По-русски

Collected Works

Designing a large residential project for Odintsovo area of Moscow region, Alexey Ivanov’s Workshop “Arkhstroydesign ASD” has developed several layouts of building.

13 March 2013
mainImg
Architect:
Aleksey Ivanov
Firm:
Arkhstroydesign ASD
Object:
VTB City
Russia, Moscow, Moscow Region, Odintsovo area, settlement of Uspenskoe

2011 — 2012

The tender for the sketch plan of the new district took place in December of last year. It was organized by the company “VTB Real Estate” which holds a territory of 99.87 hectares in arguably the most prestigious area of Moscow region, between Rublyovo-Uspensky and Novorizhskoye highways. About a half of these hectares though falls on the restricted zone of the gas pipeline, which breaks up the area into three nearly equal segments. On the one hand, it forced the investor to include a landscape park into the future residential district (there are no other possible options of using this area). On the other hand, it suggested him an idea of creating three neighborhoods of different class. Basically, these neighborhoods were the actual subject of the tender - the participants had to suggest either an option of a neighborhood of low-rise residential houses, or a district of townhouses, or a cottage settlement. Alexey Ivanov’s Workshop “Arkhstroydesign ASD” having an impressive experience in each of the mentioned genres, suggested a perspective of developing the whole territory. That is why they named the project “Anthology”.

“Our “Collected Works” not only suggests different forms of site development but also three essentially different master plans, – says architect Alexey Ivanov. – We proceeded from the assumption that cottage buyers appreciate a more traditional housing, the audience for townhouses doesn’t mind some liberties, and the dwellers of the city block are open to innovations and experiments. So our design concept of the housing gradually evolves from traditional to futuristic”.

Actually, already by the time of the tender, the customer had a rather detailed zoning scheme of the future district and the layout of the three neighborhoods. However, the participants of the contest could change it at will, and Alexey Ivanov’s team used this opportunity. In the scheme, the site itself has a very intricate shape: you might probably compare it only with a hammer with a pointed tip. This very tip is the border of the area, closest to the road, which is planned to be a neighborhood of low-rise multifamily housing. The rectangular area of townhouses spreads on the other side of the “handle”, perpendicular to the road that runs through the park; and only behind the park area there is the future cottage settlement with a layout that looks like a fish with its tail leaning to the park and its sharp nose turned away from the highway.

Original master plan of the territory

According to the plan of VTB the “fish” was dotty with households – square houses and compact lots that the territory is cut into. Between the building lines VTB ran a road that forms a simple loop in the center of the village. “It seems as though a lasso was thrown in there – says Alexey Ivanov, who found this layout not very humane from the very beginning – Too many houses, no hierarchy of space and, as a result, no harmonized environment – only cottages, fences, and roads”. The architects came up with another town-building design: they built a central avenue, shifting it closer to the western boundary of the site; in its broadest point they outlined a semi-circle, arranging the houses like an amphitheater in the center of which they placed a public square. In order not to place all the households along one single axis the architects shoot out several short “sprouts” and projected another loop closer to the park. As a result, the panorama of the township became more interesting and the total number of households is almost in no loss. As to the architectural design of the cottages, Alexey Ivanov stays loyal to his principle: offer to the customer only time-proved options. Almost flat roofs with wide overhangs, large windows, the combination of dark stone and light wood are all obvious allusions to Wright’s “Prairie House” and the architect admits it. The use of wood adds seclusion and warmth to the houses, creating an image of a cozy countryside dwelling, close to the nature.

Master plan developed by Aleksey Ivanov studio

Townhouses in developers’ project looked like two snakes intertwining between the driveways on one side or the other. It seemed like an interesting layout idea but it expanded on the whole territory it might have caused monotony of the surrounding panorama. “Arkhstroydesign ASD” built a road along the perimeter of the site intending to separate it from the motorway with planted land instead of houses. This choice helped to keep the townhouses as far from the road as possible. The houses are interconnected in various ways: stepwise, in stiches and in small arcs. Such arrangement allowed placing a maximum number of houses on the site, but due to the fact that all of them were turned in different ways, none of them face each other “window to window”. Multi-gabled roofs and sections of different height turned different ways emphasize the feeling of privacy of every separate house. These volumes seem to be formed of several houses inserted into one another. This makes their silhouettes picturesque and compensates for the high density of the housing.

And finally the low-rise district is carried out in a deliberately futuristic way.

