По-русски

In Two Layers

One block away from the Donskoy Monastery, Sergey Skuratov has designed a double-part residential house in the image of which the architect develops his favorite technique of a dialogue between the materials.

11 February 2015
Object
mainImg

The land plot on which the residential house is being built is located between the Donskoy Monastery and the Lenin Avenue. The monastery walls are but three blocks away from the noisy federal highway, only one of these blocks having the classic rectangular shape. And it is in this block, bordering on the Stasovoi and Ordzhonikidze streets, as well as two driveways - 2nd Donskoy and 3rd Donskoy - that the land plot intended for the construction of the new residential complex is located. The strict geometry of the block did not really tell on the character of its planning, though: different epochs left here a pretty chaotic legacy. It includes a school, a substation, a typical residential high-rise, and a few dormitories of Moscow Textile Institute located nearby, these dormitories even having a heralded "elder brother" - built upon the project of the architect Nikolaev (1930), the "commune house" proudly towers but a hundred meters away. Lack of space and lack of light - these are probably the first two things that come to mind when one sees the land plot for the first time, and Sergey Skuratov confesses that he had a hard time making up his mind as to whether to take the job at all. His doubts were overcome by... the trees - very tall and very old - that grow along the entire perimeter of the land plot creating a natural screen and this guaranteeing at least some privacy both to the future complex and to the people that will live in it. 

South facade, birds's height view © Sergey Skuratov ARCHITECTS
Location plan © Sergey Skuratov ARCHITECTS


It was these trees that became the "irredeemable capital" and the starting point of the future residential complex. The object got a symmetric composition of two six-story buildings placed on the opposite sides of the conditional rectangle and united by a single stylobate. And, because the trees fringe the land plot from all the four sides, the architect shifts the main volume of the stylobate with the usable roof to its southern, more shaded, side. The vis-a-vis of the single-story building is the entrance to the underground parking garage that does not need any additional screen. "Arranging the volumes along the diagonal of the plot allowed us to tactfully introduce the new object into the existing urban matter meeting the insolation requirements and the optimum scale of the construction itself" - comments Sergey Skuratov on the solution of the master plan. Also, interesting is the fact that in accordance with the author's plan the southeast end of the plot, saturated with trees, sees the acute angle of the stylobate, which helps to move the facades as close to the tree-trunks as possible, while the opposite corner is ostentatiously rounded: following the configuration of the ramp it yields a very tactful but still adequate response to the proximity of the inner driveway, giving the geometry of the facade a friendly but still quite self-sufficient character. 

East facade. Entrance © Sergey Skuratov ARCHITECTS


East facade, birds's height view © Sergey Skuratov ARCHITECTS


Sergey Skuratov also rounds the corners of the residential buildings, as if melting the facets of the parallelepipeds in the places where they come closest to each other. This technique can remind us of the architect's other work - the project of an also double-part house at the Vernadskogo Avenue that was still remained on paper. In that project, the buildings also "embraced" over the stylobate, and, in order to soften these rather brutal tectonics, Sergey Skuratov made the facades completely glazed, and significantly rounded the corners. 

These projects are also akin in their facade solutions: in both cases, the architect divides them into "outside" and "inside", making the former ones ostentatiously palpable and the latter - quite ethereal. Although, while at the Vernadskogo Avenue this dichotomy was played out by the pair "clinker brick - glass (with just a tiny twist of sputter)", this time around the role of the "shell" is played by the weathering steel in the protective oxide shell that gives it an "anti-washout", somewhat rusty, textured look. And this is not some static facing material but shutters filled in by the grilled of vertical blinds. In other words, in this house, the "casing" is capable of changing its character completely depending on the weather and the lighting conditions, as well as just because of one's angle of vision: the blinds and their more-on-the-ethereal-side reflection in the glass create together the effects of "clouded" waves and a visible gradient, a transition from the almost mirror-like quality to the material, palpable, and down-to-earth bright-rusty facade. For the already-mentioned "rounded" street facade, this is particularly important: the casing that the architect came up with looks like it stretches in the bending areas, thinning out almost completely and stressing the conditional status of the saying "my house is my fortress" in today's megalopolis. 

