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Circles on the Walls

In this issue, we showcase one of the most widely discussed interior designs of the year - the restaurant of the famous Central House of Writers, renovation of which was done by the famous architectural bureau WOWHAUS.

19 June 2014
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Reconstruction of the restaurant of the Central House of Writers © WOWHAUS

The restaurant of the Central House of Writers appeared in the 1930's as a cafe of the Writers' Union that was then occupying the Olsufievs Mansion built back in 1886–1887. This place gained an almost instant popularity: the famous writers not only dined here but also read their manuscripts, celebrated their birthdays, and had heated discussions as well. The walls of the CHW remember Tvardovsky, Zoschenko, Sholokhov, Okudzhava, as well as Nils Bor, Marlene Dietrich, Indira Gandi, and many other celebrities. After the fall of socialism, the restaurant for years retained the heavyweight aura of the stagnation era: it was quite an expensive place to eat in, and the interior "supported" the sky-high prices with the brazen luxury of the velvet curtains and oak panels. When the restaurant changed its owner last year, the issue of renewing its "face" was instantly raised. Developing a new groundbreaking gastronomic concept for the CHW, the restaurant owner Aleksey Zimin turned to WOWHAUS Bureau with a request to design a bright and dramatic but at the same time easily replaceable interior that would be oriented for the new clientele of the restaurant - workers of the creative industries aged from 25 to 45. 


Reconstruction of the restaurant of the Central House of Writers © WOWHAUS


Reconstruction of the restaurant of the Central House of Writers © WOWHAUS

The challenge of this task consisted in the fact that the new design was not supposed to "cross out", let alone oust, the historical adornment. The monument architecture and just a milestone place of the nation's culture were to be kept completely intact, this is why all the authentic elements of the neogothic interior - the oak panels, the fireplaces, and the chandeliers (including the one that was originally going to become the jewel of "Komsomolskaya" Hotel) - were all in one bunch transferred into the project of its renovation, in fact, even before the moment that the architects actually got down to work. "The solution just what to do with all these things came to us rather soon - shares Dmitry Likin, partner of WOWHAUS. Due to the fact that nobody performed a fully-fledged historic and restoration inspection of the building's interior, any serious intervention could have possibly led to damages. It was decided to act in accordance with the logic of art-intervention - meaning, to put a new layer upon the old interior. It will switch the guest's attention onto itself, it will create a different atmosphere but, should this be necessary, it can be easily changed or even removed". 


Reconstruction of the restaurant of the Central House of Writers © WOWHAUS

In other words, the choice was at once made in favor of several quick-mount materials - namely, gypsum plasterboard and MDF that, if needed, could be dismantled literally overnight. It is these materials that create in the historical interior the contemporary "layer" treating the originally set neogothic theme through the ornament and light-and-color effects. "The new image of the restaurant is based on the contrast of the interior's historical details executed from wood and the technologies that create a composition that is resonant of today" - Oleg Shapiro adds. 


Reconstruction of the restaurant of the Central House of Writers © WOWHAUS

For example, the walls of the foyer that is the first to greet the guests if the restaurant - the architects re-painted them gray-blue, applying to this background a lot of circles with light-reflecting properties. Appearing here for the first time, the circle becomes the theme that runs through all the premises of the restaurant - this is generally one of the favorite techniques of WOWHAUS, and, one must say that it in the interior it sounds a lot more intimately than it does in the decoration of public outdoor areas.

The stairway that leads from the foyer to the restaurant, also underwent complete transformation. In order to give this structure a less massive look, the architects installed on each stair snow-white triangular frames with a backlight. Following the shift of the steps, these structures form an imposing-looking perspective portal: leading into the main premises of the restaurant, it unambiguously warns the guests not only about the drastic change of image of the place but also about the very nature of the transformation that occurred.


Reconstruction of the restaurant of the Central House of Writers © WOWHAUS


Reconstruction of the restaurant of the Central House of Writers © WOWHAUS


Reconstruction of the restaurant of the Central House of Writers © WOWHAUS

In thus sense, the corridors of the restaurant look particularly expressive. Their ceilings conceal the air chutes and ventilation ducts, while below them there are there is a layer of cylinder-shaped lights. They not only conceal the chutes but also make the ceiling look lower, giving extra intrigue to the passes from one hall to another.


