По-русски

Vladimir Bindeman: "The architecture that we have here is quite up to the western standards - what we are still missing is the respect for the architects"

On Thursday, Museum of Architecture opens the exhibition called "Gorod Architecturium" dedicated to the tenth anniversary of the architectural studio of the same name. What has the studio been able to achieve over these years - about this we are talking to its founder Vladimir Bindeman.

23 June 2014
Interview
mainImg

Senior managemant of "Architecturium" Studio. Vladimir Bindeman is in the center © "Architecturium"

Archi.ru: Vladimir, let us start from the start: who founded "Architecturium"? How did you come up with this name and which was the first project that your studio did?

Vladimir Bindeman: "Architecturium" was founded in May of 2004. By that day, it had almost been ten years since I quit working with official and municipal structures and was mainly doing private commissions with a group of like-minded colleagues of mine. In the spring of 2004, our team won the contest organized by "Modern House" magazine for the townhouse settlement of "Novo-Arkhangelskoe", and it was this victory that stirred us to found a fully-fledged studio of our own. As for the name, this was a "set piece" that I had up my sleeve - it rings of "impressive" Latin terms that end in "ium". Besides, back in those days I was a great fan of the Russian rock-band called "Aquarium"... So, now we have a way of telling out customers and colleagues that "Architecturium" is the place where architects and architecture live at peace with one another. 


Novo-Arkhangelskoe Settlement © "Architecturium"


Novo-Arkhangelskoe Settlement © "Architecturium"


Novo-Arkhangelskoe Settlement © "Architecturium"

- In other words, "Novo-Arkhangelskoe" became for your studio the "kick-off" project that predestined your specialization in townhouse settlements? 

- This project did not bring us any revenue but it did bring us recognition, thanks to which we later on got a lot of customers with orders for designing townhouse settlements. And even our today's "multisession" project - the Olympian Village Novogorsk - came to us thanks to "Novo-Arkhangelskoe". As for the subject of townhouses, I was into it ever since I embarked on my freelance career in the early 90's, and one can safely say that I am still exploring this idea - "from a cottage to a townhouse block". Back in the 1998-99 I was literally "burning" with this theme, offering it to every investor and trying to convince them that a townhouse is a lot more dependable than a villa and is a lot better suited for the Moscow suburbs. This resulted in the first three houses for "MIEL" company in Romashkovo, designed and built in 1999-2000.


Townhouses in Romashkovo © "Architecturium"


Townhouses in Romashkovo © "Architecturium"

After that, there was a contest with the same investor, only this time for "Barvikha-Club" and the already-mentioned "Novo-Arkhangelskoe". In the latter we did some serious work with the block planning options and came up with give different combinations. Then we did the settlements - "quarters" - for "METRA-Development" - "Ilinsky" and "Rizhsky" where we perfected our expertise and architectural style. And, as for the projects of "Olympic Village", they incorporated all the experience that we accumulated. 


"Ilinsky Quarter" © "Architecturium"


"Rizhsky Quarter" © "Architecturium"


Kuzminskoe Settlement © "Architecturium"

- What was it about the idea of townhouse that attracted you so much? 

- First of all, its planning possibilities. The variability of its planning solutions that provided an opportunity to create a cozy little city. This type of opportunity is not provided by the cottage settlement. Townhouse planning is something that you can describe with the term "community" - which you cannot say about the heavily fenced villas. You can arrange townhouses to make streets, courtyards, and even squares. It was a truly exciting thing for me to do. 

- You seem to be speaking about it in the past tense. However, "Architecturium" still does townhouses, it would be enough to mention the third stage of the "Olympic Village Novogorsk" or the settlement of "Andersen" that, along with the multi-story buildings, includes townhouses as well. 