North facade, birds's height view © Sergey Skuratov ARCHITECTS


Details of the facade: structure of the blinds © Sergey Skuratov ARCHITECTS


Fragments of the closed facades © Sergey Skuratov ARCHITECTS


Fragments of the opened facades © Sergey Skuratov ARCHITECTS


East facade. The blinds are closed © Sergey Skuratov ARCHITECTS


East facade. The blinds are opened © Sergey Skuratov ARCHITECTS


South facade. The blinds are closed © Sergey Skuratov ARCHITECTS


South facade. The blinds are opened © Sergey Skuratov ARCHITECTS


The same "two-layer" technique is used on the inside facades of both buildings - the defenseless "flesh" that is turned to the roof of the stylobate and the courtyard. The role of the "outside" layer is played here by the glazed balconies that are painted in a gradient manner from milky-white to transparent, while role of the "inside" layer - by the walls themselves that are in fact a combination of the windows of maximum size and the mirror-like piers of stelamite tinted glass. 

South facade © Sergey Skuratov ARCHITECTS


West facade. Entrance gate © Sergey Skuratov ARCHITECTS


Organization of the yard © Sergey Skuratov ARCHITECTS


This complex is very much "Skuratov" in all respects. It shows abundant examples of everything that is characteristic of the works done by this architect - the unconventional but still recognizably strict geometry, the aptly chosen contrast of the materials, and the full exploration of the land plot's potential. And, of course, the feeling of a "living" facade that the author himself values so much! In his earlier projects, however, the latter used to be created most of the time at the expense of the material - the brickwork or the gracefully aged copper - and now Skuratov, if we can put it this way, has involved mechanisms to work alongside the materials. Each of the shutters, just as any pull-out window here, can be opened both manually and automatically - according to the architect's idea, such variety of scenarios is the best way to provide for the constant changing of the facades. A "stunt" of a house or an aptly found image of a house living up to its environment? Definitely, the latter: the residential complex is engaged in an ongoing but quite unobtrusive dialogue with its surroundings, harmonizing the block that hitherto used to be but a part of unintelligible town-planning "noise".
Master plan © Sergey Skuratov ARCHITECTS
Location plan © Sergey Skuratov ARCHITECTS
Plan of floors 1-6 © Sergey Skuratov ARCHITECTS
Plan of the 1st floor © Sergey Skuratov ARCHITECTS
Section 1-1 © Sergey Skuratov ARCHITECTS
Plan of apartment section 1 © Sergey Skuratov ARCHITECTS
Plan of apartment section 2 © Sergey Skuratov ARCHITECTS
Plan of the - 1st floor © Sergey Skuratov ARCHITECTS
Plan of the - 2nd floor © Sergey Skuratov ARCHITECTS