Alexandr Khomyakov, the author of the master plan, called it “Flexibility” which implies a flexible approach to the site cultivation, i.e. changing stages of construction and financing and the possibility of independent adjustment of each cluster. Transportation services are provided on the outer perimeter of the lot. In a pointed triangle of the sector, the architects introduce a bisector of a wide green boulevard with houses on both sides. These are fairly large structures, shaped like ovals and smooth arcs in the plan, and therefore reminding ships. Certain similarity with liners is achieved through numerous terraces formed by the reducing the area of each consecutive floor, and also through coating the building with transparent and colored glass. Stylobates of all the buildings are developed to the maximum. Not only do they hold numerous public functions and parking, they also serve to organize cozy pedestrian plazas, protected from sun and rain. The architects apply the green roof system, thus the main deck of the ship-houses turns into a fully-fledged public garden connected to the adjacent park with a wide bridge. In fact, the boulevard gets a whole upper level mainly meant for the dwellers.

In other words, the architects join each of the segments of the future “VTB city” landscape park. It turns into a boulevard that leads through the gated estate, then a broad promenade through the townhouse district, and finally as a wide protuberance it floats into the low-storey section. This gives a clear flavor of country life to city-like (both in its spirit and density) landscape.



Architect:
Aleksey Ivanov
Firm:
Arkhstroydesign ASD
Object:
VTB City
Russia, Moscow, Moscow Region, Odintsovo area, settlement of Uspenskoe