- I hope that these two projects will be out last statement on the subject of this particular typology. Now I am really sceptic about this subject because I think that the townhouse is just not meant for Russia. At least, at the present stage of development. Objectively, the townhouse is mean for tolerant communities, open-minded and friendly. Also, meaning-well and law-abiding people, simply because living in a block house presupposes respect of the neighbors to one another, as well as to the house itself. Living "wall-to-wall" at a plot that is on an average nine meters wide makes you learn how to say hello to your neighbor and learn how to be cool about his children playing noisy games. Respect means that you will not build a gazebo the size of the whole plot and getting in the way of everybody's light, that you will not uglify the house with "outlaw" annexes and all.


"Andersen" © "Architecturium"


"Andersen" © "Architecturium"

The thing is that the buyers of townhouses are a very specific segment of the country real estate market. For many people, a townhouse is "more than a flat, yet less that a villa" - but, because they still want to live in a villa, they treat this house that they've purchased as their own one. The percentage of the rebuilt and reprinted townhouses beats any power of imagination: neither us, nor our colleagues that build townhouses can be sure that they will see them in the original state half a year after the purchase. And it is not because the planning solutions leave much to be desired - it is about the buyers and the real estate agents. I once asked one of such customers a question: "If you want to remodel so much and build extra stuff worth half of the plot, why did you not go and buy an individual villa?" The answer could have knocked me down with a feather: "Actually, I did build a villa! And now I want a townhouse!" No comments. 

So, generally, as the pioneer of the "townhouse" movement, I can safely say that over these years I've come to a complete denial of it. Simply because of the fact that your work on the project of blocked houses boils down to trying to figure out what the future owners might want to rebuild - and eliminate such a possibility. I cannot even afford a flat roof: take Romashkovo, for example - all the flat roofs were overbuilt...

- Perhaps, the expansion of Moscow could somehow improve the situation? As far as I understand, after the expansion of Moscow the proverbial "Andersen" turned into a Moscow project and it is common knowledge that Moscow is a lot more attentive to the process of implementation of the approved projects than its region is. 

- I cannot help but admit: things became a bit more organized after the southeast area was annexed by Moscow. And the same client of "Andersen", for example, really hopes that his buildings will be kept in the original shape and form, while we, in turn, hope that we have a right to expect that the territory planning that we designed will be implemented in full measure - which will give our project the desired integrity and the comfort of the environment that is great to live in. 

- If you are through with the townhouse then what typology is the most interesting to you today?

- This is still the idea of integrated development of the territories, only now it's low-rise and medium-rise housing. In particular, I would really like to overcome today's poverty of planning solutions offered by the developers. It's pathetic that now it is only studio and double-room apartments that are designed - just because they are easier of all to sell. The developer's reasoning is really on a grassroots level: "If somebody needs more, they are going to buy two apartmnents". But we do realize that the house is not elastic! A great three-room apartment is not equal to a studio and a double welded together: in the bearing walls the owners will be at best allowed to make a standard doorway. This is why, by the way, I always ask my designers to foresee these things in advance and design more columns and fewer pylons. In Novogorsk, for example, we had to move the reinforced-concrete pylons. 


Apartment house in the settlement of "Olympic Village Novogorsk" © "Architecturium"


Residential and sports complex "Olympic Village Novogorsk" © "Architecturium"

- In one of your interviews you said that now architecture could be bought and sold - the way I see it, this is a very accurate description of what you seem to be describing...

- It is enough to hear the modern developers speak about architecture. The things that we put out souls into - they just call them "product", no more, no less. And this "product" is only considered successful if it sells quickly. Generally, I have to mention at this point that the average project is influenced by the sales departments and their leaders all but totally, and the final decisions is made not by this or that person but by a "board if directors". Besides the obvious fact that it is very inconvenient and the fact that it takes them forever, it speaks about the level of trust to the professionals: today it's simply non-existent. And, while the main purpose of the designer is quality architecture, the purpose of the developer is selling the product as quickly as possible. Probably, it is always the case with the forming capitalism. I am reading right now "Delirious New York" by Rem Koolhaas - in the 1930's, in the USA, it was the same, even the Rockefeller Center was many times rebuilt to satisfy the leaseholders. I think that fighting it is only possible by personal connections and convictions. 

- So this means that there are customers out there that can be persuaded into doing the right thing?