11 February 2015

Headlines now
A Paper Clip above the River
In this article, we talk with Vitaly Lutz from the Genplan Institute of Moscow about the design and unique features of the pedestrian bridge that now links the two banks of the Yauza River in the new cluster of Bauman Moscow State Technical University (MSTU). The bridge’s form and functionality – particularly the inclusion of an amphitheater suspended over the river – were conceived during the planning phase of the territory’s development. Typically, this approach is not standard practice, but the architects advocate for it, referring to this intermediate project phase as the “pre-AGR” stage (AGR stands for Architectural and Urban Planning Approval). Such a practice, they argue, helps define key parameters of future projects and bridge the gap between urban planning and architectural design.
Living in the Architecture of One’s Own Making
Do architects design houses for themselves? You bet! In this article, we are examining a new book by TATLIN publishing house. This book – unprecedented for Russia – features 52 private homes designed and built by contemporary architects for themselves. It includes houses that are famous, even iconic, as well as lesser-known ones; large and small, stylish and eccentric. To some extent, the book reflects the history of Russian architecture over the past 30 years.
A City Block Isoline
Another competition project for a residential complex on the banks of the Volga in Nizhny Novgorod has been prepared by Studio 44. A team of architects led by Ivan Kozhin concluded that using a regular block layout in such a location would be inappropriate and developed a “custom design” approach: a chain of parceled multi-section buildings stretching along the entire embankment. Let’s explore the features and advantages of this unconventional method.
Competition: The Price of Creativity?
Any day now, we’re expecting the results of a competition held by the “Samolet” development group for a plot in Kommunarka. In the meantime, we share the impressions of Editor-in-Chief Julia Tarabarina, who managed to conduct a public talk. Though technically focused on the interaction between developers and architects, the public talk turned into a discussion about the pros and cons of architectural competitions.
Terraced Design
The “River Park” residential complex has confidently and securely shaped the Nagatinsky Backwater shoreline. Featuring a public embankment, elevated courtyards connected by pedestrian bridges, and brick façades, the development invites exploration of its nuanced response to the surrounding context, as well as hints of the architects’ megalithic design thinking.
A Kremlin’s Core and Meteorite Fragments
We continue our coverage of the competition projects for the residential district that the development company GloraX plans to build along the embankment of the Rowing Channel in Nizhny Novgorod. ASADOV Architects approached the concept through a deep dive into local identity, using storytelling to pinpoint a central idea for the design: the master plan and composition are imagined as if a meteorite had struck a “proto-Kremlin”. Sounds weird? Find more details below!
The Volga Regatta
GloraX plans to develop a residential complex spanning 14 hectares along the Volga River in Nizhny Novgorod. The winning design in a closed-door competition, created by GORA Architects, features housing typologies ranging from townhouses to terraced high-rise slabs, a balance of functions, diverse ways of engaging with the water, and even a dedicated island (no less!) for the city residents.
Life Plans
The master plan for the residential district “Prityazheniye” (“Gravity”) in Naberezhnye Chelny was developed by the architectural company A.Len, taking into account the specific urban planning context and partially implemented solutions of the first phase. However, the master plan prioritized its own values: a green framework, a system of focal points, a hierarchy of spaces, and pedestrian priority. After this, the question of what residents will do in their neighborhood simply doesn’t arise.
A New Track
We took a thorough look at D_Station, a railcar repair depot dating back to 1906, recently reconstructed while preserving its century-old industrial structure, upon the project by Sergey Trukhanov and T+T Architects. Though work on the interiors – set to house restaurants and public spaces – is still underway, the building’s exterior already offers plenty to see. Visitors can explore the blend of old and new brickwork, appreciate the architect’s unique interpretation of ruin aesthetics, and enjoy the newly built pedestrian route that connects the Citydel Business Center’s arches to Kazakova Street.
Four Different Surveys
The “Explore the City” competition, organized this year by the Genplan Institute of Moscow, stands out as a pretty unconventional one for the architectural field but aligns perfectly well with the character of urban planning work. The winning project analyzed contemporary residential complexes, combining urban planning insights with a realtor’s perspective to propose a hybrid approach. Other entries explored public centers, motivations for car ownership, and housing vacancy rates. A fifth participant withdrew. Here’s a closer look at the four completed works.