2011 — 2012

13 March 2013

Headlines now
The Golden Crown
The concept for a dental clinic in Yekaterinburg, developed by CNTR Studio, revolves around the idea of a “mouth full of gold”: pristine white porcelain stoneware walls are complemented by matte brass details. To avoid an overly literal interpretation, the architects focused on the building’s proportions, skillfully navigating between sunlight requirements and fire safety regulations.
Flexibility and Integration
Not long ago, we covered the project for the fourth phase of the ÁLIA residential complex, designed by APEX. Now, we’ve been shown different fence concepts they developed to enclose the complex’s private courtyards, incorporating a variety of public functions. We believe that the sheer fact that the complex’s architects were involved in such a detail as fencing speaks volumes.
A Step Forward
The HIDE residential complex represents a major milestone for ADM architects and their leaders Andrey Romanov and Ekaterina Kuznetsova in their quest for a fresh high-rise aesthetic – one that is flexible and layered, capable of bringing vibrancy to mass and silhouette while shaping form. Over recent years, this approach has become ADM’s “signature style”, with the golden HIDE tower playing a pivotal role in its evolution. Here, we delve into the project’s story, explore the details of the complex’s design, and uncover its core essence.
Gold in the Sands
A new office for a transcontinental company specializing in resource extraction and processing has opened in Dubai. Designed by T+T Architects, masters of creating spaces that are contemporary, diverse, flexible, and original, this project exemplifies their expertise. On the executive floor, a massive brass-clad partition dominates, while layered textures of compressed earth create a contextually resonant backdrop.
Layers and Levels of Flight
This project goes way back – Reserve Union won this architectural competition at the end of 2011, and the building was completed in 2018, so it’s practically “archival”. However, despite being relatively unknown, the building can hardly be considered “dated” and remains a prime example of architectural expression, particularly in the headquarters genre. And it’s especially fitting for an aviation company office. In some ways, it resembles the Aeroflot headquarters at Sheremetyevo but with its own unique identity, following the signature style of Vladimir Plotkin. In this article, we take an in-depth look at the United Aircraft Corporation (UAC) headquarters in the Moscow agglomeration town of Zhukovsky, supplemented by recent photographs from Alexey Naroditsky – a shoot that became only recently possible due to the fact that improvements were finally made in the surrounding area.
Light and Shadow
In this article, we delve into the architectural design of the “Chaika” house by DNK ag architects, which was recently completed in 2023 as part of the collection of signature designs at ZILArt. As is well-known, all the buildings in this complex follow a design code, yet each one is distinct. This particular building stands out not only for its whiteness and minimalism but also for the refined use of a limited number of techniques that, together, create what can confidently be called synergy.
Casus Novae
A master plan was developed for a large residential area with a name of “DNS City”, but now that its implementation began, the plan has been arbitrarily reformatted and replaced with something that, while similar on the surface, is actually quite different. This is not the first time such a thing happens, but it’s always frustrating. With permission from the author, we are sharing Maria Elkina’s post.
Treasure Hunting
The GAFA bureau, in collaboration with Tegola and Arkhitail, organized an expedition to the island of Kilpola in Karelia as part of Moskomarkhitektura’s “Open City” festival. There, amidst moss and rocks, the students sought answers to questions like: what is the sacred, where does it dwell, and what sustains it? Assisting the participants in this quest were landscape engineer Evgeny Levin, artist Nicholas Roerich, a moose, and the lack of cellular connection. Here’s how the story unfolded.
Depths of the Earth, Streams of Water
In the Malaya Okhta district, the Akzent building, designed by Stepan Liphart, was constructed. It follows a classic tripartite structure, yet it’s what you might call “hand-drawn”: each façade is unique in its form and details, some of which aren’t immediately noticeable. In this article, we explore the context and, together with the architect, delve into how the form was developed.
Fir Tree Dynamics
The “Airports of Region” holding is planning to build an airport in Karachay-Cherkessia, aiming to make the Arkhyz and Dombay resorts more accessible to travelers. The project that won in an invitation-only competition, submitted by Sergey Nikeshkin’s KPLN, blends natural imagery inspired by the shape of a conifer seed, open-air waiting spaces, majestic large trees, and a green roof elevated on needle-like columns. The result is both nature-inspired and WOW.
​A Brick Shell
In the process of designing a clubhouse situated among pine trees in a prestigious suburban area near Moscow, the architectural firm “A.Len” did the façade design part. The combination of different types of brick and masonry correlates with the volumetric and plastique solutions, further enhanced by the inclusion of wood-painted fragments and metal “glazing”.
Word Forms
ATRIUM architects love ambitious challenges, and for the firm’s thirtieth anniversary, they boldly play a game of words with an exhibition that dives deep into a self-created vocabulary. They immerse their projects – especially art installations – into this glossary, as if plunging into a current of their own. You feel as if you’re flowing through the veins of pure art, immersed in a universe of vertical cities, educational spaces – of which the architects are true masters – and the cultural codes of various locations. But what truly captivates is the bold statement that Vera Butko and Anton Nadtochy make, both through their work and this exhibition: architecture, above all, is art – the art of working with form and space.
Flexibility and Acuteness of Modernity
Luxurious, fluid, large “kokoshniks” and spiral barrel columns, as if made from colorful chewing gum: there seem to be no other mansion like this in Moscow, designed in the “Neo-Russian-Modern” style. And the “Teremok” on Malaya Kaluzhskaya, previously somewhat obscure, has “come alive with new colors” and gained visibility after its restoration for the office of the “architectural ecosystem” as the architects love to call themselves. It’s evident that Julius Borisov and the architects at UNK put their hearts into finding this new office and bringing it up to date. Let’s delve into the paradoxes of this mansion’s history and its plasticity. Spoiler: two versions of modernity meet here, both balancing on the razor’s edge of “what’s current”.
Yuri Vissarionov: “A modular house does not belong to the land”
It belongs to space, or to the air... It turns out that 3D printing is more effective when combined with a modular approach: the house is built in a workshop and then adapted to the site, including on uneven terrain. Yuri Vissarionov shares his latest experience in designing tourist complexes, both in central Russia and in the south. These include houseboats, homes printed from lightweight concrete using a 3D printer, and, of course, frame houses.
​Moscow’s First
“The quality of education largely depends on the quality of the educational environment”. This principle of the last decade has been realized by Sergey Skuratov in the project for the First Moscow Gymnasium on Rostovskaya Embankment in the Khamovniki district. The building seamlessly integrates into the complex urban landscape, responding both to the pedestrian flow of the city and the quiet alleyways. It skillfully takes advantage of the height differences and aligns with modern trends in educational space design. Let’s take a closer look.