- Very few and far between. There are too many heartless manages out there that will listen politely to everything you have to say but then will fall in with the decision of their board. Today, regretfully, there are no bright personalities in the developer business. The "authoritative" leaders have their weak and strong points - but one thing us certain: creative people form a trend, and passive people follow suit in its wake without caring too much about things. 


Residential complex "Olympic Village Novogorsk. Apartments" © "Architecturium"

- How is the working process organized in "Architecturium"? Is this all about the team work or is it a team that only works under your supervision? 

- Initially, of course, it was only one team. Speaking, again, of "Novo-Arkhangelskoe", we did it as a team of five people. Right now we have a few teams - but they do not a fixed lineup because they are formed for each specific project. Right now, there are 30 people on our studio, 4 of them being designers, 4 office managers, and the others are architects, including five chief architects of the project. 

- How actively are you personally involved in the development of the projects by your studio?

- I, as always, am responsible for the general architectural and planning solution, going through the options and choosing the best one. And, since I am the "playing coach", I do the sketches myself. This applies to the town-planning, as well as the architectural projects. At the same time the chiefs, as well as all the architects of our studio that want to propose an idea of their own, are entirely welcome to do so, furthermore, I always encourage them to do that - the way I see it, this is about the only way to come up with a worthy solution. Generally, the more I live, the more I am convinced that the modern architecture simply cannot be based on the architect's taste alone. Especially when it comes to town-planning! I will give you a simple example here. There was a time when I thought that all the roofs of low-rise housing must be blue. "Novo-Arkhangelskoe" is done in this way, as well as the Sochi health center, and I always insisted on that point, making the customers comply with my taste and overpay for the building materials. Now, looking back, I think that that it was voluntarism in its pure form! So, generally, it is a better thing to do trying to find rational, and not emotional, justification for your architectural solutions. 


Residential complex "Olympic Village Novogorsk. Apartments" © "Architecturium"

- Are there orders that "Architecturium" chooses to turn down? 

- Actually, we all but never get to do stand-alone projects. So it turned out that we mainly work with territories doing integrated housing projects. Now I would probably feel strange getting down to work on some separate project. Well, I might do so in Moscow, maybe. Even in this case, however, we would have started our work from the inevitable survey of the town-planning context and would have ended with the landscaping. Oh, yes, by the way, if the customer is not ready to commission us with the landscaping job - this is when we turn the project down. We firmly believe that landscaping is the fifth facade of architecture, even more important than the roof, and it needs to be the direct continuation of the ideas and visions that are there in the very soul of the building. 

- What qualities must an architect possess to be admitted to work in your company?

- Our main requirement is that this person should love and understand modern architecture. And we do not like the "I've-seen-it-all" type. 

- And, speaking of the modern western architecture, which examples of it would you like to bring over to the Russian soil? 

- I think that the architecture that we have here is quite up to the western standards. The quote-unquote classicism has long since stopped being a mass trend and this seems to me almost the most important achievement of the last two years. Remembering back to the time when we exhibited with "Romashkovo" at "Under the Roof" show back in 2002, our stands were all surrounded by castles and chalets - and now they are very few and far between. So, if we are to borrow something from the West, this must be the respect to the architect's work - both from the customers and the society.
zooming