Scheduled Evolution
ASADOV Architects unveiled the EvyCenter pavilion, a microcultural hub for fostering personal growth, organizing workshops, and doing gymnastics. Additionally, this pavilion serves as a prototype for a scalable country house, drawing inspiration from the “Loskutok” project, and constructed from CLT panels in a factory. This marks the beginning of a developer project initiated by the architectural firm (sic!), which is seeking partners to expand both small Evy settlements and even larger Evy cities, which are, according to Andrey Asadov, aimed at fostering the “evolutionary” development of the people who will inhabit them.
The Golden Crown
The concept for a dental clinic in Yekaterinburg, developed by CNTR Studio, revolves around the idea of a “mouth full of gold”: pristine white porcelain stoneware walls are complemented by matte brass details. To avoid an overly literal interpretation, the architects focused on the building’s proportions, skillfully navigating between sunlight requirements and fire safety regulations.
Flexibility and Integration
Not long ago, we covered the project for the fourth phase of the ÁLIA residential complex, designed by APEX. Now, we’ve been shown different fence concepts they developed to enclose the complex’s private courtyards, incorporating a variety of public functions. We believe that the sheer fact that the complex’s architects were involved in such a detail as fencing speaks volumes.
A Step Forward
The HIDE residential complex represents a major milestone for ADM architects and their leaders Andrey Romanov and Ekaterina Kuznetsova in their quest for a fresh high-rise aesthetic – one that is flexible and layered, capable of bringing vibrancy to mass and silhouette while shaping form. Over recent years, this approach has become ADM’s “signature style”, with the golden HIDE tower playing a pivotal role in its evolution. Here, we delve into the project’s story, explore the details of the complex’s design, and uncover its core essence.
Gold in the Sands
A new office for a transcontinental company specializing in resource extraction and processing has opened in Dubai. Designed by T+T Architects, masters of creating spaces that are contemporary, diverse, flexible, and original, this project exemplifies their expertise. On the executive floor, a massive brass-clad partition dominates, while layered textures of compressed earth create a contextually resonant backdrop.
Layers and Levels of Flight
This project goes way back – Reserve Union won this architectural competition at the end of 2011, and the building was completed in 2018, so it’s practically “archival”. However, despite being relatively unknown, the building can hardly be considered “dated” and remains a prime example of architectural expression, particularly in the headquarters genre. And it’s especially fitting for an aviation company office. In some ways, it resembles the Aeroflot headquarters at Sheremetyevo but with its own unique identity, following the signature style of Vladimir Plotkin. In this article, we take an in-depth look at the United Aircraft Corporation (UAC) headquarters in the Moscow agglomeration town of Zhukovsky, supplemented by recent photographs from Alexey Naroditsky – a shoot that became only recently possible due to the fact that improvements were finally made in the surrounding area.
Light and Shadow
In this article, we delve into the architectural design of the “Chaika” house by DNK ag architects, which was recently completed in 2023 as part of the collection of signature designs at ZILArt. As is well-known, all the buildings in this complex follow a design code, yet each one is distinct. This particular building stands out not only for its whiteness and minimalism but also for the refined use of a limited number of techniques that, together, create what can confidently be called synergy.
Casus Novae
A master plan was developed for a large residential area with a name of “DNS City”, but now that its implementation began, the plan has been arbitrarily reformatted and replaced with something that, while similar on the surface, is actually quite different. This is not the first time such a thing happens, but it’s always frustrating. With permission from the author, we are sharing Maria Elkina’s post.
Treasure Hunting
The GAFA bureau, in collaboration with Tegola and Arkhitail, organized an expedition to the island of Kilpola in Karelia as part of Moskomarkhitektura’s “Open City” festival. There, amidst moss and rocks, the students sought answers to questions like: what is the sacred, where does it dwell, and what sustains it? Assisting the participants in this quest were landscape engineer Evgeny Levin, artist Nicholas Roerich, a moose, and the lack of cellular connection. Here’s how the story unfolded.
Depths of the Earth, Streams of Water
In the Malaya Okhta district, the Akzent building, designed by Stepan Liphart, was constructed. It follows a classic tripartite structure, yet it’s what you might call “hand-drawn”: each façade is unique in its form and details, some of which aren’t immediately noticeable. In this article, we explore the context and, together with the architect, delve into how the form was developed.
Fir Tree Dynamics