Reconstruction of the restaurant of the Central House of Writers © WOWHAUS

The mantel rooms of the CHW, although situated on different floors, are still designed in the similar fashion. Their design uses multiple repeating elements: the same circles and the repeating damask pattern. At the same time, in the lower room, the latter - yet another "genre classic" for neogothic - serves as the background, upon which panels with perforation in the form of circles are applied. Also interesting is the fact that the architects also backlight their multilayer plastic panels with blue light, thus attracting all the visitors' attention to them and making a diversion from the heavyweight decoration if the premises. In the upper hall, these same elements become flat, repeating themselves in the pattern of the wallpaper. The wall lights continue to develop the "circle" theme as the leitmotif of the restaurant's decoration, while the main lighting is provided by the suspended chandelier that consists of a multitude of cylinders. 


Reconstruction of the restaurant of the Central House of Writers © WOWHAUS


Reconstruction of the restaurant of the Central House of Writers © WOWHAUS

Probably, the place where the concept of a modern layer freely laid over the historical one manifests itself the most is the Oak Hall. Here, again, the task was to distract the guests from the all-too-high-brow interior, and the architects decorate the oak panels with a glittering pattern. Interesting is the fact that these screens run along the perimeter of the hall on a level with the faces of the people sitting behind the tables, which all the more enhances the independence and conditional status of the new "layer". The two-layer perforated false walls from MDF are decorated with a pattern that repeats, in an exaggerated way, the patterns of this hall's main pride - the immense stained-glass window. The outer layer is cut through with circles, and the outer layer - with diamonds, and they are backlit by a warm yellow glow that creates a peculiar play of geometric shapes that echoes the play of light in the stained glass. 


Reconstruction of the restaurant of the Central House of Writers © WOWHAUS


Reconstruction of the restaurant of the Central House of Writers © WOWHAUS


Reconstruction of the restaurant of the Central House of Writers © WOWHAUS

Besides, the hall has in it white separation screens - white backlit partitions, also made from MDF and perforated with a pattern that freely interprets the neogothic language. In order to visually shrink a little the double-height hall and create here a more intimate atmosphere, the architects used, for lighting the tables, bulb lights suspended in a metal framework. In the central zone they are mounted onto the ceiling, while in the couch area they are fastened on the tall couch backs. As was already said, the architects were also able to preserve the CHW's special pride - the immense crystal chandelier: on the level of the second tier, the architects installed a huge panel picture dedicated to good, the very magnitude of which rhymes with the glory of the chandelier. 


Reconstruction of the restaurant of the Central House of Writers © WOWHAUS

Developed by WOWHAUS, the concept of renovating the interior of the famous restaurant did not get universal critical acclaim: some people, to be sure, shudder at the very idea of marrying the "sturdy" wood and the plastic that does not even make an attempt to pay a lip service to this noble material. Probably, if one takes transformation seriously, such complaints would have made sense - but the key to understanding this interior lies in the very fact that one needs to realize that this renovation was not done "for ages to come". "The pattern was based on the "golden shields against the azure field" - almost childish interpretation of the chivalrous heraldry - Dmitry Likin explains - applied to the decorative panels, it starts to play with the pseudo-gothic historical interior, destroying its grandeur and thus performing its main task of creating a light and sharp-witted space". 