23 June 2014

Headlines now
Daring Brilliance
In this article, we are exploring “New Vision”, the first school built in the past 25 years in Moscow’s Khamovniki. The building has three main features: it is designed in accordance with the universal principles of modern education, fostering learning through interaction and more; second, the façades combine structural molded glass and metallic glazed ceramics – expensive and technologically advanced materials. Third, this is the school of Garden Quarters, the latest addition to Moscow’s iconic Khamovniki district. Both a costly and, in its way, audacious acquisition, it carries a youthful boldness in its statement. Let’s explore how the school is designed and where the contrasts lie.
A Twist of the Core
A clever and concise sculptural solution – rotating each floor by N degrees – has created an ensemble of “dancing” towers: similar yet different, simple yet complex. The designers meticulously refined a single structural node and spent considerable effort on the column construction – after that, “everything else was easy”. The architects also rotated the core walls on each floor to maximize the efficiency of the office spaces.
The Sculpting of Spring Forest Matter
We’ve been observing this building for a couple of years now: seemingly simple, perhaps even unassuming, it fits in remarkably well with the micro-district context shaped by the Moscow MCD road junctions. This building sticks in the memory of everyone who drives along the highway, even occasionally. In our opinion, Sergey Nikeshkin, by blending popular architectural techniques and approaches of the 2010s, managed to turn a seemingly simple structure into a statement “on the theme of a house as such”. Let’s figure out how this happened.
Water and Wind Whet the Stone
The Arisha Terraces residential complex, designed by Asadov Architects, will be built in a district of Dubai dedicated to film and television production. To create shaded spaces and an intriguing silhouette, the architects opted for a funnel-shaped composition and nature-inspired forms of erosion and weathering. The roofs, podium, and underground spaces extend leisure opportunities within the boundaries of a man-made “oasis”.
Elevation 5642
The Genplan Institute of Moscow has developed a comprehensive development project for three ski resorts in the Caucasus, which have been designated as special economic zones of the tourism and recreation type. The first of these zones is Elbrus. The project includes the construction of new ski runs, cable cars, and hotels, as well as the modernization of stations and improvements to the Azau tourist meadow. To expand the audience and enhance year-round appeal, a network of eco-trails is also being developed. In this article, we provide a detailed breakdown of each stage.
The IT Town
Taking the example of the first completed phase of the “U” district, we examine how the new neighborhood in Innopolis will be organized. T+T Architects and HADAA formed a well-balanced and ingenious master plan with different types of housing, a green artery, a system of squares, and a park in the town’s central part.
The Heart Lies Within
The second-phase building of the Evgeny Primakov School already won multiple awards while still in the design stage. Now that it’s completed, some unfinished nuances remain – most notably, the exposed ceiling structures, which ideally should have been concealed. However, given the priority placed on the building’s volumetric composition, this does not seem critical. What matters more is the “Wow!” effect created by the space itself.
Magnetic Forces
“Krylatskaya 33” is the first large-scale residential complex to appear amidst the 1980s “micro-districts” that harmoniously coexist with the forests, the river, the slopes, and the sports infrastructure. Despite its imposing scale, the architects of Ostozhenka managed to turn the complex into something that can be best described as a “graceful dominant”. First, they designed the complex with consideration for the style and height of the surrounding micro-districts. Second, by introducing a pause in its tallest section, they created compositional tension – right along the urban planning axis of the area.
Orion’s Belt
The Stone Khodynka 2 office complex, designed by Kleinewelt Architekten for the company Stone, is built with an ergonomic layout following “healthy building” principles: natural light, ventilation, and all the necessary features for an efficient office environment. On the outside, it resembles – like many contemporary buildings – an iPhone: sleek, glowing, glass-and-metal, edges elegantly rounded. Yet, it responds sensitively to the Khodynka context, where the main theme is the contrast between vertical and horizontal lines. The key intrigue lies in the design of the “stylobate” as a suspended passage, leaving the space beneath it open for free pedestrian movement.
Grigory Revzin: “It Was a Bold Statement Made on the Sly. Something Won”
In this article, we discuss the debates surrounding the circus competition and the demolition of the CMEA building with the most renowned architectural critic of our time. A paradox emerges in the process: while nostalgia for the Brezhnev era seems to be in vogue in Russia, a landmark building – the “axis” of the Warsaw Pact – has been sentenced to demolition. Isn’t that strange? We also find out that wow-architecture has made a comeback as a post-COVID trend. However, to make a truly powerful statement, professionals still remain indispensable.