The “Airports of Region” holding is planning to build an airport in Karachay-Cherkessia, aiming to make the Arkhyz and Dombay resorts more accessible to travelers. The project that won in an invitation-only competition, submitted by Sergey Nikeshkin’s KPLN, blends natural imagery inspired by the shape of a conifer seed, open-air waiting spaces, majestic large trees, and a green roof elevated on needle-like columns. The result is both nature-inspired and WOW.
​A Brick Shell
In the process of designing a clubhouse situated among pine trees in a prestigious suburban area near Moscow, the architectural firm “A.Len” did the façade design part. The combination of different types of brick and masonry correlates with the volumetric and plastique solutions, further enhanced by the inclusion of wood-painted fragments and metal “glazing”.
Word Forms
ATRIUM architects love ambitious challenges, and for the firm’s thirtieth anniversary, they boldly play a game of words with an exhibition that dives deep into a self-created vocabulary. They immerse their projects – especially art installations – into this glossary, as if plunging into a current of their own. You feel as if you’re flowing through the veins of pure art, immersed in a universe of vertical cities, educational spaces – of which the architects are true masters – and the cultural codes of various locations. But what truly captivates is the bold statement that Vera Butko and Anton Nadtochy make, both through their work and this exhibition: architecture, above all, is art – the art of working with form and space.
Flexibility and Acuteness of Modernity
Luxurious, fluid, large “kokoshniks” and spiral barrel columns, as if made from colorful chewing gum: there seem to be no other mansion like this in Moscow, designed in the “Neo-Russian-Modern” style. And the “Teremok” on Malaya Kaluzhskaya, previously somewhat obscure, has “come alive with new colors” and gained visibility after its restoration for the office of the “architectural ecosystem” as the architects love to call themselves. It’s evident that Julius Borisov and the architects at UNK put their hearts into finding this new office and bringing it up to date. Let’s delve into the paradoxes of this mansion’s history and its plasticity. Spoiler: two versions of modernity meet here, both balancing on the razor’s edge of “what’s current”.
Yuri Vissarionov: “A modular house does not belong to the land”
It belongs to space, or to the air... It turns out that 3D printing is more effective when combined with a modular approach: the house is built in a workshop and then adapted to the site, including on uneven terrain. Yuri Vissarionov shares his latest experience in designing tourist complexes, both in central Russia and in the south. These include houseboats, homes printed from lightweight concrete using a 3D printer, and, of course, frame houses.
​Moscow’s First
“The quality of education largely depends on the quality of the educational environment”. This principle of the last decade has been realized by Sergey Skuratov in the project for the First Moscow Gymnasium on Rostovskaya Embankment in the Khamovniki district. The building seamlessly integrates into the complex urban landscape, responding both to the pedestrian flow of the city and the quiet alleyways. It skillfully takes advantage of the height differences and aligns with modern trends in educational space design. Let’s take a closer look.
Looking at the Water
The site of Villa Sonata stretches from the road to the water’s edge, offering its own shoreline, pier, and a picturesque river panorama. To reveal these sweeping views, Roman Leonidov “cut” the façade diagonally parallel to the river, thus getting two main axes for the house and, consequently, “two heads”. The internal core – two double-height spaces, a living room and a conservatory, with a “bridge” above them – makes the house both “transparent” and filled with light.
The White Wing
Well, it’s not exactly white. It’s more of a beige, white-stone structure that plays with the color of limestone – smoother surfaces are lighter, while rougher ones are darker. This wing unites various elements: it absorbs and interprets the surrounding themes. It responds to everything, yet maintains a cohesive expression – a challenging task! – while also incorporating recognizable features of its own, such as the dynamic cuts at the bottom, top, and middle.
Urban Dunes
The XSA Ramps team designed and built a three-part sports hub for a park in Rostov-on-Don, welcoming people of all ages and fitness levels. The skate plaza, pump track, and playground are all meticulously crafted with details that attract a diverse range of visitors. The technical execution of the shapes and slopes transforms this space into a kind of sculptural composition.
Proportional Growth
The project for the fourth phase of the ÁLIA residential area has been announced. The buildings are situated on an elongated plot – almost a “ray” that shoots out from the center of the area towards the river. Their layout reflects both a response to Moscow’s architectural preferences over the past 15 years, shifting “from blocks to towers”, and an interpretation of the neighboring business park designed by SOM. Additionally, the best apartments here are not located at the very top but closer to the middle, forming a glowing “waistline”.