an individual, and the feeling of comfort and peace in its immediate vicinity are the things that are paramount with Andrew Romanov and Ekaterina Kuznetsova. And this project is no exception.

Multifunctional residential complex on the Vorobyevskoe Highway. Fragment of the facade © ADM


In this case, the slab of the awning is not just the bottom part that evenly skirts each one of the buildings and protects the people from the rain. Like a broad canvas, punctured by the large circular openings that let into the yard a sufficient amount of sunlight and, however strange it may seem, rain, it overhangs above the automotive roundabout throwing a long bridge from the compact five-story volume to its high-rise vis-à-vis. This way, the architects are able to complete the town-planning composition, mark the boundaries of the yard, and at the same time bind the entire complex together into a single whole. The top of the marquee - for the sake of the apartments situated a little bit higher up - is turned into a green lawn with flowers, multicolored filling work and wallflowers.

Multifunctional residential complex on the Vorobyevskoe Highway © ADM


Multifunctional residential complex on the Vorobyevskoe Highway. Interior © ADM


The marquee fixes the grand facade of the complex; it is not just the space and construction part - it is the basic element of the navigation system that provides one with a starting point both horizontally and vertically: from this point, all the three entrance groups are visible. Their glass walls allow for looking inside - into the warm wood-finished entrance lobbies. The outside boundary of the top floors with small cafes and shops is also fully glazed - so as to preserve the views of the park and the city. One of the buildings will include the offices; the other two will be residential ones.

Multifunctional residential complex on the Vorobyevskoe Highway © ADM


Simple in their shape - on the plan, all the three blocks are strictly rectangular - the buildings are distinguished by the detailed facade work where, in spite of the seemingly the same identity, each of the buildings has its individual features. "On the one hand, we really wanted to have modern architecture here - Andrew Romanov shares - on the other hand, we very well realized that this place would be populated by pretty conservative people. And we had to create for them a comfortable environment to live in, very unlike the giant residential anthills with their monotonous bleak facades".

Avoiding the feeling of excessive bulk and monotony was possible thanks to the architects employing the technique of changing the visual proportions because of which a person will only see eight floors instead of sixteen, while the longish walls will look textured and slender to him. Because it is common knowledge that we as humans tend to feel more comfortable in buildings no more than 5-7 floors high, and we are very sensitive to the array of proportions, changing which one can also change people's visual perception of the building's size. It was this very technique that was employed in the facades of the complex: the smoothly curved horizontal cornices have united the floors in twos, while the diverse and ostentatiously vertical patterns on the walls have transformed the horizontal proportions. 

Multifunctional residential complex on the Vorobyevskoe Highway. Fragment of the facade © ADM


Multifunctional residential complex on the Vorobyevskoe Highway. Fragment of the facade © ADM


At the same time, the entire facade grid is based on the rhythmic alternation of three basic materials. The combination of the dark brickwork, the texture of the wood, and the elongated strokes of the windows on one of the buildings echoes with the coarser pattern of the five-story block. In this area, the main material is the rock-face stone that adds to the building a special patina glitter. All the facade windows are really different in their breadth - stretching into a thin stripe or sometimes widening to the degree of a glass panorama. The balance is supported by the ceramic granite panels that imitate light-colored wood. The proximity of the light and dark panels produces a tricky 3D-effect: quite unexpectedly, the flat surfaces take on a "depth" quality. 

Multifunctional residential complex on the Vorobyevskoe Highway. Fragment of the facade © ADM


Multifunctional residential complex on the Vorobyevskoe Highway © ADM


Very much like it but even more diverse is the building that is turned to the river and the park: its facades have real and clearly manifested depth differences enhanced by the same combination of three materials - light stone, dark brick, and "wooden" inserts. The longest of the three, it also looks the lightest - maybe because of its dominating milky tones or because of its softened shape. While the two other volumes are designed in strict straight and austere lines, this house is very much like a water-polished stone: all of its corner elements are rounded and made of glass. And it seems that only the lintels hold the entire structure together. Through the semicircular "corner" windows, significantly changing the quality of the apartments, the panoramas of the city and the Moskva River open up. The punctured line of the French balconies running over all of their surfaces adds to the textured quality of the facades. The balconies of just the same kind adorn the opposite house as well, yet again accentuating the closeness of all the buildings of the ensemble.

Multifunctional residential complex on the Vorobyevskoe Highway © ADM




However, the main uniting element, as is always the case in the works by ADM, is the yard. Situated above the underground parking garage and opened in the direction of the Setun' River, it becomes the continuation of the neighboring park. The challenge of the necessity to bring in a rather high layer of soil for planting the trees is solved at the expense of numerous man-made hills. Covered with plants and bushes, they occupy most of the yard and form an interesting terrain at the same time zoning the yard. Here, naturally, one will not see any cars but there are children's playgrounds, benches, paved sidewalks, and, in the summertime, the tables of open-air cafes lit by the street lights.