Reconstruction of the restaurant of the Central House of Writers © WOWHAUS


Reconstruction of the restaurant of the Central House of Writers © WOWHAUS


Reconstruction of the restaurant of the Central House of Writers © WOWHAUS


Reconstruction of the restaurant of the Central House of Writers © WOWHAUS


Reconstruction of the restaurant of the Central House of Writers © WOWHAUS


Reconstruction of the restaurant of the Central House of Writers © WOWHAUS


Reconstruction of the restaurant of the Central House of Writers © WOWHAUS


Reconstruction of the restaurant of the Central House of Writers © WOWHAUS


19 June 2014

Headlines now
“Strangers” in the City
We asked Alexander Skokan for a comment on the results of 2025 – and he sent us a whole article, moreover one devoted to the discussion we recently began on the “appropriateness of high-rises” – or, more broadly speaking, “contrasting insertions into the urban fabric”. The result is a text that is essentially a question: why here? Why like this?
Dmitry Ostroumov: “To use the language of alchemy, we are involved in the process of “transmutation...
What we ended up having was an extremely unusual conversation with Dmitry Ostroumov. Why? At the very least, because he is not just an architect specializing in the construction of Orthodox churches. And not just – which is an extreme rarity – a proponent of developing contemporary stylistics within this still highly conservative field. Dmitry Ostroumov is a Master of Theology. So in addition to the history and specifics of the company, we speak about the very concept of the temple, about canon and tradition, about the living and the eternal, and even about the Russian Logos.
A Glazed Figurine
In searching for an image for a residential building near the Novodevichy Convent, GAFA architects turned to their own perception of the place: it evoked associations with antiquity, plein-air painting, and vintage artifacts. The two towers will be entirely clad in volumetric glazed ceramic – at present, there are no other buildings like this in Russia. The complex will also stand out thanks to its metabolic bay-window cells, streamlined surfaces, a ceremonial “hotel-style” driveway, and a lobby overlooking a lush garden.
A Knight’s Move via the Cour d’Honneur
Intercolumnium Architects presented to the City Planning Council a residential complex project that is set to replace the Aquatoria business center on Vyborgskaya Embankment. Experts praised the overall quality of the work, but expressed reservations about the three cour d’honneurs and suggested softening the contrast between the facades facing the embankment and the Kantemirovsky Bridge.
A Small Country
Mezonproekt is developing a long-term master plan for the MEPhI campus in Obninsk. Over the next ten years, an enclave territory of about 100 hectares, located in a forest on the northern edge of the city, is set to transform into a modern center for the development of the nuclear energy sector. The plan envisions attracting international students and specialists, as well as comprehensive territorial development: both through the contemporary realization of “frozen” plans from the 1980s and through the introduction of new trends – public spaces, an aquapark, a food court, a school, and even a nuclear medicine center. Public and sports facilities are intended to be accessible to city residents as well, and the campus is to be physically and functionally connected to Obninsk.
Pearl Divers
GAFA has designed an apartment complex for Derbent intended to switch people from a work mode to a resort mindset – and to give the surrounding area a much-needed jolt. The building offers two distinct faces: restrained and laconic on the city side, and a lushly ornate façade facing the sea. At the heart of the complex, a hidden pearl lies – an open-air pool with an arch, offering views of a starry sky, and providing direct access to the beach.
A Satellite Island
The Genplan Institute of Moscow has prepared a master plan for the development of the Sarpinsky and Golodny island system, located within the administrative boundaries of Volgograd and considered among the largest river islands in Russia. By 2045, the plan envisions the implementation of 15 large-scale investment projects, including sports and educational clusters, a congress center with a “Volgonarium”, a film production cluster, and twenty-one theme parks. We explain which engineering, environmental, and transportation challenges must be addressed to turn this vision into reality. The master plan solutions have already been approved and incorporated into the city’s general development plan.
The Amber Gate
The Amber City residential complex is one of the redevelopment projects in the former industrial area located beyond Moscow’s Third Ring Road near Begovaya metro station. Alexey Ilyin’s studio proposed an original master plan that transformed two clusters of towers into ceremonial propylaea, gave the complex a recognizable silhouette, and established visual connections with new high-rise developments on both right and left – thus integrating it into the scale of the growing metropolis. It is also marked by its own futuristic stylistic language, based on a reinterpreted streamline aesthetic.
A Theater Triangle
