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The Beauty of Smoothed Corners

ADM Studio developed a project of an office center of the Nakhimovsky Avenue in Moscow.

18 February 2014
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Office center at the Nakhimovsky Avenue © ADM

The new office center will be built in the vicinity of "Nakhimovsky Prospect" Metro station, between the Varshavskoe and Kashirskoe highways. However, with all its highly developed transport infrastructure, this area can hardly be considered attractive. Presently, it is little shy of a junkyard: piles of makeshift garages, broken asphalt, occasional unkempt trees and piles of junk welcome the passengers getting off the subway trains here. The only valuable piece of architecture that one can find here is perhaps the building of the College of Economy and Law, located along the Nakhimovsky Avenue. On its right, upon the project of SPEECH Bureau, a large business center is being built, consisting of three semicircular glass towers. 

Office center at the Nakhimovsky Avenue. Location Plan © ADM


Office center at the Nakhimovsky Avenue. View from the Sivashskaya Street © ADM

In this respect, the new complex occupies a less advantageous position: it is ousted inside of the avenue and it will get but one driveway - from the side of the Odesskaya and the Sivashskaya street along the narrow passageway amidst privately owned garages. The authors of the project could not improve this situation in any way: the garages were built here on lawful grounds, and the only intervention that was possible here was renewing the asphalt. But - ADM would not have been ADM had they not pushed all the limits to provide for this site maximally diverse and interesting landscaping solutions. So it comes as no surprise that the office volume as such occupies but a small (and rather narrow, too) fragment of the he site, while on the main territory, according to the architects, a park will be made. 

Office center at the Nakhimovsky Avenue. Driving and pedestrian traffic plan © ADM


Designing the standard-plan office building (the floor of free planning and the central communication nucleus), the architects paid special attention to the outer appearance and plastics of its facades. What the authors of the project did was divide the conditional parallelepiped into two equal parts that they shifted in respect to one another whittling away the straight corners of each one of them, after which the volume immediately took on softer features that imperceptibly echo the arches of the buildings of another business center that is under construction nearby. For finishing the facades, the architects chose glass and terra-cotta panels with a wavy pattern. The latter not only sets the strict rhythm but, by outstanding beyond the glazing surface, adds to the facades interesting depth and multidimensionality. This effect is strengthened thanks to the fact that the panels differ in their width and their relief pattern. 

Office center at the Nakhimovsky Avenue. Plan of the typical floor © ADM

Office center at the Nakhimovsky Avenue. © ADM

Thanks to the shift of the volumes on the levels of the first and second floors both side walls of the complex got cantilever protrusions resting on a row of slender round columns. It is here that the entrances to the building are organized. From the direction of the college and the Nakhimovsky Avenue, from where the most active pedestrian flow will come, the first floor of the complex will be given to a restaurant. In front of the restaurant the architects are planning to make a small public square, framed by a punctured line of concrete tubs with green plants. In the warm time of the year it will be possible to set up a summer cafe here. As for the central entrance, it is situated in the opposite side wall that is raised about three meters above the natural hill. This part of the building is turned to the Sivashskaya Street, from where the driving access to the territory of the complex will be provided. 

Office center at the Nakhimovsky Avenue. View from the Nakhimovsky Avenue © ADM

Office center at the Nakhimovsky Avenue. © ADM

Office center at the Nakhimovsky Avenue. © ADM

Totally, the building has in it 14 floors, the technical 15th floor being shifted deeper inside in respect to the main volume. The two underground floors are occupied by the parking garage that is accessed by the direct driving route from the direction of the hill, while the bottom floors are given to the public functions - a spacious double-height lobby and a restaurant. Higher up, offices are situated. Andrew Romanov stresses that the building is strictly verified by the ratio of the area of the floor, the proportions of the nucleus, and the overall height if the building. 

Still, even with all the immaculate accuracy of the contents and the expressiveness of the outward appearance, one could hardly appreciate all the benefits of the complex amidst the city environment that has been forming around the site for decades. The authors tried to change this situation as well - first of all, at the expense of their work with the terrain. The existing height difference was used by ADM for creating a most diverse and picturesque landscape: the trees come close to the road and fill the spaces between the loops of the serpentinous pedestrian road that has been "punctured through" with a set of steep staircases, while the tall grass make the landscape akin to the wild one. The minimalist design of the street lights scattered around the slope makes their presence almost ethereal. In other words, the architects are planning to surround the complex with, though small-sized, but still self-sufficient natural environment, comfortable and safe to be in, that, according to the architects' plans, will make the visitors forget the unkempt piece of the city they've just seen. 