08 July 2015

Headlines now
The Golden Crown
The concept for a dental clinic in Yekaterinburg, developed by CNTR Studio, revolves around the idea of a “mouth full of gold”: pristine white porcelain stoneware walls are complemented by matte brass details. To avoid an overly literal interpretation, the architects focused on the building’s proportions, skillfully navigating between sunlight requirements and fire safety regulations.
Flexibility and Integration
Not long ago, we covered the project for the fourth phase of the ÁLIA residential complex, designed by APEX. Now, we’ve been shown different fence concepts they developed to enclose the complex’s private courtyards, incorporating a variety of public functions. We believe that the sheer fact that the complex’s architects were involved in such a detail as fencing speaks volumes.
A Step Forward
The HIDE residential complex represents a major milestone for ADM architects and their leaders Andrey Romanov and Ekaterina Kuznetsova in their quest for a fresh high-rise aesthetic – one that is flexible and layered, capable of bringing vibrancy to mass and silhouette while shaping form. Over recent years, this approach has become ADM’s “signature style”, with the golden HIDE tower playing a pivotal role in its evolution. Here, we delve into the project’s story, explore the details of the complex’s design, and uncover its core essence.
Gold in the Sands
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Layers and Levels of Flight
This project goes way back – Reserve Union won this architectural competition at the end of 2011, and the building was completed in 2018, so it’s practically “archival”. However, despite being relatively unknown, the building can hardly be considered “dated” and remains a prime example of architectural expression, particularly in the headquarters genre. And it’s especially fitting for an aviation company office. In some ways, it resembles the Aeroflot headquarters at Sheremetyevo but with its own unique identity, following the signature style of Vladimir Plotkin. In this article, we take an in-depth look at the United Aircraft Corporation (UAC) headquarters in the Moscow agglomeration town of Zhukovsky, supplemented by recent photographs from Alexey Naroditsky – a shoot that became only recently possible due to the fact that improvements were finally made in the surrounding area.
Light and Shadow
In this article, we delve into the architectural design of the “Chaika” house by DNK ag architects, which was recently completed in 2023 as part of the collection of signature designs at ZILArt. As is well-known, all the buildings in this complex follow a design code, yet each one is distinct. This particular building stands out not only for its whiteness and minimalism but also for the refined use of a limited number of techniques that, together, create what can confidently be called synergy.
Casus Novae
A master plan was developed for a large residential area with a name of “DNS City”, but now that its implementation began, the plan has been arbitrarily reformatted and replaced with something that, while similar on the surface, is actually quite different. This is not the first time such a thing happens, but it’s always frustrating. With permission from the author, we are sharing Maria Elkina’s post.
Treasure Hunting
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Depths of the Earth, Streams of Water
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Fir Tree Dynamics
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​A Brick Shell
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Word Forms
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Flexibility and Acuteness of Modernity
Luxurious, fluid, large “kokoshniks” and spiral barrel columns, as if made from colorful chewing gum: there seem to be no other mansion like this in Moscow, designed in the “Neo-Russian-Modern” style. And the “Teremok” on Malaya Kaluzhskaya, previously somewhat obscure, has “come alive with new colors” and gained visibility after its restoration for the office of the “architectural ecosystem” as the architects love to call themselves. It’s evident that Julius Borisov and the architects at UNK put their hearts into finding this new office and bringing it up to date. Let’s delve into the paradoxes of this mansion’s history and its plasticity. Spoiler: two versions of modernity meet here, both balancing on the razor’s edge of “what’s current”.
Yuri Vissarionov: “A modular house does not belong to the land”
It belongs to space, or to the air... It turns out that 3D printing is more effective when combined with a modular approach: the house is built in a workshop and then adapted to the site, including on uneven terrain. Yuri Vissarionov shares his latest experience in designing tourist complexes, both in central Russia and in the south. These include houseboats, homes printed from lightweight concrete using a 3D printer, and, of course, frame houses.
​Moscow’s First
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Looking at the Water
The site of Villa Sonata stretches from the road to the water’s edge, offering its own shoreline, pier, and a picturesque river panorama. To reveal these sweeping views, Roman Leonidov “cut” the façade diagonally parallel to the river, thus getting two main axes for the house and, consequently, “two heads”. The internal core – two double-height spaces, a living room and a conservatory, with a “bridge” above them – makes the house both “transparent” and filled with light.
The White Wing
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Urban Dunes
The XSA Ramps team designed and built a three-part sports hub for a park in Rostov-on-Don, welcoming people of all ages and fitness levels. The skate plaza, pump track, and playground are all meticulously crafted with details that attract a diverse range of visitors. The technical execution of the shapes and slopes transforms this space into a kind of sculptural composition.
Proportional Growth