The architectural company “Chetvertoe Izmerenie” (“Fourth Dimension”) has developed the design for a new stage of the Magnitogorsk Musical Theater, rethinking not only theater architecture but also the role of the theater in the contemporary city.
Aleksei Ilyin: “I approach every task with genuine interest”
Aleksei Ilyin has been working on major urban projects for more than 30 years. He has all the necessary skills for high-rise construction in Moscow – yet he believes it’s essential to maintain variety in the typologies and scales represented in his portfolio. He is passionate about drawing – but only from life, and also in the process of working on a project. We talk about the structure and optimal size of an office, about his past and current projects, large and small tasks, and about creative priorities.
​A Golden Sunbeam
A compact brick-and-metal building in the growing Shukhov Park in Vyksa seems to absorb sunlight, transform it into yellow accents inside, and in the evening “give it back” as a warm golden glow streaming from its windows. It is, frankly, a very attractive building: both material and lightweight at the same time, with lightness inside and materiality outside. Its form is shaped by function – laconic, yet far from simple. Let’s take a closer look.
Architecton Awards
In 2025, the jury of the Architecton festival reviewed the finalist projects through live, open presentations held right in the exhibition hall – a rather engaging performance, and something rarely seen among Russian awards. It would be great if “Zodchestvo” adopted this format. Below, we present all the winning projects, including four special nominations.
Garden of Knowledge
UNK architects and UNK design created the interiors of the Letovo Junior campus, working together with NF Studio, which was responsible for developing the educational technology that takes into account the needs and perception of younger and middle school children.
The Silver Skates
The STONE Kaluzhskaya office quarter is accompanied by two residential towers, making the complex – for it is indeed a single ensemble – well balanced in functional terms. The architects at Kleinewelt gave the residential buildings a silvery finish to match the office blocks. How they are similar, how they differ, and what “Silver Skates” has to do with it – we explore in this article.
On the Dynastic Trail
The houses and townhouses of the “Tsarskaya Tropа” (“Czar’s Trail”) complex are being built in the village of Gaspra in Crimea – to the west and east of the palaces of the former grand-ducal residence “Ai-Todor”. One of the main challenges for the architects at KPLN, who developed the project, was to respond appropriately to this significant neighboring heritage. How this influenced the massing, the façades, and the way the authors work with the terrain is explored in our article.
A New Path
The main feature of the Yar Park project, designed by Sergey Skuratov for Kazan, is that it is organized along the “spine” of a multifunctional mall with an impressive multi-height atrium space in its middle. The entire site, both on the city side and the Kazanka River embankment, is open to the public. The complex is intended not to become “yet another fenced enclave” but, as urban planners say, a “polycenter” – a new point of attraction for the whole of Kazan, especially its northern part, made up of residential districts that until now have lacked such a vibrant public space. It represents a new urban planning approach to a high-density mixed-use development situated in the city center – in a sense, an “anti-quarter”. Even Moscow, one might say, doesn’t yet have anything quite like it. Well, lucky Kazan!
Beneath the Azure Sky
A depository designed by Studio 44 will soon be built in Kenozersky National Park to preserve and display the so-called “heavens” – ceiling structures characteristic of wooden churches in the Russian North, painted with biblical scenes. For each of these “heavens”, the architects created a volume corresponding in scale and dimensions to the original church interior. The result is a honeycomb-like composition, with modules derived directly from the historic monuments themselves, allowing visitors to view the icons from the historically accurate angle – from below, looking upward. How exactly this works is the subject of our story.
​The Power of Lines
The building at the very beginning of New Arbat is the result of long deliberations over how to replace the former House of Communication. Contemporary, dynamic, and even somewhat zoomorphic in character, it is structured around a large diagonal grid. The building has become a striking accent both in the perspective of the former Kalinin Avenue and in the panorama of Arbat Square. Yet, unfortunately, the original concept was not fully realized. In 2020, the Moscow ArchCouncil approved a design featuring an exoskeleton – an external load-bearing structure, which eventually turned into a purely decorative element. Still, the power of the supergraphic “holds” the building, giving it the qualities of a new urban landmark with iconic potential. How this concept took shape, what unexpected associations might underlie the grid’s form, and why the exoskeleton was never built – all this is explored in our article.