Office center at the Nakhimovsky Avenue. Facade design © ADM

What is interesting is the fact that that the upper landing around the complex has as much greenery on it as the slope does. Arranged in a row, the fluffy treetops follow the right border of the site and further in between the complex and the college, turning into a green fence of sorts. A second line is presented by a barcode of multicolored flowerbeds, green plants, and street furniture. On the left, a car park is provided. However, even the marks of the car stalls get interrupted by flowerbeds, little trees, and a fully-fledged green lawn. 

Office center at the Nakhimovsky Avenue. Master plan © ADM
Office center at the Nakhimovsky Avenue. Section view © ADM
Office center at the Nakhimovsky Avenue. Section view © ADM
Office center at the Nakhimovsky Avenue. Plan of the second floor © ADM
Office center at the Nakhimovsky Avenue. Plan of the first floor © ADM
Office center at the Nakhimovsky Avenue. Plan of the first floor © ADM
Office center at the Nakhimovsky Avenue. Plan of the second floor © ADM


18 February 2014

Headlines now
The Big Twelve
Yesterday, the winners of the Moscow Mayor’s Architecture Award were announced and honored. Let’s take a look at what was awarded and, in some cases, even critique this esteemed award. After all, there is always room for improvement, right?
Above the Golden Horn
The residential complex “Philosophy” designed by T+T architects in Vladivostok, is one of the new projects in the “Golubinaya Pad” area, changing its development philosophy (pun intended) from single houses to a comprehensive approach. The buildings are organized along public streets, varying in height and format, with one house even executed in gallery typology, featuring a cantilever leaning on an art object.
Nuanced Alternative
How can you rhyme a square and space? Easily! But to do so, you need to rhyme everything you can possibly think of: weave everything together, like in a tensegrity structure, and find your own optics too. The new exhibition at GES-2 does just that, offering its visitor a new perspective on the history of art spanning 150 years, infused with the hope for endless multiplicity of worlds and art histories. Read on to see how this is achieved and how the exhibition design by Evgeny Ace contributes to it.
Blinds for Ice
An ice arena has been constructed in Domodedovo based on a project by Yuri Vissarionov Architects. To prevent the long façade, a technical requirement for winter sports facilities, from appearing monotonous, the architects proposed the use of suspended structures with multidirectional slats. This design protects the ice from direct sunlight while giving the wall texture and detail.
Campus within a Day
In this article, we talk about what the participants of Genplan Institute of Moscow’s hackathon were doing at the MosComArchitecture booth at the “ArchMoscow” exhibition. We also discuss who won the prize and why, and what can be done with the territory of a small university on the outskirts of Moscow.
Vertical Civilization
Genpro considered the development of the vertical city concept and made it the theme of their pavilion at the “ArchMoscow” exhibition.
Marina Yegorova: “We think in terms of hectares, not square meters”
The career path of architect Marina Yegorova is quite impressive: MARHI, SPEECH, MosComArchitectura, the Genplan Institute of Moscow, and then her own architectural company. Its name Empate, which refers to the words “to draw” in Portuguese and “to empathize” in English, should not be misleading with its softness, as the firm freely works on different scales, including Integrated Territorial Development projects. We talked with Marina about various topics: urban planning experience, female leadership style, and even the love of architects for yachting.
Andrey Chuikov: “Optimum balance is achieved through economics”
The Yekaterinburg-based architectural company CNTR is in its mature stage: crystallization of principles, systematization, and standardization helped it make a qualitative leap, enhance competencies, and secure large contracts without sacrificing the aesthetic component. The head of the company, Andrey Chuikov, told us about building a business model and the bonuses that additional education in financial management provides for an architect.
The Fulcrum
Ostozhenka Architects have designed two astonishing towers practically on the edge of a slope above the Oka River in Nizhny Novgorod. These towers stand on 10-meter-tall weathered steel “legs”, with each floor offering panoramic views of the river and the city; all public spaces, including corridors, receive plenty of natural light. Here, we see a multitude of solutions that are unconventional for the residential routine of our day and age. Meanwhile, although these towers hark back to the typological explorations of the seventies, they are completely reinvented in a contemporary key. We admire Veren Group as the client – this is exactly how a “unique product” should be made – and we tell you exactly how our towers are arranged.
Crystal is Watching You
Right now, Museum Night has kicked off at the Museum of Architecture, featuring a fresh new addition – the “Crystal of Perception”, an installation by Sergey Kuznetsov, Ivan Grekov, and the KROST company, set up in the courtyard. It shimmers with light, it sings, it reacts to the approach of people, and who knows what else it can do.