The project for the fourth phase of the ÁLIA residential area has been announced. The buildings are situated on an elongated plot – almost a “ray” that shoots out from the center of the area towards the river. Their layout reflects both a response to Moscow’s architectural preferences over the past 15 years, shifting “from blocks to towers”, and an interpretation of the neighboring business park designed by SOM. Additionally, the best apartments here are not located at the very top but closer to the middle, forming a glowing “waistline”.
The “Staircase” Building
In designing the “Details” residential complex in New Moscow, Rais Baishev spiced up the now-popular Moscow theme of a “courtyard” building with an idea drawn from the surrealist drawings by Maurits Escher. He envisioned the stepped silhouettes and descending slopes as a metaphysical mega-staircase, creating a key void within the courtyard that gave the project an internal “spine”. This concept is felt both in the building’s silhouette and on its façades.
Projection of the Quarter
No one doubted that the building that Vladimir Plotkin designed as part of the “Garden Quarters” would be the most modernist of all. And it turned out just that way: while adhering to the common design code, the building successfully combines brick and white stone, rhythmically responding to the neighboring building designed by Ostozhenka, yet tactfully and persistently making a few statements of its own. This includes the projection of the ideal urban development composition “14–9–6”, which can be found right next door, mathematical calculations, including those for various types of terraces (and perhaps the only reminder of the Soviet past of the Kauchuk rubber factory!), and the white “cross-stitch” pattern of the façade grid.
Domus Aurea
In this issue, we examine the “Tessinsky-1” house, designed by Sergey Skuratov and completed in 2023. Located in the middle of the Serebryanicheskaya Embankment district, at the intersection of its main streets, this house assumes a sort of “nodal” role: it not only responds to everything around it and preserves many memories of the former EMA factory within itself, but it weaves all this into a newly directed pattern, reconciling bright “gold” and dark-colored brick, largely with the help of the new, modern-yet-archaic Columba brick, which, come to think about it, is the most precious element here.
The Chimney of Nikola-Lenivets
In this issue, we are examining the “Obelisk House” designed by KATARSIS and built for the Arkhstoyanie 2023 festival. However, it was only finished later on, and this is why we are examining it now. It seems to us that after the “Obelisk House” appeared in Nikola-Lenivets, a dialogue and a few inner connections appeared between the temporary structures built here. These houses no longer look like “accidental neighbors”, more of which below.
​Periscope by the Bay
The jury awarded the second place in the competition for a public and cultural center in Petropavlovsk-Kamchatsky to the companies GORA (“Mountain”) and M4. In the consortium’s proposal, the building resembles a sperm whale with a calf swimming next to it or a periscope, whose lenses capture the most spectacular views from the surrounding landscape.
From Arcs to Dolmens
While working on the competition project for Petropavlovsk-Kamchatsky, ASADOV Architects prioritized the value of the natural and urban environment, aiming to preserve the balance of the location while minimizing the resemblance of the volume that they designed to a “traditional building”. The task was challenging, and the architects created three versions, one of which having been developed after the competition, where their main proposal took third place. However, the point of interest here is not the competition result but the continuity of creative thinking.
Hide and Seek
The ID Moskovskiy house, designed by Stepan Liphart in St. Petersburg, in the courtyards near Moskovskiy Avenue beyond the Obvodny Canal and recently completed, is notable for several reasons. Firstly, it has been realized with considerable accuracy, which is particularly significant as this is the first building where the architect was responsible not only for the facades but also for the layouts, allowing for better integration between the two. On the other hand, this building is interesting as an example of the “germination” of new architecture in the city: it draws on the best examples from the neighborhood and becomes an improved and developed sum of ideas found by the architect in the surrounding context.
The Big Twelve
Yesterday, the winners of the Moscow Mayor’s Architecture Award were announced and honored. Let’s take a look at what was awarded and, in some cases, even critique this esteemed award. After all, there is always room for improvement, right?
Above the Golden Horn
The residential complex “Philosophy” designed by T+T architects in Vladivostok, is one of the new projects in the “Golubinaya Pad” area, changing its development philosophy (pun intended) from single houses to a comprehensive approach. The buildings are organized along public streets, varying in height and format, with one house even executed in gallery typology, featuring a cantilever leaning on an art object.
Nuanced Alternative
How can you rhyme a square and space? Easily! But to do so, you need to rhyme everything you can possibly think of: weave everything together, like in a tensegrity structure, and find your own optics too. The new exhibition at GES-2 does just that, offering its visitor a new perspective on the history of art spanning 150 years, infused with the hope for endless multiplicity of worlds and art histories. Read on to see how this is achieved and how the exhibition design by Evgeny Ace contributes to it.
Blinds for Ice
An ice arena has been constructed in Domodedovo based on a project by Yuri Vissarionov Architects. To prevent the long façade, a technical requirement for winter sports facilities, from appearing monotonous, the architects proposed the use of suspended structures with multidirectional slats. This design protects the ice from direct sunlight while giving the wall texture and detail.