Resort on the Kama River
Wowhaus has developed a project for the reconstruction of Korabelnaya Roshcha (“Mast Grove”), a wellness resort located on the banks of the Kama River.
Nests in Primorye
The eco-park project “Nests”, designed by Aleksey Polishchuk and the company Power Technologies, received first prize at the Eco-Coast 2025 festival, organized by the Union of Architects of Russia. For a glamping site in Filinskaya Bay, the authors proposed bird-shaped houses, treehouses, and a nest-shaped observation platform, topping it all with an entrance pavilion executed in the shape of an owl.
The Angle of String Tension
The House of Music, designed by Vladimir Plotkin and the architects of TPO Reserve, resembles a harp, and when seen from above, even a bass clef. But if only it were that simple! The architecture of the complex fuses two distinct expressive languages: the lattice-like, transparent, permeable vocabulary of “classical” modernism and the sculptural, ribbon-like volumes so beloved by today’s neo-modernism. How it all works – where the catharsis lies, which compositional axes underpin the design, where the project resembles Zaryadye Concert Hall and where it does not – read in the article below.
How Historic Tobolsk Becomes a Portal to the Future
Over the past decade, the architectural company Wowhaus has developed urban strategies for several Russian cities – Vyksa, Tula, and Nizhnekamsk, to name but a few. Against this backdrop, the Tobolsk master plan stands out both for its scale – the territory under transformation covers more than 220 square kilometers – and for its complexity.
St. Petersburg vs Rome
The center of St. Petersburg is, as we know, sacred – but few people can say with certainty where this “sacred place” actually begins and ends. It’s not about the formal boundaries, “from the Obvodny Canal to the Bolshaya Nevka”, but about the vibe that feels true to the city center. With the Nevskaya Ratusha complex – built to a design that won an international competition – Evgeny Gerasimov and Sergei Tchoban created an “image of the center” within its territory. And not so much the image of St. Petersburg itself, as that of a global metropolis. This is something new, something that hasn’t appeared in the city for a long time. In this article, we study the atmosphere, recall precedents, and even reflect on who and when first called St. Petersburg the “new Rome”. Clearly, the idea is alive for a reason.
On the Wave
The project of transforming the river port and embankment in the city of Cheboksary, developed by the ATRIUM Architects, involves one of the city’s key areas. The Volga embankment is to be turned into a riverside boulevard – a multifunctional, comfortable, and expressive space for work and leisure activities. The authors propose creating a new link with the city’s main Krasnaya (“Red”) Square, as well as erecting several residential towers inspired by the shape of the traditional national women’s headdress – these towers are likely to become striking accents on the Volga panorama.
Valery Kanyashin: “We Were Given a Free Hand”
The Headliner residential complex, the main part of which was recently completed just across from Moscow City, is a kind of neighbor to the MIBC that doesn’t “play along” with it. On the contrary, the new complex is entirely built on contrast: like a city of differently scaled buildings that seems to have emerged naturally over the past 20 years – which is a hugely popular trend nowadays! And yet here – perhaps only here – such a project has been realized to its full potential. Yes, high-rises dominate, but all these slender, delicate profiles, all these exciting perspectives! And most importantly – how everything is mixed and composed together... We spoke with the project’s leader Valery Kanyashin.
​The Keystone
Until quite recently, premium residential and office complexes in Moscow were seen as the exclusive privilege of the city center. Today the situation is changing: high-quality architecture is moving beyond the confines of the Third Ring Road and appearing on the outskirts. The STONE Kaluzhskaya business center is one such example. Projects like this help decentralize the megalopolis, making life and work prestigious in any part of the city.
Perpetuum Mobile
The interior of the headquarters of Natsproektstroy, created by the IND studio team, vividly and effectively reflects the client’s field of activity – it is one of Russia’s largest infrastructure companies, responsible for logistics and transport communications of every kind you can possibly think of.
Water and Light
Church art is full of symbolism, and part of it is truly canonical, while another part is shaped by tradition and is perceived by some as obligatory. Because of this kind of “false conservatism”, contemporary church architecture develops slowly compared to other genres, and rarely looks contemporary. Nevertheless, there are enthusiasts in this field out there: the cemetery church of Archangel Michael in Apatity, designed by Dmitry Ostroumov and Prokhram bureau, combines tradition and experiment. This is not an experiment for its own sake, however – rather, the considered work of a contemporary architect with the symbolism of space, volume, and, above all, light.