The Secret Briton
The house is called “Little France”. Its composition follows the classical St. Petersburg style, with a palace-like courtyard. The decor is on the brink of Egyptian lotuses, neo-Greek acroteria, and classic 1930s “gears”; the recessed piers are Gothic, while the silhouette of the central part of the house is British. It’s quite interesting to examine all these details, attempting to understand which architectural direction they belong to. At the same time, however, the house fits like a glove in the context of the 20th line of St. Petersburg’s Vasilievsky Island; its elongated wings hold up the façade quite well.
The Wrap-Up
The competition project proposed by Treivas for the first 2021 competition for the Russian pavilion at EXPO 2025 concludes our series of publications on pavilion projects that will not be implemented. This particular proposal stands out for its detailed explanations and the idea of ecological responsibility: both the facades and the exhibition inside were intended to utilize recycled materials.
Birds and Streams
For the competition to design the Omsk airport, DNK ag formed a consortium, inviting VOX architects and Sila Sveta. Their project focuses on intersections, journeys, and flights – both of people and birds – as Omsk is known as a “transfer point” for bird migrations. The educational component is also carefully considered, and the building itself is filled with light, which seems to deconstruct the copper circle of the central entrance portal, spreading it into fantastic hyper-spatial “slices”.
Faraday Grid
The project of the Omsk airport by ASADOV Architects is another concept among the 14 finalists of a recent competition. It is called “The Bridge” and is inspired by both the West Siberian Exhibition of 1911 and the Trans-Siberian Railway bridge over the Irtysh River, built in 1896. On one hand, it carries a steampunk vibe, while on the other, there’s almost a sense of nostalgia for the heyday of 1913. However, the concept offers two variants, the second one devoid of nostalgia but featuring a parabola.
Midway upon the Journey of Our Life
Recently, Tatlin Publishing House released a book entitled “Architect Sergey Oreshkin. Selected Projects”. This book is not just a traditional book of the architectural company’s achievements, but rather a monograph of a more personal nature. The book includes 43 buildings as well as a section with architectural drawings. In this article, we reflect on the book as a way to take stock of an architect’s accomplishments.
Inverted Fortress
This year, there has been no shortage of intriguing architectural ideas around the Omsk airport. The project developed by the architectural company KPLN appeals to Omsk’s history as a wooden fortress that it was back in the day, but transforms the concept of a fortress beyond recognition: it “shaves off” the conical ends of “wooden logs”, then enlarges them, and then flips them over. The result is a hypostyle – a forest of conical columns on point supports, with skylights on top.
Transformation of Annenkirche
For Annenkirche (St. Anna Lutheran Church in St. Petersburg), Sergey Kuznetsov and the Kamen bureau have prepared a project that relies on the principles of the Venice Charter: the building is not restored to a specific date, historical layers are preserved, and modern elements do not mimic the authentic ones. Let’s delve into the details of these solutions.
The Paradox of the Temporary
The concept of the Russian pavilion for EXPO 2025 in Osaka, proposed by the Wowhaus architects, is the last of the six projects we gathered from the 2022 competition. It is again worth noting that the results of this competition were not finalized due to the cancellation of Russia’s participation in World Expo 2025. It should be mentioned that Wowhaus created three versions for this competition, but only one is being presented, and it can’t be said that this version is thoroughly developed – rather, it is done in the spirit of a “student assignment”. Nevertheless, the project is interesting in its paradoxical nature: the architects emphasized the temporary character of the pavilion, and in its bubble-like forms sought to reflect the paradoxes of space and time.
The Forum of Time
The competition project for the Russian Pavilion at EXPO 2025 in Osaka designed by Aleksey Orlov and Arena Project Institute consists of cones and conical funnels connected into a non-trivial composition, where one can feel the hand of architects who have worked extensively with stadiums and other sports facilities. It’s very interesting to delve into its logic, structurally built on the theme of clocks, hourglasses and even sundials. Additionally, the architects have turned the exhibition pavilion into a series of interconnected amphitheaters, which is also highly relevant for world exhibitions. We are reminding you that the competition results were never announced.
Mirrors Everywhere
The project by Sergey Nebotov, Anastasia Gritskova, and the architectural company “Novoe” was created for the Russian pavilion at EXPO 2025, but within the framework of another competition, which, as we learned, took place even earlier, in 2021. At that time, the competition theme was “digital twins”, and there was minimal time for work, so the project, according to the architect himself, was more of a “student assignment”. Nevertheless, this project is interesting for its plan bordering on similarity with Baroque projects and the emblem of the exhibition, as well as its diverse and comprehensive reflectiveness.