Exposed Concrete
One of the stages of improving a small square in the town of Lermontov was the construction of a skatepark. Entrusting this part of the project to the XSA team, the city gained a 250-meter trick track whose features resemble those of land art objects – unparalleled in Russia in both scale and design. Here’s a look at how the experimental snake run in the foothills of the Caucasus was built.
One Step Closer To the Dream
The challenges of getting all the mandatory approvals, an insufficient budget, and construction site difficulties did not prevent ASADOV Bureau from achieving its main goal in the realization of the school project in the town of Troitsk – taking another step away from outdated notions of educational spaces toward creating a fundamentally new academic environment.
Chalet on the Rock
An Accor hotel in Arkhyz, designed by A.Len, will be situated at the gateway to the resort’s main tourist hubs. The architects reinterpreted the widely popular chalet style while adding an unexpected twist – an unfinished structure preserved on the site. The design team transformed this remnant into an exciting space featuring an open-air pool and a restaurant with panoramic views of the region’s highest mountain ridges.
Sergey Skuratov: “By and large, the project has been realized in line with the original ideas”
In this issue, we talk to the chief architect of Garden Quarters, looking back at the history and key moments of a project that took 18 years to develop and has now finally been completed. What interests us most are the transformations that the project underwent during construction, and the way the “necessary void” of public space was formed, which turned this remarkable complex into a fragment of a whole new type of urban fabric – not just at the horizontal “street” level but in its vertical structure as well.
A Unique Representative
The recently concluded year 2024 can be considered the year of completion for the “Garden Quarters” residential complex in Moscow’s Khamovniki. This project is well-known and, in many ways, iconic. Rarely does one manage to preserve such a number of original ideas, achieving in the end a kind of urban planning Gesamtkunstwerk. Here is a subjective view from an architecture journalist, with an interview with Sergey Skuratov soon to follow.
Field of Life
The new project by the architectural company PNKB (an acronym for “Design, Research, and Advisory Bureau”), led by Sergey Gnedovsky and Anton Lyubimkin, for the Kulikovo Field Museum is dedicated to the field as a concept in its own right. The field has long been a focus of the museum’s thorough and successful research. Accordingly, the exterior of the new museum building is gentler than that of its predecessor, which was also designed by PNKB and dedicated specifically to the historic battle. Inside, however, the building confidently guides the visitor from a luminous atrium along a spiral path to the field – interpreted here as a field of life.
A Paper Clip above the River
In this article, we talk with Vitaly Lutz from the Genplan Institute of Moscow about the design and unique features of the pedestrian bridge that now links the two banks of the Yauza River in the new cluster of Bauman Moscow State Technical University (MSTU). The bridge’s form and functionality – particularly the inclusion of an amphitheater suspended over the river – were conceived during the planning phase of the territory’s development. Typically, this approach is not standard practice, but the architects advocate for it, referring to this intermediate project phase as the “pre-AGR” stage (AGR stands for Architectural and Urban Planning Approval). Such a practice, they argue, helps define key parameters of future projects and bridge the gap between urban planning and architectural design.
Living in the Architecture of One’s Own Making
Do architects design houses for themselves? You bet! In this article, we are examining a new book by TATLIN publishing house. This book – unprecedented for Russia – features 52 private homes designed and built by contemporary architects for themselves. It includes houses that are famous, even iconic, as well as lesser-known ones; large and small, stylish and eccentric. To some extent, the book reflects the history of Russian architecture over the past 30 years.
A City Block Isoline
Another competition project for a residential complex on the banks of the Volga in Nizhny Novgorod has been prepared by Studio 44. A team of architects led by Ivan Kozhin concluded that using a regular block layout in such a location would be inappropriate and developed a “custom design” approach: a chain of parceled multi-section buildings stretching along the entire embankment. Let’s explore the features and advantages of this unconventional method.
Competition: The Price of Creativity?