Looking at the Water
The site of Villa Sonata stretches from the road to the water’s edge, offering its own shoreline, pier, and a picturesque river panorama. To reveal these sweeping views, Roman Leonidov “cut” the façade diagonally parallel to the river, thus getting two main axes for the house and, consequently, “two heads”. The internal core – two double-height spaces, a living room and a conservatory, with a “bridge” above them – makes the house both “transparent” and filled with light.
The White Wing
Well, it’s not exactly white. It’s more of a beige, white-stone structure that plays with the color of limestone – smoother surfaces are lighter, while rougher ones are darker. This wing unites various elements: it absorbs and interprets the surrounding themes. It responds to everything, yet maintains a cohesive expression – a challenging task! – while also incorporating recognizable features of its own, such as the dynamic cuts at the bottom, top, and middle.
Urban Dunes
The XSA Ramps team designed and built a three-part sports hub for a park in Rostov-on-Don, welcoming people of all ages and fitness levels. The skate plaza, pump track, and playground are all meticulously crafted with details that attract a diverse range of visitors. The technical execution of the shapes and slopes transforms this space into a kind of sculptural composition.
Proportional Growth
The project for the fourth phase of the ÁLIA residential area has been announced. The buildings are situated on an elongated plot – almost a “ray” that shoots out from the center of the area towards the river. Their layout reflects both a response to Moscow’s architectural preferences over the past 15 years, shifting “from blocks to towers”, and an interpretation of the neighboring business park designed by SOM. Additionally, the best apartments here are not located at the very top but closer to the middle, forming a glowing “waistline”.
The “Staircase” Building
In designing the “Details” residential complex in New Moscow, Rais Baishev spiced up the now-popular Moscow theme of a “courtyard” building with an idea drawn from the surrealist drawings by Maurits Escher. He envisioned the stepped silhouettes and descending slopes as a metaphysical mega-staircase, creating a key void within the courtyard that gave the project an internal “spine”. This concept is felt both in the building’s silhouette and on its façades.
Projection of the Quarter
No one doubted that the building that Vladimir Plotkin designed as part of the “Garden Quarters” would be the most modernist of all. And it turned out just that way: while adhering to the common design code, the building successfully combines brick and white stone, rhythmically responding to the neighboring building designed by Ostozhenka, yet tactfully and persistently making a few statements of its own. This includes the projection of the ideal urban development composition “14–9–6”, which can be found right next door, mathematical calculations, including those for various types of terraces (and perhaps the only reminder of the Soviet past of the Kauchuk rubber factory!), and the white “cross-stitch” pattern of the façade grid.
Domus Aurea
In this issue, we examine the “Tessinsky-1” house, designed by Sergey Skuratov and completed in 2023. Located in the middle of the Serebryanicheskaya Embankment district, at the intersection of its main streets, this house assumes a sort of “nodal” role: it not only responds to everything around it and preserves many memories of the former EMA factory within itself, but it weaves all this into a newly directed pattern, reconciling bright “gold” and dark-colored brick, largely with the help of the new, modern-yet-archaic Columba brick, which, come to think about it, is the most precious element here.
The Chimney of Nikola-Lenivets
In this issue, we are examining the “Obelisk House” designed by KATARSIS and built for the Arkhstoyanie 2023 festival. However, it was only finished later on, and this is why we are examining it now. It seems to us that after the “Obelisk House” appeared in Nikola-Lenivets, a dialogue and a few inner connections appeared between the temporary structures built here. These houses no longer look like “accidental neighbors”, more of which below.
​Periscope by the Bay
The jury awarded the second place in the competition for a public and cultural center in Petropavlovsk-Kamchatsky to the companies GORA (“Mountain”) and M4. In the consortium’s proposal, the building resembles a sperm whale with a calf swimming next to it or a periscope, whose lenses capture the most spectacular views from the surrounding landscape.
From Arcs to Dolmens
While working on the competition project for Petropavlovsk-Kamchatsky, ASADOV Architects prioritized the value of the natural and urban environment, aiming to preserve the balance of the location while minimizing the resemblance of the volume that they designed to a “traditional building”. The task was challenging, and the architects created three versions, one of which having been developed after the competition, where their main proposal took third place. However, the point of interest here is not the competition result but the continuity of creative thinking.
Hide and Seek
The ID Moskovskiy house, designed by Stepan Liphart in St. Petersburg, in the courtyards near Moskovskiy Avenue beyond the Obvodny Canal and recently completed, is notable for several reasons. Firstly, it has been realized with considerable accuracy, which is particularly significant as this is the first building where the architect was responsible not only for the facades but also for the layouts, allowing for better integration between the two. On the other hand, this building is interesting as an example of the “germination” of new architecture in the city: it draws on the best examples from the neighborhood and becomes an improved and developed sum of ideas found by the architect in the surrounding context.
The Big Twelve
Yesterday, the winners of the Moscow Mayor’s Architecture Award were announced and honored. Let’s take a look at what was awarded and, in some cases, even critique this esteemed award. After all, there is always room for improvement, right?
Above the Golden Horn
The residential complex “Philosophy” designed by T+T architects in Vladivostok, is one of the new projects in the “Golubinaya Pad” area, changing its development philosophy (pun intended) from single houses to a comprehensive approach. The buildings are organized along public streets, varying in height and format, with one house even executed in gallery typology, featuring a cantilever leaning on an art object.
Nuanced Alternative
How can you rhyme a square and space? Easily! But to do so, you need to rhyme everything you can possibly think of: weave everything together, like in a tensegrity structure, and find your own optics too. The new exhibition at GES-2 does just that, offering its visitor a new perspective on the history of art spanning 150 years, infused with the hope for endless multiplicity of worlds and art histories. Read on to see how this is achieved and how the exhibition design by Evgeny Ace contributes to it.
Blinds for Ice
An ice arena has been constructed in Domodedovo based on a project by Yuri Vissarionov Architects. To prevent the long façade, a technical requirement for winter sports facilities, from appearing monotonous, the architects proposed the use of suspended structures with multidirectional slats. This design protects the ice from direct sunlight while giving the wall texture and detail.