The Steppe Is Full of Beauty and Freedom
The goal of the exhibition “Dikoe Pole” (“Wild Field”) at the State Historical Museum was to move away from the archaeological listing of valuable items and to create an image of the steppe and nomads that was multidirectional and emotional – in other words, artistic. To achieve this goal, it was important to include works of contemporary art. One such work is the scenography of the exhibition space developed by CHART studio.
The Snowstorm Fish
The next project from the unfinished competition for the Russian Pavilion at EXPO 2025, which will be held in Osaka, Japan, is by Dashi Namdakov and Parsec Architects. The pavilion describes itself as an “architectural/sculptural” one, with its shape clearly reminiscent of abstract sculpture of the 1970s. It complements its program with a meditative hall named “Mendeleev’s Dreams”, and offers its visitors to slide from its roof at the end of the tour.
The Mirror of Your Soul
We continue to publish projects from the competition for the design of the Russian Pavilion at EXPO in Osaka 2025. We are reminding you that the results of the competition have not been announced, and hardly will ever be. The pavilion designed by ASADOV Architects combines a forest log cabin, the image of a hyper transition, and sculptures made of glowing threads – it focuses primarily on the scenography of the exhibition, which the pavilion builds sequentially like a string of impressions, dedicating it to the paradoxes of the Russian soul.
Part of the Ideal
In 2025, another World Expo will take place in Osaka, Japan, in which Russia will not participate. However, a competition for the Russian pavilion was indeed held, with six projects participating. The results were never announced as Russia’s participation was canceled; the competition has no winners. Nevertheless, Expo pavilion projects are typically designed for a bold and interesting architectural statement, so we’ve gathered all the six projects and will be publishing articles about them in random order. The first one is the project by Vladimir Plotkin and Reserve Union, which is distinguished by the clarity of its stereometric shape, the boldness of its structure, and the multiplicity of possible interpretations.
The Fortress by the River
ASADOV Architects have developed a concept for a new residential district in the center of Kemerovo. To combat the harsh climate and monotonous everyday life, the architects proposed a block type of development with dominant towers, good insolation, facades detailed at eye level, and event programming.
In the Rhombus Grid
Construction has begun on the building of the OMK (United Metallurgical Company) Corporate University in Nizhny Novgorod’s town of Vyksa, designed by Ostozhenka Architects. The most interesting aspect of the project is how the architects immersed it in the context: “extracting” a diagonal motif from the planning grid of Vyksa, they aligned the building, the square, and the park to match it. A truly masterful work with urban planning context on several different levels of perception has long since become the signature technique of Ostozhenka.
​Generational Connection
Another modern estate, designed by Roman Leonidov, is located in the Moscow region and brings together three generations of one family under one roof. To fit on a narrow plot without depriving anyone of personal space, the architects opted for a zigzag plan. The main volume in the house structure is accentuated by mezzanines with a reverse-sloped roof and ceilings featuring exposed beams.
Three Dimensions of the City
We began to delve into the project by Sergey Skuratov, the residential complex “Depo” in Minsk, located at Victory Square, and it fascinated us completely. The project has at least several dimensions to it: historical – at some point, the developer decided to discontinue further collaboration with Sergey Skuratov Architects, but the concept was approved, and its implementation continues, mostly in accordance with the proposed ideas. The spatial and urban planning dimension – the architects both argue with the city and play along with it, deciphering nuances, and finding axes. And, finally, the tactile dimension – the constructed buildings also have their own intriguing features. Thus, this article also has two parts: it dwells on what has been built and what was conceived
New “Flight”
Architects from “Mezonproject” have developed a project for the reconstruction of the regional youth center “Polyot”(“Flight”) in the city of Oryol. The summer youth center, built back in the late 1970s, will now become year-round and acquire many additional functions.
The Yauza Towers
In Moscow, there aren’t that many buildings or projects designed by Nikita Yavein and Studio 44. In this article, we present to you the concept of a large multifunctional complex on the Yauza River, located between two parks, featuring a promenade, a crossroads of two pedestrian streets, a highly developed public space, and an original architectural solution. This solution combines a sophisticated, asymmetric façade grid, reminiscent of a game of fifteen puzzle, and bold protrusions of the upper parts of the buildings, completely masking the technical floors and sculpting the complex’s silhouette.