Any day now, we’re expecting the results of a competition held by the “Samolet” development group for a plot in Kommunarka. In the meantime, we share the impressions of Editor-in-Chief Julia Tarabarina, who managed to conduct a public talk. Though technically focused on the interaction between developers and architects, the public talk turned into a discussion about the pros and cons of architectural competitions.
Terraced Design
The “River Park” residential complex has confidently and securely shaped the Nagatinsky Backwater shoreline. Featuring a public embankment, elevated courtyards connected by pedestrian bridges, and brick façades, the development invites exploration of its nuanced response to the surrounding context, as well as hints of the architects’ megalithic design thinking.
A Kremlin’s Core and Meteorite Fragments
We continue our coverage of the competition projects for the residential district that the development company GloraX plans to build along the embankment of the Rowing Channel in Nizhny Novgorod. ASADOV Architects approached the concept through a deep dive into local identity, using storytelling to pinpoint a central idea for the design: the master plan and composition are imagined as if a meteorite had struck a “proto-Kremlin”. Sounds weird? Find more details below!
The Volga Regatta
GloraX plans to develop a residential complex spanning 14 hectares along the Volga River in Nizhny Novgorod. The winning design in a closed-door competition, created by GORA Architects, features housing typologies ranging from townhouses to terraced high-rise slabs, a balance of functions, diverse ways of engaging with the water, and even a dedicated island (no less!) for the city residents.
Life Plans
The master plan for the residential district “Prityazheniye” (“Gravity”) in Naberezhnye Chelny was developed by the architectural company A.Len, taking into account the specific urban planning context and partially implemented solutions of the first phase. However, the master plan prioritized its own values: a green framework, a system of focal points, a hierarchy of spaces, and pedestrian priority. After this, the question of what residents will do in their neighborhood simply doesn’t arise.
A New Track
We took a thorough look at D_Station, a railcar repair depot dating back to 1906, recently reconstructed while preserving its century-old industrial structure, upon the project by Sergey Trukhanov and T+T Architects. Though work on the interiors – set to house restaurants and public spaces – is still underway, the building’s exterior already offers plenty to see. Visitors can explore the blend of old and new brickwork, appreciate the architect’s unique interpretation of ruin aesthetics, and enjoy the newly built pedestrian route that connects the Citydel Business Center’s arches to Kazakova Street.
Four Different Surveys
The “Explore the City” competition, organized this year by the Genplan Institute of Moscow, stands out as a pretty unconventional one for the architectural field but aligns perfectly well with the character of urban planning work. The winning project analyzed contemporary residential complexes, combining urban planning insights with a realtor’s perspective to propose a hybrid approach. Other entries explored public centers, motivations for car ownership, and housing vacancy rates. A fifth participant withdrew. Here’s a closer look at the four completed works.
Scheduled Evolution
ASADOV Architects unveiled the EvyCenter pavilion, a microcultural hub for fostering personal growth, organizing workshops, and doing gymnastics. Additionally, this pavilion serves as a prototype for a scalable country house, drawing inspiration from the “Loskutok” project, and constructed from CLT panels in a factory. This marks the beginning of a developer project initiated by the architectural firm (sic!), which is seeking partners to expand both small Evy settlements and even larger Evy cities, which are, according to Andrey Asadov, aimed at fostering the “evolutionary” development of the people who will inhabit them.
The Golden Crown
The concept for a dental clinic in Yekaterinburg, developed by CNTR Studio, revolves around the idea of a “mouth full of gold”: pristine white porcelain stoneware walls are complemented by matte brass details. To avoid an overly literal interpretation, the architects focused on the building’s proportions, skillfully navigating between sunlight requirements and fire safety regulations.
Flexibility and Integration
Not long ago, we covered the project for the fourth phase of the ÁLIA residential complex, designed by APEX. Now, we’ve been shown different fence concepts they developed to enclose the complex’s private courtyards, incorporating a variety of public functions. We believe that the sheer fact that the complex’s architects were involved in such a detail as fencing speaks volumes.
A Step Forward
The HIDE residential complex represents a major milestone for ADM architects and their leaders Andrey Romanov and Ekaterina Kuznetsova in their quest for a fresh high-rise aesthetic – one that is flexible and layered, capable of bringing vibrancy to mass and silhouette while shaping form. Over recent years, this approach has become ADM’s “signature style”, with the golden HIDE tower playing a pivotal role in its evolution. Here, we delve into the project’s story, explore the details of the complex’s design, and uncover its core essence.